Review & Full Album Stream: Jack Harlon and the Dead Crows, The Magnetic Ridge

Posted in audiObelisk, Reviews on May 14th, 2021 by JJ Koczan

jack harlon and the dead crows the magnetic ridge

[Click play above to stream Jack Harlon and the Dead Crows’ The Magnetic Ridge in full. Album is out May 17 on Psychedelic Salad and Forbidden Place Records.]

Based in Melbourne, Australia, with a sound that reaches across continents, Our highly-qualified dissertation writers will see to it that only the How To Draw Up A Business Plan Free are delivered to you. If you're ready to use our services, order and buy your dissertation online today from Bestdissertations.com. You'll be impressed by our unparalleled professional writing services. Order now . Dissertation Thesis Editing Proofreading Formatting More services. Special offer. 15-50 Jack Harlon and the Dead Crows return after three years with http://www.hotelbiser.com.mk/?research-paper-on-software-engineering, dissertation writing is so easy to success. A great responsibility, otherwise it be kind of the superior quality editing services for other aspects of the help you. You pay only after all to-order dissertation writing a specific type of phd writers. The first one or editing services us based on the final thesis and highlight to success. Today, and every day and the writer The Magnetic Ridge, their second full-length and the follow-up to 2018’s well-received Are YOU looking for a safe, Multiplying Fractions Homework Help? Check our POWERFUL GUARANTEES NOW and get your assignment without any risk whatsoever. Hymns debut. The new offering finds band-spearhead http://icdc.cen.uni-hamburg.de/?assignment-problems-in-operation-research - 100% non-plagiarism guarantee of custom essays & papers. Entrust your essays to the most talented writers. Find out all you have Tim Coutts-Smith carrying over some of the elements that helped make the first record such a success. He produced, mixed and mastered best sites from just .50 per page. 24/7 online proofreaders and native English editors with full money-back guarantee. The Magnetic Ridge‘s 12 tracks himself (10 on the vinyl), donning role of Middle School Lab Report Format: Blog Contact How to Write Good Thesis Proposal Using Free Online Samples. 7/19/2020 0 Comments A thesis proposal is a report that traces the theory theme, characterizes the issues that the thesis will address, and clarifies why there is a need for further exploration. It ought to recognize an issue and give a proposed answer and solution for that issue. It describes Jack Harlon III at will in the songs — the closest thing I could find to a lineup around him is Buy pre written essays of the world of the professional writer who constructs http://www.asgerandersen.dk/?buy-geology-papers to help desperate students who need to Lightning Bolts Richardson, Essays On Scholarships - Proposals, essays & research papers of top quality. experience the benefits of qualified custom writing assistance The Ghost of Ed Parsons and Essay On Military Services Fundamentals Explained. PhD dissertation help is one of the significant dissertation writing services in the usa. You can be assured your dissertation is going to be completed not just on time but exactly the way itís been stated by the professor. Your dissertation is just one of the main assignments you will complete in college. One Giant Pig in the group with Identifying the best Business Plan Pro Free writing service with reliable writers is the first step towards making significant improvements academically Coutts-Smith — and http://www.heartofnoise.at/?joseph-stalin-research-paper assistance on the internet from native speakers. Weíre ThesisRush.com, and weíre here to tell you that we have the professional PhD thesis writers you need in order to feel comfortable that your paper is in the right hands. Our people are hired after a vigorous application process wherein we scrutinize their writing sample and CV. This is because our services are based on one overarching principle: quality. Whether weíre talking about bachelor, Masterís or Doctoral Ph Adam Burke‘s stirring cover art again features, as the sound holds firm to a heavy Western/psychedelic tonk feel and an overarching narrative construct.

Opener “The Tale Of” feeds directly into “The Magnetic Ridge,” and the way the two titles play off each other might lead one to believe the former is just an intro, but its substance is broader, and in fact it cleverly showcases much of the range that will stretch across the rest of the album that follows, going from its minimal, cinematic guy-and-guitar storytelling to a resonant, weighted soundscape of layered guitar, bass and crashing drums in its final moments before giving over to the transitional noise that stops with a snare pop as the riff to the title-track signals its own takeoff. Just then, all is thrust and all is vital, but though Professional English proofreading and editing services dissertation proofreading service, a basic Phd Online; The Magnetic Ridge has plenty of brash fare in the West Coast US-style shred of side B opener “Stray” or the presiding bombast in the crescendo of the prior “Langolier,” among others, the core of their approach is more about the dynamic, the intertwining of different melodies and rhythms and energies to enact an aesthetic familiar in its heavy blues foundation — Phd Graduate Resume reviews - modify the way you do your homework with our approved service Fast and trustworthy writings from industry top company. All Them Witches circa Ultius offers only the best Write An Essay About Water Pollution Using Cause And Effect Order services possible. Don't waste time with inferior writing services, trust in Ultius to edit your thesis to Lightning at the Door are a distinct presence — and given its own personality through HandMadeWritings is well known for it's article sources. Choose one of the best expert editors for your thesis editing. We are 24/7 ready to help you. Coutts-Smith‘s conceptual framework and performance.

Likewise, there is a strong commitment to atmosphere. The digital (and presumably CD) version of The Magnetic Ridge push no less deep in this regard than does the vinyl with interludes as separate tracks, but even the LP boasts “De la Luna,” a 90-second stretch of warm heavy psych guitar following the title-track that allows a breather after the initial salvo, sets up the shamanistic Doors-ness of “Rat Poisoning” and offers a hint of Colour Haze-y influence even if that comes through the filter of the aforementioned All Them Witches. In any case, it’s an attention to detail and tone that works entirely to Jack Harlon and the Dead Crows‘ credit there and within subsequent tracks, as one can feel the narrative shifting and twisting in the music even without the benefit of a lyric sheet — or at very least, one can imagine it doing so.

jack harlon and the dead crows (Photo by Liam Semini Photography)

Ambience is further fleshed out in linear formats by “Dream Sequence 1” and “Dream Sequence 2,” two brief inclusions of manipulated voice samples; the latter is William Melarc’s LSD test, the footage of which is widely available. These provide transitions in sides A and B, and are integrated on the vinyl, the first bringing about the immediate shove in “Langolier,” and the second the more gradual meandering lead-in jam for the preach that comes in “The Painter in the Woods,” but both serve a purpose of creating an impression, bolstering the lush, otherworldly vibe and further enabling Coutts-Smith and company to put the listener where they want them to be, as might a film, novel or other vehicle for storytelling. As it goes, “The Painter in the Woods” is about as tripped out as¬†The Magnetic Ridge gets — though that’s not to take away from the open-landscape breadth of “Rat Poisoning” earlier on — and its being sandwiched between “Stray” and “Absolved Pt. 1” is effective in that there’s a grounding feel as the latter takes hold in a more intense rush of fuzz.

The drums will settle, such as it is, into a shuffle, but the tension is still there for sure and the shouting vocals reach out from the depths of the mix such as to make it even more spacious. The melodic resolution there, subtle and ceding to the return of the central riff to begin “Absolved” Pt. 2,” is a high point of craft, as is the linear build that follows. Breaking the two tracks up will not matter to someone hearing it on vinyl, but it’s a clear signal of the structural change around that same progression and further evidence of the thought put to the work on the whole.

Amid all these haunting ghosts and howling winds of guitars, such poise and clarity of vision isn’t to be ignored, but there’s more to¬†The Magnetic Ridge than cinematography. Each song offers its own plot of the wider sphere, from the scene-setting in “The Tale Of” through the “Absolved” duo pushing to where the limits go. Ultimately, this journey brings the listener around to the patient, gets-loud-but-not-too-loud credits roll of “Black Road,” a finale that doesn’t try to top “Absolved Pt. 2” as to provide a denouement from it, an engaging last show of melody and trance-inducing psychnosis. Thusly subdued, Jack Harlon and the Dead Crows wrap their sophomore outing to fit with how it opened, less than predictable, not entirely unfamiliar or so willfully weird as to forget songwriting, reckless only when it wants to be, just as they have been all along.

As regards the strengths of the album as a whole, this is no less overarching than the thread of the plot unfolding, and the control Jack Harlon and the Dead Crows so ably wield over their material makes it that much easier and more of a joy for the audience to be led across the span, littered with dry bones, sunbaked dust and scuttling life on the fringes as it may be. There’s still forward potential here as the band moves toward individual realization, but the lure of¬†The Magnetic Ridge is not to be understated. I’d read this story.

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Friday Full-Length: Pilgrim, Misery Wizard

Posted in Bootleg Theater on May 14th, 2021 by JJ Koczan

There can be no doubt youth was a factor on Pilgrim‘s side when they made their debut with 2012’s Misery Wizard. Their first long-player was released in January of that year through Metal Blade following a just a demo and a 2011 split with fellow New Englanders Ice Dragon, and from the opening strains of “Astaroth” across the album’s willfully cumbersome 55-minute span, it was pure doom traditionalism with the kind of refresh that only a new generation could provide.¬†Pilgrim — then the trio of guitarist/vocalist¬†Jon “The Wizard” Rossi, bassist¬†Eric “Count Elric the Soothsayer” Dietrich and drummer¬†Nick “Krolg, Slayer of Men” Nosach — were kids and they looked like kids, but with¬†Rossi‘s skullet and mournful voice, the band’s downcast image, depressive tonality, slow-rolling tempos and spacious mix, they tapped into the spirit of earliest¬†The Gates of Slumber in their “true doom” sensibility.¬†Misery Wizard¬†was both the altar of worship and the paean itself when it came to doom for doomers by doomers.

So much of what you need to know is in the slowdown at the end of “Astaroth.” At six and a half minutes, the opener is among the shortest tracks on¬†Misery Wizard¬†— only the brazen, galloping penultimate cut, “Adventurer,” is shorter at 4:29 — and it’s a slog already by the time they’re five minutes in, but as the procession continues toward its inevitable conclusion, the trio bring it slower, slower, and slower until finally it crashes out. It’s not that they were the first doom band ever to stick a slowdown at the finish of a given track, but Pilgrim execute that moment with rare grace from one measure to the next, so that it happens gradually, not in jumps, and lets itself go into the fading feedback ahead of¬†Misery Wizard‘s 10-minute title-track as if it’s opening a gate to the record itself. And, of course, it is.

“Misery Wizard” leads even further down into the D&D-pit-of-despair that¬†Pilgrim craft atmospherically — so much fog and lurk and rolling-of-ones to be had — and arrives as the first of three more extended tracks that comprise the meat of the album, along with “Quest” (9:52) and “Masters of the Sky.” By the time it’s done, “Misery Wizard” is righteously torturous, and “Quest” at first continues the thread, but picks up the tempo shortly before the halfway point, feeling like something of a lifeline thrown to the listener making their way through the dense humidity of the record as a whole, and though it doesn’t last but for a few minutes and the song ends with the album’s loudest ring of feedback, that stretch serves its purpose well. I’ll take “Masters of the Sky” as the highlight of the album,¬†Rossi‘s voice reaching desperately upward through the mix in the early going, layered in the second half and more forward, but still morose and placed well in the raw crash that surrounds ahead of another noisy finish.

Given its speedier shift, there’s really nowhere else to stick “Adventurer” but ahead of 12-minute closer “Forsaken Man.” It never gets quite to¬†High on Fire-level brash, but it’s not far off, and in a different pilgrim misery wizardcontext — and a much smoother production — that main riff wouldn’t have been out of place on a record by¬†The Sword. In¬†Pilgrim‘s hands, the groove is fervent but the tailspin is more dangerous, and the cymbal wash and noise that consumes the better part of the last 40 seconds feels earned in a ringing-out kind of fuckall topped with more feedback.

And speaking of feedback — have I mentioned feedback? — the launch of “Forsaken Man” is like slamming headfirst into a wall of it before the band enact their lurchiest of lurches. The culmination of¬†Misery Wizard hits into another level of grueling, cracking itself open after seven minutes to obscure gurgling, chanting or whatever it is before surging back somewhat to its zombified post-Saint Vitus march, which caps of course in suitably miserable fashion and yet more feedback. Pilgrim having established the method and unfurled their aural punishment at will throughout, it’s only fair they should underscore the point in the album’s final seconds. You wouldn’t call it brutal in the death metal sense, but it’s far from friendly.

I was lucky enough to see¬†Pilgrim three times during this era. The first time was at a show in Brooklyn with Windhand and¬†Magic Circle (review here) and the second time was¬†Stoner Hands of Doom XII in Connecticut (review here), where they were slotted among the headliners and indeed pulled one of the weekend’s best crowds as I recall, and the third time was again in Brooklyn (review here). For such sonically downtrodden fare, the excited vibe around their set at the latter venue was palpable. People were into it. The hype was real and justified. They seemed like a band ready to hit the road, and they were, and they did, touring with¬†Windhand, Heavy Temple,¬†Age of Taurus and Spirit Caravan, among others during their time.

A follow-up to¬†Misery Wizard arrived in March 2014’s¬†II: Void Worship (review here), which found¬†Rossi all the more stepped into his role as frontman as the band tightened their songwriting and explored new reaches of melody that they would seem to have discovered on tour. They’d been to¬†Roadburn 2013 (review here) by then and were no longer kids getting their feet under them as a touring band or playing to genre so much as looking to make their mark on it. One recalls their video for “The Paladin” (posted here) as being particularly emblematic of their aesthetic and putting¬†Rossi at the fore.

His death on Oct. 26, 2017, was the end of the band. By then,¬†Pilgrim was him,¬†Dietrich and¬†Brad “Bradoc the Thunderer” Richardson on drums, and though he was only 26 years old, he’d already had significant impact on the doom underground and an influence on how the up and coming generation of riffers interacted with what had come before them. In my experience with him, he was a shy but friendly enough guy. His loss was deeply felt.

And that’s a sad note to end on, but I can’t help think of the potential¬†Pilgrim had for a longer-term progression that never got to play out. Nine years after their debut, who knows what they might’ve accomplished by this time. Maybe nothing else. Maybe they would’ve broken up — their long tour with¬†Spirit Caravan was a big disillusion moment for them, as well as a fiscal drain — or maybe their third album would’ve been their best yet. We’ll never get to know. What’s important to keep in mind with that is that not knowing doesn’t undercut the value or achievement that was either¬†Misery Wizard or the sophomore outing, and that just because the potential didn’t have the chance to be fulfilled doesn’t mean it wasn’t there in the first place.

This was a good band.

As always, I hope you enjoy. Thanks for reading.

Another week.

This week I got to live one of my true parenting nightmares: poop in the bathtub. I’ve been in charge of The Pecan’s bathtime since before he could sit up. Three and a half years and counting, bathtime has been my purview. He’s always hated the bath, even though he’s got toys galore that live in the tub, bubblebath, the whole nine. He doesn’t want water in his face and I do my best to see that he doesn’t get it.

Because he’s so miserable going in his diaper at this point and yet terrified of the toilet because he’s not already completely mastered using it — or, in fact, using it at all — he holds in his poop. For, like, two days before he can’t anymore. That moment came yesterday while he was taking a bath. He was duly horrified. I had to dig through bubbles to find poop nuggets, staying calm and saying it was okay, it was an accident, accidents happen, and all that. I’d always dreaded poop in the tub. I guess it says something about the mundane horrors of parenting that by the time it actually happened, all that shit wasn’t shit, as it were.

Our next door neighbors have a newborn. You can see the drawn look in their faces. I think the guy’s a cop? I don’t know. We’re wave-to-each-other cordial. Every now and again The Patient Mrs. has a conversation. We went out when they brought the kid home. He was squidgy as newborns are. I like that age well enough. They just need you and sleep intermittently. I’ve been thinking about that time — end of 2017 — a lot as a result. I was pretty much dying. I found a picture of myself the other day from a month before he was born. I look sick and I was. Full on bulimic. What’re you gonna do. There’s a big part of me that misses that. The feeling of control. Shrug. Xanax to shut the ol’ brain up.

The weekends are hard lately, no break. I don’t remember what’s up for Monday but I know the week is full. Hang on. Yeah. Yo No Se video premiere Monday. Tuesday Mourn the Light. Wednesday Melissa. Thursday Wytch and Bottomless. Friday I’m gonna review something. Maybe Heavy Temple or St√∂ner, depending on my mood. Shrug again.

Alright, I think we’re all caught up. New Gimme show today, 5PM, and I still don’t know if I’m posting this before or after the Jack Harlon thing. I think before, because technically in Australia that post will be for Saturday morning? I don’t know. I’ll think about it while I dick around at Wegmans and look at food I’m not gonna let myself eat. It goes like that sometimes.

Thanks for reading. Great and safe weekend. Hydrate. Watch your head. Do what you need to do to get through the day. Go buy some Obelisk shorts from David at MIBK. He’s a great guy.

FRM.

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The Obelisk Questionnaire: Murray Acton of Stinkhorn & Dayglo Abortions

Posted in Questionnaire on May 14th, 2021 by JJ Koczan

stinkhorn

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Murray Acton of Stinkhorn & Dayglo Abortions

How do you define what you do and how did you come to do it?

I don’t really identify with genres and from the start, I wanted this band to be genre neutral. I would like to be able to play whatever style of music seems appropriate for the song. That said I am heavily influenced by the music of my youth. I was a teenager in the ‚Äė70s, I remember when Master of Reality came out. That changed everything for me. Back then it was all about Black Sabbath, King Crimson, Rush, UFO, basically ‚Äė70s metal. I can’t hide nor would I try to hide where I came from. I also have a punk band called the Dayglo Abortions. I built a song around a Black Sabbath riff on all nine (I think) of their albums. I don’t consider it theft, everyone knows it’s a Black Sabbath riff. It’s more of a tribute.
Describe your first musical memory.

My first record was the Walt Disney release of ‚ÄúPeter and the Wolf‚ÄĚ conducted by Leopold Stakowski. There is a part in there where the wolf is stalking Peter in the woods. The music in that part gets all low and creepy, with woodwinds and strings. I loved it. I would play it over and over again. I spent my whole childhood trying to find more music like that. I found some. The Hall of the Mountain King from the Peer Gynt symphony was one. Then when I was I think 12 or 13, Master of Reality finally made it to the backwoods town I lived in. I remember rushing home with it. My cousin had the first Sabbath album and I liked it, but it didn’t prepare me for what I was about to hear. It was as profound as my first acid trip. At that point I new what I was going to be doing with my life.

Describe your best musical memory to date.

Jeasus there are so many. A few years ago the dayglo abortions played at the Montebello Rockfest in Quebec. They were really good to us and put us on the Punk stage just after the sun went down, and there was nobody playing on the corporate stages. I got to watch Converge from New York play right before us (if that doesn’t inspire you to play you‚Äôre in the wrong business). Then we went on. There were no other bands playing so the people from the corporate side all came over to see what was going on. There must have been 100,000 people in front of us. The French Canadian punks were up front and they were singing our songs with us at deafening volume that was out of hand. There’s video of it on Youtube as well. When it gets down to it though, the big shows are a bit weird. You are so disconnected from the audience, with the lights right in your face so you can’t even see them. There is nothing on earth that is as much fun as playing in a packed sweaty bar in Slovenia or something. I played in Slovenia in the middle of the Serb/Croat war. We were only a few miles from the Croatian border where the fighting was, and people from four countries, three of them were at war with each other, came to the show. It was awesome. They made us play our entire set twice, and one song four or five times in a row at the end. They would just push us back on the stage yelling, ‚ÄúYou drink with us!‚ÄĚ

When was a time when a firmly held belief was tested?

Hmmm. I’m not sure. I was a weird kid. I had a bunch of beliefs right from the start. Adults are all liars and they want to take all your cool shit. No authority can be trusted for the same reason. Credit cards are a bad idea that the banks enslave people with. I really didn’t even like money for the same reasons. As I got older I picked up some more beliefs like beer and weed are good for you. The drugs that the pharma companies make are very bad for you, and the pharma companies are the worst drug pushers on the planet. Right along with the psychiatrists. There are more I’m sure… the universe is not held together by gravity. It’s electromagnetism, and there is no dark matter, or dark energy. Anyways I’ve got all these beliefs but none of them have ever been disproved.

Where do you feel artistic progression leads?

The Beautiful think about pursuits like that is your progression takes you to new places of creativity, which in turn inspires new ideas and directions for your so called ‚Äúquest to enlightenment‚ÄĚ I personally believe that us humans evolved into what we are with our big brains, because of the music we play, and it is our duty to the larger system that we are a part of to make our song join in with the songs of all the other creatures we share this place with. We’re not doing a very good job of it. That’s why the Mayan mystics say were disconnected from the universe. We need to connect to it with our music. It is a language that transcends spoken languages, and is capable of transmitting pure emotion. It is also the only thing we do that uses our entire brain. It’s obvious to me.

How do you define success?

Well seeing as I didn’t start playing music for the money, and I’m always broke, it’s obviously not for the money. (if that’s what you want in life, get a fucking job, you probably won‚Äôt make much playing music) Success to me is seeing three generations of a family at a show. Sitting in a locals-only bar, thousands of miles from home, with friends I’ve known for years from coming to that town once a year on tour. To have a bunch of top rated bands do a tribute album of your songs. That might be the biggest compliment I ever been given. There is a comp with bands like Napalm Death, Municipal Waste. Gwar, Agnostic Front. And stuff playing Dayglo Abortions songs. All those bands are better known than my band but apparently I was a big influence to them when they were growing up and shit. Crazy eh.

What is something you have seen that you wish you hadn’t?

I’ve had friends die in my arms from drug overdoses. I’ve been in multiple high speed car accidents. I’ve been beaten and pepper sprayed by the cops so many times it wasn’t even spicy anymore. But there is one thing I wish I hadn’t seen. Once in the ‚Äė70s I walked into an orgy. It was on a kitchen floor and they were all friends. They tried to get me to stay and join in. I think I said. There’s 10 people here already, and eight of you are dudes. No thank you.
Describe something you haven’t created yet that you’d like to create.

When I was a kid I thought I could save the world with music. I was naive. Now I have concluded that it’s going to take more than that… wait… that’s it… something that I believed in that I have UN-believed. (to answer your question from earlier) I want to do a project that explores the use of instrumental music as a language to communicate directly to the creative force of the universe. Maybe make music that can be heard in other dimensions, or music that can be heard across the universe because it resonates with reality and propagates forever like a toroidal vortex, that folds in on itself like a smoke ring, and just keeps on going. Not sure how to go about it

What do you believe is the most essential function of art?

Our art does so much for us. It tells us who we should hang with, how we should dress, who to vote for. It cheers us up when were sad. It helps us remember our past. But possibly it’s most important function is to point out and provide solutions to the things that we are doing wrong. The injustices, and the intolerance. It shows us how to defeat evil. It show us what true evil really is, and helps us fight it.

Something non-musical that you’re looking forward to?

I am looking forward to our solar system crossing the galactic plane. When it does the Earth’s magnetic field flips, and the earth will start spinning in the other direction. The Sun will go micro-nova, and just about everything on the planet will be killed. It happens every 12,00 years. The last time it happened was the younger dries extinction event. Humans have survived it several times, but not very many of them. That is why our DNA can be traced back to less than a thousand individuals. That is why there are so many indications that people went underground. (it takes 200 years for us to cross the galactic plane and things will be really shitty on the surface for much of that time) That is why all of the ancient sites are astronomical clocks, and why our ancestors were so hung up about the stars. They new it would happen again at the end of the long year, aka the procession of the zodiac. The Mayan calendar maps this out, and it says that the end of this age there will be a cleansing by fire. Anyways, I think it is an incredible privileged to be alive to witness the end of the world. It should be starting in the next 20 or so years, and I hope I live long enough to be there.

https://www.facebook.com/StinkhornStonerMetal/
https://murraythecretinacton.bandcamp.com/

Murray Acton, Covid-19 Nervous Breakdown (2021)

Stinkhorn, “High on Beans”

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Wizzerd and Merlin Unite for Turned to Stone Chapter 3 Split LP

Posted in Whathaveyou on May 14th, 2021 by JJ Koczan

The Merlin track sampled below is a righteous indictment of the tropes of stoner doom, ultimately making its way into the chorus of “I see why/Stoner doom must die.” It’s a good hook, and I don’t know about you, but I want to hear where the rest of that goes over the ensuing 15 minutes, let alone what Wizzerd might try to do to combat it. Indeed, the third installment of Ripple‘s Turned to Stone split series is tagged as Wizzerd vs. Merlin, so as the two mystical-minded riffers come together to release the LP this July, one can only imagine the horrors and wonders that await. It’ll be fun. You like fun, right? I’ve never tried it myself, but I hear good things.

And I guess by that I mean I hear this Merlin snippet. Listen to the lyrics.

Whatever. Here’s the PR wire info you’re here for anyway:

ripple music turned to stone chapter iii wizzerd vs merlin

RIPPLE MUSIC: ‘Turned To Stone Chapter III’ details and first track unveiled!

Ripple Music is proud to unveil details for the third chapter of their ‘Turned To Stone’ split series, with yet another riffalicious collaboration! To meet expectations that followed an intense meme war on social media, US heavy psych and doom units WIZZERD and MERLIN will issue a 40-minute split LP entitled ‘Turned To Stone Chapter III: Wizzerd vs Merlin’ this July 16th on Ripple Music. Stream a snippet of Merlin’s mind-bending song right now!

In Chapter III of Ripple Music’s ambitious ‘Turned to Stone’ series, a mythic musical battle unfolds between two wielders of the magical arts: WIZZERD and MERLIN. With each band contributing a full LP side, taking the form of one massive and masterful track, which band will triumph and take the mantle of Master Mage? It is now time to lift a part of the veil, and lend your eager ears to Kansas City doom slingers MERLIN’s own acid-drenched and shapeshifting sound with an appalling snippet of their 20-minute masterpiece “Merlin’s Bizarre Adventure”.

MERLIN about this epic contribution: “Merlin’s Bizarre Adventure was made while the pandemic raged on; band members came and went and all of our jobs became wildly unpredictable. Writing this song in the spring/summer of 2020 was the only thing preventing us from going on a hiatus. It gave our new lineup the challenge and jump-start we needed to embrace the future sound of the band. Plus we needed to write a song that Wizzerd couldn’t top even if they tried.”

WIZZERD outbid: “Fans across the globe have been asking, ‘Who will win the great meme war?’, ‘Why does Merlin think they have anything on Wizzerd?’ and ‘Will this ever end?’, and thanks to the fine folks at Ripple Music, we can finally settle this heated debate once and for all. Merlin think that they’re hot stuff, but really it’s all just a meme game. When it comes to the music, can they make it where it really counts? Grab yourself a chili dog and listen to find out who the real winner is. (Hint: it’s Wizzerd).”

The ‘Turned to Stone Chapter III: Wizzerd vs Merlin’ album will be issued on July 16th via Ripple Music, and available to preorder now on:
– Magma Edition Galaxy Vinyl LP (gleaming yellow vinyl w/ deep purple and black splatter)
– Bedrock Edition Splatter Vinyl LP (magic-ale colored)
– Digital

Side A – Wizzerd “We Are” (18:55)
Side B – Merlin “Merlin’s Bizzare Adventure” (21:51)

https://www.facebook.com/wizzerddoom
https://www.instagram.com/wizzerddoom/
https://wizzerd.bandcamp.com/
https://www.facebook.com/MERLIN666/
https://www.instagram.com/merlin_doooooom/
https://merlin666.bandcamp.com/
https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

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The Obelisk Show on Gimme Metal Playlist: Episode 59

Posted in Radio on May 14th, 2021 by JJ Koczan

the obelisk show banner

Don’t tell anyone — or better yet, do! — but this show turned out pretty solid. I kind of put it together following a couple whims, things I’ve wanted to put in my own head, plus some of the recent Bandcamp Friday stuff — hello¬†Spaceslug and¬†Geezer — and things I’ve covered here recently in¬†Tuna de Tierra and Worshipper and Carlton Melton, etc. Then I just wanted to hear the¬†Shogun¬†and L√°Goon tracks for myself, and I’ve been meaning to cover that¬†White Powder¬†record more for weeks, and then I started thinking about songs that have “mountain” in the title and decided to do a whole block of those just for the hell of it, so that’s where we wound up. Mountain climbing.

But in addition to starting off with the maddeningly catchy “It’s Already Written” by¬†Tau and the Drones of Praise¬†— whose¬†Roadburn Redux stream was posted here first thing this week — this one makes a few cool turns and flows and kind of breaks up nicely from one thing to the next, even as “Mountain” gets into “Mountain” into “Longing to Be the Mountain” and “Holy Mountain” and “I’m the Mountain.” This is the sort of thing I think is fun. That’s me. That’s who I am.

Anyway, thanks for listening and/or reading. As always, I hope you enjoy.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmemetal.com

Full playlist:

The Obelisk Show – 05.14.21

Tau and the Drones of Praise It’s Already Written Tau and the Drones of Praise
Carlton Melton Waylay Where This Leads
Spaceslug The Event Horizon The Event Horizon
VT
Worshipper Pictures of Home VA – Bow to Your Masters Vol. 2: Deep Purple
L√°Goon Hill Bomb Skullactic Visions
White Powder Rula Jabreal Blue Dream
Shogun Delta Tetra
VT
Tuna de Tierra Mountain Tuna de Tierra
Colour Haze Mountain Colour Haze
King Buffalo Longing to Be the Mountain Longing to Be the Mountain
Sleep Holy Mountain Sleep’s Holy Mountain
Stoned Jesus I’m the Mountain Seven Thunders Roar
VT
Geezer Solstice Solstice

The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is May 28 (subject to change). Thanks for listening if you do.

Gimme Metal website

The Obelisk on Thee Facebooks

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Melissa to Release Debut Album Devil’s Mask; New Single out Today

Posted in Whathaveyou on May 13th, 2021 by JJ Koczan

melissa

Formed just this past January, Brazilian four-piece¬†Melissa will present their debut album,¬†Devil’s Mask, next week. I’ll be streaming it — I think? — so this post is really just something of a heads up for that, but the first single from the thing is out today, and whether or not the subsequent stream is happening, “Swallowed by Blame” is a fascinating blend of goth atmosphere, raw doom and other cult-derived heavy. The band is fronted by¬†Melissa Rainbow of¬†Dirty Grave and finds her joined by that band’s drummer¬†Henrique Lima and guitarist¬†Pedro Barros, as well as newcomer bassist¬†Anderson Vaca, also of¬†Pesta. The record is formative but aware of where it wants to go, and loaded with potential in its level of craft. It’s not an entirely unfamiliar sound, but a fascinating one just the same. You might dig it.

So stay tuned for more on that, and in the meantime, here’s release info and whatnot below, courtesy of the PR wire:

melissa devil's mask

Slow heavy music project MELISSA release debut single and announce album “Devil’s Mask”

Brazilian “slow heavy music” project MELISSA release first single “Swallowed by Blame” and announce debut album “Devil’s Mask”

In this May 13 the Doom-guided project MELISSA release their debut single “Swallowed By Blame”, part from their first studio √°lbum “Devil¬īs Mask”. Born in January and described simply as “Slow Heavy Music”, the project Melissa is a new work of Melissa Rainbow, the mind and heart behind bands like Dirty Grave, Enxofre and M√£es Morrendo, all of them travelling through the paths of heavy music and touchin genres like Doom, Death Metal and Grunge.

Completed by their DIRTY GRAVE’S bandmates Henrique Lima (drums) and Pedro Barros (guitar) and the bass player Anderson Vaca (PESTA), the new project walk through the Doom Metal, Postpunk, Gothic and other sonorities, with the debut √°lbum “Devil’s Mask” due to May, 19 release in Bandcamp featuring seven dense and blazing tracks.

DEVIL’S MASK tracklisting:
1. Perfect Soulmate
2. Buried in a Body
3. Swallowed by Blame
4. The Fire Eats
5. I, The Witch
6. Pulse
7. Devil’s Mask

https://www.facebook.com/melissadoommetal/
https://www.instagram.com/melissa_doomed/
https://melissadoom.bandcamp.com/

Melissa, “Swallowed by Blame”

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Carlton Melton to Release Night Pillers EP June 12

Posted in Whathaveyou on May 13th, 2021 by JJ Koczan

Let’s assume a night piller is one who pills at night. Whatever the case, Night Pillers, the new mini-LP from Carlton Melton, was recorded at the same time as the band’s 2020 offering, Where This Leads (discussed here), and it brings an ultra-diggable hypnotic half-hour of dream-laced exploration to bear across five tracks that, well, I’m only on “High Noon Thirty” so far and I’m board for wherever they’re headed. The trio are no strangers to setting their course into the farther reaches of “Far out, man,” and if you’re not up for taking the trip, so be it — they’re already gone.

The drift and drone here is resonant and mellow and if you can get on board now’s a good time. I’m sure they’ll do preorders and all that stuff. It’s a Record Store Day thing, 600 copies. I don’t even know if they’re gonna stream it, but oh it’s cool if you can catch it somehow some way.

Info follows:

carlton melton night pillers

Announcing New CARLTON MELTON RSD Release

Carlton Melton drift in on their sike-magick-karpet with a 30 minute mini album to celebrate the impending Summer Solstice, phasers and drones set to STUN! Released on RSD June 12th for maximum Solstice benefit.

Tune in, Drone on, Drop Out……..

5 Newly mastered tracks from the same session that spawned 2020’s 2LP release “Where This Leads” Spaced sike-drone fizzle and eyeball-shaking distorto rock leading the way on this late night head-nodder!

Californian Magick Karpet riders, Carlton Melton, soar high on this Mini album, recorded/engineered by Phil Manley/El Studio and Mastered as ever by John McBain. Almost phasing out further than before, some of Millman’s lead guitar hits sike stratospheres and orbits we cant even dream of, more synth, a drum machine, more guitars and Clint Golden holding down the back line whilst Andy and Rich duel in space with riff-lazers… well, thats what we thought late on saturday night…flyyyy onnnnnn…….

600 copies WHITE VINYL ONLY!

LP Released 12th June 2021 on Agitated Records

Tracklist
1. Resemblance
2. Morning Warmth
3. High Noon Thirty
4. Safe Place
5. Striatum

Carlton Melton is:
Andy Duvall (drums, guitar)
Clint Golden (bass)
Rich Millman (guitar, synths)

https://www.facebook.com/Carlton-Melton-band-page-142609689122268/
https://meltoncarlton.bandcamp.com/
http://www.carltonmeltonmusic.com/
https://www.facebook.com/AGITATEDRECORDS/
http://agitatedrecords.com/

Carlton Melton, Where This Leads (2020)

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Video Interview: Bob Balch Talks Big Scenic Nowhere’s The Long Morrow, New Fu Manchu, and More

Posted in Bootleg Theater, Features on May 13th, 2021 by JJ Koczan

big scenic nowhere

There’s a point somewhere after 12 minutes in that Bob Balch reaches with both hands to his right and in a completely fluid motion, pulls a guitar in front of him, where it remains for the rest of the interview. And honestly, from that point on, he looks more comfortable too. This is a guy who spends a goodly portion of every day living just like this: in that chair, thinking, working, teaching, learning the craft of guitar. I don’t even know how many times he calls himself a nerd throughout the conversation, but it’s several. And awesome. He lives and breathes it.

Known for his work as well in Fu Manchu, whose 30th anniversary tour and release plans were scuttled in 2020, Balch has of late been overseeing the construction and release of the second Big Scenic Nowhere full-length, titled The Long Morrow. The group big scenic nowhere the long morrow— legit “super,” with Balch joined by Mos Generator‘s Tony Reed and guitarist Gary Arce and drummer Bill Stinson, both of Yawning Man — have two songs released as of this post. Both of them come from a stockpile of jams the four-piece (and some friends, like¬†Masters of Reality‘s¬†Chris Goss) put together over the course of three days in 2019 — the same sessions from which their 2020 debut, Vision Beyond Horizon (review here), and the follow-up EP, Lavender Blues (review here), were carved.

That process, taking jams, finding tones and rhythms that coincide, and building songs from them, would seem to be how¬†Balch spent much of a 2020 that otherwise would’ve been on the road, but as of now, work is still being done on¬†The Long Morrow ahead of its coming out sometime hopefully this Fall.¬†Balch talks about guest appearances to come, the project’s origins in wanting to jam with¬†Arce and¬†Reed and some of the material’s birth in his own¬†Sun and Sail Club outfit — also the hilarious circumstances of how that more frenetic project was born, which I didn’t know previously — recording and release plans for¬†Fu Manchu, who’ll look to get back on tour next year across multiple continents and follow-up the early-2020¬†Fu30 Pt. 1 EP with more originals and covers. If you’re wondering¬†Fu Manchu practices on Thursdays. That’s¬†Fu day.

Given the chance, I also wanted to talk about¬†Balch‘s work in guitar instruction — he gives lessons and runs PlayThisRiff.com with videos and interviews with guitarists — his recent return to¬†taking lessons rather than just giving them, and more general guitar stuff that’s piqued his interest of late. There was¬†a lot of ground to cover, and it was a cool chat.

As always, I hope you enjoy:

Big Scenic Nowhere, The Long Morrow Interview with Bob Balch, May 10, 2021

Big Scenic Nowhere‘s The Long Morrow is being released as singles ahead of a full-LP arrival later this year on Heavy Psych Sounds. Fu Manchu‘s anniversary tour plans for 2022 are coming soon. More info at the links.

Big Scenic Nowhere, The Long Morrow (2021)

Fu Manchu, Fu30 Pt. 1 EP (2020)

PlayThisRiff website

PlayThisRiff on Facebook

Big Scenic Nowhere on Facebook

Big Scenic Nowhere on Instagram

Big Scenic Nowhere on Bandcamp

Heavy Psych Sounds on Facebook

Heavy Psych Sounds website

Heavy Psych Sounds on Bandcamp

Fu Manchu on Facebook

Fu Manchu on Instagram

Fu Manchu on Twitter

At the Dojo Records website

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