Quarterly Review: Blues Pills, Arctic, Major Kong, Hands I Annul Yours, Storm Ross, Sinister Haze, Love Gang, Nap, Manthrass, Astral Cult

Posted in Reviews on October 5th, 2016 by JJ Koczan

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Today we hit the halfway mark on the Fall 2016 Quarterly Review. Always an occasion worthy of song — or, you know, another batch of 10 records — which happens to be precisely the plan. We pick up much where we left off yesterday in working across a broad spectrum of heavy, and though there are some major releases in here as seems to be the case increasingly, please make sure to note some of the deeper underground stuff as well, whether it’s http://www.bahnberufe.de/?solve-math-problems-online-frees. 67 likes. Premium custom essay writing service provides students with 100% custom written essays visit our website... Hands I Annul Yours or Business Plans.com Dissertation Assistance Service. If you are looking for a leading dissertation assistance service, then you have come to the right place. We are able to provide the most trusted and professional dissertation writing service. Being a premium dissertation writing service, we ensure that our solutions meet all your Astral Cult, as nothing here is included by mistake. Some of this I’m late on, some of it isn’t out yet, but all of it is pretty current, so if there’s something here you’ve missed, bigger name or smaller, I hope you get some use out of the lot of it. Here goes.

Quarterly Review #21-30:

Blues Pills, Lady in Gold

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Blues Pills on Thee Facebooks

Nuclear Blast website

 

Arctic, Arctic

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Los Angeles three-piece Arctic make their entry into Southern California’s crowded sphere of heavy/psychedelic rock with their self-titled debut on Outer Battery Records. To call them skate rock seems fair enough, since guitarist Justin “Figgy” Figueroa (also Harsh Toke), bassist Don “The Nuge” Nguyen and drummer Frex are all professional skateboarders, but the core of Arctic’s five-track/half-hour-flat runtime is in mixing classic stoner impulses with heavy psych jamming. Most of the record is instrumental, including 8:51 opener and longest track (immediate points) “Over Smoked,” but vocals pop up to surprise on centerpiece “Burnt Ice” and return again in form drawled enough to justify their having called the nodding closer “High” as they do. At very least they make it believable. Between the dankness throughout, the guitar-led fuzz boogie of “Cryptic Black Sun,” the natural vibes, the Arik Roper cover art and the utter lack of pretense, Arctic summarize much of the appeal of the West Coast’s current heavy movement, and so, should have no trouble continuing to make their name as part of it.

Arctic on Thee Facebooks

Outer Battery Records

 

Major Kong, Brave New Kong

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Three new tracks from Poland’s Major Kong is nothing to complain about. The Lublin trio have been not-at-all-quietly stomping out quality riffs for more than half a decade now, and with “Energy Whip,” “Escape from the Holodeck” and “Pollution Halo,” the instrumentalists are in and out of Brave New Kong in under 14 minutes, working quickly and efficiently with a crisp but still thick production that pulls away from some of the focus on crush from late last year’s Galactic Cannibalism EP (review here). That may well be the Brave New Kong to which the title refers, or it’s entirely possible they’re just having fun with their own moniker – subsequent offerings will tell the tale – but Major Kong continue to be a well-kept secret for Poland’s fertile heavy underground, and if nothing else, they sound like a group due for a third full-length album, which will hopefully arrive sooner than later.

Major Kong on Thee Facebooks

Major Kong BigCartel store

 

Hands I Annul Yours, Year of Death

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One could make the argument that given the swath of cultural icons passed away, 2016 is the Year of Death to which Hands I Annul Yours are alluding to in the title of their latest Major Destroyer Records three-song tape, but aside from the fact that they specify it was 2013, one seriously doubts they give a shit about famous people dying. Beginning with the drone and feedback noise of “Year of Death Part I,” the cassette moves into a 19-minute stomp and crush that’s as misanthropic as it is weighted, and much as there is one, the prevailing sentiment is less reflecting on loss than it is rolling out claustrophobic heft. Fair enough. Following the tape-only “Verloren,” “Year of Death Part II” boasts more sample manipulation and a discernible lead from the guitar, but finds its way toward abrasion as well, rounding out Year of Death with a dissolution into feedback that would seem to bring it full circle.

Hands I Annul Yours on Bandcamp

Major Destroyer Records website

 

Storm Ross, Welcome, Sunshine

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Fortunately, the fact that Storm Ross named the opening track of Welcome, Sunshine “We Need to be Fugazi Now, More than Ever” is only the start of the 37-minute/10-track LP’s experimentalist charms. The follow-up to the Michigan-based guitarist’s 2014 return full-length, The Green Realm (review here), this new collection finds Ross himself once again making his way through soundscapes manic and pastoral with like ease, and as one piece feeds into the next on “Please Don’t Kill My Family” and “Benzie County Farm Fire, 1973” or the synth-infused, tech-shredding “Atheon” fading into the penultimate post-rock drift of “The Smiler” later (think Dylan Carlson solo gone sentimental for the West, plus a late uptick of noise), the sense of Welcome, Sunshine as a whole work is even more palpable than was the last outing, even as Ross jumps from one style to another or incorporates keys, percussion, etc., following various whims toward a universally progressive payoff. Limited to 300 copies on yellow vinyl or on cassette through Already Dead Tapes and Records.

Storm Ross on Thee Facebooks

Storm Ross on Bandcamp

 

Sinister Haze, Laid Low in the Dust of Death

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Virginian doomers Sinister Haze follow-up their 2015 debut EP, Betrayed by Time (review here), with the raw and scummed up Laid Low in the Dust of Death LP on STB Records. Recorded by Chad Davis (Hour of 13), it’s their first outing to feature Naam’s Eli Pizzuto on drums, and they do trip out a bit on guitar, but if you’re thinking slow space rock here you’ve got the wrong picture. Guitarist/vocalist Brandon Marcey (ex-Cough) and bassist/vocalist Sam Marsh lead the charge – the low-end is particularly satisfying in its roll throughout – and fellow newcomer JK (Lost Tribe) adds to the mix as well, so the spirit of Laid Low in the Dust of Death is bare-bones and classic, but positively covered in its titular dust. And maybe one or two other kinds. Six tracks split easily onto two sides, Sinister Haze’s first full-length outing comes across as a reaction against cleanliness in doom – call it gutter doom – flowing in its 12-minute closer “A Buried Dream,” but still clearly from the gut.

Sinister Haze on Thee Facebooks

STB Records BigCartel store

 

Love Gang, Love Gang

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The flute-laden heavy rock with which Denver’s Love Gang open their debut EP might stand among the best outcomes of Colorado’s marijuana legalization. A four-piece with a full sound only enhanced by the organ/woodwind work of Leo Muñoz, Love Gang self-release their first outing as four tracks that sap classic prog of its pretense and offer ‘70s heavy chemistry without leaning on vintage production. Guitarist/vocalist Kam Wentwork, bassist Grady O’Donnell and drummer Shaun Goodwin, together with Muñoz, get down to business on “Can’t Seem to Win” and the instrumental “Lonely Man,” go bluesy on “Highway” and boogie to a finish in “Sands of Time,” all the while sounding ready in their songcraft and execution for whatever label might come calling to stand behind their work. It’ll be somebody. Some bands take time to develop into their own sound, and some break the doors down out of the gate. Love Gang are the latter. Whenever they get around to a first full-length, I hope they remember to weird out a little bit.

Love Gang on Thee Facebooks

Love Gang on Bandcamp

 

Nap, Villa

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Though five of the eight tracks on Nap’s debut, Villa, have words at one point or another, it’s probably still fair to note the psych-inflected German trio as a mostly-instrumental outfit. The lyrics, when they’re there, arrive in short verses, lines included it seems more to create the impression of a human presence rather than affirm a structure. They are vague in theme for the most part, but there, though there isn’t a song in the bunch that goes as far as a chorus. No complaints. Nap, as a project, feel much more given toward the spacious and atmospheric exploration one finds in the midsection of second cut “Sabacia” than the four or five lines in the driving riff subsequent. As the record plays out, they incorporate elements of surf – surprisingly more on “Duna” and closer “Autobahn” than “Xurf,” but it could also be a Yawning Man influence surfacing – resulting in an overarching progressive feel that serves their fluidity on this first album.

Nap on Thee Facebooks

Nap on Bandcamp

 

Manthrass, Blues del Destino

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Heavy rocking Buenos Aires three-piece Manthrass issued their debut, Blues del Destino, last year and were subsequently snagged for release through South American Sludge Records, no doubt for the record’s cohesive, hard-driving bluesy push, natural tones and easy-grooving feel. The shuffle of “Una Flor” is a highlight, but neither will you find me arguing with the Pappo’s Blues cover “El Brujo y el Tiempo,” with a burlier vocal and a rolling progression that seems to sum up a lot of where Manthrass are coming from to start with, though closer “Navegar” gets down with more raucous fare. A quality first full-length with a crisp production balanced by a fervent live feel in the energy from the trio of guitarist/vocalist Mariano Castiiglioni, bassist/vocalist Ángel Rizzo and drummer/backing vocalist Fede Martínez, who are clearly versed in modern heavy as well as the classics, and are able to control their own destiny here accordingly.

Manthrass on Thee Facebooks

South American Sludge on Bandcamp

 

Astral Cult, The Sacred Flame

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Commencement comes on Astral Cult’s second album, The Sacred Flame, via the ritualized psychedelic incantations of “Prayer,” and from there, the Californian four-piece unfold a molten vision of heavy space rock that stands apart from a lot of what bands further sound in San Diego or even San Francisco are doing, vocalist Alexandre Lapuh, guitarist Ryan Musser, bassist Stefan Henskens and drummer Brazdon Goodwin (since replaced by Cristian Gonzalez) finding their footing in a lumbering and deceptively doomed “Quetzalcotl” after so much lysergic preaching on “Call of the Wild” and “Beacon of Darkness.” The range is surprising, but more so is the fluidity Astral Cult conjure between what are often disparate styles, the four-piece nearly hitting the 13-minute mark on the closing title-tack as they lay the two sides together, one into the next. It’s a rarer blend, but The Sacred Flame, at nearly an hour long, gears itself for maximum immersion.

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Astral Cult on Bandcamp

 

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Sinister Haze Release Laid Low in the Dust of Death on May 7

Posted in Whathaveyou on April 26th, 2016 by JJ Koczan

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Formerly a trio, now a four-piece, Richmond, Virginia’s Sinister Haze offered up addled doom with touches of psychedelia and boogie. The band, which now features drummer Eli Pizzuto, formerly of Brooklyn space rockers Naam, have solidified a May 7 release for their debut full-length, Laid Low in the Dust of Death, on limited vinyl through respected purveyor STB Records. Of course, in keeping with STB‘s tradition of such things, Laid Low in the Dust of Death will be available in low quantities and high qualities in a number of different versions to sate the hungry collector.

Find those, as well as new song “Chains to Dust,” below, courtesy of the PR wire:

sinister haze laid low in the dust of death

STB Records Presents SINISTER HAZE: Release Info and Song Stream

STB Records is proud to announce the upcoming limited vinyl release of “Laid Low In The Dust Of Death” from Richmond, Virginia’s SINISTER HAZE! A a magma-filled, heavy-psych romp that will leave fans of Blue Cheer and St. Vitus begging for another fix. Featuring members of “Cough” and “NAAM”!!

The limited vinyl release will be on Saturday, May 7th at 12pm EST through the STB Records webstore at:
http://stbrecords.bigcartel.com.

For a taste of the haze, check out “Chains to Dust”, the first song released from the album. It is streaming now on the band’s Bandcamp page: https://sinisterhaze.bandcamp.com/album/laid-low-in-the-dust-of-death

Vinyl Info:
• Die Hard Edition – Limited to 75. 180g half green/half black vinyl
• OBI Edition – Limited to 100. 180g clear vinyl with green and black splatter
• Standard Edition – Limited to 130. 180g green and black swirl vinyl
• World Wide Edition – (200) Green 180g vinyl available through Kozmik Artifactz and other international distributors, we may or may not have a small amount available on May 7th through the webstore.

The band says:
“Laid Low in the Dust of Death. A hallucinogenic trip of misery and psychedelia recorded in 3 days within the Appalachian hills of North Carolina by Chad Davis. Sinister Haze brings 6 songs that will leave the listener laid low in a drugged out haze. Gather ‘round witchfinders, the hunt begins May 7th.”

Cover Art by Niki Urban
Mastered by Collin Jordan at the Boiler Room
Design by Joshua Wilkinson @TheCompanyDesign

Sinister Haze:
Guitar/Vocals – Brandon Marcey (Cough)
Bass/Vocals – Sam Marsh (Dry Spell)
Drums/Madness – Joe Dillon (Balaclava)

Sinister Haze has just announced the additions of Eli Pizzuto (Naam) and Jk (Lost Tribe) to the band.

“As our brightest stars fall into the darkness of night…. Dawn brings the rising sun… Changin’ ways upon the horizon. Welcome our good friends Eli Pizzuto (Naam) and Jk (Lost Tribe) to the fold. We couldn’t be more excited and inspired by their talent. What they’ve brought to the haze is a deeper, more enveloping layer of sonic attack. Expect the unexpected, don’t take more than you can eat, and join us voyagers… as we travel beyond the void!”

https://www.facebook.com/SinisterHazeBand/
https://sinisterhaze.bandcamp.com/album/laid-low-in-the-dust-of-death
http://stbrecords.bigcartel.com

Sinister Haze, “Chains to Dust”

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