The Obelisk Questionnaire: James Benson of Chrome Waves, Comatose & Amiensus

Posted in Questionnaire on April 21st, 2021 by JJ Koczan

JAMES BENSON chrome waves

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: James Benson of Chrome Waves, Comatose & Amiensus

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I simply describe myself as a musician. I grew up with some music around me but wasn’t interested until my early teen years when I was introduced to Led Zeppelin and hardcore/metal of the early 2000s.

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My friends and I, around age 15, joined in and pressed record on a single Logitech mic with a few instruments and tried to put together a song. It was horrible.

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Being stranded in Kelowna, BC, at the end of a tour because the head in our bus was stripped. Beautiful place, very hospitable.

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I went to two private colleges, and have a degree in Biblical Theology. That education helped me firmly cement my leaving religion.

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Escapism.

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Feeling content.

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Arkansas.

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A live album.

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Escapism.

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Growing peppers and making hot sauce during the summer/fall and camping with my four dogs.

http://www.facebook.com/comatoseminnesota
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http://chromewaves.bandcamp.com
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Comatose, “Circles” official video

Chrome Waves, Where We Live (2020)

Amiensus, Abreaction (2020)

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Video Premiere: Slow Draw, “A Heavy Snack” from Yellow & Gray

Posted in Bootleg Theater on April 21st, 2021 by JJ Koczan

slow draw

http://www.heartofnoise.at/?joseph-stalin-research-paper assistance on the internet from native speakers. We’re ThesisRush.com, and we’re here to tell you that we have the professional PhD thesis writers you need in order to feel comfortable that your paper is in the right hands. Our people are hired after a vigorous application process wherein we scrutinize their writing sample and CV. This is because our services are based on one overarching principle: quality. Whether we’re talking about bachelor, Master’s or Doctoral Ph Slow Draw will release Professional English proofreading and editing services dissertation proofreading service, a basic Phd Online; Yellow & Gray (review here) on May 7. And amid the joyously weird seven tracks that surround it, “A Heavy Snack” precisely what the title leads you to believe — a 91-second snippet of riff-based heavy rollout nestled into the 24-minute experimentalist whole of the album.  Phd Graduate Resume reviews - modify the way you do your homework with our approved service Fast and trustworthy writings from industry top company. Mark Kitchens, who doubles as the drummer of Hurst, Texas, heavy-jam-jazz-psych duo  Ultius offers only the best Write An Essay About Water Pollution Using Cause And Effect Order services possible. Don't waste time with inferior writing services, trust in Ultius to edit your thesis to Stone Machine Electric, is no stranger to weird as a sonic concept, and  HandMadeWritings is well known for it's article sources. Choose one of the best expert editors for your thesis editing. We are 24/7 ready to help you. Slow Draw is a vehicle for further exploration. That  Yellow & Gray opens with “The Project” via manipulated samples and headphone-unveiled wub-wubs before moving into the live-drums and wistful rainy ’70s keyboards of “Stumble” and the ambient-but-also-still-drummed “Spacethunder” ahead of “A Heavy Snack” should be telling. As with Kitchens‘ past outings under the moniker, as well as his various snippets posted through Slow Draw‘s Instagram page, the idea here is to find a creative whim and see where it leads.

In “A Heavy Snack,” that’s to sonic weight. He acknowledges below some kinship with what the piece might have become — or still might, as one never really knowsslow draw yellow and gray — as a Stone Machine Electric track, but there’s no question it’s a standout on Yellow & Gray, leading into the spacious guitar and deep-mixed toms and cymbals of “Stranded” and the foreboding jazz bass ‘n’ strum of “Sylvia.” It is in fact the shortest song on the record — “Sylvia” is the longest at a relatively meditative 4:40 — and as the Beck homage “Turntable” leads into closer “A Slow Move,” with a blend of acoustic and electric drone in a manner that recalls Earth‘s Hex era, “A Heavy Snack” would seem to find a two-minute complement in those empty spaces. The two works, similarly titled, are of course working toward different ends, but there’s a kinship just the same in drawing from something atmospheric and creating breadth in a limited amount of time.

One has to wonder if “Sylvia,” “Turntable” and even “Spacethunder” aren’t leading toward Slow Draw finding its way into a drone-jazz open/experimentalist vibe, but one of the album’s — and yeah, at 24 minutes, it’s a full-length — strengths is in its lack of established rules. It keeps you listening because you don’t know where it’s going next or how it’s getting there. And by the time you find out, it’s over.

I can’t claim to get the reference in the video for “A Heavy Snack,” but if you do, please, let me know in the comments. In any case, the clip is hilarious and I hope you enjoy.

Thanks:

Slow Draw, “A Heavy Snack” official video premiere

Mark Kitchens on “A Heavy Snack”:

A Heavy Snack is really just a morsel of the song it could be, and if it was performed by Stone Machine Electric it would easily be ten times longer. Thankfully it is not because this video would not work for that long of a song. For this video, I wanted to pay a little homage to how I spent my childhood – watching MTV non-stop and absorbing all the music I could. If you can figure out where my shitty rip-off is taken from, then you probably know about how old I am if the MTV reference didn’t tell you.

Slow Draw is an apt descriptor for its own relaxed presence. This project provides ambient soundscapes, lightly steeped in exploratory psych and the meditative drawn-out cadence of drone.

Slow Draw on Thee Facebooks

Slow Draw on Instagram

Slow Draw on Bandcamp

Slow Draw website

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Stöner Announce UK & Ireland Tour Dates for Spring 2022

Posted in Whathaveyou on April 21st, 2021 by JJ Koczan

stoner

Stöner, the new band from Brant Bjork, Nick Oliveri and Ryan Gut, are just about a week out from making their debut with Live in the Mojave Desert Vol. 4 (review here) on Heavy Psych Sounds. If you watched the stream (review here) from whence the audio for that live record was taken, then you already know that’s a thing to be stoked about. Further stoke-age arrives via Sound of Liberation, the European booking concern/now-also record label, which has announced it will handle EU tour routing for the trio.

In conjunction with Route One Booking — which was founded by Orange Goblin frontman Ben Ward last year after his many years working in management, booking, etc. — tour dates have been announced for the UK and Ireland in Spring 2022, and there’s even a spot left open for them to hit up Desertfest London, though that announcement won’t officially come until that fest makes its own first lineup reveal on April 30.

And while we’re here, let’s just figure that by the time Stöner go abroad, they’ll have a studio album out as well, since Brant Bjork confirmed in his recent interview here that the band will be working with Heavy Psych Sounds on a studio release sometime soon.

Tickets for the UK/Ireland shows go on sale this Friday, links below:

stoner uk ireland tour dates

STĂ–NER JOINS SOL ROSTER

Hey friends!

We’re happy to announce that we’ll take care of EU bookings for STÖNER! Brace yourself for finest original desert rock coming your way!

Stöner is the brand new band of desert rock legends Brant Bjork (Fu Manchu, Kyuss, Ché and solo), Nick Oliveri (Kyuss, Queens of The Stone Age, The Dwarves, Mondo Generator) and Ryan Gut (Brant Bjork solo).

While we are taking care of the EU mainland bookings, our friends at Route One Booking are ready to announce the UK & Ireland part of this tour.

STĂ–NER – APRIL & MAY 2022 UK & IRELAND TOUR :
Fri 22 Apr : Monroes Live, Galway, Ire
Sat 23 Apr : Dolan’s Warehouse, Limerick, Ire
Sun 24 Apr : Cyprus Avenue, Cork, Ire
Mon 25 Apr : Limelight 2, Belfast, UK
Tue 26 Apr : Opium, Dublin, Ire
Thu 28 Apr : The Garage, Glasgow, UK
Fri 29 Apr : The Warehouse, Leeds, UK
Mon 02 May : Academy 3, Manchester, UK
Tue 03 May : The Mill, Birmingham, UK
Wed 04 May : Thekla, Bristol, UK

Tickets on sale 9am Friday 23rd of April from Ticketmaster.ie

www.tegmjr-eire.ie

Can’t wait to bring STÖNER your way!

‘Live in the Mojave Desert Vol. 4’ preorder: https://heavypsychsoundsrecords.bandcamp.com/album/st-ner-live-in-the-mojave-desert-volume-4

https://www.stonerband.com/
https://www.instagram.com/stoner.band/
heavypsychsoundsrecords.bandcamp.com
www.heavypsychsounds.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/
https://www.facebook.com/Soundofliberation/
https://www.instagram.com/soundofliberation/
https://www.soundofliberation.com/
https://www.facebook.com/RouteOneBooking/
https://www.instagram.com/routeonebooking
https://www.routeonebooking.co.uk/

Stoner, Interview with Brant Bjork, March 16, 2021

Stöner, “Own Yer Blues” from ‘Live in the Mojave Desert’

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Bevar Sea to Release New Single “The Timeless Zone” April 30

Posted in Whathaveyou on April 21st, 2021 by JJ Koczan

bevar sea

Last heard from with 2015’s Invoke the Bizarre (review here), Bangalore sludge rockers Bevar Sea have returned and will issue their third album, The Timeless Zone, sometime in the coming months. The first single — also the title-track of the record — is due out April 30 and there’s a teaser below for the eight-minute entirety of the cut, which finds the band rocking classic Sabbathian basslines under nod-ready sludge riffs crisply captured to run alongside the throaty vocals. In other words, it’s Bevar Sea well intact despite their years of absence.

I think we’re seeing a lot of people who, either directly or indirectly as a result of the COVID-19 pandemic, took a look at who they are and what they’ve done creatively and maybe saw it in a new light. In addition to the glut of live records and streams, there are a number of bands making returns with new material. Maybe it was just being forced to sit on ass during quarantine, but if the result is more art, then that becomes the most righteous of positives from one of the worst crises of the last 100 years. I’m glad Bevar Sea are back and I look forward to hearing the album when the time comes. Or doesn’t, since we’re dealing with timelessness.

To the PR wire:

Bevar Sea is back with a brand new track and video – releases April 30th!

Five years after releasing their sophomore album ‘Invoke the Bizarre’, Bangalore’s Bevar Sea used the Covid-19 imposed lockdown as an opportunity to regroup and start working on the third album titled ‘The Timeless Zone’. With the backdrop of the lyrics portraying a tryst with the consciousness of man, storying into travels and visions within the self, the music on this song and over the course of the album, pays homage to the glory years of the 70s and 80s hard rock and metal with the typical rifftastic stoner/doom sound the band has embraced on the two albums prior to this.

The first single and title track “The Timeless Zone” will be released on April 30th along with a video for the track on all major streaming platforms. more details on the upcoming album will be released in the near future.

Bevar Sea adds: “The Timeless Zone, the song and the album, continues our approach of playing stoner doom music while being even more loyal to our hard rock and metal roots than before. Every band member had to step up and learn how to record themselves and work via email for arrangements, demos, and finally turn up one by one to record. This album is us embracing the 2021 way of making music while also being busy working from home, taking care of our families, and just dying to be able to play this new music to our fans live some day.”

With their beginnings in 2008, the band roared into the live scene in 2011, and in the following year their eponymous album ‘Bevar Sea’ was released, which earned them the “Best Emerging Act” at the Rolling Stone Metal Awards India and a slot in the coveted Maryland Deathfest in 2013 and rave reviews worldwide. Mixed and mastered by the legendary Billy Anderson, the album was regarded highly for their 45-min hook-laden stoner/doom experience by fans and quickly garnered the band a firm reputation in their country and internationally. The fan favourite (Abishtu) which narrates the tale of a serial killer out for hipster blood and on the run from the law became a permanent chant by fans whenever they stepped on stage, while the 14-min ‘Mono Gnome’ about a short statured man and his love for a witch closed the album and turned out to be the pick in the doom circles with their reefer-pleasing, ‘Sleep’– esque flow of slow riffing and raspy vocals.

Bevar Sea followed up their debut release with ‘Invoke the Bizarre’ in 2015. Drifting into new sonic territories, the band crafted a sinister mood for their audience in the first three tracks ‘Bearded and Bizarre’, ‘Bury me in Nola’, and ‘Sleeping Pool’ which boasted hooks over neck-twisting grooves, the down-tempo chug of the guitars and soaring lead guitars. With the vocal melody chanting ‘Look to the Sky’, the band closed the album with the epic ‘The Grand Alignment’ which comprised of a sublime cascade of riffs, solos, bass lines and vocal hooks. Recorded at a breakneck pace over 10 days at Adarsh Recording Studio and mixed and mastered by Matt Lynch (LA’s Mysterious Mammal Recording, also from the incredible band Snail), ‘Invoke the Bizarre’ was well received by the press and fans alike for their intricate song arrangements, unique story-telling, mature and well-rounded performances.

The Timeless Zone lineup (2021):
Ganesh Krishnaswamy – Vocals
Srikanth Panaman – Guitars
Michael Talreja – Guitars
Avinash Ramchander – Bass

bevarsea.bandcamp.com
fb.com/bevarsea
instagram.com/bevarsea
youtube.com/bevarsea

Bevar Sea, “The Timeless Zone” teaser

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Year of No Light to Release Consolamentum on Pelagic Records July 2

Posted in Whathaveyou on April 21st, 2021 by JJ Koczan

year of no light

Well that’s a pretty heavy 12-minute single you’ve got there, Year of No Light. The Bordeaux-based six-piece haven’t issued a full-length since they gave the Vampyr score a once-over in 2013, and to herald the coming of Consolamentum, the band have revealed “RĂ©algar,” a post-metallic instrumental soundscaper that’s suitably big on atmosphere and impact without losing itself entirely to either. The new album will be their first for Pelagic, and it comes as they mark their 20th anniversary as a band, also releasing a new limited box set that is nothing if not extensive. You know bands are giving it their all when they put the slipmat along with 12 platters in the hand-silkscreened wood box.

What’s really enticing about “RĂ©algar” — aside from that synth line running beneath the airy guitars — is how short it makes that 12 minutes seem. Didn’t we just set out on this journey, Year of No Light? And already we’re dissolving into gorgeous ambience? They do spend the last couple minutes in that swirl, but don’t be fooled by the lack of drums, there’s still plenty of substance to the proceedings.

Cool beans. (That’s probably something no one else will say about this track, so there. Thanks for reading.) You’ll find the details for the box and Consolamentum below, courtesy of the PR wire:

year of no light consolamentum

Year of No Light announce Consolamentum album and 20th anniversary box set

Bordeaux, FR post-metal sextet joins Pelagic Records w/ heaviest album to date

Bordeaux, France post-metal sextet Year of No Light announce their forthcoming fifth studio album Consolamentum today, sharing the first single “RĂ©algar” via all DSPs. Hear and share “RĂ©algar” via Bandcamp, Spotify and YouTube.

Consolamentum is the band’s first album on Pelagic Records. To celebrate joining the label and Year of No Lights’s 20th anniversary, they will release a limited edition deluxe wooden box set of the band’s entire discography, titled Mnemophobia on July 2nd. The handmade, hand-silkscreened wooden box features 12 vinyl LPs in 6 gatefold sleeves, exclusive colored vinyl variants, a slipmat, metal pin, patch and poster. For more information, see HERE: https://pelagic-records.com/product/year-of-no-light-mnemophobia-wooden-lp-boxset/

Year of No Light’s lengthy, sprawling compositions of towering walls of guitars and sombre synths irradiate a sense of dire solemnity and spiritual gravity, and couldn’t be a more fitting soundtrack for such grim medieval scenarios. But there is also the element of absolution, regeneration, elevation, transcendence in the face of death. Consolamentum is dense, rich and lush and yet somehow feels starved and deprived.

It comes as no surprise that ever since the beginning of their career, the band have had an obsession for the fall of man and salvation through darkness. The term “consolamentum” describes the sacrament, the initiation ritual of the Catharic Church, which thrived in Southern Europe in the 12th – 14th Century – a ritual that brought eternal austereness and immersion in the Holy Spirit.

“There’s a thread running through all of our albums”, says the band, collectively “an exploration of the sensitive world that obeys a certain telos, first fantasized (“Nord”) and reverberated (“Ausserwelt”), then declaimed as a warning (“Tocsin”). The deeper we dig, the more the motifs we have to unveil appear to us. Yes, it’s a bit gnostic. This album is invoked after the Tocsin, it’s the epiphany of the Fall.”

With debut album Nord (2006) and sophomore release Ausserwelt (2010), the band made themselves a name in the European avant-metal scene. Extensive tours of Europe, North America and Russia in 2013 and 2014, including two appearances at Roadburn festival, Hellfest and a spectacular performance in a 17th Century fortress in the Carpathian mountains introduced them to a broader and quickly growing international audience.

With their seminal 3rd album Tocsin, released in 2013, Year Of No Light reached the peak of their career thus far – a logical decision that Consolamentum was made with the same team again: recorded and mixed by Cyrille Gachet at Cryogene in Begles / Bordeaux, mastered by Alan Douches at West West Side.

“We wanted this album to sound as organic and analog as possible”, comments the band. “All tracks were recorded live. The goal was to have the most natural, warm and clean takes possible, to give volume to the dynamics of the songs. We aimed to have a production with a singular personality.”

For the adept listener, Consolamentum seems to be venturing deeper into the dark and claustrophobic spheres explored on Tocsin – but the band doesn’t conceive of the evolution of their music in a linear way, as it would be apparent from looking at their discography.

“It’s more a matter of sonic devotion. Music against modern times. Year Of No Light” is above all a praxis. We wanted intensity, trance, climax and threat, all of them embedded in a bipolar and mournful ethos.”

Consolamentum will be available on 2xLP, CD and digital on July 2nd, 2021 via Pelagic Records. Preorders are available HERE: https://pelagic-records.com/artist/year-of-no-light/

Tracklisting:
01. Objuration
02. Alétheia
03. Interdit aux Vivants, aux Morts et aux Chiens
04. RĂ©algar
05. Came

https://yearofnolight.bandcamp.com/
http://www.facebook.com/yearofnolight
https://www.instagram.com/yearofnolightofficial
http://smarturl.it/yearofnolightDGTL
http://www.pelagic-records.com/
http://www.facebook.com/pelagicrecords

Year of No Light, Consolamentum (2021)

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Cvltfest 2021 Announces Two-Day Lineup for November

Posted in Whathaveyou on April 20th, 2021 by JJ Koczan

cvltfest 2021 art banner

This is going to be a very heavy couple of days. Put together by the reignited Lizard King Promotions and Riffolution Promotions, the upcoming 2021 edition of Cvltfest will follow on from September’s previously announced Riffolution Festival (lineup here) in Manchester. Booked at Cafe Indie in Scunthorpe — also in the relative north of England, east of Manchester and Sheffield, bit south from Leeds, etc. — on Nov. 13 and 14, there is some spillover between the two events, as Desert Storm, Pijn, Ritual King, Ohhms and Ten Foot Wizard will play both, but hell’s bells, can you imagine complaining about that? These are festivals. Happening on Earth! Wonder of wonders!

It’s been three years since Cvltfest was last held, but part of bringing back Lizard King Promotions from out of whatever cavern was trapping it is indeed breathing new life into the event, and you can see in the lineup below, they’re not half-assing it whatsoever. This and Riffolution together are complementary beasts emphasizing just how slammed and slamming the UK heavy underground is.

Fucking a:

cvltfest 2021 poster

Cvltfest 2021 – Nov. 13-14 – Cafe Indie, Scunthorpe, UK

This is the 3rd rendition of Cvltfest having seen both Elephant Tree and Witchsorrow Headliner respectively in 2017 and 2018, 3 years have passed since including the year of the Rona.

Now after a long break break away Lizard King Promotions which turns 10 years old this May, makes a return with its most ambitious line up of riff worshiping titans ever.

Working alongside Riffolution Promotions who’ve who’ve collectively seen Riffolution Festival now fully sold out 5 months ahead of the event we now bring you Cvltfest 2021.

Event page: https://www.facebook.com/events/1155620918226438/

We’re so happy to have been working with Riffolution Promotions on such a heavy festival. Tickets are live now, so get them while they’re hot.

Tickets: lizardkingpromotions.bigcartel.com

Beautifully crafted poster artwork by Dominic Sohor Design and a line up consisting of:

SATURDAY – Black Tongue / Palm Reader / Ohhms / Pijn / Hundred Year Old Man / Gurt / Mastiff / King Witch / Ritual King / Mountain Caller / Barbarian Hermit / Blind Monarch

SUNDAY – Raging Speedhorn / Slabdragger / Ungraven / Ten Foot Wizard/ Desert Storm / Corrupt Moral Altar / Old Man Lizard / Battalions / Goblinsmoker / Voidlurker

https://www.facebook.com/LizardKingPromotions
https://lizardkingpromotions.bigcartel.com
http://instagram.com/lizardkingpromotions
https://twitter.com/LizardKingPromo
https://www.facebook.com/Riffolution/
https://riffolutionpromotions.bigcartel.com/

Raging Speedhorn, Hard to Kill (2020)

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Ufomammut Announce Return with New Drummer

Posted in Whathaveyou on April 20th, 2021 by JJ Koczan

Good news for, well, the universe, in that Italian cosmic doom magnates Ufomammut have drawn themselves back from hiatus in order to forge ahead with new material and a new drummer. After last month overseeing the release of a live album documenting their performance of the landmark album Eve (review here; discussed here) at Roadburn 2011, guitarist Poia and bassist Urlo have brought the band back with new drummer Levre, a friend of long-standing who’s previously toured with them.

So Ufomammut‘s hiatus, which was announced in January of last year, has basically rounded out to the band taking the same year off as everyone else. They just got in on the ground floor of 2020 inactivity, which in the end probably saved them a lot of canceled tour dates — though of course Poia pressed forward with solo-outfit The Mon and they would’ve been without a drummer following the departure of Vita, so yeah. Either way, glad there’s new Ufomammut on the horizon. The universe wasn’t quite the same without them.

From the PR wire:

ufomammut

UFOMAMMUT: Italian Heavy Psychedelic Trio Returns, Announcing New Drummer; New Plans And Recordings In The Works

Following a year-and-a-half of hiatus and regrouping, Italy’s reigning champions of immersive, heavy, psychedelic metal UFOMAMMUT announces their return, with a revamped lineup.

UFOMAMMUT spent several years of heavy touring across Europe and the United States supporting their eighth LP, 8, which saw release through Neurosis’ Neurot Recordings in 2017, resulting in their most successful live ventures in their two-decades-long history. In 2019, the band celebrated their twentieth anniversary, releasing the mammoth XX box set, commemorating their extensive discography. Shortly thereafter, the members experienced some differences on where the band was headed, and in January of 2020, longtime drummer Vita parted ways with the outfit and the band announced an indefinite hiatus. Weeks later, the world would find itself consumed by the worldwide outbreak of the still-ongoing pandemic.

During this ominous past year of outbreaks, lockdowns, cancellations, and severe angst, UFOMAMMUT’s guitarist Poia and bassist/vocalist Urlo channeled their energy into positive action, and silently reorganized the band. Now, they proudly welcome their new drummer, Levre, and the band’s return in 2021.

The band proudly announces, “After celebrating twenty years as a band, UFOMAMMUT reached a point of no return. As a result of an intense and difficult period, our paths divided. At the beginning of January 2020 Vita left the band and UFOMAMMUT announced that it was time to stop for an indefinite period of time. Shortly thereafter, the whole world was overwhelmed by the pandemic, which would have profoundly changed our lives. In this suspended time, we have had time to think, recover the lost energy and plan a new beginning. Now we are ready. It’s time to turn on the amps again.”

While no official plans have been announced, the revamped UFOMAMMUT is already putting projects into action, and new material is under construction. Stand by for further announcements on the band’s upcoming activities in 2021 and beyond over the months ahead.

In related news, UFOMAMMUT’s Urlo has been hard at work on new material for his solo project, The Mon, which debuted in 2018, with new material on the way this year. He also launched a new online video series during the pandemic, Para(In)Phernalia, with discussions on the gear, equipment, and techniques he and the other members of the band use to produce their sonic and visual creations. The installments have gained a healthy following from the band’s diehard fanbase, which reacts with notes and inquires, making for a very interactive experience.

The Malleus Rock Art Lab collective, which is also directly operated by members of UFOMAMMUT and Supernatural Cat, has also just launched their own new clothing line! Featuring bold prints and artwork created by the cooperative outfit, from the cotton used to the label applied to each garment, up to the shipping packaging, the group paid great attention to every detail of the new project. The entire printing and production process is 100% created in Italy and it’s carried out by Turin-based lab Sericraft.

www.ufomammut.com
https://ufomammut.8merch.com/
www.facebook.com/ufomammutband
www.instagram.com/ufomammut
http://www.supernaturalcat.com

Ufomammut, Eve Live at Roadburn 2011 (2021)

Ufomammut, 8 (2017)

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Gods & Punks Premiere New Single Dimensionaut / Eye in the Sky

Posted in audiObelisk on April 20th, 2021 by JJ Koczan

gods and punks

Brazilian heavy rockers Gods & Punks are working toward the release of their impending fourth full-length. Titled The Sounds of the Universe and set to issue through respected countryman purveyor Abraxas as well as the US-based Forbidden Place Records, the new LP is preceded April 23 by the two-songer single Dimensionaut / Eye in the Sky, about which the band has provided extensive notes and perspective. Each single comes with its own artwork and the first of them, “Dimensionaut” purport to summarize the narrative that’s taken place on the across the band’s to-date offerings, presumably to that “Eye in the Sky” and the other pieces of the album can pick up from there and continue to unfold and conclude what they call the ‘Voyage Series.’

“Eye in the Sky” picks up where late-2019’s And the Celestial Ascension (discussed here) left off, and also calls back to the band’s 2016 debut EP, The Sounds of the Earth — as several of the new album songs will — its languid, jammed-out foundation providing a spacious counterpoint to its more driving predecessor. Gods & Punks count “Dimensionaut” among the most intense material they’ve put together, and fair enough. They recorded at EstĂşdio MATA, in NiterĂłi, part of Rio de Janeiro, and Kleber Mariano and AndrĂ© Leal at EstĂşdio Jukebox — the same locale and team behind the last outing — and though not lacking push, the sound is duly lush when they want it to be, the organ expanding their already atmospheric basis of guitar atop the fluid grooves of drums and bass in “Eye in the Sky.” It’s a nine-minute sampling, all told, and the band clearly picked the two tracks in order to establish the dynamic they’re working with throughout the album, one end of the spectrum to the other, as well as the ways all the songs tie together.

I haven’t heard the full record yet, but they sound firmly in command throughout both “Dimensionaut” and “Eye in the Sky” as you can hear below, and one should expect no less for a band who are engaging their past in order to tie up a narrative they’ve stretched across multiple releases at this point. What does the saga’s final moments hold? Well, you’d probably need a lyric sheet to figure that out, but Gods & Punks make an enticing argument for engaging with their storyline’s final chapter in these songs, and even if you don’t know how they got to this point — the Bandcamp is right there if you’re up for digging back — Dimensionaut / Eye in the Sky readily demonstrates that it’s not too late to get on board whatever kind of ship it is they’re taking beyond the stratosphere. There’s room for any and all.

Comment from the band follows. Please enjoy:

Gods & Punks on Dimensionaut / Eye in the Sky:

We chose to release two singles on the same day to represent what will be The Sounds of the Universe, the last release of the Voyage Series, which began in 2017 with Into the Dunes of Doom and featured Enter the Ceremony of Damnation, 2018, and And the Celestial Ascension, from 2020. We have been telling a story for 4 years that will finally be finished, in a representative way to the narrative.

Dimensionaut was the last song composed in the cabin, with the 5 members who recorded the other Voyage Series records. Eye in the Sky brings a finalized and reimagined version of the very first track of our first EP, The Sounds of the Earth, in 2016. One demonstrates where we are now, the other demonstrates how we would do today, something we did when we had just started play together.

The Sounds of the Universe will deal with a total of 9 songs: 5 tracks from our debut EP in new, revamped versions, and another 4 completely new tracks, composed between 2019 and 2020. The album is the last release of the Voyage Series, but the first chapter of history. And whoever takes the time to listen to the songs in the correct order of the story, will understand why we did it. And with these two tracks, you will have an idea of the album that we will release soon.

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