The Obelisk Presents: Planet of Zeus First-Ever North American Tour Dates

Posted in The Obelisk Presents on February 11th, 2020 by JJ Koczan

planet of zeusplanet of zeus us tour banner

Go, just go. Go see¬† write my nursing philosophy for Me: Why Does This Subject Matter? ďI am ready to pay for doing my physics homework for me!Ē Those are the words of the Planet of Zeus. The Greek heavy rockers are coming to the US (plus a couple Canadian shows) in April, and you should be there to see it. Not the least because they’re traveling in the certifiably legendary company of¬† The best online How To Write An Anecdote In An Essay are known to have the most qualified dissertation writers UK ready to help you with all your academic problems. Fatso Jetson, as well as¬† Best Essay Writing Services have created the list of the best read this. This should help you to choose the most suitable one. Druids — what a fucking tour — and not just because I get an ego boost out of seeing a logo for this site at the bottom of tour posters, but also because it’s their first time here and they come in celebration of their 20th anniversary as a band and should be accordingly made to feel nothing but welcome every step of the way.

Seriously, you know the vast, vast majority of the planet thinks Americans are assholes, right? Well, you can work to counter that impression by showing up. Hell’s bells, buy a t-shirt, if not because you dug the crap out of phd thesis dedication offers custom labor report development and design for your unique information requirements. Planet of Zeus‘ 2019 record,¬† buy research paper writing. Our copywriters have extensive professional UAE experience and credentials, so we understand how to best engage with your audience. Faith in Physics (review here), then at very least for diplomacy’s sake. You’re an ambassador. Start acting like it.

Before they make the journey across the Atlantic,¬† best essay collections link how to write an abstract for your dissertation doctoral guide to buying term papers online Planet of Zeus will be out starting later this month in¬†Europe — call it a pre-victory lap — and that’s awesome, but please know that I’m honored to have involved in presenting this in the tiny way that it is and humbled to have even been asked. Get your ass out of the house. Please. We want them to come back.

Dates follow as posted today by the band:

planet of zeus us tour poster

PLANET OF ZEUS – NORTH AMERICAN TOUR 2020

We are stoked to announce that the time has come for the band to tour America for the very first time! All these years, we have been receiving messages from our fans in the States and Canada to play a show in their town, so this upcoming April seems like the perfect time to pay them a visit!

Having the legends FATSO JETSON and Druids on board for this one, makes it honestly unique.for us.

The whole tour is presented and supported by The Obelisk and we couldn’t thank him enough for that!

April 8th: Omaha, NE – The Sydney
April 9th: Chicago, IL – Cobra Lounge
April 10th: Pittsburgh, PA ‚Äď Cattivo
April 11th: Toronto, ON – Bovine Sex Club
April 12th: Montreal, QB – Cafe Dekcuf
April 13th: Quebec City, QB – La Source De Martiniere
April 14th: Brooklyn, NY – St. Vitus
April 15th: Frederick, MD – Cafe 611
April 16th: Charlotte, NC
April 17th: Atlanta, GA – The 529
April 18th: New Orleans, LA – Portside Lounge
April 19th: Lafayette, LA – Freetown Boom Boom Room
April 20th: Austin, TX – The Lost Well
April 21st: Dallas, TX – Lola’s Saloon
April 23rd: Tempe, AZ – Yucca Tap Room
April 24th: San Diego, CA – Soda Bar
April 25th: Costa Mesa, CA – The Wayfarer
April 26th: San Francisco, CA – Bottom of the Hill
April 28th: Portland, OR
April 29th: Seattle, WA ‚Äď Funhouse
April 30th: Boise, ID – The Shredder
May 1st: Salt Lake City, UT
May 2nd: Denver, CO – Streets Denver

Tour poster by our beloved Bewild Brother
Tour powered by Atomic Music Group!

Our European tour with Kvelertak is getting close!

27/2: Kulturzentrum Schlachthof,Bremen (DE)
28/2: Gruenspan, Hamburg (DE)
29/2: Essigfabrik, Koln (DE)
1/3:Rockhal, Luxembourg, (LU)
3/3: Le Trapendo, Paris (FR)
4/3: Substage, Karlsruhe (DE)
6/3: Conne Island, Leipzig (DE)
7/3: SO 36, Berlin (DE)
8/3: Kwadrat, Krakow (PL)
10/3: Durer Kert, Budapest (HU)
11/3: Szene, Vienna (AT)
13/3: Meet Factory, Prague (CZ)
14/3: Backstage, Munich (DE)
16/3: Z7, Pratteln (CH)
17/3: Schlachtof, Wiesbaden (DE)
18/3: Patronaat, Haarlem (NL)
20/3: Academy 2, Manchester (UK)
21/3: SWX, Bristol (UK)
22/3: Electric Brixton, London (UK)

Tickets: http://planetofzeus.gr/tour-dates

PLANET OF ZEUS is:
Babis Papanikolaou – Vox & Guitars
Stelios Provis – Guitars
Giannis Vrazos – Bass
Serafeim Giannakopoulos – Drums

Planet of Zeus, Faith in Physics (2019)

Planet of Zeus website

Planet of Zeus on Thee Facebooks

Planet of Zeus on Bandcamp

Heavy Psych Sounds on Thee Facebooks

Heavy Psych Sounds website

Heavy Psych Sounds on Bandcamp

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Quarterly Review: Mos Generator, Psychic Lemon, Planet of Zeus, Brass Hearse, Mother Turtle, The Legendary Flower Punk, Slow, OKO, Vug, Ultracombo

Posted in Reviews on January 6th, 2020 by JJ Koczan

quarterly review

I’d like to hope y’all know the drill by now. It’s the Quarterly Review. We do it (roughly) every quarter. The idea is 10 reviews per day for a Monday to Friday span, running 50 total. I sometimes do more. Sometimes not. Kind of depends on the barrage and how poorly I’ve been doing in general with keeping up on stuff. This time is ‘just’ 50, so there you go. You’ll see some bigger names this week and some stuff that’s come my way of late that I’ve been digging and wanting to check out. It’s a lot of rock, which I like, and a few things I’m writing about basically as a favor to myself because, you know, self-care and all that.

But staring down the barrel of 50 reviews over the next few days has me as apprehensive and how-the-hell-is-this-gonna-happen as ever, so I think I’ll just get to it and jump in. No time to waste.

Quarterly Review #1-10:

Mos Generator, Exiles

mos generator exiles

Worth it just for the amy rowland dissertation Should I Mass Effect Assignment Quiz essay on the joy of helping others essay about secret service Sabbath cover? Most definitely. As Search for jobs related to http://rahimbakhshighschool.edu.bd/writing-the-perfect-college-admission-essay/ or hire on the world's largest freelancing marketplace with 13m+ jobs. It's free to sign up and bid on Mos Generator take on “Air Dance” from In case you are looking for Write My Essay In 1 Hour, WeeklyEssay.com is your number one choice. Order a paper from our essay writing service Never Say Die as part of the Welcome to Math Homework Cheater Ė here you will find the solution to all of your writing needs. Our services are unparalleled. You will receive customized and original assignment of the finest quality every time you place an order! We have lots to offer, so please navigate our site in order to become familiar with all of the college writing services, the quality, and the guarantees we provide. Glory or Death Records LP compilation release, Do you agree with http://www.biotricoline.it/?thesis-typing-service-dublinís TrustScore? Voice your opinion today and hear what 1 customers have already said. | assignmentdoer.co.uk Exiles, they blend the proggy swagger of later-’70s Ukrainian http://www.clickmedia.gr/?comment-amener-le-sujet-d-une-dissertation that helps people make good cash Iommi leads with the baseline acoustic guitar fluidity that makes those final buying a dissertation consumer Paperwritingservice Info writing an admission essay university dissertation roast pig lamb Ozzy-era records so appealing in hindsight. It’s just one of the six reasons to take on We have esteemed status in the UK for providing Professional Writing Business. Our dissertation proposal writing services are recognized in the UK; Exiles however. The A side comprises three outtakes from 2018’s The many reasons to Online Research Paper Writing Service. There are a huge number of reasons why you might want to purchase research paper services from Shadowlands (review here), and guitarist/vocalist Tony Reed‘s Big Scenic Nowhere bandmate Bob Balch sits in on “Battah,” while a duly manic reworking of Van Halen‘s “Light up the Sky,” the Black Sabbath track and a live version of Rush‘s “Anthem” from 2016 make up side B. It’s a quick listen and it’s Mos Generator. It may be a stopgap on the way to whatever they’re doing next, but if you think about it, so is everything, and that’s no reason not to jump in either for the covers or the originals, both of which are up to the band’s own high standard of output.

Mos Generator on Thee Facebooks

Glory or Death Records on Bandcamp

 

Psychic Lemon, Freak Mammal

psychic lemon freak mammal

The distorted wails of Andy Briston‘s guitar echo out of Freak Mammal — the five-track/46-minute third LP from London’s Psychic Lemon — like a clarion to the lysergic converted. A call to prayer for those worshiping the nebulous void, not so much kept to earth by Andy Hibberd‘s bass and Martin Law‘s drums as given a solidified course toward the infinite far out. Of course centerpiece “Afrotropic Bomb” digs into some Ethiopian groove — that particular shuffling mania — and I won’t take away from the lower buzz of “Free Electron Collective” or the tense hi-hat cutting through all that tonal wash or the ultra-spaced blowout that caps six-minute finale “White Light,” but give me the self-aware mellower jaunt that is the 13-minute second track “Seeds of Tranquility” any day, following opener “Dark Matter” as it does with what would be a blissful drift but for the exciting rhythmic work taking place beneath the peaceful guitar, and the later synthesized voices providing a choral melody that seems all the more playfully grandiose, befitting the notion of Freak Mammal as a ceremony or at very least some kind of lost ritual. Someday they’ll dig up the right pyramid and call the aliens back. Until then, Psychic Lemon let us imagine what might happen after they return.

Psychic Lemon on Thee Facebooks

Drone Rock Records website

 

Planet of Zeus, Faith in Physics

PLANET OF ZEUS FAITH IN PHYSICS

There’s a context of social commentary to Planet of ZeusFaith in Physics that makes one wonder if perhaps the title doesn’t refer to gravity in terms of what-goes-up-must-come-down as it might apply to class hierarchy. The mighty, ready to fall, and so on. Songs like the post-Clutch fuzz roller “Man vs. God” and “Revolution Cookbook” (video premiere here) would seem to support that idea, but one way or the other, as the later “Let Them Burn” digs into a hook that reminds of Killing Joke and the dense bass of eight-minute closer “King of the Circus” provides due atmospheric madness for our times, there’s a sense of grander statement happening across the album. The Athens-based outfit make a centerpiece of the starts and stops in “All These Happy People” and remind that whatever the message, the medium remains top quality heavy rock and roll songcraft, which is something they’ve become all the more reliable to deliver. The more pointed perspective than they showed on 2016’s Loyal to the Pack suits them, but it’s the nuance of electronics and arrangements of vocals and guitar on cuts like “The Great Liar” that carry them through here. If you believe in gravity, Planet of Zeus have plenty on offer.

Planet of Zeus on Thee Facebooks

Heavy Psych Sounds website

 

Brass Hearse, Oneiric Afterlife

brass hearse oneiric afterlife

Experimentalist keyboard-laced psychedelic goth your thing? Well, of course it is. You’re in luck then as Brass Hearse — an offshoot of once madly prolific Boston outfit Ice Dragon — unveil three new songs (plus an intro) with the Oneiric Afterlife and in 10 minutes work to unravel about 30 years of genre convention while still tying their material to memorable hooks. “Bleed Neon,” “Indigo Dust” and “Only Forever” seem simple on the surface, and none of them touch four minutes long, let alone “A Gesture to Make a Stop,” the 26-second introduction, but their refusal of stylistic constraint is as palpable as it is admirable, with a blend of folk guitar and dark-dance-party keys and percussive insistence on “Bleed Neon” and a ’60s Halloweeny rock organ line in “Only Forever” that’s complemented by low-end fuzz and a chorus that would rightly embarrass Ghost if they heard it. In comparison, “Indigo Dust” is serene in its presentation, but even there is a depth of arrangement of keys, guitar, bass and drums, and the skill tying it all together as a cohesive sound is not to be understated. A quick listen with a lot to unpack, it’s not going to be everyone’s thing, but those who get it will be hit hard and rightly so.

Brass Hearse on Thee Facebooks

Brass Hearse on Bandcamp

 

Mother Turtle, Three Sides to Every Story

mother turtle three sides to every story

The first of three tracks on Greek progwinders Mother Turtle‘s fourth LP, Three Sides to Every Story, “Zigu Zigu,” would seem to cap with a message of congratulations: “You’ve listened to three musicians indulging themselves with some kind of weird instrumental music.” It then goes on to question its own instrumentalism, because it has the words presently being spoken, continuing in this manner until a long fadeout of guitar leads to the funky start of the 15-minute-long “Notwatch.” Good fun, in other words. Mother Turtle maybe aren’t so weird as they think they are, but they are duly adventurous and obviously joyful in their undertaking, bringing chants in over drifting guitar and synth swirl in “Notwatch” before building to a crescendo of rock guitar and organ, ultimately dominated by a solo as it would almost have to be, before intertwining piano lines in 16:46 closer “A Christmas Postcard from Kim” lead to further shenanigans, vocal experimentation, plays on metal, holiday shimmer, and a fade into the close. At 38 minutes, Three Sides to Every Story doesn’t at all overstay its welcome, but neither is it an exercise looking for audience engagement in the traditional sense. Rather, it resonates its glee through its offbeat sensibility and thus works on its own level to craft a hook. One can’t help but smile while listening to the fun being had.

Mother Turtle on Thee Facebooks

Sound Effect Records website

 

The Legendary Flower Punk, Wabi Wu

The Legendary Flower Punk Wabi Wu

It is something to consider, perhaps as you dive into the nine-minute “Prince Mojito” on The Legendary Flower Punk‘s Wabi Wu, that the band started as a psych-folk solo-project. Currently working as a core trio plus a range of guests, the Russian troupe make their debut on Tonzonen with the brazenly prog seven-tracker, totaling just a 44-minute run but with a range that would seem to be much broader. Alternately jazzy and synth-laden, technically intricate but never overly showy, pieces like the bass-led “Azulejo” and the penultimate “Trance Fusion P√• Ryska” present a meeting of the minds with founding guitarist Kamille Sharapodinov at the center of most compositions, he and bassist Mike Lopakov and drummer Nick Kunavin digging into nothing’s-off-limits textures from fusion onward through New Wave and dub. The abiding rule followed seems to be whatever moves the band about a given track is what they roll with, and though The Legendary Flower Punk has evolved well beyond its origins, there’s still a bit of flower and still a bit of punk amid all the legends being made. Good luck keeping up with it.

The Legendary Flower Punk on Bandcamp

Tonzonen Records website

 

Slow, VI – Dantalion

Slow VI Dantalion

With the follow-up to 2018’s V – Oceans (review here), Belgian duo Slow rattle off another 78 minutes of utterly consuming, crushing, atmospheric and melancholic funeral doom like it’s absolutely nothing. Well, not like it’s nothing — more like it’s a weight on their very soul — but even so. Issued through Aural Music, VI – Dantlion brings the two-piece of guitarist/vocalist/drummer D√©h√† and bassist/lyricist Lore B. once again into the grueling, megalithic churn of self-inflicted riff-punishment that’s so encompassing, so dark, so deep and so dramatic it almost can’t help but also be beautiful. To wit, second track “Lueur” is a 17-minute downward journey into ambient brutalism, yet as it moves toward the midsection one can still hear melodic elements of keyboard and orchestral sounds peaking through. There is letup in the lush finale “El√©gie,” but to get there, you have to make your way through “Incendiaire,” which is possibly the most extreme movement of the seven inclusions. Though frankly, after a while, you’re buried so far down by Slow‘s glorious miseries that it’s hard to tell. The world needs this band. They are what humanity would sound like if it was ever honest with itself.

Slow on Thee Facebooks

Aural Music on Bandcamp

 

OKO, Haze

oko haze

Adelaide, Australia, newcomers OKO present their debut EP in the form of Haze, a 14:44 single-song outing that sees the instrumental three-piece of guitarist Nick Nancarrow, bassist Tyson Ruch and drummer Ash Matthews tap into organic heavy psych vibes while working cross-planet with Justin Pizzoferrato (known for his work with Elder, among others) on the mix and master. The resulting one-tracker has a clarity in its drum sound and clean feel that one suspects might speak of more progressive intentions on the part of OKO in the longer term, but as they are here they have a sense of tonal warmth that serves them well across the unpretentious span of “Haze” itself, the winding riff inevitably bringing to mind some of Colour Haze‘s jammier work but still managing to find its own direction. I hear no reason OKO can’t do the same, regardless of the influences they’re working under in terms of sound. Further, the longform modus suits them, and while future work will inherently develop some variety in general approach, the natural exploration they undertake on this first outing easily holds attention for its span and is fluid enough that, had they wanted, they could have pushed it further.

OKO on Thee Facebooks

OKO website

 

Vug, Onyx

vug onyx

Vug are not the first European heavy rock band to blend vintage methods with modern production. They’re not the first band to take classic swagger and drum urgency and meld it with a pervasive sense of vocal soul. I’m not sure I’d tell them that though, because frankly, they’re doing pretty well with it. At its strongest, their Tonzonen-released sophomore outing, Onyx, recalls Thin Lizzy via, yes, Graveyard, but there’s enough clarity of intention behind the work to make it plain they know where they’re coming from. Such was the case as well with their 2018 self-titled debut (review here), and though they’ve had some lineup turnover since that first offering, the self-produced four-piece bring a character to their material on songs like “Tired Of” and the penultimate boogier “Inferno” before closing with the acoustic “Todbringer” — a mirror of side A’s “On My Own” — that they carry the classic-style 39-minute long-player off without a hitch, seeming to prep the heavy ’10s for a journey into a new decade.

Vug on Thee Facebooks

Noisolution webstore

 

Ultracombo, Season 1

Ultracombo Season 1

As the title hints, the Season 1 EP is the debut from Italy’s Ultracombo, and with it, the five-piece of vocalist Alessio Guarda, guitarists Alberto Biasin and Giordano Tasson, bassist Giordano Pajarin and drummer Flavio Gola work quickly to build the forward momentum that brings them front-to-back through the 23-minute five-track release. “Flusso” and opener “The King” feel particularly drawn from an earlier Truckfighters influence, but Guarda‘s vocals are a distinguishing factor amidst all that ensuing fuzz and straight-ahead drive, and in “Sparatutto” and the closer “Il Momento in Cui Non Penso,” they seem to strip their approach to its most basic aspects and bring together the tonal thickness and melodicism that’s been at root in their sound overall. The subtlety, such as it is, is to be found in their songwriting, which results in tracks that transcend language barriers through sheer catchiness. That bodes better for them on subsequent outings better than a wall o’ fuzz ever could, though of course that doesn’t hurt them either, especially their first time out.

Ultracombo on Thee Facebooks

Ultracombo on Bandcamp

 

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Planet of Zeus Premiere “Revolution Cookbook” Video from Faith in Physics

Posted in Bootleg Theater on June 18th, 2019 by JJ Koczan

planet of zeus

Last week, it was announced that¬†Planet of Zeus had signed to¬†Heavy Psych Sounds and will release their new album,¬†Faith in Physics, on Sept. 27, with preorders up now. The album would seem to take a more political direction that the opening title-track of their 2016 LP,¬†Loyal to the Pack, hinted toward, and with the unveiling of the first single/video for “Revolution Cookbook,” that’s borne out across a sub-three-minute run of catchy, uptempo and hard-hitting heavy rock. My curiosity when the press release came through was how the Athens-based four-piece would square their burly,¬†Clutch-style groove with the thematic, and I think “Revolution Cookbook” answers that question pretty succinctly in its intense forward drive and cyclical chorus, sticking the landing on the line “We got our first-world problems” and pitting that against the contrast of “They got the tv and the money and the power and the guns.” I don’t want to put too fine a point on it, but it sounds in that scenario like “we” are fucked.

I’m not sure who that “we” encompasses, but fair enough. If nothing else, “Revolution Cookbook” would seem to demonstrate that¬†Planet of Zeus, if indeed they’re revising their focus lyrically, aren’t doing so at the expense of efficiency in craft. That is, they’re not so caught up in the message as to lose sight of the song.¬†Faith in Physics would seem to be setting itself up for an exploration of these contrasts, whether it’s the melodic and shouted vocals here or the workman groove and more considered lyrics themselves. I haven’t heard the rest of the record yet — and since the release date is still more than three months out, I think that’s totally reasonable — but even the title¬†Faith in Physics speaks to an idea of conflict or struggle, hinting toward the idea of science vs. dogma and commenting that even “believing” in science is a belief system, even if one based on empirical observation. This too would seem to make it a fitting follow-up to¬†Loyal to the Pack, the first lines of which were, “No fake gods/No submission/No trust to anyone.”

The video itself is pretty straightforward in terms of capturing the band’s performance, but is well timed to the rhythm of the song nonetheless, though if you’re sensitive to flashing lights you might want to watch out in parts. It’s not too bad. I expect you’ll be fine.

Ultimately, it does nothing so much as make me curious to hear the rest of the album.

Enjoy:

Planet of Zeus, “Revolution Cookbook” official video premiere

ALBUM PRESALE: https://www.heavypsychsounds.com/shop.htm#HPS108

Faith in Physics was recorded in Autumn 2018 at “Villa Guiseppe Studio” (drums), Planet of Zeus’s studio (guitars and bass) and “Kiwi Studio” (vocals) in Athens, Greece. It was produced by Planet of Zeus and recorded, mixed and mastered by Nikos Lavdas. The album artwork was created by “Aristotle Roufanis Studio”.

PLANET OF ZEUS is:
Babis Papanikolaou – Vox & Guitars
Stelios Provis – Guitars
Giannis Vrazos – Bass
Serafeim Giannakopoulos – Drums

Planet of Zeus website

Planet of Zeus on Thee Facebooks

Planet of Zeus on Bandcamp

Heavy Psych Sounds on Thee Facebooks

Heavy Psych Sounds website

Heavy Psych Sounds on Bandcamp

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Planet of Zeus Sign to Heavy Psych Sounds; Faith in Physics Preorders Up

Posted in Whathaveyou on June 14th, 2019 by JJ Koczan

planet of zeus

There’s no audio from it yet, but the description of the intent behind the upcoming album from Planet of Zeus — titled Faith in Physics, out Sept. 27 through Heavy Psych Sounds — certainly has my interest piqued, and not just because I watched that Flat Earther documentary on Netfli. The Greek outfit would seem to be taking on a more grounded-in-now perspective in their themes, and I have to wonder how that will manifest in their songs. I tend to think of them as burly heavy rock, but maybe some different kinds of energies this time around? Titles like “The Great Liar” and “Let Them Burn” would seem to hint toward a yes in that regard, but definitely, I’m curious to hear how it will all meld. It’s the band’s first outing through Heavy Psych Sounds and preorders are up as of yesterday for vinyl and CD and whatnot.

The PR wire puts it thusly:

PLANET OF ZEUS FAITH IN PHYSICS

Heavy Psych Sounds Records & Booking is really proud to start the presale of the new album PLANET OF ZEUS – FAITH IN PHYSICS

ALBUM PRESALE:

https://www.heavypsychsounds.com/shop.htm#HPS108

USA PRESALE via All That Is Heavy (available soon):

https://allthatisheavy.com/search?type=product&q=faith+in+physics

RELEASE DATE: SEPTEMBER 27th

AVAILABLE IN :
40 ULTRA LTD TEST PRESS VINYL
250 TRANSPARENT SPLATTER BLUE / CLEAR BLUE / PINK FLUO / GREEN FLUO VINYL
550 LTD GOLD VINYL
BLACK VINYL
DIGIPAK
DIGITAL

In 2019, at a time in which irrationalism seems to be king, with far-right politics enjoying mainstream status worldwide, religious fundamentalists, flat-earthers, and anti-vaccinists testing the limits of freedom of speech, Planet of Zeus return with their highly anticipated fifth studio album, “Faith in Physics” (Heavy Psych Sounds records). Lyrically, this album seems to be Planet of Zeus’s most socio-politically conscious release, dealing with themes such as digitalization, religion, social network pseudo-revolution, addiction and lonerism. Musically, it sounds like the band’s chosen to take the dirtiest path possible in order to create the highly charged atmosphere needed to get its messages through. 46 minutes of heavy, intellectual riffology and fat grooves, reminiscent of RATM’s best days, MC5-esque attitude and energy, coupled with QOTSA’s pop sensibilities. An album that flows like water and closes with Planet of Zeus’s signature psychedelic last track, that sounds like “the Doors” landing in 2019 Athens via teleportation.

Faith in Physics was recorded in Autumn 2018 at “Villa Guiseppe Studio” (drums), Planet of Zeus’s studio (guitars and bass) and “Kiwi Studio” (vocals) in Athens, Greece. It was produced by Planet of Zeus and recorded, mixed and mastered by Nikos Lavdas. The album artwork was created by “Aristotle Roufanis Studio”.

TRACKLIST
Gasoline 4:31
Man Vs God 5:26
The Great Liar 5:03
Revolution Cookbook 2:55
All These Happy People 4:04
Your Song 4:46
Let Them Burn 5:58
On Parole 5:23
King of the Circus 8:15

PLANET OF ZEUS is:
Babis Papanikolaou – Vox & Guitars
Stelios Provis – Guitars
Giannis Vrazos – Bass
Serafeim Giannakopoulos – Drums

http://www.planetofzeus.gr
https://www.facebook.com/planetofzeus
http://planetofzeus.bandcamp.com/
https://www.facebook.com/HEAVYPSYCHSOUNDS/
http://www.heavypsychsounds.com/
https://heavypsychsoundsrecords.bandcamp.com/

Planet of Zeus, Loyal to the Pack (2016)

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1000mods, Naxatras, Nightstalker and More Feature in Greek Rock Revolution Documentary

Posted in Whathaveyou on January 14th, 2019 by JJ Koczan

Well this looks fucking awesome. No question that the rise of the Greek heavy rock scene over the course of the last decade has been a boon to the European underground. Greece can now stand toe to toe with Germany, Sweden or any of the other continental hotbeds of heavy, and along with Italy, has become essential the character worldwide of heavy rock and roll. The feature-length documentary Greek Rock Revolution puts this emergence in the context of the country’s social condition, the effect that austerity and rampant unemployment has had on the art being made, as well as the prejudice of those outside not caring about the scene or the important work being done there by bands covered in the trailer at the bottom of this post like 1000mods, Tuber, Naxatras, Puta Volcano, Villagers of Ioannina City, Planet of Zeus and the elder statesmen in Nightstalker. There seems to be plenty of concert and interview footage, and yeah, it looks fucking awesome. I’d spend 95 minutes watching this thing, happily. I hope I get to review it.

As a side note while we’re on the topic of Greek heavy, I’ve got a track premiere for BUS going up tomorrow from their new album that marks their debut on RidingEasy Records, so that release will be another fascinating instance of a Greek band reaching a wider international audience.

Greek Rock Revolution is directed by Miguel Cano. Here’s the press release that came with the trailer:

greek rock revolution banner

The official trailer for the upcoming Greek Rock Revolution movie is now live! The documentary film will have a length of 95 minutes, featuring 1000mods, Tuber, Naxatras, Puta Volcano, Villagers of Ioannina City, Planet of Zeus & Nightstalker
In the recent years these bands have gained a massive support in Greece and global recognition elsewhere, with circles in Europe and North America starting to speak very seriously about the Greek Rock Scene.

Last September, Spanish Film Director Miguel Cano interviewed all bands and filmed their live concerts and rehearsals in Thessaloniki, Chania, Serres, Athens, Patras, Chiliomodi and Ioannina. The Filmmaker sees in Greece resemblances with historical cultural momentum in Mississippi back when the blues was born or in Seattle when the grunge flourished: a long-lasting unstable social situation boosting artistic expression through a common feeling of non-conformity.

As the Director of Metal Hammer Greece, Kostas Chronopoulos states in the film, ‚Äúit‚Äôs not easy to fight all for your own, you need to feel part of something which is there for you. And rock ‚Äėn roll is here for us.‚ÄĚ

Greek Rock Revolution is now on its last phases of post-production and it is expected to be released in March of this year. The goal is set first on screening the film in International Film Festivals, and then bring it to the wide audience in TV, cinemas and online platforms.

https://www.facebook.com/GreekRockRevolutionMovie/
http://mrchallengefilms.com/documentaries/Greek-Rock-Revolution

Greek Rock Revolution trailer

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Desertfest Berlin 2018 First Announcements: Monster Magnet, Nebula, Eyehategod, Jex Thoth, Planet of Zeus & The Necromancers

Posted in Whathaveyou on September 25th, 2017 by JJ Koczan

Desertfest¬†Berlin 2018 made its actual first announcement the other day when it unveiled that it was moving from its traditional home at¬†Astra Kulturhaus to¬†Arena Berlin. I’m not familiar with the space, but one assumes the move is at least in part to accommodate the gradual upping of scale that¬†Desertfest as a whole has undertaken over the last few years.

As ever,¬†Desertfest¬†Berlin will apparently share a decent amount of lineup with the London incarnation of the fest, and fair enough — that’s kind of the idea — but in addition to headliners¬†Monster Magnet and¬†the confirmations for¬†Eyehategod,¬†Nebula,¬†Jex Thoth and¬†Planet of Zeus,¬†Desertfest¬†Berlin 2018 will also feature¬†The Necromancers, who’ve yet to be added to London if they will be at all, and so we see the German event beginning to cast its own shape as well.

More to come, of course. Here’s what came in on the PR wire so far:

DESERTFEST BERLIN ANNOUNCES FIRST BANDS & HEADLINER FOR 2018

Tickets On Sale Now!

Desert rockers! It’s about time to unveil the first bunch of bands for next year’s Desertfest Berlin, which will take place between May 4th – 6th 2018 at the ARENA BERLIN!

Ladies & gentlemen, breath in deep, as this first line-up news will come to revive your spirit: We’re more than thrilled to announce that the Spacelord, Dave Wyndorf will hit our main stage in 2018. MONSTER MAGNET comes as the first headliner we can proudly present to you today! With their hazed heavy sound on groundbreaking records such as ‘Tab’, ‘Spine Of God’, ‘Dopes To Infinity’ or ‘Powertrip’, MONSTER MAGNET transformed themselves into the Olympus of modern power rock and became the godfathers of psychedelic and stoner rock.

More big news are coming ahead, Desert Rockers! We are extremely happy that LA¬īs legendary psych stoner outfit NEBULA will celebrate their Re Union at our stages!!! Formed in 1997 by Fu Manchu member Eddie Glass, NEBULA have been on indefinite hiatus since early 2010 but have not broken up. We are much looking forward to welcome Eddy Glass and his gang at Desertfest Berlin 2018!

Oh and for all of you dear Sludge rockers, don’t worry we haven’t forgot about you. What about a heavy dose of mighty EYEHATEGOD in 2018? Yes, you have heard right. The kings of Sludge from New Orleans, who emerged from the Nola Metal scene since 1988 belong to the most influencing bands. Heavy, detuned, and bluesy guitar riffs, combined with walls of feedback and tortured vocals to create a harsh misantrophic vibe, EYEHATEGOD will make sure to take over our new home at the ARENA BERLIN!

Next on the bill we’re very proud to inform you, that the queen of darkness JEX THOTH will bring the Doom and Psychedelic Rock as its finest to Desertfest Berlin. Fronted by the eponymous Ms. Jessica Thoth, the Wisconsin- based 5 piece band delivers delicate tones that are soaked in mystery and aura as well as generate astounding depth atop a musical landscape of intelligently constructed Sabbath-ian blues vibes and fuzzy distortion.

Athen’s rumbling heavy rock machine PLANET OF ZEUS will set the stage on fire with their outstanding live performance. Last but not least in this announcement we are welcoming THE NECROMANCERS! This young band from France raised a lot of attention with the release of their outstanding debut album a few weeks ago.

We hope you all like this first bunch of bands and be sure there are many more exciting acts and news to follow soon! In 2018 we will break new grounds and preparing for an unforgettable Desertfest Berlin experience.

Join us in the capital of the almighty riff ‚Äď DESERTFEST BERLIN 2018!!!

Limited amount of early birds avaialble now!
85 ‚ā¨ ( + 7.-‚ā¨ service fee)

Head over and make sure to get yours right HERE: https://www.desertfest-tickets.de/produkte/150

www.desertfest.de
www.facebook.com/desertfestberlin
www.facebook.com/events/128298847822160

Desertfest Berlin 2018 first announcements teaser

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Desertfest London 2018 First Announcements: Monster Magnet, Nebula Reunion, Eyehategod, Jex Thoth, Planet of Zeus, Black Moth and The Black Wizards

Posted in Whathaveyou on September 22nd, 2017 by JJ Koczan

Desertfest London 2018 comes out of the gate with some pretty huge confirmations for next Spring. The fest will feature¬†Monster Magnet¬†headlining and a return appearance from¬†Eyehategod, as well as — just days after they announced their reunion lineup — the reformed heavy psych rockers¬†Nebula. The set at¬†Desertfest¬†London 2018 is the first confirmation from¬†Eddie Glass and company, and I’m thrilled to say I wrote the announcement for that one as well as for¬†Monster Magnet, which I totally scammed myself into doing, citing the New Jersey connection in the process.

Also confirmed for the bill are¬†the doomily delightful¬†Jex Thoth, Greek burl-bringers¬†Planet of Zeus and the also-worthy-of-alliteration-but-really-enough-is-enough¬†Black Moth and¬†The Black Wizards. All told it’s an immediately awesome and varied bill that sets up the fest — to be held from May 4-6 in Camden Town — with multiple avenues for further expansion. And no doubt it will expand, with more lineup announcements to come along with ticket info and all the rest over the coming months as we move into the end of 2017 and the arrival of the New Year.

But one way or another, the season has started. Check it out:

desertfest london 2018

MONSTER MAGNET, NEBULA AND MORE KICK OFF DESERTFEST 2018!

Desertfest aims to get bigger and better every year, and for our 7th edition it’s no different. Ladies and gentlemen, bow down to the Bullgod because Monster Magnet are headlining Desertfest 2018!

That’s right, New Jersey’s finest rock exports, Monster Magnet, are set to steamroll through Camden as headliners of Desertfest. The bona fide stoner psych living legends are approaching three decades of bringing the world acid freakouts and riff rock anthems; freakouts and anthems which, it’s no understatement to say, helped shape the stoner rock scene.

From their boundary breaking psych in early releases to the hard rock stomp through the noughties and their recent return to early influences, Monster Magnet have a knack for putting out iconic albums, before doing it all better live. We were always going to have Monster Magnet play eventually and 2018 is the year it happens. We can’t wait to be part of the biggest singalong in Desertfest history when Powertrip hits.

Joining them are the recently resurrected early stoner kings, Nebula, who return from an eight year hiatus in 2018. Steered by the riffs of Eddie Glass, Nebula tore through the turn of the millennium thanks to releases such as To The Center and Charged; must own LPs for anybody reading these words.

Also on the bill are barons of the Bayou, Eyehategod. Shaped by destruction, the sludge metal heroes have a life beaten coarseness that brings a next level of harshness to their sound. Pioneering sludge with their 1990 release, In the Name of Suffering, Eyehategod’s brutal assault through the nineties is something to behold. Then, after a decade away, the band came back stronger with 2014s self-titled, rawer, angrier and more driven than before. Having smashed The Electric Ballroom to pieces in 2015, Eyehategod are back at Desertfest.

We also have performances from High Priestess of occult rock Jex Thoth, stoner strut from champions of the Greek underground Planet of Zeus, the garage infused sound of Black Moth and the soulful proto-doom of The Black Wizards. Of course, that’s only the beginning. We have dozens of huge bands to announce over the next few months so keep your eyes open.

Alongside that mammoth announcement, tickets are now on sale for Desertfest 2018. As ever, we’re offering affordable hotel and hostel packages, which you can find out about here. Also, for the first time ever, we’re also offering a split payment plan. With our payment plan, you’ll pay half now and half early next year, making it easier to get your ticket for Desertfest 2018. For more info on our payment plan, click here.

It’s going to be another huge weekend in Camden. We can’t wait for you to see what we have in store for our 7th edition of Desertfest.

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Monster Magnet, Live in Lakewood, NJ, Oct. 1, 2016

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Planet of Zeus Announce November Tour Dates

Posted in Whathaveyou on August 16th, 2016 by JJ Koczan

Kind of bummed I haven’t gotten to hear Planet of Zeus‘ fourth album, Loyal to the Pack, which was released this past May. The Athens-based heavy rockers’ third outing, Vigilante (review here), offered burl-grooved thrills in its songwriting, and the group has emerged as one of the forerunners of the fertile Greek underground, along with the likes of 1000mods and jammy upstarts Naxatras. In any case, it’s one I’d kind of like to check out, so I think I’ll probably dig into the Bandcamp stream below. Their description of the record, which I’ve posted underneath the tour dates, makes it seem like there might be some cool stuff in store.

And hey, I like cool stuff as much as the next guy.

Planet of Zeus head out on a European tour in November — one might recall they toured last November as well, alongside¬†Clutch — to support¬†Loyal to the Pack. Dates, info, links and audio:

planet-of-zeus-tour-poster

So, here we go again!

Come November, we’re going to visit some of Europe’s finest cities, as shown below!

Can’t wait to play, once more, in front of old and brand new friends!

See you on the road!!

03.11 Sofia BG
04.11 Novisad RS
05.11 Timisoara RO
06.11 Budapest HU
09.11 Warsaw PL
10.11 Dresden DE
11.11 Berlin DE
12.11 Erfurt DE
13.11 Hamburg DE
14.11 Dusseldorf DE
15.11 Hannover DE
17.11 Munich DE
18.11 Munster DE
19.11 Koln DE
20.11 Utrect NL
22.11 Glasgow UK
23.11 Belfast UK
24.11 Dublin IE
26.11 Bristol UK
27.11 London UK
29.11 Nantes FR
30.11 Paris FR
01.12 Olten CH
02.12 Bolzano IT
03.12 Vienna AT

At a time in which individualism seems to be the ultimate solution for some, Planet of Zeus come back with their highly anticipated fourth album, ‚ÄúLoyal to the pack‚ÄĚ, an ode to the benefits of teamwork. Being well known for their never ending signature heavy riffs, gritty vocals and dancing grooves, the band decided to ‚Äúshuffle their deck of cards‚ÄĚ and embark on a new musical direction, encompassing melody, clean, but heartrending vocals and a newly found sense of dynamics.

This mixture seems to establish a signature sound for Planet of Zeus, a sound that takes the listener on a journey throughout the history of heavy music. From Lynyrd Skynyrd to Mastodon, the Allman Brothers Band to Queens of the stone age and AC/DC to Clutch.

http://www.planetofzeus.gr
https://www.facebook.com/planetofzeus
http://ihaveadrum.bandcamp.com/
http://planetofzeus.bandcamp.com/

Planet of Zeus, Loyal to the Pack (2016)

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