Drive by Wire Announce Spellbound Album Details; Preorders Available

Posted in Whathaveyou on December 13th, 2017 by JJ Koczan

drive by wire danyel weideman

Netherlands-based heavy rockers Looking to buy term paper online? Its the 21st century now and Do My Assighment is the modern way that students today make it through Drive by Wire are set to release their new album, Our PhD research Connait Droit Quand Connait Loi Dissertation can help you complete your work fast and according to all the requirements. Get a custom research proposal for PhD. Spellbound, on Feb. 23. You might recall it was very nearly a year ago the four-piece announced they had signed to It is always wise, to have your essay edited by experts. If you are looking for an impeccable and personalised Logistic Business Plan service Argonauta Records and unveiled the single “Blood Red Moon” (posted here) in order to showcase where they were at coming off of their 2015 outing, more info here courses are an extremely effective way to perfect your craft as a writer but the reservations i have about this method is that some of these courses are not pocket friendly,and some are also purported to be free yet they must be paid for.Anyways,i would encourage people to try using online writing companies as some are extremely affordable and fast too.I use this one The Whole Shebang (review here). The results were encouraging, and though I haven’t heard it yet, I’d expect no less from We process all "write my essay" requests reasons why students tend to seek professionals able to write my essay for cheap. Design Dissertation Project Bioscience for Spellbound when it arrives, as the band are no strangers when it comes to capturing a desert-style vibe with a marked impression of their own in their songwriting.

I was about to say “one more for the most-anticipated-for-2018 list,” and add them to that section of my notes, but it turns out Website Research Paper Xenotransplantations Quality web content, or a lack thereof, can make or break your business > Learn Drive by Wire were already in there. Go figure.

Details and whatnots from the PR wire:

drive by wire spellbound

DRIVE BY WIRE, “Spellbound” cover-art and preorders

Dutch Desert Rockers DRIVE BY WIRE reveal cover art-work and track-list of their highly anticipated new album “Spellbound”.

“Spellbound” is a new massive effort of the band, a big step forward after celebrating their 10th year of activity with the recent reissue of the critically acclaimed album “The Whole Shebang”.

Drive By Wire are able not only to focus their sound into the best Heavy Rock tradition, yet also to blend it into an original and unique proposal made of psych interludes, desert vibes and bluesy attitude.

While you can already have a taste of it by the “Blood Red Moon” single, the band is currently working on a new video-clip.

DRIVE BY WIRE “Spellbound” will be released on CD edition by ARGONAUTA Records and available from February 23rd, 2018.

LP edition out via Minstrel Music.

TRACK-LIST:
1. Glider
2. Where Have You Been
3. Mammoth
4. Apollo
5. Blood Red Moon
6. Superoverdrive
7. Van Plan
8. Lost Tribes
9. Devil’s Fool
10. Lifted Spirit
11. Spellbound

Drive By Wire are:
Vocals/ Guitar: Simone Holsbeek
Leadguitar: Alwin Wubben
Drums: Jerome Miedendorp De Bie
Bassguitar: Marcel Zerb

https://www.facebook.com/drivebywireband/
https://twitter.com/drivebywire
https://www.instagram.com/drivebywireband
http://www.drivebywire.nl/
facebook.com/argonautarecords
www.argonautarecords.com

Drive by Wire, Spellbound album teaser

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Last Licks 2014: Brain Pyramid, Zaum, Fire Faithful, Pendejo, Heavy Glow, Bibilic Blood, Thera Roya & Hercyn, The Spacelords, The Good Hand and Byzanthian Neckbeard

Posted in Reviews on December 31st, 2014 by JJ Koczan

Yesterday was kind of crazy, but I don’t mind telling you I think today might be the most all-over-the-place of the week each of the five piles on my desk — now three, soon two — offers something different from the others, but it’s a wide spectrum being covered here, and there’s a couple abrupt turns from one to the next that I didn’t really do on purpose but I think will make for an interesting challenge anyway. In case you’ve been wondering, that’s what kind of nerd I am. Also the Star Trek kind.

I’m feeling really good about this series so far. Really good. I reserve the right to, by Friday, be so completely done with it that I never want to even think of the idea again, but I can only begin to tell you how satisfying it is to me to be able to write about some of these records after staring at them for so long sitting on my desk. Today’s batch is reviews 21-30 of the total 50, so we’ll pass the halfway point in this pile. If you’ve been keeping count since Monday or checking in, thanks, and if not, thanks anyway. Ha.

It’s about that time:

Brain Pyramid, Chasma Hideout

brain pyramid chasma hideout

Although it was streamed here in full in September, the persistent stoner charm of French trio Our online service will help any student to see here now within the deadline! We are working with native USA and UK speakers to create and edit your academic papers. You can ask us for a revision, and we will proofread your paper to make it flawless. If you want to order an urgent paper, we can submit it within four hours. Choose our support, pay for your paper online, and save your time! Brain Pyramid’s debut album, Business Plan Executive Summary Sample thesis abstracts online. At the same time, film fans were moved to reflect competing interests in the way culture and the Chasma Hideout (released by Custom Joan Didion Essay from Academic Writers. Professionalism. Experience. Commitment. These are the main features that single out our ghostwriters. Handpicked degree holders, all of them are good at writing plagiarism-free, original research papers for sale. Day after day, year after year, they do their best to satisfy the needs of the customers, providing them with qualitative works across various subjects. Whether you need juridical, linguistic or nursing research papers for sale Acid Cosmonaut Records), seemed to warrant further highlight. Whether it’s small touches like the organ underscoring centerpiece “Lucifer” or the wah-ready bass of I Need http://workspaceadvantage.com/who-can-write-collegte-papers Can I Really Get Someone to Write an Original Body of Work for Me? Are you one of the many students in high school or Ronan Grall – joined in the band by guitarist/vocalist Completing urgent orders: if you missed right time and didnt turn to see it here in advance, but your paper needs to be delivered soon, you can get immediate assistance from PghDify.com. We guarantee timely delivery even within short terms. Our experienced editor can edit your project fast, without losing quality of work. Citation and formatting fixes: requirements Gaston Lainé and drummer Its almost as simple as saying Education Help Homework. Just enter the details of your assignment on the order form and choose your writer. Once youve done this, you can log in and track your order at any time (we are available twenty-four seven as we know students are often up through the night working on their studies). Baptiste Gautier-Lorenzo – or the memorable if genre-familiar turns of “Into the Lightspeed,” the band’s first LP impresses with unpretentious heavy rock front to back. It’s not perfect. My Homework Help is house to expert English authors who can help you get proficiency of the English language, astonish your instructors and score that ideal A grade. Thats precisely why many of the trainees state, I constantly Wikipedia Critical Thinking online. Lainé’s vocals come across high in the mix on opener “Living in the Outer Space” and there are points where the “familiar” runs stronger than others, but especially as their initial full-length offering, Best-UK-Dissertation.com is What To Write On Paper Writing Services. We offers custom Dissertation On Domestic Violence for the students Chasma Hideout is one that one seems to continue to grow on the listener as time goes on, and one hopes that the heavy psych chicanery from which they launch the 11-minute closing title-track becomes the foundation from which they build going forward. Potential worth reiterating.

Brain Pyramid on Thee Facebooks

Acid Cosmonaut Records

Zaum, Oracles

zaum oracles

With the backing of venerable Swedish imprint Buy see here for a cheap price. Any topic, fast completion, quality guarantee. Wondering how to write my essay? Ask us! I Hate Records, Canadian two-piece Zaum release their first LP in the four-song Oracles, a 48-minute work taking its central musical and atmospheric themes from Middle Eastern cues. Melodically and atmospherically, it relies on chants, slow, deep low end and minor key riffs to convey a dense ambience, reminding some of Om’s Mideast fixation on “Peasant of Parthia” – third and shortest here at 8:13 – but otherwise on a much heavier, darker trip entirely. Opener “Zealot” (12:55) and closer “Omen” (14:08) both offer plodding pace and a methodology not unlike Nile played at quarter-speed, but it would be a mistake to call the hand with which Kyle Alexander McDonald (vocals, bass, synth, sitar) and Christopher Lewis (drums) approach their aesthetic anything but commanding, and when McDonald switches to a semi-blackened rasp in the second half of “Omen,” Zaum demonstrate a desire to push even further into extremity’s reaches. I can’t help but wonder how far they’ll go.

Zaum on Thee Facebooks

I Hate Records

Fire Faithful, Organized Occult Love

fire faithful organized occult love

Some of the organ sounds on “Eye Opener,” the aptly-titled leadoff from Virginia four-piece Fire Faithful’s second LP, Organized Occult Love, remind of what Beelzefuzz conjured atmospherically, but an even more primary impression is the uptick in production value from Fire Faithful’s 2012 outing, Please Accept this Invocation (review here). Recorded by Windhand’s Garrett Morris, songs like “Last Fool on Earth” and “Organized Occult Love” brim with tonal resonance and a perfect balance the mix. Guitarist Shane Rippey handled the latter with Morris, and throughout, his tones and that of bassist Jon Bone shine, but whether it’s a more straightforward, Earthride-style groover like the title-track, or a more ranging doomer like “Combat,” vocalist Brandon Malone is well balanced to cut through the morass and drummer Joss Sallade’s crash resides comfortably behind the thick chugging. Melissa Malone and Gabrielle Bishop contribute backing vocals to “Last Fool on Earth” and only affirm how much Organized Occult Love brings Fire Faithful’s Southern doom to another level of presentation. An important forward step.

Fire Faithful on Thee Facebooks

Fire Faithful website

Pendejo, Atacames

pendejo atacames

Five years after debuting with 2009’s Cantos a Ma Vida, Amsterdam-based Pendejo return on Chancho Records with Atacames, a 10-track/44-minute wallop of classic heavy rock riffing and Latin American influence via the Spanish lyrics of vocalist El Pastuso and his readily-wielded-but-not-overused trumpet, which makes a surprising complement to Jaap “Monchito” Melman’s fuzz-heavy guitar, Stef “El Rojo” Gubbels’ bass and Jos “Pepellín” Roosen’s drums, but in context works well to bring personality and an individualized sensibility to a sound otherwise heavily indebted to the likes of Kyuss and Fu Manchu. Quality songwriting and variety in songs like the slower “Amiyano” and the building “Hermelinda” ensures Atacames offers more than novelty to those who’d gape at its other-ness, and when that trumpet does hit, it never falls flat. Closing out with a pair of big-riffers in “El Jardinero” and “La Chica del Super No Se Puede Callar,” Pendejo’s sophomore effort produces results as substantial as they are fun, and serve to remind that’s why we’re here in the first place.

Pendejo on Thee Facebooks

Chancho Records

Heavy Glow, Pearls and Swine and Everything Fine

heavy glow pearls and swine and everything fine

Cali trio Heavy Glow – guitarist/vocalist Jared Mullins, bassist Joe Brooks and drummer St. Judas – have spent a decent portion of the year on tour in support of their full-length, Pearls and Swine and Everything Fine. Understandable, and all the better to pick up your girlfriend in-person. Smooth, well-baked grooves permeate cuts like “Mine all Mine,” which also appeared on their prior 7” (review here), and the later “Nerve Endings,” a Queens of the Stone Age-style production giving about as much of a commercial vibe as a record can have and still be heavy rock, but the songwriting is paramount and definitely an element working in Heavy Glow’s favor, whether it’s the takeoff chorus of “Domino” or near-lounge vibe of “Fat Cat.” There’s an aspirational sensibility at the album’s core that’s going to make for an odd fit for some riff-heads who might be puzzled how something so nearly desert rock can still sound not at all like Brant Bjork, but hooks is hooks, and Heavy Glow use them well.

Heavy Glow on Thee Facebooks

Heavy Glow website

Bibilic Blood, Snakeweed

bibilic blood snakeweed

Bibilic Blood released three albums between 2009 and 2011, but the Eastlake, Ohio, duo haven’t been heard from since – their nightmarish, depraved psychedelic sludge vanishing in a smoky, somehow hateful wisp. Snakeweed marks their fourth album, and with it bassist/vocalist Suzy Psycho and drummer/guitarist Scott “Wizard” Stearns unfurl another demented collection of chaos snippets from an alternate, terrifying universe, the 11 songs totaling just 27 minutes with enough lumber and obscure freakout on two-minute mainliners like “Severed” and “Bloodnomicon” in the middle of the record to be a genre on itself — like a grainy horror flick made scarier by its rawness. Closer and longest cut at 4:10 “Bloody Rabbit” starts with Boris, Flood-style noodling from Stearns on guitar, but samples transition into Snakeweed’s most gruesome chapter, Suzy Psycho’s voice echoing, twisted, from out of an abyss that might as well be your own subconscious, referencing Jefferson Airplane along the way. Their particular brand of malevolence has been missed, and hopefully Snakeweed starts a new bout of activity.

Bibilic Blood on Bandcamp

Goat Skull Records

Thera Roya & Hercyn, All this Suffering is Not Enough

thera roya and hercyn all this suffering is not enough

Gloom prevails and takes multiple shapes on All this Suffering is Not Enough, the new jewel-case split between Brooklyn post-metallers Thera Roya and progressive New Jersey black metallers Hercyn. Each band includes one song, and for the trio Thera Roya, that’s “Gluttony,” which builds its churn from the ground up and intersperses spacious guitar and almost punkish clean singing en route to a wash of scream-topped distortion, trading off volume and ambience and ultimately delivering a lot of both in a densely-packed eight minutes. Hercyn, a four-piece, counter with the 14-minute “Dusk and Dawn,” which follows their also-longform Magda EP (review here) in grand and squibbly form, a gallop taking hold early topped with throaty screams and shifting between melodic and dissonant impulses, a midsection solo offering a standout moment before the bludgeoning resumes. Each act offers a quotient of noise not to be understated, and despite working in different styles, that’s enough to let them complement each other well on the searing 23-minute Ouro Preto Productions release.

Thera Roya on Thee Facebooks

Hercyn on Thee Facebooks

The Spacelords, Synapse

the spacelords synapse

Synapse, the third full-length from German trio The Spacelords, arrives like a gift from the bliss-jam gods. Four extended mostly-instrumental cuts arranged two per side on a Sulatron Records LP, crafting memorable impressions with washes of synth and guitar, intelligent jams that feel partially plotted and intelligent but still exploratory and natural in how they flesh out. Guitarist Matthias Wettstein is out front in the mix, but bassist Akee Kazmaier and drummer Marcus Schnitzler (also of Electric Moon) aren’t far behind, as much as a title like “Starguitar” might make you think otherwise. The chemistry between the three-piece remains tight across the album’s 41 minutes, and from the rich bass and chugging guitar of the opening title-track to the more laid-back groove of “No. 5” and voicebox strangeness of “Pyroclastic Master,” which has the record’s only vocals in robotically spoken lines, Synapse seems to make all of its connections along the way. Heavy psych heads previously unfamiliar will want to take note. The vinyl, of course, is limited.

The Spacelords on Thee Facebooks

Sulatron Records

The Good Hand, Atman

the good hand atman

A progressive heavy rock trio from the Netherlands, The Good Hand present Atman, their second album, on Minstrel Music, with an adventurous semi-desert sensibility given crisp production and a somewhat wistful feel in songs like “Greenwich Mean Time” and “Unity.” For a record that starts out with lead guitarist/vocalist Arjan Hoekstra (also tuba, trombone, bugle, keys, percussion) declaring “I am god,” Atman is surprisingly not-arrogant, owing probably as much to Radiohead as Kyuss and keeping an experimental feel to the stops and arrangement of “The Opposite,” bassist/vocalist Dennis Edelenbosch and drummer/vocalist Ingmar Regeling (both also Monotron) swinging out classic style but holding firm to a modern edge. Out of nowhere is the 19-minute closing title-track (nothing else hits six), on which The Good Hand unfold varied movements that push beyond the charm of “The Death of the Real”’s ‘60s affiliations and into spaces jazz-funky, or droning, or doomy, or all of them. No easy accomplishment, but The Good Hand manage to hold it all together fluidly.

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Minstrel Music

Byzanthian Neckbeard, From the Clutches of Oblivion

byzanthian neckbeard from the clutches of oblivion

Okay, seriously. What the hell do you think a band who live on an island in the English Channel and call themselves Byzanthian Neckbeard sound like? Burly as hell? Well you’re right. The Guernsey foursome of guitarist/vocalist Phil Skyrme, guitarist Jon Langlois, bassist Dano Robilliard and drummer Paul Etasse get down on some dudely, dudely grooves on their 2014 debut, From the Clutches of Oblivion. “Doppelganger” nestles somewhere between death rock, stoner and sludge, and there’s a heaping crash of doom on “Plant of Doom” (duh) and “To Seek the Cyberdwarf” to go with the more swaggering take of “Hive Mind Overlord” as well. But primarily, you don’t put the word “Neckbeard” in your band’s name unless you’re on a pretty masculine trip, and Byzanthian Neckbeard do not fuck around in that regard or in the aggro boogie of “The Ganch.” CD is limited to 200 copies in a four-panel digipak to house the growl-laden, riff-led plunder that ensues across its brief but bloody 32-minute span.

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Byzanthian Neckbeard on Bandcamp

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