Planet Desert Rock Weekend Announces Lineup with John Garcia, Wino, Wo Fat, Sasquatch and More

Posted in Whathaveyou on October 17th, 2018 by JJ Koczan

planet desert rock weekend john garcia

Last week, John Garcia and the Band of Gold announced that a lone US appearance would take place in Las Vegas on Nov. 29. As presented by Vegas Rock Revolution, that show will be the first of a three-evening event called the Planet Desert Rock Weekend, also featuring headlining spots from Scott “Wino” Weinrich and Texas fuzz-blues stalwarts Wo Fat, as well as support from the likes of House of Broken PromisesFreedom HawkSasquatchPowered Wig MachineValley of the SunThe Heavy Eyes, and so on. The venue changes each night, but there’s no question what’s happening here: It’s a festival.

Look. I can’t tell you how to live your life. Well, I could — eat right, try to get some exercise, love everybody, etc. — but I can’t tell you where to go on any given day. Even aside from this being a rare chance to catch John Garcia in the States, this lineup is pretty much unfuckwithable. Vegas may be known as the land of Psycho, but without a doubt, Planet Desert Rock is looking to make an impact of its own in underground heavy. If you were there to see it, I can’t imagine you’d have regrets later.

Awesome posters by Joey Rudell, full lineup and info follow, courtesy of the fest’s social medias:

Planet Desert Rock Weekend

A Desert Rock Weekend Experience of amazing music from all over the country. Each band hand selected to ensure amazing relevant lineups daily. No fillers just got music.

3 nights of amazing Heavy Rock lineups

Night 1 starts off with legendary vocalist John Garcia of Kyuss. This is a exclusive evening that has never happened before. He will be singing songs from all his bands including Kyuss, Unida (Arthur Seay on guitar) , Hermano (Dave Angstrom on guitar) and Slo Burn (Chris Hale on Guitar). Former Kyuss bandmate Nick Oliveri will also be playing a song or two with John. Luna Sol featuring Angstrom also on the bill as well as Nick Oliveri and Arthur Seay’s Death in Pretty Wrapping with Unida/House of Broken Promises bandmate Mike Cancino on drums. This will be John Garcia only show in the U.S. in 2018. Vinyl at Hard Rock Casino is home to this very special one time event Thursday night.

Night 2 The Bunkhouse Saloon in Downtown Las Vegas hosts headliner Scott “Wino” Weinrich. Longtime heavy rock vocalist with such iconic underground bands as The Obsessed, Spirit Caravan , Saint Vitus and Shrinebuilder. Also joining on the bill will be heavy rock veterans Valley of the Sun who is rising from the ashes and gearing up for a big 2019 with a new album. The Heavy Eyes comes in from blues town Memphis with their psychedelic bluesy rock style and their own very unique catchy sound. House of Broken Promises featuring Arthur Seay and Mike Cancino of Unida fame will be representing Indio CA with riff rocking madness. War Cloud out of Oakland revs up with a late 70s/early 80s high energy styled metal/rock. King Chiefs (formerly Chiefs) gives a 90s grunge era style to this stacked lineup.

Night 3 is highlighted by a rare west coast appearance by Wo-Fat out of Dallas Texas. This power trio has played all over the world at many of the top festivals including DesertFest. Thick Bluesy psychedelic explosion of heavy rock would be a start to describing their incredible sound. World travelled Sasquatch joins the party as one of the premier bands poised for next level breakthrough. Freedom Hawk flies over from Virginia Beach bringing with them catchy rocking songs with duel guitar action. One of the most consistent bands in the stoner rock genre. Powered Wig Machine gets its motor running again after a little layoff as Wayne and Joey Rudell of Fuzz Evil play the epitome of desert rock style blended with retro rock influences. Blackwulf flies down from Oakland on the heals of their last highly acclaimed album which featured former Pentagram member Geoff O’Keefe. Heavy riff rocking live band. Red Desert makes a special appearance coming all the way from Minnesota as they prepare for a big 2019 with a new album/EP. Desert rock sound blended with stoner and doom. Beauty Bar downtown on Fremont street is home to this all star lineup.

We are very proud of these lineups and will only have a limited amount of tickets to sale as each of the last 2 locations have only room from 270 or so……snag those tickets as this is first come first serve. Cool vibe and stacked lineups will be happening each and every night. Our hopes is to develop this into something heavy rock bands and fans can flourish in for future shows. See you soon !

Tickets available on each of these links for the individual days

Night 1 –John Garcia and Friends – NOV. 29
https://www.facebook.com/events/2217039788574233/

Night 2 –Wino/ Valley of the Sun/ The Heavy Eyes/ House of Broken Promises/ War Cloud/ King Chiefs – NOV. 30
https://www.facebook.com/events/734357036916015/

Night 3 — Wo-Fat / Sasquatch/ Freedom Hawk/ Powered Wig Machine/ Blackwülf/ Red Desert – DEC. 1
https://www.facebook.com/events/296321447858932/

https://www.facebook.com/VRRProductions/
https://www.facebook.com/vegasrockrevolution/

Wo Fat, Live in Oklahoma City, OK, Aug. 10, 2018

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Giveaway & Video Premiere: Chubby Thunderous Bad Kush Masters, “Döner Trump”

Posted in Bootleg Theater, Features on October 17th, 2018 by JJ Koczan

chubby thunderous bad kush masters

[Enter the contest to win one of two vinyl merch goodie packs from Chubby Thunderous Bad Kush Masters by leaving a comment on this post. Make sure your email address is in the form provided so I can contact you if you win. That’s it.]

There are two facts you should know going into the video below. First, Chubby Thunderous Bad Kush Masters are fucking awesome, though if you don’t know that, you will soon enough. Second, döner is Turkish street meat. Sometimes gross Turkish street meat. It’s sold in London and elsewhere in small shops with rotating slabs of wrong-looking product from which the meat is cut off in slices and served in pita in styrofoam trays. It is not the kind of thing one should or would eat while sober. It is the kind of thing you might regret later regardless of your level of lucidity. It’s like a gyro, but not a gyro the way Chinese dumplings aren’t ravioli. Okay.

But not to stray too far from the first point, Chubby Thunderous Bad Kush Masters — who are right up there with the finest executions of the UK’s silly-long-names-for-really-good-bands program — made their awaited full-length debut over the summer through Riff Rock Records with the charmingly titled Come and Chutney, a collection of eight blazed-out rockers fueled by sludge fuckall, tight grooves like those of “Cojones Feos” or the flatulence-laden “Gutlads” and an underlying current of punk and filthy thrash in cuts like “Krones of the Kiln” and “Döner Trump” that set up the sprawling stoner exploration of the finale “Psychedelic Hallucinogenic Vagrancy.” Opening with nasty intentions quickly on “Doggy Bad of Slurry,” it’s an album willfully crass that nonetheless makes its case via songwriting and the grit of its tones. Comprised of guitarist/vocalist Owen Carty, bassist Will Hart and drummer Mark Buckwell, Chubby Thunderous slush and stomp their way through all manner of much and bodily fluids in order to make their point, but there’s no questioning they do precisely that. Building on the accomplishments of their 2015 debut EP, Earth Hog (review here), and their 2017 split with Ten Foot Wizard (review here), the three-piece arrive at their first long-player with a firm sense of who they are as a band and exactly the kind of sonic mayhem they want to cause.

chubby thunderous bad kush masters come and chutneyOne of the best debuts of 2018? Absolutely. Because while the outward aesthetic may be one of destructive disaffection, the foundation from which Chubby Thunderous Bad Kush Masters execute that is more than solid enough to sustain them. They’re not a sloppy band, as the tense, drum-led rhythm and low-end air-push of “Gawdless” shows,” and though Carty‘s vocals are a harsh, bad-drug sneer throughout, they’re not completely void of melody either, even when they might otherwise be, on the nod-inducing “Glue Ear” or the thrust of the aforementioned “Döner Trump,” which seems to bask in multi-tiered disgust at its subject matter. Further, when they arrive at “Psychedelic Hallucinogenic Vagrancy,” its departure isn’t completely without preface thanks to the subdued launch of “Doggy Bad of Slurry,” though where it heads from there, with the Mellotron and guest appearances from Vodun‘s Chantal Brown, Ten Foot Wizard‘s Gary Harkin and Thom Carter of Riddles, is most definitely in a sphere of its own as regards the rest of the record, pulling back on tempo and passing the 10-minute mark with an open vibe and pervasive swirl of wah. Given the aggression of so much of what surrounds, it’s hard to believe at first, but by the time Brown‘s operatics arrive circa four minutes in, yeah, it’s for real. While we’re talking highlights, the subsequent verse Brown carries is a gem, and the instrumental buildup that follows, with the keys/synth adding to the wash along with the vocals cutting through, is a fitting end both to the track and the record as a whole. I’m not gonna say Chubby Thunderous aren’t fucking around on Come and Chutney. They are, to be sure. That doesn’t change the quality of the results.

For those of us who haven’t had the pleasure of seeing the band on stage, they have a new live video for “Döner Trump” filmed at The Black Heart in Camden Town, which, so far as I know, hasn’t changed its policy about letting even well-supervised babies hang out at the bar downstairs. So it goes. Still a great place to see a show, and from the looks of things, Chubby Thunderous Bad Kush Masters put on a hell of a one. If you find yourself at any point going “eww” as regards their general sound, that’s the idea, but I suspect that if you haven’t encountered them before — and you probably have by now, I know; but just in case — the energy with which they bring “Döner Trump” to bear is no less infectious than the song itself. And these dudes certainly do seem to be infected.

If you want the vinyl — and you do — leave a comment on this post to get it and I’ll hit you up if you win. No, I’m not gonna keep your email address and blah blah blah all that shit. Either way, please enjoy:

Chubby Thunderous Bad Kush Masters, “Döner Trump” official live video premiere

Two copies of this one going out with tees, stickers and whatnot:

chubby thunderous bad kush masters come and chutney vinyl

[Enter the contest to win one of two vinyl merch goodie packs from Chubby Thunderous Bad Kush Masters by leaving a comment on this post. Make sure your email address is in the form provided so I can contact you if you win. That’s it.]

Chubby Thunderous Bad Kush Masters on Thee Facebooks

Chubby Thunderous Bad Kush Masters on Bandcamp

Chubby Thunderous Bad Kush Masters BigCartel store

Riff Rock Records on Thee Facebooks

Riff Rock Records on Bandcamp

Riff Rock Records website

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Trees to Release Self-Titled Debut Dec. 7 on Svart

Posted in Whathaveyou on October 17th, 2018 by JJ Koczan

trees

The ’60s-styled cover art for Trees‘ self-titled debut is no less a coincidence than the Lennon-esque pair of glasses that show up in the promo photo above. The Savonlinna, Finland-based semi-acid folk rock outfit take a decidedly classic approach to melody and harmony, retaining a presence in their songwriting that seems to ask, “Would it kill you to get some sun?” No, it wouldn’t. Likewise, the songcraft of Santeri Vänttinen goes down with surprising ease, his vocals in conjunction with those of Joose Keskitalo on the lead-single “Out in the Open” reaching toward “Two of Us” with more instrumental movement behind. It’s peaceful stuff to ease troubled souls, and it arrives with an unpretentious run of 10 tracks with the considerable backing and endorsement of Svart Records. And if you’re looking for precedent on the label handling folk rock, I’ll casually remind you of the Talmud Beach record they issued in 2016, among others.

Get freaked:

trees self titled

Finland’s TREES set release date for SVART debut, reveal new video

Today, Svart Records sets December 7th as the international release date for the self-titled debut album of Finland’s Trees. The album will be released on CD, vinyl LP, and digital formats.

Fresh out of the woods of eastern Finland, the Savonian quartet Trees have grown out of the fertile cultural milieu of Savonlinna, Finland, from the same circle of friends and artists as Paavoharju, whose mastermind Lauri Ainala has shot and directed the band’s first music video “Out In The Open,” which basks in autumnal Van Goghian colors that suit the melancholy music perfectly.

In addition to singer/songwriter Santeri Vänttinen, Trees are built of Joose Keskitalo (guitar and backing vocals – a prominent solo artist, as well), Teemu Muikku (bass), and Jani Lamberg (drums). The music the quartet makes draws inspiration from classic US folk rock of the ’60s in the vein of The Byrds, The Band, and Neil Young, but handles things with a vaguely apocalyptic eastern Finnish approach.

“I met our drummer Jani by accident after not seeing him in years, and we had a beer and decided to form a band,” says Vänttinen. Jani Lamberg brought with him Joose Keskitalo, on whose early records he had played. Joose first promised to record and mix the band’s album, but soon he found himself playing guitar and singing harmony vocals in the group.

Trees’ eponymous debut album, consisting of Vänttinen’s compositions, has been recorded live in the studio, which fits the band’s organic music perfectly. In the meantime, check out the aforementioned video “Out in the Open” HERE at Svart’s official YouTube channel.

Tracklisting for Trees’ Trees
1. Lovers
2. Tomorrow Decides
3. Scarlet Letters
4. Like a Tombstone
5. Wherever You May Be
6. Indian Summer
7. Waltz
8. Out In The Open
9. Forest
10. A New Day

https://www.facebook.com/abandcalledtrees/
www.svartrecords.com
www.facebook.com/svartrecords
www.twitter.com/svartrecords

Trees, “Out in the Open” official video

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Mansion Premiere “Wretched Hope”; Debut Album First Death of the Lutheran Due Nov. 16

Posted in Bootleg Theater on October 17th, 2018 by JJ Koczan

mansion

Like the dogmatic end-time apocalypse from whence it takes its central theme, Mansion‘s first long-player has seen many delays. It’s been half a decade since their We Shall Live EP (review here) established the Finnish outfit as high-grade practitioners of cultistry and darkly atmospheric heavy rock, lurching at a creep or seething with righteous fury at a moment’s notice amid memorable songcraft given presence through the lurking melodies of vocalist Alma; her stage moniker taken from cult leader Alma Kartano around whose congregation the band is based. They’ve had other offerings along the way, whether it’s 2014’s Uncreation EP (review here) or 2015’s Altar Sermon (review here), or their split last year with Cardinal Wyrm, but are well due a full-length, and Nov. 16 (vinyl later), I Hate Records will issue First Death of the Lutheran, their awaited debut album.

I haven’t heard the record yet, but for those of us who are unworthy — which is everyone — Mansion are giving an enticing first taste with a mansion first death of the lutherannew video for opening track “Wretched Hope.” It has the band’s signature all over it in terms of ambience, the progressive complexity of its arrangement and its grounded hook: “Hear my warning/The Lord is calling/Do you see the signs/It’s the end of times.” This arrives amid vocals shared between Alma and fellow-singer Osmo, a plodding rhythm and a vivid conveyance of the ceremony at hand. Like the best of Mansion‘s work to-date, it surpasses in concept and realization those who watch horror movies and call it cult rock to instead don a prophecy-minded belief system that comes through the song at hand. It’s theatrical, as they have been all along, but there’s no denying the effectiveness of the display. Indeed, it is an execution ready for worship.

Those sensitive to flashing lights will find harsh penance in the clip itself, but as you listen, take special note of the interweaving layers of guitar, the organ that fills out the melody and adds to the song-as-mass feel of the track itself, the buzzsaw-tone solo in the second half and the arrangement of vocals in call and response and in the chaos that ends. I won’t claim to know how the rest of First Death of the Lutheran plays out subsequent to “Wretched Hope,” but there is a feeling of mood being set throughout “Wretched Hope,” and these are dark times indeed. You can repent if you want. Won’t do you any good.

First Death of the Lutheran is out Nov. 16. I’ll hope to have more to come on it before then. In the meantime, video and comment follow.

Enjoy:

Mansion, “Wretched Hope” official video premiere

OUR FAITHFUL CONGREGATION,

”First Death of the Lutheran” represents the end of the insidious sinners’ earthly serpentine path as their life ends and they pass on to face the Final Judgement of the Lord Almighty. No doubt in our minds that they will end up horrified by their fate.

The Lutheran hypocrites have wasted their lives following their deceitful priests, blinded by their drivel. And these perverted wretches of the cloth have diluted the Word to serve their own greedy and lustful needs. May these priests be impaled by
the claws of their true master, the accuser, Satan. And may the Lutheran churches fall in the name of the Lord Almighty, for they do not honour Him, but organised human evil. For His is the Glory now and eternally.

”You think you are on your way to heaven
as the reverend promised you.
Sheep to the slaughter in the name of satan.”
– Alma Kartano

Mikael (lyricist) on First Death of the Lutheran:

I Hate Records is trying to reconcile in the eyes of the Lord Almighty after releasing despicable titles, which promote devil worship and sinful ways of life, by publishing the debut full lenght First Death of the Lutheran by the righteous Finnish musical talent Mansion. Good luck to them for He may not be that forgiving.

Video directed and edited by Tommi Hoffrén. On set director and camera by Anssi Ikonen.

Tracklisting:
1. WRETCHED HOPE
2. LUTHERAN
3. THE ETERNAL
4. 1933
5. FIRST DEATH

Lineup:
ALMA – VOCALS
OSMO – VOCALS
ATAMI – DRUMS
VEIKKO-TAPIO – GUITAR
JAAKOB – GUITAR
IMMANUEL – BASS
MATTI-JUHANI – ORGAN
MIKAEL – LYRICS

Mansion on Thee Facebooks

Mansion on Bandcamp

I Hate Records website

I Hate Records on Bandcamp

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Híbrido Sign to Spinda Records for Debut Album I

Posted in Whathaveyou on October 17th, 2018 by JJ Koczan

There isn’t any audio yet to share, but you’re going to want to watch out for this one. Híbrido‘s debut album arrives after a year-plus of murmurings about a side-project from Poti and Pow of Atavismo that reunites the former with his ex-Viaje a 800 bandmate, guitarist Jose Angel “Oceano” Galindo, and now it’s announced that the record is mostly done and will see release through Spinda Records sometime in the coming months, presumably in the New Year. I don’t even have track titles yet, but its centerpiece is a 13-minute jam that goes from fuzzy roll right into prog-psych wash with a fluidity that’s nothing short of splendid. Again, keep an eye out.

Expect more to come on Híbrido one way or the other as we get closer to the release of the album, which has suitably been dubbed I, including I assume some form of audio/visual media, which you won’t find here because there’s nothing to directly share, although the link at the bottom of this post goes to some rehearsal footage from Thee Facebooks. In the meantime, the label and band announced their union thusly:

hibirido spinda records

Says Spinda Records:

Have you ever been onto something very big and that very little people know yet? We do, the feeling is brutal and soon we will give you all the details… at the moment we can only advance that the algecireños Híbrido join the #spindarecords family for their debut debut.

And who are Híbrido? Very Easy, cream of #lanovena: Poti (Atavismo, mind!, Viaje a 800), Zoa (the bradlys), José Angel (Viaje a 800) and pow (Atavismo, mind! ). Almost done!

Says Híbrido:

Four years ago we started a beautiful project, which took us to see the light as it deserves, but… today is a reality.

We are excited to announce that Híbrido will release our debut album with Spinda Records, who has trusted us to get our musical manifesto, that in which we have so much effort. Thank you infinite.

This has just begun, little by little you will discover what we are… soon in your ears!

Híbrido is:
Jose Angel “Oceano” Galindo – Guitarra
Zoa Rubio – Guitarra
Jose Pot – Bajo
Sandri Pow – Batería

https://www.facebook.com/hibridopysch/
https://www.facebook.com/SpindaRecords

https://www.facebook.com/sandri.pow/videos/10210644527770563/

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High n’ Heavy Sign to Electric Valley Records; New Album in 2019

Posted in Whathaveyou on October 16th, 2018 by JJ Koczan

I think we’ve hit the stage of the year when most of the new album announcements will either be for the tail end of November or for next year. Massachusetts’ moniker-as-aesthetic heavy rockers High n’ Heavy have their fourth album in post-production now — presumably that means mixing/mastering, not CGI — and they’ve signed to Electric Valley Records for the release, but I’d be really surprised if it showed up before the end of the year. Nobody wants to do releases in December — traditionally, the music industry goes home for the holidays — and if the record’s not pressed yet because it’s not completely finished, then yeah, let’s say 2019. Pretty impressive however that even so, it’ll be the band’s fourth album in five years when it comes out. The other three, including the latest, which is 2017’s From the Flames, are all name-your-price on Bandcamp.

The label sent the following down the PR wire:

high n heavy

Electric Valley Records is proud to announce the signing of the Stoner Doom band *** HIGH N’ HEAVY ***

High n’ Heavy are a four piece instrument of destruction out of New Bedford, Massachusetts. Formed in late 2014 with The Stooges, Black Sabbath, and Motörhead in mind; their sound has evolved to perfectly embody all of their influences. Mostly playing shows in their native New England, High n’ Heavy has been gathering a following with their electrifying musicianship and high energy live sets.

From the depths of space they came. One by one. From out of the skies they fell. Now, with the magic they possess, they melt the faces of earths people. With thunderous drums, booming bass, screaming guitar solos, and mystical vocals they are… HIGH N’ HEAVY!!!

Their first 3 albums have shown the band to be at home playing everything from the most brutal of doom to the dirtiest of rock n’ roll. With their fourth already in post production, High n’ Heavy are guaranteed to melt faces and break hearts.

https://www.facebook.com/HighnHeavy
http://instagram.com/Highnheavy
https://highnheavy.bandcamp.com/
www.facebook.com/electricvalleyrecords
http://instagram.com/Electricvalleyrecords
www.electricvalleyrecords.com

High n’ Heavy, From the Flames (2017)

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Vanishing Kids Premiere “Reaper”; Heavy Dreamer Due Nov. 30

Posted in audiObelisk, Reviews on October 16th, 2018 by JJ Koczan

vanishing kids

Wisconsin’s Vanishing Kids will release their fifth full-length, Heavy Dreamer, Nov. 30 on Svart Records. It’s been 15 years since vocalist/keyboardist Nikki Drohomyreky and guitarist Jason Hartman made their debut with Rest the Glove that Wears You Down and five since their fourth LP, Spirit Visions, but their history seems to cross genres as much as time, and where their last outing found them dug into post-rock airiness, Heavy Dreamer carries a deep-running gothic heft, with the melodic wisps filling out the mix of “Mockingbird” reminding that indeed it’s the season of October Rust while the 7:57 title-track, second in the playlist behind “Creation” and very much part of an immersion-minded opening salvo with it, pulls elements of new wave into its chorus and transposes them onto the organ-laced doom of the leadoff. Deeply progressive and marked by the patient, standout performance of Drohomyreky on vocals and the low rumble of bass from Jerry Sofran, Heavy Dreamer is nonetheless fluid as it moves through psychedelic pastoralia on “Without a Sun,” creating a wash of tone and melody held together by Hart Allan Miller‘s drumming and the foundation of Hartman‘s guitar. The music is consistently, persistently adventurous, and there’s nowhere it goes to which it does not bring a stately, engaging presence.

The effect of “Creation” and “Heavy Dreamer” at the outset lingers. The latter is particularly memorable for Drohomyreky‘s soulful delivery of the title-line, and together they comprise more than 15 of the record’s total 51 minutes, so it’s not an insubstantial portion. Their placement seems purposeful, as only the nodding-doom-into-holy-crap-where’d-that-solo-come-from “Reaper” on side B hits the seven-minute vanishing kids heavy dreamermark otherwise, but more than runtime it’s a question of atmosphere and setting the mood. And whatever else Heavy Dreamer is — it is many things, and I suspect many different things for different listeners — it is a work of mood. Caked in echo and begun with a flourish of synthesized beats, “Without a Sun” projects a massive but not overwrought vibe, and while side B opener “Eyes of Secrets” isn’t without its shoegazing aspects, the flow between the back and forth swells of volume atop Miller‘s steady beat are nigh on hypnotic, with a finish of harsher guitar noise as though to willfully shock the listener back to consciousness. Following “Reaper,” which encases the aforementioned guitar showcase with a memorable chorus, “Rainbows” eases into a vision of post-rock and psychedelic doom that gracefully brings the styles together in a manner that’s an immediate highlight. A drifting figure on guitar in its second half opens to a blurring of the line between itself and keys — it’s all melody, right? — and once more the vocals provide a human presence in the wash of volume and tone, albeit an otherworldly one.

There’s a late spoken sample in “Rainbows” that’s somewhat obscured by the guitar solo, but the penultimate track ends with poise and gives way to “Magnificent Magenta Blue” as it once more revives the melodic reach of the keys and guitar and the dynamic they share with the earthbound drums pushing them forward. Hartman, who’s also played in Jex Thoth since 2013, doesn’t waste the opportunity to cast out one last stretch of deceptively shredding leadwork, and the vibe of culmination is palpable as he does so, with Sofran and Miller rolling the finale through its procession as the vocals recede and wait to return for a last chorus. Always, the keys remain, and the organ is not only essential to Vanishing Kids‘ overall approach, but it’s the base around which they’re able to shift between styles with such apparent ease while remaining sonically coherent. They’re not the only element doing so at any given time between the vocals, guitar, bass and drums, but the keys do a lot of work in tying the songs together throughout Heavy Dreamer, and ultimately allow the record to live up to its title with an unflinching sense of its own mission, knowing what it wants to be and how to be it. Or them, as it were for material so multifaceted.

I’m happy today to host the premiere of “Reaper” from Heavy Dreamer. You’ll find the track below, followed by more info from the PR wire.

Please enjoy:

Vanishing Kids, “Reaper” official track premiere

Svart Records sets November 30th as the international release date for Vanishing Kids’ highly anticipated fourth album, Heavy Dreamer. The somnambulic doom metal group’s new album will be available on CD, vinyl LP, and digital formats.

Hailing from Wisconsin, Vanishing Kids has been an ever-evolving artistic and musical journey since the early 2000s, with core members and founders Jason Hartman (Jex Thoth) and Nikki Drohomyreky on vocals. As kids of the ’70s and ’80s who grew up on metal, prog rock, krautrock, psych, punk, and goth, they have managed to carve out a niche of their own for themselves.

The band’s newest and most powerful culmination arose when Jason Hartman’s childhood hero – and Midwest metal legend – Jerry Sofran (Lethal Heathen, Mirrored Image) joined in 2013. Shortly thereafter, the hard-hitting Hart Allan Miller (Wartorn, Deathwish, Tenement) joined on drums to complete the lineup.

Being the first full-length outing from Vanishing Kids in over five years, Heavy Dreamer is soaked in captivating shoegazey fuzz vaguely reminiscent of what My Bloody Valentine would sound like had they grown up on a diet of psychedelic doom metal and occult rock.

Tracklisting for Vanishing Kids’ Heavy Dreamer
1. Creation
2. Heavy Dreamer
3. Without A Sun
4. Mockingbird
5. Eyes of Secrets
6. Reaper
7. Rainbows
8. Magnetic Magenta Blue

Vanishing Kids is:
Nikki Drohomyreky- Vocals, Organ, Synths, Percussion
Jason Hartman- Guitar
Jerry Sofran- Bass
Hart Allan Miller- Drums

Vanishing Kids on Thee Facebooks

Svart Records website

Svart Records on Thee Facebooks

Svart Records on Twitter

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Rattlesnake Announce Time is Come EP; Stream Title-Track

Posted in Whathaveyou on October 16th, 2018 by JJ Koczan

rattlesnake

Brooklyn’s Rattlesnake get pretty raw on their new EP, Time is Come, as you can hear in the title-track streaming at the bottom of this post. The song itself starts off with howling guitar and a chugging bassline, but opens up soon to a full-on strut riff with swinging drums behind leading to bluesy verses and a brash chorus. Given the Southern heavy ’70s aesthetic, the barebones production value reminds of a soundboard bootleg of some lost live show you’d buy on tape at the flea market — the setlist typed out on the Maxell cover with a typewriter — but it still showcases what’s paramount in the track itself, which is the melodic vocals of guitarist JP Gilbert, bassist Don Berger and drummer Adam Kriney. The interweaving lines and harmonies are elements carried over from the band’s 2017 mission-statement debut EP, Outlaw Boogie (review here), as well as from their earlier-2018 single Dirt in My Eyes/Picture Perfect (discussed here), as well as from Kriney‘s other current outfit, The Golden Grass. It works in context here as well.

The new release is pressed to CD-R with the tracks from the prior two EPs included, and Rattlesnake have shows booked in Brooklyn and Philly this month, as the PR wire informs:

rattlesnake time is come

RATTLESNAKE “Time Is Come” EP

In For The Kill Records is proud to announce the release of “Time Is Come”, the 3rd EP released by Brooklyn based heavy rockers RATTLESNAKE! Incorporating elements of Southern Rock, Proto-Metal, Progressive Rock, and a classic American 70’s hard boogie strut, the power trio harnesses an earnest and honest energy that soars with harmonious vocals and glides through dexterous musical passages evoking the timeless dusty echoes of their musical forefathers! This three song EP emits a warm analogue feel, capturing the group laying down their contemporary vision, without referencing modernity or the slickness of over-produced digital gloss; it’s real, rough and raw! Featuring two original cuts, the EP also shows their American boogie take on the ROSE TATTOO classic “Rock ‘N’ Roll Outlaw”!

Released in an edition of 100 pro-printed CD-Rs, the EP also features 5 bonus tracks comprising their 2 earlier EPs, which includes the 3 song “Outlaw Boogie” cassette (2017) and the 2 songs from their recently issued “Dirt In My Eyes”/”Picture Perfect” 7” (2018). Highly recommended for fans of BLACKFOOT, THE OUTLAWS, POINT BLANK, MOLLY HATCHET, WISHBONE ASH & HYDRA!

Upcoming RATTLESNAKE performances:
Thur Oct 25 at Coney Island Baby/NY/NY w/ Mick’s Jaguar + Black Magic Flower Power (https://www.facebook.com/events/1977317558992360/)

Sat Oct 27 at Ortleibs/Philadelphia/PA w/ Green Meteor (https://www.facebook.com/events/2173828045985012/)

Rattlesnake is:
Adam Kriney – drums/lead & backing vocals
JP Gilbert – guitar/lead & backing vocals
Don Berger – bass guitar/backing vocals

https://www.facebook.com/RattlesnakeBoogie69
https://rattlesnakeboogie69.bandcamp.com
https://www.facebook.com/InForTheKillRecords
http://inforthekillrecords.bigcartel.com

Rattlesnake, “Time is Come”

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