DVNE Sign to RidingEasy Records; New Album Due Later This Year

Posted in Whathaveyou on June 19th, 2019 by JJ Koczan

RidingEasy Records would likely have been on hand last August when Edinburgh’s DVNE made their debut US appearance on the main stage at Psycho Las Vegas (review here), and having seen that performance, it leaves little to wonder why the label might have snagged them for the release of the follow-up to 2017’s widely-lauded Asheran. I seem to recall hearing at some point that Psycho was managing the band as well, so the West Coast connection there and the fact that they’re playing the festival again this year kind of brings it all together. They’ll hit the studio sometime in the next couple months to record an album, and whether it makes it out before the end of 2019 or not, I have little doubt its arrival will be hotly anticipated.

They’re something of a standout in terms of style for RidingEasy as well, which I imagine will only help them as they go forward with the backing from the label. US tour next year? Doesn’t seem like an unreasonable ask following the album’s release.

The PR wire makes the signing official:

dvne

DVNE sign to RidingEasy Records, play Psycho Las Vegas

Edinburgh, Scotland band to release new album in 2019

Edinburgh, Scotland quintet DVNE have signed to L.A. purveyors of heavy, RidingEasy Records for worldwide release of future recordings.

The band also returns to the US this summer to perform at the hugely popular Psycho Las Vegas festival on August 17th.

DVNE (pronounced dune) is a 5 piece progressive rock/metal band from Edinburgh Scotland. Founded in 2013, the band was then called Dune in reference to Frank Herbert sci-fi masterpiece of the same name.

The band consists of Victor Vicart (guitar, vocals, keys), Dudley Tait (drums), Daniel Barter (guitar, vocals), Jack Kavanagh (bass) and Richard Matheson (keys).

To date, the band has released one studio album and two EPs. They emerged within the UK scene with their first EP Progenitor (2013), shortly followed by a second EP, Aurora Majesty (2014). At their releases, both EPs received very favourable receptions. Dvne quickly began to make a name for themselves in the UK and around Europe, with various tours over these territories and support shows of households names such as Eyehategod, Crowbar, Dragged Into Sunlight to name a few. The band’s sound at the time was already crossing over various music style including post-metal, progressive rock and sludge metal, but it is with their first full-length album Asheran that the band established further their unique blend of heavy music.

Released in August 2017, on double-disc vinyl, CD and digital, Asheran was overwhelmingly praised by the press. Since Asheran’s release, Dvne has toured all over the UK, Europe and North America and appeared at prestigious festivals such as Psycho Las Vegas, Desertfest London and Inferno Festival Norway to name a few.

Not content to repeat their previous releases and always looking to push their sound forward DVNE are about to enter Chamber Studio in Edinburgh this summer to record their 2nd full-length concept album, planned for release on RidingEasy in late 2019.

DVNE LIVE:
08/17 Las Vegas, NV @ Psycho Las Vegas

https://www.facebook.com/DvneUK
https://www.instagram.com/dvne_uk/
https://songs-of-arrakis.bandcamp.com/
ridingeasyrecs.com

DVNE, Asheran (2017)

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Monomyth to Release Orbis Quadrantis Sept. 13; Playing Desertfest Belgium and More

Posted in Whathaveyou on June 19th, 2019 by JJ Koczan

monomyth (photo by Michael Mees)

By the time Monomyth‘s new album, Orbis Quadrantis, is released on Sept. 13, it’ll be nearly a year after the track at the bottom of this post was first made public. 11 months, anyhow. That’s a pretty long wait, but fortunately, the depths offered up in “Aquilo” are plentiful enough to sustain, and double-fortunately, the album, which was originally slated to be out in February, will now be timed to the swath of autumnal live dates the Netherlands-based outfit have booked. So maybe the release is old news and maybe the track is old news, but the confirmed release date is new and while I wonder what pushed the thing back seven months — which, whatever it was, must have been frustrating for band and label alike, as well as anyone who heard “Aquilo” and wanted to dig into more — I’m at least glad there’s more to come now.

If you haven’t heard the track yet, and hey, maybe you have, maybe you haven’t, it might be the quickest 12 minutes you spend today.

Have fun:

monomyth orbis quadrantis

Monomyth – Orbis Quadrantis

RELEASE DATE: September 13, 2019

Monomyth: Five Flying Dutchmen who make the most thrilling instrumental soundscapes. Formed in The Hague in 2011, Monomyth are not afraid to push the boundaries of space / stoner rock. After playing festivals like Roadburn and Desertfest, 2019 sees the band starting a new chapter with their fourth album.

On Orbis Quadrantis the band delves into unexplored waters, yet their meticulous open-ended psychedelics remain in-between Ariel Pink and Pink Floyd.

The first vinyl editions in both 180g ‘black‘ and limited 180g ‘clear transparent blue and black mixed‘ vinyl comes in a 6-panel fold-out cover with double-sided artwork, black polybag inner cover and transparent plastic outer cover with Monomyth logo! The first 100 orders will also receive a hand-signed A5 photo card!

Tracklist:
01. Aquilo
02. Eurus
03. Auster
04. Favonius

TOUR
10-08-2019 – Yellowstock, Geel (B)
04-10-2019 – EKKO, Utrecht
18-10-2019 – Desertfest, Antwerpen (B)
19-10-2019 – Burgerweeshuis, Deventer
01-11-2019 – Merleyn, Nijmegen
02-11-2019 – Gebr. de Nobel, Leiden
15-11-2019 – Melkweg, Amsterdam
29-11-2019 – t Beest, Goes
30-11-2019 – De Gelderlandfabriek, Culemborg
06-12-2019 – VERA, Groningen
12-12-2019 – PAARD, Den Haag
13-12-2019 – Hall of Fame, Tilburg

https://www.facebook.com/monomyththeband
https://monomyththeband.bandcamp.com/
http://www.monomyththeband.com/
https://www.facebook.com/suburbanrecords
https://www.instagram.com/suburbanrecords/
https://suburban.nl/

Monomyth, “Aquilo”

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Stoned Monkey Sign to Argonauta Records for Debut Album

Posted in Whathaveyou on June 19th, 2019 by JJ Koczan

As habit dictates, I was scouring the internet for some media to include with this post about Italy’s Stoned Monkey signing to countryman imprint Argonauta Records for the CD and tape release of their forthcoming debut album. I managed to find a clip on their YouTube page that’s 57 seconds long and pretty much just a riff. One riff. A minute of riff. And you know what? I feel like I get it. I get why Argonauta picked them up. All it took was one riff.

Bongripper would seem to be a reference point for the instrumental three-piece, what with the largesse of that lone riff and all, but I won’t claim to speak for their sound as I’ve heard basically nothing. Still, that was a sick riff, as in, “Sick riffs, bro,” which is what you’d probably say to the guitarist right after they got off stage.

In my case, it’s “sick riff, bro.” Singular. Fair enough.

Info from the PR wire:

stoned monkey

Sludge rockers STONED MONKEY ink worldwide deal with ARGONAUTA RECORDS!

Born in Varese, Italy, in 2017, Sludge ‘n Doom Noise rockers STONED MONKEY have signed a worldwide record deal with Argonauta Records! Mesmerizing atmospheres, high pitched amplifiers, heavy soundwalls and a strong scent of the weed distinguish the experience on a STONED MONKEY trip: An unmistakable Sludge timbre mixed with the rhythmic-sonorous intensity by influences such as Doom and noisy Stoner Rock.

Says Argoanuta Records owner Gero Lucisano: “Once I’ve heard the very first notes of these guys, I’ve been totally levelled by their massive approach. Back in the days I received some rough mixes and I have been surprised how an instrumental band can generate a so huge wall of sound. I heard echoes of Bongripper and Sleep, though in a more dynamic way yet a lot hypnotic and abrasive”.

While the band is currently working on their upcoming debut, followed by an extensive touring schedule, STONED MONKEY are excited to have signed with Argonauta:

“As fans of the genre, we are proud to sign with such an important label in the sludge/doom scene and we are glad to release out debut with them soon. This record will be the fruits of a lot of hard work, commitment and dedication, and let’s not forget about the neurons we burnt on every single track. We are ready to share our concept of music with the whole world soon!“

STONED MONKEY is:
CPX – Drums
DESA – Guitar
TIA – Bass

www.facebook.com/stonedlikeamonkey
www.argonautarecords.com

Stoned Monkey, “Satanic Warhead” live Circolo Degli Artisti Vinago, April 7 2018

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Across Tundras, The Rugged Ranges of Curbs and Broken Minds: In the Ashes of Idealism

Posted in Reviews on June 18th, 2019 by JJ Koczan

across tundras the rugged ranges of curbs and broken minds

It has been six years since Across Tundras released their last full-length. That record, Electric Relics (review here), was a triumph of the band’s songwriting approach, blending elements from heavy rock and psychedelia with Americana and folk roots in a way that, even though they’d been at it for nearly a decade by then, still remained forward-thinking. It was also their first album to be released through their own imprint, Electric Relics Records, following 2011’s Sage (review here) coming out via Neurot and others released either by themselves and other labels. One could hardly say The Rugged Ranges of Curbs and Broken Minds follows a period of inactivity, given the fact that in the interim, the band has issued 2015’s Home Free EP (discussed here), a 2017 two-songer single, Blood for the Sun / Hearts for the Rain (discussed here), as well as various archival offerings, and founding guitarist/vocalist T.G. Olson has issued numerous solo full-lengths, singles and other releases, under his own name and several other incarnations, experimenting in folk, drone, assembled noise and so on, all being issued, like The Rugged Ranges of Curbs and Broken Minds, through Bandcamp with little to no prior announcement and as a name-your-price download and limited, usually hand-crafted, physical pressing.

That kind of promotional minimalism hasn’t done much for Across Tundras in terms of fanfare, but is has let Olson control and build his discography on his own terms, which is very much how the band operates throughout the new album, which, though again, they haven’t exactly been gone, has been nonetheless long awaited. To wit, before this stretch, the longest they’d gone between full-lengths was two years. And the crafting of these tracks would not seem to have been uncomplicated, recorded during moves between Nebraska and Nashville, Tennessee, with the final lineup of Olson, Ben Schriever, Caleb R.K. Williams, Abigail Lily O’Hara and Noel Dorado, but the fluidity that results serves as a reminder of what has always been a signature strength for Across Tundras in terms of creating space with their sound.

From their 2005 debut, Dark Songs of the Prairie onward, their mission has been in part to capture the spirit of a heavy Americana, and that remains true on The Rugged Ranges of Curbs and Broken Minds, but like the land itself, the shape that has taken in their sound has changed, and some of the ramble that found its way into Across Tundras‘ rolling grooves in years past has turned sullen, gazing less at shoes than out at an expanse of empty land, but gazing all the same. In darker moments like “Talkin’ Rust Cohle Existential Blues” or the wistful leadoff title-track, there’s a clear line to be drawn to some of Olson‘s recent solo work, which has blurred the lines between full-band-style soundcraft and guy-and-guitar folk, but one of The Rugged Ranges of Curbs and Broken Minds‘ most engaging aspects is the wash it creates and the deceptive depth of its mix, with pedal steel and drones resting far back behind the strumming electric guitar and voice, the drums subtle sometimes and more forward others, as when they lead the march of uptempo second cut “Slow Down and Breathe,” which boasts arguably the most memorable hook on the record, or in the later “Whirlwind Reapin’,” the midsection of which rises from a soundscape of distortion and heartsick melody to move into a wash of tone before closing with residual noise.

across tundras rock pile

Though it does not struggle to make an immediate impression, the album is best on repeat listens — a slow burner that lets the voice speaking at the beginning of the penultimate “When We Were All One” come through, and gives the soft-touch blues of centerpiece “Boots of Snake Leather” its proper room to breathe — and the more its genuine scope is revealed, the more those listens are earned. Whether it’s the tale-telling of “The Rugged Ranges of Curbs and Broken Minds” or the noisy, organ-laced finish of “New War on the Range,” which is also the longest track at 7:42, the band hold firm to an experimentalist purpose and care of arrangement that goes beyond the surface of Olson‘s songwriting, and the vision of the prairie they’re using as their backdrop is that much richer for it.

As a fan and someone who — if I didn’t get the point across — was waiting for a new Across Tundras LP to come out, The Rugged Ranges of Curbs and Broken Minds is all the more satisfying because it doesn’t ignore what Olson has done over the last six years. It ties to his solo work in a way that isn’t trying to be something that it’s not. It’s still rooted in that heavy Americana ideal, but more patient in its songwriting than the band have ever been, and more willing to, like the song says and eventually does, “Slow Down and Breathe” almost as an act of escapism from the modern chaos hinted at in the album’s title. In its blend of naturalist wash and country folk, it is both lush and organic, with Olson‘s mostly laid back, breathy post-Dylan vocal style providing the human core around which the other elements swirl and churn and do whatever else it is they might do.

All told, The Rugged Ranges of Curbs and Broken Minds is seven songs/43 minutes of material that pushes the band into places where they’ve never been, and while it does so, it seems to find itself closer to the heart of what they’ve been going for all along, that kind of resonance shared between emotionality and place. In the howling leads of “Talkin’ Rust Cohle Existential Blues” and the way “When We Were All One” seems to bask in imaginary sentiment — what could be more American? — Across Tundras are able to manifest their ideas in a way they’ve never been before, and they’re ultimately stronger for incorporating what Olson has learned in the intervening years of solo work in making that happen. Though the American underground is rife with heavy blues of various shapes and forms, Across Tundras are unto themselves, and whether one thinks of it as heavy bluesgaze folk or whatever else, The Rugged Ranges of Curbs and Broken Minds is a welcome reminder of that fact.

Across Tundras, The Rugged Ranges of Curbs and Broken Minds (2019)

Across Tundras on Thee Facebooks

Across Tundras/T.G. Olson on Bandcamp

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Dead Satellites Set July 26 Release for Debut EP Burst

Posted in Whathaveyou on June 18th, 2019 by JJ Koczan

Let’s assume that if a band goes ahead and names their debut EP after you, you’ve probably gotten the job done as a recording engineer. So it is with Burst, the first four-songer outing from Dead Satellites. The duo splintered off from Brooklyn’s Matte Black recorded the darkly spacious offering with Charles Burst at Studio G and, sure enough, decided to title it in his honor. Can’t argue with the sentiment — the thing sounds great — but it’s not something you run into all that often. It probably should be. There’d be a lot of records out there called Anderson, I guess.

In any case, Burst is out July 26 and will be available from the band. They’ve got the first two tracks streaming now in the form of “42,” with its immediacy of post-metallic riffing (indeed, it’s their “Stones from the Sky” moment) and the more sprawling “Beyond the Sun / Last Transmission,” and between the two, you can get a pretty good picture of where they’re coming from, though of course “Name_” and “El Guapo” have a few more tricks up their sleeve as well.

Cool stuff from a new band. That’s my favorite kind of story. Here’s the release announcement:

Dead Satellites Burst

Dead Satellites was born out of the love for playing live music. The duo had been hammering out riffs in the heavy NYC underground music scene since 2010. Most notably in the heavy psychedelic doom leaning power trio, Matte Black. Fidel Vazquez on drums and Matt McAlpin on Guitars/Vocals. The pair found themselves wanting to create something new and immediate as the band was finishing up the recently completed Matte Black album, “Psyche”. They accepted a gig supporting Lacey Spacecake before putting together a new set from scratch in a few weeks time. A few months later they went into Studio G to record with Seaside Lounge engineer, Charles Burst.

“Everything was tracked quickly in sequential order. The drums sounded fantastic in the live room and most songs were captured on the first or second take.” Matt remembers, “It was liberating and exciting session. Everything felt alive and the drums sounded huge. Charles really did an amazing job capturing the energy and feeling of our live performances.”

Dead Satellites “Burst” will be self released on Friday, July 26th.

Tracklisting:
1. 42
2. Beyond the Sun / Last Transmission
3. Name_
4. El Guapo

Dead Satellites are:
Idel Vazquez – drums
Matthew McAlpin – guitars + vocals

https://deadsatellitesmusic.bandcamp.com

Dead Satellites, Burst (2019)

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Crypt of the Riff Vol. 4 Announces Lineup for December in Belfast

Posted in Whathaveyou on June 18th, 2019 by JJ Koczan

crypt of the riff vol 4 banner

Let’s face it: if you’re doing a festival featuring any kind of heavy music, and you make it so far as to do a fourth edition, you’re pretty much obligated to base the poster design around Vol. 4. You gotta do it. I’d imagine that for festivals it’s both a celebration and a rite of passage to get to that point. Crypt of the Riff Vol. 4 in Belfast is set for this December with Tuskar headlining and Elder DruidHornetsGod AloneDuellistsTowers and Gravity Well confirmed. The traditional holding position is Voodoo in Belfast, and as I was in the city recently, I feel like I can say with some assurance that it’s a cool town to host a fest, and of course there’s plenty of Irish heavy to feature, as Plain Living Promotions and Elder Druid — who put the thing together — know fully well. The Obelisk presented the last edition, and if you happen to be in the neighborhood, I’d without hesitation recommend checking it out.

Here’s the info and copious links from the event page on Thee Facebooks:

crypt of the riff vol 4 poster

CRYPT OF THE RIFF VOL. 4

Belfast’s heaviest riff fest returns for Vol. 4 in December.

HEADLINER:

Tuskar (ENG)
A two piece doom/sludge outfit hailing from Milton Keynes, residing in the Surrey Hills. Combining elements of: Doom, Sludge, and Black Metal.

Comprised of vocalist and drummer Tyler Hodges and guitarist Tom Dimmock, Tuskar’s chemistry is unmistakable both live and in the studio. They have grown up playing together in bands and have struck out on their own with material that owes as much to Conan and Sleep as it does bands like Behemoth and Darkthrone.

https://www.facebook.com/TUSKARBAND/
https://tuskar.bandcamp.com/

Elder Druid
https://www.facebook.com/elderdruidband/
https://elderdruid.bandcamp.com

Hornets
https://www.facebook.com/Hornetsband/
https://hornets.bandcamp.com/

God Alone. (IRL)
https://www.facebook.com/godalonecork/
https://godalone.bandcamp.com/

Duellists
https://www.facebook.com/Duellistsband/
https://duellists.bandcamp.com/

Towers
https://www.facebook.com/TowersBelfast/
https://towersbelfast.bandcamp.com/

Gravity Well
https://www.facebook.com/GravityWellBelfast/

Date: Friday 13th December
Venue: Voodoo, Belfast
Time: 7PM
Tickets: £10 + booking fee

Tickets are available via Eventbrite at this link:
https://www.eventbrite.co.uk/e/crypt-of-the-riff-vol-4-tickets-63108010759

They will also be available on the door.

https://www.facebook.com/events/2504270066258014/
https://www.facebook.com/plainlivingpromotions/
https://cryptoftheriff.bigcartel.com/
https://www.facebook.com/VoodooBelfast/

Tuskar, The Tide, Beneath, The Wall (2018)

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Mangog Release The Ghost in the Room EP

Posted in Whathaveyou on June 18th, 2019 by JJ Koczan

mangog

With Maryland Doom Fest kicking off later this week, it is a fitting time to celebrate the region’s heavy output. Baltimorean four-piece Mangog won’t play in Frederick this year, but they’ve got a brand new two-songer called The Ghost in the Room out well in time for the occasion just the same. They would seem to have parted ways with masked drummer Dao Yu since the recording of the EP — we never did find out why he wore the mask, so let’s just assume it was because he was secretly WJZ Baltimore meteorologist Bob Turk in disguise and didn’t want anyone at CBS to know he’s super into heavy riffs. Fair. It would probably cost him his job.

The new guy is Russell Hayward III, and he’ll have to wait until the next outing to make his debut with the band, but I hear there’s a second album in the works. I wouldn’t be surprised if these tracks are on it in some form or other.

The PR wire has it like this:

mangog the ghost in the room

Baltimore doom unit MANGOG releases brand new EP; Out now on Argonauta Records!

Doom metal heavyweights MANGOG have announced the surprising release of a brand new EP titled The Ghost in the Room, which is out now on Argonauta Records!

MANGOG is a doom metal band based out of Baltimore, Maryland, formed by bassist Bert Hall Jr. (Revelation, Against Nature, Beelzefuzz ), assuming guitar duties, drummer Stephen Branagan (Revelation, Against Nature, and Yet So Far), Major Company bassist Darby Cox, and Final Answer vocalist Myke Wells. In early 2015 the band released the Daydreams Within Nightmares EP during their debut performance at the Maryland Doomfest. One year later, MANGOG completed its first and critically acclaimed full length album, Mangog Awakens, released with Argonauta Records in 2017.

The Ghost in the Room continues the band’s work and sets high anticipation for their sophomore album, MANGOG are currently working on. Their brand new, 2-track EP is now available for streaming and download HERE!

“We are stoked to give everyone a taste of some of the music we’ve been working on through our partnership with Argonauta Records!” MANGOG comments. “The Ghost in the Room has been a staple of Mangog set lists since shortly after the release of the “Awakens” album, with the track “Hubris” being written much more recently.

The road to getting out new music has been an epic one, paved with hospitalizations, birth, death, setbacks, frustration and lineup changes. These recordings feature former member Dao Yu on drums, who worked with the band between September 2017 and October 2018.

We recently also begun to perform acoustic versions of some of our new and old songs, and will have a video for “Ghost in the Room” about to enter the post production, so better watch out for many more great news to come soon!”

Tracklisting:
1. The Ghost in the Room 06:53
2. Hubris 04:01

MANGOG is:
Myke Wells – Vocals
Bert Hall, Jr. – Guitars, vocals, devices
Darby Cox – Basses
Russell Hayward III – Drums

www.facebook.com/MangogDoom
https://twitter.com/mangogdoom
https://www.mangogdoom.com/
www.argonautarecords.com

Mangog, The Ghost in the Room EP (2019)

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Planet of Zeus Premiere “Revolution Cookbook” Video from Faith in Physics

Posted in Bootleg Theater on June 18th, 2019 by JJ Koczan

planet of zeus

Last week, it was announced that Planet of Zeus had signed to Heavy Psych Sounds and will release their new album, Faith in Physics, on Sept. 27, with preorders up now. The album would seem to take a more political direction that the opening title-track of their 2016 LP, Loyal to the Pack, hinted toward, and with the unveiling of the first single/video for “Revolution Cookbook,” that’s borne out across a sub-three-minute run of catchy, uptempo and hard-hitting heavy rock. My curiosity when the press release came through was how the Athens-based four-piece would square their burly, Clutch-style groove with the thematic, and I think “Revolution Cookbook” answers that question pretty succinctly in its intense forward drive and cyclical chorus, sticking the landing on the line “We got our first-world problems” and pitting that against the contrast of “They got the tv and the money and the power and the guns.” I don’t want to put too fine a point on it, but it sounds in that scenario like “we” are fucked.

I’m not sure who that “we” encompasses, but fair enough. If nothing else, “Revolution Cookbook” would seem to demonstrate that Planet of Zeus, if indeed they’re revising their focus lyrically, aren’t doing so at the expense of efficiency in craft. That is, they’re not so caught up in the message as to lose sight of the song. Faith in Physics would seem to be setting itself up for an exploration of these contrasts, whether it’s the melodic and shouted vocals here or the workman groove and more considered lyrics themselves. I haven’t heard the rest of the record yet — and since the release date is still more than three months out, I think that’s totally reasonable — but even the title Faith in Physics speaks to an idea of conflict or struggle, hinting toward the idea of science vs. dogma and commenting that even “believing” in science is a belief system, even if one based on empirical observation. This too would seem to make it a fitting follow-up to Loyal to the Pack, the first lines of which were, “No fake gods/No submission/No trust to anyone.”

The video itself is pretty straightforward in terms of capturing the band’s performance, but is well timed to the rhythm of the song nonetheless, though if you’re sensitive to flashing lights you might want to watch out in parts. It’s not too bad. I expect you’ll be fine.

Ultimately, it does nothing so much as make me curious to hear the rest of the album.

Enjoy:

Planet of Zeus, “Revolution Cookbook” official video premiere

ALBUM PRESALE: https://www.heavypsychsounds.com/shop.htm#HPS108

Faith in Physics was recorded in Autumn 2018 at “Villa Guiseppe Studio” (drums), Planet of Zeus’s studio (guitars and bass) and “Kiwi Studio” (vocals) in Athens, Greece. It was produced by Planet of Zeus and recorded, mixed and mastered by Nikos Lavdas. The album artwork was created by “Aristotle Roufanis Studio”.

PLANET OF ZEUS is:
Babis Papanikolaou – Vox & Guitars
Stelios Provis – Guitars
Giannis Vrazos – Bass
Serafeim Giannakopoulos – Drums

Planet of Zeus website

Planet of Zeus on Thee Facebooks

Planet of Zeus on Bandcamp

Heavy Psych Sounds on Thee Facebooks

Heavy Psych Sounds website

Heavy Psych Sounds on Bandcamp

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