The Obelisk Presents: The Top 10 Debut Albums of 2014

Dudley-Street,-Seven-Dials.-Gustave-Doré-(1832-83) top 10

Please note: These are not the results of the Readers Poll. That’s still going on. Please feel free to submit your list.

Making and releasing a first full-length album is a special moment in the life of any band, and that’s why I wanted to single out some of the best debuts of the year. I’ve never done this before, and so maybe with a top 10 I’m testing the waters a bit, but it seemed a worthwhile project anyway. It was a long (inner) debate about whether or not to include EPs and singles here too, but in the end, it just seemed to work better with albums.

Not to take anything away from shorter releases, but putting out a debut EP is much different than a debut LP. First of all, a debut LP can come after several EPs or singles or demos or whatever and still be considered first. What a first album says to the listener is, “Okay, we’ve come this far and we’re ready to take this step.” Some bands, once they start putting out albums, never go back to EPs. Others who’ve been around for 30 years still release demos every now and then, but even so, a group only ever gets one crack at their first album, and it can be one of the most important things we ever do.

Compared to how many come out any given month, year, century, etc., very few debut long-players ever wind up being classics, and who knows what the future might hold for any of these acts on this list, but that not knowing and that excitement are part of the fun.

Let’s get to it:

the-well-samsara

The Top 10 Debut Albums of 2014

1. The Well, Samsara
2. The Golden Grass, The Golden Grass
3. Spidergawd, Spidergawd
4. Atavismo, Desintegración
5. Blues Pills, Blues Pills
6. Steak, Slab City
7. Comet Control, Comet Control
8. Elephant Tree, Theia
9. Black Moon Circle, Black Moon Circle
10. Temple of Void, Of Terror and the Supernatural

A couple honorable mentions. First to Valley of the Sun‘s Electric Talons of the Thunderhawk, which I still didn’t know what to do with the release date for. Officially 2014, but kinda released in 2013 too. I was back and forth on it. Also Wasted Theory‘s burly debut, Monolord‘s Empress Rising, Child‘s Child, the Silent Chamber, Noisy Heart sprawling one-song LP from Sylvaine.

Some notes: Actual time spent listening played a big role in the structuring of this list. More so than the Top 30 of 2014, I would say. The Well‘s Samsara and the self-titled debut from The Golden Grass featured pretty high on that list as well, and that’s because both of them were records that I continually went back to and found satisfying after they came out. In both bands I think there’s significant stylistic potential, but more importantly, they both came out of the gate with their mission solidified and ready to roll.

With Spidergawd‘s Spidergawd, the progressive take on classic heavy rock boogie was blinding, but righteous. Their second album is due early next year on Stickman and I’ll have more on it to come in the weeks ahead. Atavismo‘s Desintegración hit me like the proverbial ton of bricks. Just four songs, but the atmosphere was gorgeous enough that after listening I went back and asked the band if I could host a stream in hopes that more people would hear it. Fortunately for anyone who listened, they were kind enough to comply.

On sheer impact alone, I think Blues Pills‘ Blues Pills warrants inclusion on this list, but in my own listening, I put on the top four so much more often that I couldn’t really justify placing it any higher. But in terms of a first album coming out and really propelling a band to the next level, I think for a lot of people it’s probably the debut of the year. Fair enough. Steak‘s Slab City found the London four-piece physically and stylistically right in the heart of the California desert and their passion for that place and its sound came across heartfelt on the recording, which only heightened the appeal.

And while I’m still sorry to see Quest for Fire go, the debut from offshoot Comet Control helped ease that sorrow neatly with a blend of driving heavier space rock and psychedelic vibing. Cool album, bodes well. You could say the same for Elephant Tree‘s Theia, I suppose. Their take on psychedelia melded with screamy sludge successfully where I think a lot of bands would’ve fallen flat trying the same thing, and that’s definitely something noteworthy in an initial offering, particularly one not preceded by an EP or other kind of release.

To round things out, two very different records. Black Moon Circle‘s self-titled took a popular stylistic course — melding heavy rock and psychedelic jamming — and showed the trio beginning to make it their own. That’s something I hope will continue on their second outing, which, like that of Spidergawd, is coming on quick early in 2015. And finally, Temple of Void‘s extreme, deathly take on doom courted genres smoothly and delivered its punishment with efficiency while holding together a coherent atmosphere of darkness and aggression. It was a sadistic joy to behold.

If you missed it, there were a couple debuts included on the Top 20 Short Releases of 2014 list as well — Gold & SilverWrenDeath Alley, and so on — so if you’re looking for more of that kind of thing, you don’t have to look too far. I hope if there was a debut album this year that particularly caught your attention, you’ll let me know in the comments.

 

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3 Responses to “The Obelisk Presents: The Top 10 Debut Albums of 2014”

  1. Mr Neutron says:

    Somali Yacht Club – The Sun deserves more love.

    It will get some when i finally get around to doing my year end list.

  2. pmsbull says:

    Just watched Elephant Tree play last night and were epic. Check out these bands : Tombstone Crow, Witch Charmer, both from the North East of england and kicking major arse.

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