Red Mesa Finish Recording The Path to the Deathless; Album out May 1

Posted in Whathaveyou on February 10th, 2020 by JJ Koczan

Multi-directional Albuquerque trio Red Mesa, who are just as likely as not to roll with heavy riffing or acoustic bluesy vibes, are done with their new record, which has been given the title The Path to the Deathless. It’s set to release on May 1 as the follow-up to 2018’s debut, The Devil and the Desert (review here). They’re reasonably tight-lipped at this point about what the album actually sounds like, but it’s a concept record or at least seems to be working on a couple of set themes, and it’s got Maryland doom kingpin Dave Sherman from Earthride, Weed is WeedGalactic Cross, etc., doing guest vocals, so that’s an automatic win in my book.

The band will head east for New England Stoner and Doom Fest this Spring, and I’m kind of expecting a few more dates to be announced around that — it would be crazy to drive from New Mexico to Connecticut for one show, but weirder things have happened in the universe — but nothing’s come through as yet that I’ve seen. Will keep an eye out and The Path to the Deathless is something in itself to look forward to in the meantime.

Here’s the latest off the PR wire:

red mesa in studio

Red Mesa has finished recording new album “The Path To The Deathless”.

The heavy desert rock band, Red Mesa has finished recording the new songs for their next full length album, “The Path To The Deathless”.

The album was recorded at Empty House Studio in January and early February 2020 with engineer/producer Matthew Tobias. The band had Tobias at the helm for their last three releases including the “Breathe” cover for Magnetic Eye Records’ Best of Pink Floyd, their last full-length “The Devil and The Desert”.

“The Path To The Deathless” will be a concept record about death and eternity. The album will be released on Desert Records on May 1st 2020.

Red Mesa is playing The New England Stoner and Doom Fest in May. Tour dates and album details will be coming in the following months. In the meantime, the band has invited you to watch the recording process via their social media pages.

While the new album is being recorded, the band has officially released a music video from The Devil and The Desert album. The new music video of “Route 666” will keep fans happy and excited for all new material.

The new album will feature bass player Alex Cantwell for the first time as he joins singer and guitarist Brad Frye and drummer Roman Barham in the studio.

Guest appearances! The album will feature guest vocals from Doom veteran Dave Sherman (Earthride, Galactic Cross, Weed Is Weed). Sherman performs the vocals on a “Desert-meets-Doom” song called ‘Desert Moon’. Alex McMahon (GRAL Brothers), who played on the entire first half of The Devil and The Desert, has laid down pedal steel on two tracks. Kristen Rad, a highly talented violinist, contributed to the opening and ending tracks.

“The Path To The Deathless” is the next step of evolution for the band that is heavy and psychedelic, yet unpredictable. Red Mesa says this will be their “heaviest album yet”. By picking up where Side B of “The Devil and The Desert” left off, the next record takes you where Heavy Metal meets Desert Rock meets Doom.

Red Mesa is:
Brad Frye: guitar, vocals
Roman Barham: drums, backup vocals
Alex Cantwell: bass, vocals

https://www.facebook.com/redmesaband/
https://www.instagram.com/redmesaband/
https://redmesarock.bandcamp.com/
https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

Red Mesa, “Route 666” official video

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Red Mesa Premiere “Route 666” Video; New Album Written

Posted in Bootleg Theater on January 14th, 2020 by JJ Koczan

red mesa

As announced last month, Albuquerque, New Mexico, heavy rockers Red Mesa started writing material for their next album — they just finished this past weekend, by way of an update — as yet untitled, which will be out presumably later this year also-presumably through guitarist Brad Frye‘s Desert Records imprint. Well, that’s still neat news and all, but again, it was last month, which also makes it last year, which basically makes it ancient history even though the album in question hasn’t happened yet — behold the internet age! — and so it’s onward to the next thing, which also happens to be the last thing.

Yes, before Red Mesa — the three-piece of guitarist/vocalist Brad Frye, drummer/backing vocalist Roman Barham and bassist/vocalist Irish Cantwell — set themselves to the task of recording the band’s second LP, they’re giving the first one a proper sendoff. Thus arrives their new video for “Route 666,” the penultimate track from Red Mesa‘s 2018 debut, The Devil and the Desert (review here), which you’ll recall was split into semi-acoustic and harder-hitting halves. As the immediate fuzz riff of “Route 666” tells you, the track comes from the heavy half of the record, and that’s just fine.

The secondary point the track raises in bidding farewell to The Devil and the Desert is that Red Mesa are much more of a band now than they were when the debut was put together. Founded by Frye, the lineup at the time split just as Red Mesa was getting ready to hit the studio to record, so he and producer Matthew Tobias went ahead and made the album anyway with studio collaborators. It was a bold play and it made sense in how the record came out, but with FryeBarham and Cantwell as a more established trio, it seems safe to me to expect a different dynamic from their follow-up. They’ve toured together and done shows both plugged and unplugged, and all that “makes a band” stuff is kind of a cliché at this point, but it’s also true. I’ll be interested to hear how the second record moves forward from the first.

We’ve got a while to go before we get there, though I hear details are forthcoming in a couple weeks or so. In the interim, get all desert-y with “Route 666” on the embed below. More info follows.

Enjoy:

Red Mesa, “Route 666” official video premiere

From Red Mesa’s “The Devil and The Desert” album, ‘Route 666’ is fast and full of heavy, desert rock riffs. Inspired by the old north-south U.S. highway in the Four Corners regions of the United States southwest, Route 666 was known as the “Devil’s Highway”. Due to the New Mexico portion being known as a dangerous highway with a long history of death and violence, and a growing superstition of the highway being “evil”, Route 666 was renumbered in 2003 to Route 491.

The band was also inspired by the gritty charm of Albuquerque, and the weird tales along old Route 66 that weaves through the city. Crime, poverty, and Breaking Bad lifestyles mix with artistic creativity and a hungry music scene that is growing quickly in New Mexico’s only metropolis.

The music video was filmed and edited entirely by Hunter Dawson of Desert Dwellers. This video features Red Mesa members Brad Frye (guitar/vocals), Roman Barham (drums), Alex Cantwell (bass/vocals).

The music video captures shots of the Sandia Mountains that loom over the city of Albuquerque.
The live performance was filmed at the Taos Mesa Brewing in Taos, NM on August 30th, 2019.
The street shots are in Downtown Albuquerque on Central Ave.
The music venues and businesses that Red Mesa frequent and/or partner with are featured in the video such as Desert Records, Launchpad, Sister Bar, Arise Music and Coffee, and Bar Uno, and Monolith on the Mesa.

Red Mesa is:
Brad Frye: guitar, vocals
Roman Barham: drums, backup vocals
Irish Cantwell: bass, vocals

Red Mesa, The Devil and the Desert (2018)

Red Mesa on Thee Facebooks

Red Mesa on Instagram

Red Mesa on Bandcamp

Desert Records on Thee Facebooks

Desert Records on Bandcamp

Desert Records BigCartel store

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Red Mesa Begin Writing New Album; Playing Unplugged Set Dec. 19

Posted in Whathaveyou on December 18th, 2019 by JJ Koczan

red mesa

Tomorrow night — nothing like a timely post, am I right? — New Mexico’s Red Mesa will play their last show of 2019, and they’re doing something somewhat different for it. You might recall that the first half of their debut album, 2018’s The Devil and the Desert (review here), was a mostly-acoustic affair, not at all shy about bringing along some lap steel or twangy vibe. Well, that’s the set tomorrow night at Taos Mesa Brewing as the Monolith on the Mesa veterans wrap up their year. Obviously they’ve worked in this fashion before — you might say they made half an album that way — but I don’t know how often they’ve done it live, let alone with their current lineup of guitarist/vocalist Brad Frye, drummer/backing vocalist Roman Barham and bassist/vocalist Irish Cantwell. But hey, if you’re in the neighborhood, should be a fun one to catch. And if you’re not in the neighborhood, well, maybe someone’ll be kind enough to throw some of it on the ol’ YouTubers. Nothing’s ever really distant these days, you know.

Next month, Red Mesa will begin the recording process for their second album with an eye toward a 2020 release. I’ll be interested to see if that happens through Frye‘s Desert Records imprint or another outlet — they worked with Ripple Music in 2016 for the split The Second Coming of Heavy – Chapter Four (review here) — but that’s perhaps getting ahead of things and maybe it’s best to let them, you know, finish writing the thing first before sending it off to the pressing plant with this or that logo on back. I’m sure it’ll all work out, and in the meantime, their doing this live acoustic set would seem to be a way of signaling their continued interest in working with different arrangement styles despite Frye having traded out rhythm sections since the first album. However that might manifest in the new material remains to be seen/heard, of course, but it’s something else to keep an ear open for.

Their latest update follows. They’ll record at Empty House Studio in Albuquerque:

red mesa show dec 19

We are writing a new album.

Recording begins in January 2020 at Empty House Studio in Albuquerque, NM.

Our last show of the year is at Taos Mesa Brewing Mothership.

For this special evening Red Mesa will bust out the acoustic guitars, harmonicas, lap steel, cajon, and tambourine to perform songs like we’re sitting around a campfire out in the desert.
7pm All Ages.

Photo by Hunter Dawson

From L to R: Roman Barham (drums, backup vocals) Brad Frye (guitar, vocals), Irish Cantwell (bass, vocals).

https://www.facebook.com/redmesaband/
https://redmesarock.bandcamp.com/

Red Mesa, The Devil and the Desert (2018)

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Om Touring in February / March with Wovenhand

Posted in Whathaveyou on November 14th, 2019 by JJ Koczan

om

I cannot stress enough how much you should own Om‘s BBC Radio 1 (review here). Yes, it’s a double 10-inch vinyl, and I’m perfectly willing to admit that that’s kind of a silly thing when it would’ve fit on a single 12-inch platter, but face it, you’re going to listen to the download anyway, so quitcherbitchin and get on board. I’m only trying to make your life better by telling you this.

Do I think it’s a coincidence that Om have announced tour dates the same week that bassist/vocalist Al Cisneros‘ other band — they’re called Sleep, you know — have announced a hiatus? I don’t know. Probably? They’ll have Wovenhand out with them though, as they did on a tour leading to Monolith on the Mesa earlier this year, so if you want to think of this as a fuller leg of that run, go for it. Om have toured pretty steadily over the time that Cisneros has been/was involved in Sleep again, so it’s not like it’s some sudden resurgence or anything.

Of course, the big question is when/if/whether there will be a new album out next year, and if this tour might preface or accompany or otherwise somehow relate to that possibility. I have no insight on the matter other than to say, “golly, that sure would be nice,” so yeah, no insight at all basically. Shrug.

Go see Om. And buy that goddamn live record.

Dates:

om tour poster

OM Live:
12/14/19 Pioneer Works Brooklyn NY
2/21/20 Mohawk Austin TX w/ Wovenhand
2/22/20 Gas Monkey Bar & Grill Dallas TX w/ Wovenhand
2/24/20 George’s Majestic Lounge Fayetteville AR w/ Wovenhand
2/25/20 Growlers Memphis TN w/ Wovenhand
2/26/20 Saturn Birmingham AL w/ Wovenhand
2/27/20 Terminal West Atlanta GA w/ Wovenhand
2/28/20 Grey Eagle Asheville NC w/ Wovenhand
2/29/20 Motorco Chapel Hill NC w/ Wovenhand
3/2/20 Black Cat Washington DC w/ Wovenhand
3/3/20 Underground Arts Philadelphia PA w/ Wovenhand
3/5/20 The Sinclair Cambridge MA w/ Wovenhand
3/6/20 Columbus Theatre Providence RI w/ Wovenhand
3/8/20 Spirit Hall w/ Wovenhand
3/9/20 Grog Shop Cleveland Heights OH w/ Wovenhand
3/11/20 Headliners Music Hall Louisville KY w/ Wovenhand
3/12/20 The Pyramid Scheme Grand Rapids MI w/ Wovenhand
3/13/20 Garfield Park Conservatory Chicago IL w/ Wovenhand
3/16/20 Fine Line Minneapolis MN w/ Wovenhand
3/17/20 Wooly’s Des Moines IA w/ Wovenhand
3/18/20 Slowdown Omaha NE w/ Wovenhand
3/19/20 The Bottleneck Lawrence ks w/ Wovenhand
3/20/20 89th Street Oklahoma City OK w/ Wovenhand
3/21/20 Sister Albuquerque NM w/ Wovenhand

OM lineup:
Al Cisneros
Emil Amos
Tyler Trotter

https://www.facebook.com/om.band
https://omband.bandcamp.com/
http://www.omvibratory.com/
https://www.dragcity.com/

Om, Live in Copenhagen, Denmark, July 31, 2019

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Om, BBC Radio 1: Sing the Advaitic

Posted in Reviews on October 23rd, 2019 by JJ Koczan

Om BBC Radio 1

Some seven years ago, in 2012, Om issued their fifth full-length, Advaitic Songs (review here), through Drag City and thereby secured a place high among the decade’s best releases. Though founding bassist/vocalist Al Cisneros has split time in the years since between Om and the ongoing reunion of landmark stoner metallers Sleep, the album has continued to hold its audience, and its influence continues to spread to other acts on multiple continents. It was the kind of offering upon which legacies are made, and the new live recording BBC Radio 1 (also Drag City) is a reminder of that, even if only half its inclusions are actually from Advaitic Songs itself. Those songs, “Gethsemane” and “State of Non-Return,” are enough to get the point across on the limited gatefold double-10″ vinyl outing, and paired with “Cremation Ghat I” and “Cremation Ghat II” from 2009’s God is Good (review here) it is stirring and hypnotic in kind, the kind of release that makes you wish it was longer than its all-too-brief 29-minute run.

Om‘s lineup has shifted since Advaitic Songs. While that record marked the introduction of LichensRobert Aiki Aubrey Lowe (who had also appeared on God is Good) as a full member handling keys, percussion, vocals, etc., earlier in 2019, Cisneros and longtime drummer Emil Amos (also Grails, Holy Sons, and so on) brought in Tyler Trotter as the third member, and it was this incarnation of the band that recorded BBC Radio 1 at the British Broadcasting Company‘s studio in London’s upscale Maida Vale neighborhood, with its quietly old-money residences, tree-lined city streets and small but welcoming coffee/tea shops. The tracking was done on May 3, which was just a couple weeks before Om toured the Southwest ahead of playing Monolith on the Mesa, and about two months ahead of their Summer 2019 European tour, which included stops at Lake on Fire in Austria and SonicBlast Moledo in Portugal, but if hitting the BBC studio was the only reason Om made the trip abroad, one can hardly fault their logic in doing so. The results are little short of immaculate.

That sounds like hyperbole, and maybe it is, but you have to believe me when I say that this recording of “State of Non-Return” features if not the best then certainly one of the top three bass tones I’ve ever heard. I’m a sucker for bass tone anyway, and Cisneros is a master of low-end warmth, but for the tidal surge kick-in of distortion on the second track here alone, BBC Radio 1 is worth whatever Drag City want to charge for it. I’m dead serious. This isn’t a live release like something captured on someone’s phone at a random show. This is a professionally-recorded, in-studio offering of a band performing their work. It is a true documentation of their sound with album-quality fidelity and live performance. And I’m not going to take away from the dream-state sway beginnings of “Gethsemane” or Amos‘ drumming on “Cremation Ghat I” or the texture Trotter seamlessly weaves into the songs via keyboard throughout, but even on Om‘s earlier albums, when it was just bass/drums/vocals and so each of those elements was all the more showcased, I don’t know if the bass ever sounded so rich. If they put it out as an isolated track on its own — a bonus download or “dubplate” or whatever — I’d buy it happily. I mean it.

om

Opening with “Gethsemane” leads the way down the path. Its beginning is like a guided breathing exercise to clear the mind, and what unfolds from there in the wash of crash cymbals, the ping of ride, the pop of snare, the softly flowing bassline and the chant-like keyboard ahead of the first verse is duly immersive. Cisneros‘ voice arrives like a pilgrim one might meet in the wilderness, some kind of spiritual seeker who knows the place, can show the way toward safe passage while telling you stories that happen in dimensions most people can’t perceive. So you set off. Amos‘ drums are the footsteps, Trotter‘s keys the ground, and “Gethsemane” is both journey and destination. At 11 minutes, it’s both opener and longest inclusion (immediate points) on BBC Radio 1, and its sense of grace isn’t to be understated, nor the fluidity with which it feeds into “State of Non-Return,” which at 8:22 is two minutes longer than on Advaitic Songs, but still unfurls the aforementioned distortion about 45 seconds into the proceedings. Not to put too fine a point on it, but if they wanted to make the song last another 10 minutes, that’d be welcome as well. If it’s two, okay. I’ll take that.

Though it’s shorter than “Gethsemane” and backed up by “Cremation Ghat I” and “Cremation Ghat II,” “State of Non-Return” is an obvious focal point on BBC Radio 1 for its shift in tone and relative rhythmic push. Even putting aside the glorious rumble of Cisneros‘ making, it radiates energy as delivered here and presents a subtle momentum leading out of the first 10″ and en route to the second, which houses the final two tracks, one per side. “Cremation Ghat I” holds some of the momentum forth in Amos‘ drumming and the winding bassline that accompanies, but its run is brief at 3:51 and mostly instrumental, so the vibe has shifted accordingly, as, one supposes, it would have to. This leads to the drone-backed “Cremation Ghat II,” longer at 5:37, which closes out in perhaps giving some sense of arrival at the place to which the beginning of “Gethsemane” was setting off. Maybe (definitely) that’s putting too simplistic a narrative to it, and maybe the journey and destination are the same thing. I wouldn’t know. Maybe the sense of “going somewhere” is wrong altogether and the point is to be still.

But take from it either way that especially for a live recording, BBC Radio 1 is evocative in a way that allows for these kinds of varying interpretations. Certainly one would expect that the BBC knows what it’s doing in capturing a band playing, but it’s worth emphasizing this isn’t just performance-to-tape. It’s museum-quality. It’s a document of Om in 2019 and, for anyone who may have needed it, an underscore to the effect the band have had on the course of heavy over this decade which, one assumes, will only continue to spread into the next. Advaitic Songs is long since due for a follow-up, but BBC Radio 1 earns its place in Om‘s pantheon through its methodical, patient and serene atmosphere, showcasing Om as a band of singular, unmatched resonance. Recommended.

Om on Thee Facebooks

Om on Bandcamp

Om website

Drag City website

Drag City on Thee Facebooks

Drag City on Bandcamp

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When the Deadbolt Breaks & Red Mesa Touring Next Month

Posted in Whathaveyou on February 11th, 2019 by JJ Koczan

You’re probably doing something right when your tour starts at the SX Stoner Jam, which has something like 150 bands on the lineup and will no doubt be the kind of thing that 10 years from now people who were fortunate enough to be there will still be talking about. I mean that. But for Red Mesa and When the Deadbolt Breaks, both supporting releases on Desert Records, it’s just the beginning. They’ll go from Austin to Houston and then kick around the Southwest and the mountains for a 10-day run that unless I’m mistaken marks the Connecticut-based Deadbolt‘s first time out toward West Coast. I could be wrong about that — they’ve got some history at this point — but I’m reasonably certain.

Either way, a lot of the difference between the two bands can be seen in the photos below. Red Mesa are the dudes in the desert, sunglasses on, having a good time. When the Deadbolt Breaks are framed by eerie light in the woods, hands in pockets, staring downhill at whatever it is they might be threatening. Those should be some good shows.

Dates came down the PR wire:

red mesa

when the deadbolt breaks

When The Deadbolt Breaks and Red Mesa announce ‘Path of the Heavy’ tour!

When The Deadbolt Breaks (Psychedelic Doom) and Red Mesa (Desert Rock) have announced a tour together centered around their appearances at Austin’s STONER JAM ’19 on March 14th.

WTDB will be touring in support of their sixth studio album, “Angels are weeping…God has abandoned”. Red Mesa will be touring in support of their second studio album, “The Devil and The Desert”. Both band’s albums were released on the new Albuquerque based record label, Desert Records.

Tour Dates:
March 14th – Austin, TX Stoner Jam ’19 Festival @ Spider House Cafe and Ballroom
March 15th – Houston, TX @ Rudyards British Pub
March 16th – OKC @ Your Mom’s Place
March 17th – Wichita, KS @ Elbow Room
March 18th – OFF
March 19th – Colorado Springs, CO @ Bar-K
March 20th – Denver, CO @ TBA
March 21st – Albuquerque, NM
March 22nd – Phoenix, AZ @ Time Out Lounge
March 23rd – TBA

https://www.facebook.com/WhentheDeadboltBreaks/
https://whenthedeadboltbreaks.bandcamp.com/
https://www.facebook.com/redmesaband/
https://redmesarock.bandcamp.com/
https://www.facebook.com/desertrecordlabel/

When the Deadbolt Breaks, Angels are Weeping… God Has Abandoned… (2018)

Red Mesa, The Devil and the Desert (2018)

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Red Mesa Announce First-Ever Tour

Posted in Whathaveyou on October 30th, 2018 by JJ Koczan

red mesa

Despite a recent back injury to drummer Roman Barham — who I think I might’ve half-met earlier this year someplace; was it Maryland Doom Fest? — Albuquerque, New Mexico’s Red Mesa will head out on tour next month in support of their 2018 album, The Devil and the Desert (review here). This will be the band’s first-ever tour, and they’ll be out for 10 days beginning Nov. 8 suitably enough at the Launchpad in their hometown before covering a good swath of the sprawling and sandy Southwest, as well as into Los Angeles and San Diego, Las Vegas and so on. It’s a good run and they’re playing with good bands along the way — you can bet that Sierra Vista show is with Fuzz Evil — and there is a date still TBA in Tucson, so if you’re there and can help out, do that. Because it’s the right god damned thing to do, and you know it.

I’ve said as much before, but a first tour is a special time for a band that, like a first album, only comes once. Kudos to Red Mesa on getting out. I hope the shows are a blast.

Dates follow:

RED MESA TOUR POSTER

Red Mesa – First Tour

November 8th-November 17th.

Red Mesa will be heading out on the road this November for their first tour!

“The Devil In the Desert” tour will kick off in the band’s hometown of Albuquerque, NM on November 8th. From there, the band will do a SW/West Coast circuit.
This will tour will promote the band’s June 2018 release of “The Devil and The Desert” album.

The band’s ringleader, Brad Frye, will be doing vocals and playing guitar. Roman Barham, Albuquerque’s local favorite promoter, drummer, and music store owner will be playing drums. This tour will feature the band’s new bass player, Josh Vigil, an accomplished musician who plays bass and flamenco guitar.

The band has booked the tour themselves using the network of bands and venues they have worked with and hosted through the years. Salem’s Bend, King Chiefs, Nebula Drag, Big Mean, Fuzz Evil and many others will be hosting Red Mesa along the way.

“THE DEVIL IN THE DESERT TOUR 2018”
Thurs 11/8: Albuquerque, NM – Launchpad
Friday 11/9: El Paso, TX – Neon Rose
Sat 11/10: Sierra Vista, AZ – The Horned Toad
Sun 11/11: Los Angeles, CA – Characters Pomona
Mon 11/12: San Diego, CA – Space Bar
Tues 11/13: Los Angeles, CA – The BLVD
Wed 11/14: Las Vegas, NV – Sahara Events Center
Thurs 11/15: Flagstaff, AZ – House Party
Fri 11/16: Tempe, AZ – Cornish Pasty Co.
Sat 11/17: Tucson, AZ – TBA

Big News! This tour will coincide with the release of Red Mesa’s cover song of “Breathe” for Magnetic Eye’s The Best of Pink Floyd compilation on November 9th.

https://www.facebook.com/redmesaband/
https://redmesarock.bandcamp.com/

Red Mesa, The Devil and the Desert (2018)

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The Horned God Sign to Desert Records; Debut Album Coming Soon

Posted in Whathaveyou on September 12th, 2018 by JJ Koczan

THE HORNED GOD

Based on the comics of olde — from a time before the medium became a dominant driving force of American popular culture; when they were still for weirdos and nerds — The Horned God are set to make their debut this Fall through Desert Records. They’re the first act signed to the new label helmed by Brad Frye, also the guitarist and vocalist of Red Mesa, but apparently not the last. In addition to announcing the pickup of fellow Albuquerquians The Horned God, Frye teased that he’d be working with, “a veteran psychedelic doom band from New England.” Intrigue!

In the meantime, I’m curious to hear what’s in store for The Horned God‘s first album, which has been given the title The Horned God I, since as you can see above and in the freshly-unveiled artwork immediately below, they’re not exactly going light on the concept.

From the social medias:

the horned god cover

THE HORNED GOD – BAND SIGNING ANNOUNCEMENT!

Desert Records is proud to introduce you to THE HORNED GOD!

Hailing from Albuquerque, NM but playing a very unique style of Ancient Celtic stoner and desert rock inspired by the 1983 comic book classic Slaine: The Horned God.

Debut album coming this Fall!

Vinyl and digital formats.

The Horned God says: “Let the commencement begin! The Horned God is officially the first band signed to Desert Records Label! Epic things on the horizon… and we are so honored to be a part of this music community. Thank you, Brad Frye and Desert Records!”

The Horned God is a Cosplay band, based on the comic book masterpiece by Pat Mills, and Simon Bisley, Slaine: The Horned God.

Comic book writer Pat Mills brought the character of Slaine mac Roth, a Celtic barbarian warrior king who along with his axe Brainbiter and his ability to warp spasm in order to defend his people against the dark druid Slough Feg, to life in 1983 in his graphic novel series titled Slaine. In 1989 Pat Mills collaborated with illustrator Simon Bisley and published the three book series Slaine: The Horned God. In this series Slaine goes on a quest to collect four artifacts that once united will enable him to become high king and lead his people into battle in the hopes of saving them from Slough Feg and his army.

In 2012 the next adaptation of the story began in Albuquerque New Mexico when three friends took their love of the story and combined it with their passion of music and created the three piece cosplay stoner rock or as they call it, “Ancient Celtic inspired stoner rock, legends and lore, of love and war!!!”, musical interruption appropriately named, The Horned God.

The Horned God consist of three members, Dominic on vocals and guitar, Robson on bass and Tim on drums. This one of a kind dynamic three piece bring the story of Slaine to life with lyrical dialog and narratives ripped from the pages of the book accompanied by full costume and projected comic book cells throughout the entire performance.

https://www.facebook.com/HornedGodBand/
https://www.facebook.com/desertrecordlabel/

The Horned God, Live at the Launchpad, 2012

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