Monster Magnet, Brant Bjork, Sasquatch & Lo-Pan to Play Ozzfest Meets Knotfest Preshow

Posted in Whathaveyou on August 1st, 2017 by JJ Koczan

With the prior announcement that Orange Goblin would open the Main Stage as their only US appearance for 2017 and word that High on Fire, Kyng and Tombs would take part on the Second Stage, Ozzfest Meets Knotfest offers a bit of intrigue beyond the sheer commercial enterprise. The initial PR wire release called it “the biggest metal festival in North America ever,” which simply isn’t true either in scope or the audience it’s likely to bring in, but along with others like Psycho Las Vegas, it is emblematic that the growth of US fest culture doesn’t just mean eight or 12 bands getting on stage the same day. These are genuine events coming together and with underground heavy as a part of that — even a minor part, as with Ozzfest Meets Knotfest — I’m intrigued to find out what the next few years bring.

Today’s kickass news? It’s right there in the headline: Monster MagnetBrant BjorkSasquatch and Lo-Pan are playing a special free preshow for Ozzfest Meets Knotfest campers on Nov. 3 before the fest proper starts on Nov. 4. Forgive me for saying so, but as I see it, that’s a stronger lineup than either day of the fest itself offers on the Main Stage — much as I love Orange Goblin. But then, I’ve never been much for Eighteen Visions. In any case, good for Sasquatch and Lo-Pan particularly. I hope all parties involved kick ass and make a lot of money on t-shirt sales.

Just in from the PR wire:

ozzfest-meets-knotfest-kickoff-show

OZZFEST MEETS KNOTFEST

WEEKEND KICKS OFF WITH FREE FRIDAY PRE-EVENT CONCERT FOR ALL WEEKEND CAMPERS

SATURDAY, NOVEMBER 4 (OZZFEST) AND SUNDAY, NOVEMBER 5 (KNOTFEST) AT GLEN HELEN AMPHITHEATER AND FESTIVAL GROUNDS IN SAN BERNARDINO, CA

This year’s OZZFEST MEETS KNOTFEST–Saturday, November 4 (OZZFEST) and Sunday, November 5 (KNOTFEST) at Glen Helen Amphitheater And Festival Grounds in San Bernardino, CA–will once again kick off with a special campers only pre-event concert. The exclusive free Friday, November 3 camping kick-off concert will give campers early access to the campsite, allowing them time to prepare for a night of performances from Monster Magnet, Brant Bjork, Sasquatch, and Lo-Pan. VIP camping lines open at 4:00 PM, general camping load in begins at 5:00 PM. Doors to the Friday night camping kick-off party open at 7:00 PM with live music set to kick off at 8:00 PM.

In addition, beginning Tuesday, August 1 at 10:00 AM (PT) a $99 all in bundle two ticket, two day ticket price is available through Saturday, August 5 at 12:59 PM (PT) for the multi-stage, two-day weekend camping event that will include more than 40 acts.

The OZZFEST MEETS KNOTFEST line-up (as of August 1) is as follows:

OZZFEST
SATURDAY, NOVEMBER 4

MAIN STAGE
Ozzy Osbourne
Prophets of Rage
Deftones
Children of Bodom
Orange Goblin

SECOND STAGES
Kreator
Baroness
High on Fire
Iron Reagan
1349
Havok
Kyng
Tombs
Night Demon
Thrown Into Exile

NUCLEAR BLAST EXTREME STAGE
Possessed
Suffocation
Fallujah
Rings of Saturn

KNOTFEST
SUNDAY, NOVEMBER 5

MAIN STAGE
Rob Zombie
Marilyn Manson
Stone Sour
Eighteen Visions
Prayers

SECOND STAGES
Testament
Life of Agony
Black Dahlia Murder
Upon a Burning Body
Goatwhore
Death Angel
Code Orange
ONI
Stitched Up Heart
DED

NUCLEAR BLAST EXTREME STAGE
Repulsion
Exhumed
Warbringer
Ghoul

www.Ozzfest.com
www.facebook.com/ozzfestofficial
www.knotfest.com
https://www.facebook.com/KNOTFEST/

Lo-Pan, In Tensions (2017)

Tags: , , , , , ,

Review & Track Premiere: Brant Bjork, Europe ’16

Posted in audiObelisk, Reviews on July 26th, 2017 by JJ Koczan

brant-bjork-europe-16

[Click play above to hear ‘Controllers Destroyed’ from Brant Bjork’s live album Europe ’16, out Sept. 22 via Napalm Records.]

One severely doubts it’s a coincidence that a Brant Bjork set would start with “Buddha Time (Everything Fine).” That laid back, instrumental, rolling desert groove speaks to an aspect of Europe ’16 that’s apparent before the needle even hits the wax of the Napalm Records release, and that’s the manner in which Bjork — whose career pedigree in as drummer/songwriter in Kyuss and Vista Chino, drummer in Fu Manchu, guitarist/vocalist in Ché and multi-instrumentalist, bandleader and songwriter in the various incarnations of his solo work from Brant Bjork to Brant Bjork and the OperatorsBrant Bjork and the Bros. and Brant Bjork and the Low Desert Punk Band has made him the undisputed godfather of desert rock — directly acknowledges the stoner side of who he is and what he does.

It’s right there on the cover of Europe ’16, which is the first official live album of Bjork‘s nearly-20-year solo career which began with 1999’s Jalamanta (discussed here; also here) on Man’s Ruin, a full-length that continues to resonate and inform his soulful, funk-infused delivery to-date, and while so many others of Bjork‘s ilk, geographical cohort and generation have tried to distance themselves from a “stoner” tag, he’s made it a part of his aesthetic. Some might say an essential part, and it’s become a defining piece of the ultra-laid back, groove-ready persona he showcases throughout Europe ’16, which captures 12 tracks and 85 minutes of Brant Bjork on the road last year with The Low Desert Punk Band supporting his two studio albums for Napalm: 2014’s Black Power Flower (review here) and 2016’s Tao of the Devil (review here) — both of which, it’s worth noting, were of a similar leafy theme in terms of their artwork.

Is it fair, then, to think of Europe ’16 as the third in a trilogy of offerings for NapalmBjork has said openly that Tao of the Devil was the final studio outing on his contract for the Austrian imprint, and if one presumes a three-album deal, then it’s quite possible Europe ’16 is the farewell piece. If so, it marks a righteous summary of what Bjork has accomplished as a songwriter and performer over the last few years, returning to solo output after a successful run with Vista Chino following much tumult around touring as Kyuss Lives! and the also-Napalm-backed issue of 2013’s Peace (review here) offering with that band.

Highlighting cuts from Black Power Flower like “Controllers Destroyed,” the aforementioned mindset-setting opener “Buddha Time (Everything Fine)” and the later “Stokely up Now,” and even more from Tao of the Devil in “Humble Pie,” “Stackt,” “The Gree Heen,” as well as the later and more extended jams “Dave’s War/Dave’s Peace” (based on “Dave’s War” from the record) and “Biker No. 2,” Europe ’16 finds Bjork, guitarist Bubba DuPree (formerly of Void), bassist Dave Dinsmore (Ché) and drummer Ryan Güt at the proverbial top of their game in terms of chemistry, and of all the times Bjork could have issued a live album over the last decade-plus, it’s easy to hear why now would be an obvious choice.

brant bjork photo kip dawkins

Joined by guest vocalist Sean Wheeler in the second half of the set, this incarnation of Brant Bjork and the Low Desert Punk Band saunter through pieces from Bjork‘s substantial catalog like “Low Desert Punk” and “Lazy Bones/Automatic Fantastic” from Jalamanta, “Freaks of Nature” from 2007’s Somera Sól and “Let the Truth be Known” from 2005’s Saved by Magic, and while live albums rarely exist that don’t make the performing act come out on the positive side — that is, nobody wants to put out a shitty-sounding show — neither does Europe ’16 shy away from the rawer side of the band’s presentation, especially as regards Wheeler‘s vocals in “Biker No. 2” and “Freaks of Nature” and the natural movement and flow of the group’s jams, which unfold beginnings and endings organically here, sounding unretouched and all the more engaging for that. Whether or not it’s the last in a series of three, Europe ’16 is a document of an era in Bjork‘s career that has not only seen a rise in his profile, but resulted in some of the most memorable material he’s ever written.

To wit, songs like “Stackt” and “Humble Pie” not only stand up to the landmark riff of “Automatic Fantastic,” but they underscore the progression that’s played out over time and a span of 11 LPs in Bjork‘s approach, and by embracing a jammier vibe later in the set in “Dave’s War/Dave’s Peace,” “Biker No. 2,” “Freaks of Nature,” “Low Desert Punk” and “Let the Truth be Known,” which includes a finale take on the Rolling Stones‘ “Jumpin’ Jack Flash,” Europe ’16 sets an immersive trajectory that feels true to the live experience. Of course, there’s a big difference between watching a band onstage and soaking in an 85-minute live record, and the latter process is no minor undertaking, but even if one thinks of Europe ’16 as a fan piece, it more than earns its place in Bjork‘s catalog, and the poise with which the band handles its turns and the commanding presence of Bjork at the forefront speak to not only the well-earned maturity of his craft but a showmanship that a studio outing simply wouldn’t be able to bring into focus.

Not saying much in terms of stage banter throughout, the man himself gets on mic before the get-your-ass-stoned advising of “Let the Truth be Known” to thank Berlin specifically after several “dankeschön”s earlier on, and that brings to mind the relationship between desert rock and the EU heavy underground. There’s a bit of irony there, since the Palm Desert scene, as it was in the ’80s and early/mid ’90s and as its legacy has grown in the years since, is so much based on the Californian landscape and American suburban culture, but no question Bjork has become the key ambassador for that movement and for the unique creativity and sound those sands helped to foster.

He’ll head back abroad this fall (dates posted here) to mark the release of Europe ’16 and perhaps take a victory lap with The Low Desert Punk Band before moving on to other projects and ideas (or at least another outlet), but that stint, like this live album built from the last one, should only serve to reaffirm what Black Power Flower and Tao of the Devil continued to establish: that when it comes to desert rock, there’s only one Brant Bjork. Nobody else brings the same level of soul to their sound, the classic feel and the steadiness of vibe that he does, and on Europe ’16, some 17 years after first embarking on a solo career, he continues to show that in new and exciting ways.

Brant Bjork on Thee Facebooks

Brant Bjork website

Napalm Records website

Tags: , , , , , ,

Brant Bjork Announces Europe ’16 Live Album & European Tour

Posted in Whathaveyou on July 3rd, 2017 by JJ Koczan

brant bjork

A Brant Bjork live record feels like a fairly obvious no-brainer. Am I wrong? Dude has been killing it the last few years (or decades, if you really want to put it in context) since putting together the Low Desert Punk Band and offering up the Black Power Flower (review here) and Tao of the Devil (review here) in 2014 and 2016, respectively, and anyone who’s seen him can tell you he absolutely owns every stage he steps on, so yeah, there’s just about no way a live album isn’t gonna work in this instance. It’s called Europe ’16, captures a set from Berlin, Germany, last year, and is out Sept. 22 via Napalm Records. Fair enough. Sold. Easy peasy.

To mark its arrival, Bjork and company — including steady guest vocalist Sean Wheeler — will head out on another European run this Fall. We kind of knew this was coming after he’d been confirmed for fests like Lake on Fire 2017 — which he’ll play next month as part of a shorter run of mostly-festival dates — Up in Smoke 2017 and Keep it Low 2017, but as always, confirmation is welcome, particularly alongside the news of the live release. He couldn’t stop piling up “fucking a” fodder if he tried.

From the social medias and the PR wire:

Brant Bjork – Europe ’16 & The Gree Heen Fall Tour

Welcome back the sweet scent of freedom. Breath in the greeheen! BRANT BJORK has come to revive your spirit: The Kyuss- and Fu Manchu legend has just announced his first live record ever!

From the opening guitar riff of “Europe ’16”, recorded in Berlin, one can sense the buzz of classic rock electricity that transcends into new spheres. This is controlled madness between trippy and doomy, groovy and sludgy!

Set for release September 22nd on Napalm Records, BRANT BJORK has now revealed the cover artwork and track list of his first and highly anticipated live record.

The track list reads as follows and will surely make every low desert punk heart beat faster:

1. Buddha Time
2. Controllers Destroyed
3. Humble Pie
4. Stakt
5. The Gree Heen
6. Lazy Bones-Automatic Fantastic
7. Stokely Up Now
8. Dave’s War-Dave’s Peace
9. Biker No. 2
10. Freaks Of Nature
11. Low Desert Punk
12. Let The Truth Be Known-Jumpin’ Jack Flash

“This record is live. Live records are ugly and they should be. When a band plays live, they let their hair down. Live is all that really matters. There are those moments in life when everything is ok and these are the moments when you are doing exactly what your here on the planet to do. You’re right where you are supposed to be with no shame, no fear, no regret, no envy, no hatred and no apology. I always say this band brings a feeling. The feeling is always primary and the sound, secondary. At least to me. In the book of Tao, there is a passage…”naming is the origin of all particular things”. I use here the term ugly to refer to my naming of my particular relationship with my soundscape. my my my. Why the term ugly? Because its the opposite of pretty. As the popular saying goes, “It is what it is”. As for my music, my band and this live record, I prefer to say, “it is what it isn’t”.” – Brant Bjork on Europe ’16.

Brant Bjork Aug. tour:
Aug 04 Los Almiros Festival, Almyros, Greece
Aug 05 Lake on Fire Waldhausen, Austria
Aug 06 A38 Budapest, Hungary
Aug 08 Sommer in Altona Hamburg, Germany
Aug 09 Universum Stuttgart, Germany
Aug 10 Bad Bonn Düdingen, Switzerland
Aug 12 FESTIVAL AREA DE LANGE MUNTE Kortrijk, Belgium
Aug 14 Palp Festival Rocklette Martigny, Switzerland

Brant Bjork, The Gree Heen Fall 2017 tour:
26.09.17 Stockholm | Debaser Strand
27.09.17 Stavanger | Folken
28.09.17 Oslo | John Dee
29.09.17 Gothenbourg | Sticky Fingers
30.09.17 Copenhagen | KB 18
01.10.17 Hamburg | Logo
02.10.17 Leipzig | UT Connewitz
03.10.17 Bielefeld | Forum
04.10.17 Amsterdam | Melkweg
05.10.17 Eindhoven | Effenaar
06.10.17 Pratteln | Up In Smoke
07.10.17 Aschaffenburg | Colossal
08.10.17 Brussels | Botanique
09.10.17 Rennes | Ubu
11.10.17 Bilbao | Kafe Antzokia
12.10.17 Porto | Cave 45
13.10.17 Lisbon | RCA Club
14.10.17 Madrid | Caracol
15.10.17 Barcelona | Bikini
16.10.17 Marseille | Jas Rod
17.10.17 Torino | Blah Blah
18.10.17 Ravenna | Bronson
19.10.17 Zagreb | Vintage Industrial Bar
20.10.17 Wien | Arena ( with Stoned Jesus + Beastmaker )
21.10.17 Munich | Keep It Low

Poster by: Pol Abran

https://www.facebook.com/BrantBjorkOfficial/
www.brantbjork.com
http://label.napalmrecords.com/
https://www.facebook.com/Sound-of-Liberation-UG-183095098426785/

Brant Bjork, “The Gree Heen” official lyric video

Tags: , , , , ,

Keep it Low 2017: Colour Haze, Belzebong, The Necromancers and A Great River in the Sky Added

Posted in Whathaveyou on June 26th, 2017 by JJ Koczan

keep it low 2017 banner

I was kind of wondering if the Munich-based Keep it Low festival would add Colour Haze for Keep it Low 2017. The long-running German heavy psych progenitors have played multiple editions of the event and have kind of become a staple of the lineup, so to see them added as they support their new album, In Her Garden (review here), is definitely cool. Joining them in this round of adds are BelzebongThe Necromancers and A Great River in the Sky, and on a bill with Saint VitusBrant BjorkRadio MoscowMars Red SkyConanUfomammutStoned JesusMonolordMos Generator and so on — the list is fucking wild — they only make it stronger and richer.

Of all the Fall fests in Europe — there are many and I won’t take away from what any of them are doing — Keep it Low has been the one I’ve most wanted to see over the past few years. It’s grown into what really seems like a unique vibe between its stages, skatepark, biergarten, and so on, and though they’re promising heavier acts this year and delivering that already with the likes of Ufomammut and Vitus and Conan, etc. — see also Belzebong here — there’s still plenty of heavy psych and rock and roll to be had, and that blend, as we all know, is what it’s all about. Anyway, it looks awesome. It won’t be this year, but I’ll get there one of these days.

It’s presented, of course, by Sound of Liberation, who updated the lineup thusly:

keep-it-low-2017-new-poster

Keepers,
Today we have 4 new band announcements for Keep It Low Festival 2017! We’re happy to present you:

Colour Haze
BelzebonG
The Necromancers
A Great River In The Sky

It has become a kind of tradition that mighty Colour Haze headline Keep It Low’s Friday, so never change a winning team!

Get your 3-day tickets here: http://bit.ly/2lr4hzH and….keep it low!

Line Up:
BRANT BJORK (with Special Guest Sean Wheeler) | SAINT VITUS | RADIO MOSCOW | MARS RED SKY | UFOMAMMUT | STONED JESUS | CONAN | MONOLORD | NAXATRAS | HOUSE OF BROKEN PROMISES | BEASTMAKER | MOS GENERATOR | USNEA | ELEPHANT TREE | KALEIDOBOLT | MOUNT HUSH | GODSGROUND
+ many more TBA

Limited 3-day tickets available!

October 20 | 21 | 22 2017
Feierwerk München

After an amazing and once again sold out edition in 2016 you can expect 3 days, 27-30 bands, amazing people and good vibes at Keep It Low 2017! For the very first time we will have the “Doom-Frühschoppen” with some HEAVY bands on the last day of the Festival.

https://www.facebook.com/events/201489380309269/
https://www.facebook.com/keepitlowfestival/

Colour Haze, In Her Garden (2017)

Tags: , , , , , , , , , , , , , , , , , , , , , , ,

Keep it Low 2017: Saint Vitus, Brant Bjork, Radio Moscow, Ufomammut, Naxatras, Mos Generator and More to Play

Posted in Whathaveyou on May 23rd, 2017 by JJ Koczan

keep-it-low-2017-generic-banner

Well, the bill for Keep it Low 2017 is packed. It would be packed if it was just Brant Bjork and Saint Vitus and Ufomammut in the lineup, but of course it goes well beyond that, with the likes of Radio Moscow, Naxatras, House of Broken Promises, Conan, Monolord, Mos Generator, Elephant Tree, Mars Red Sky and everyone else you can see below. If you can take a look at this roster of bands and not immediately start daydreaming about making the trip to the fifth installment of the Munich, Germany-based festival, you’re a better person than I am. Or you’re dead. One or the other, I guess.

One suspects that, as with last year, the Fall European fest season will have some overlap. You’ll note Beastmaker here as well as on Up in Smoke. Ditto that VitusBrant BjorkUfomammutRadio MoscowUsnea and Kaleidobolt. Aside from the hand of Sound of Liberation in putting these events together, weekend fests make great anchors for touring groups. Club shows all week, fests every weekend? I can’t imagine a touring act wouldn’t sign up for that, so yeah, probably some more familiar names will be making their way out between these, the Desertfests in Antwerp and Athens, and whatever else might come along. Keep an eye out.

From Keep it Low‘s social medias:

keep-it-low-2017-poster

KEEP IT LOW FESTIVAL 2017

Line Up:
BRANT BJORK (with Special Guest Sean Wheeler) | SAINT VITUS | RADIO MOSCOW | MARS RED SKY | UFOMAMMUT | STONED JESUS | CONAN | MONOLORD | NAXATRAS | HOUSE OF BROKEN PROMISES | BEASTMAKER | MOS GENERATOR | USNEA | ELEPHANT TREE | KALEIDOBOLT | MOUNT HUSH | GODSGROUND
+ many more TBA

Limited 3-day tickets available!

October 20 | 21 | 22 2017
Feierwerk München

After an amazing and once again sold out edition in 2016 you can expect 3 days, 27-30 bands, amazing people and good vibes at Keep It Low 2017! For the very first time we will have the “Doom-Frühschoppen” with some HEAVY bands on the last day of the Festival.

HEAVY!

3-day tickets are selling fast so don’t wait too long and get it here:
http://bit.ly/2lr4hzH

https://www.facebook.com/events/201489380309269/
https://www.facebook.com/keepitlowfestival/

Ufomammut, “Warsheep” official video

Tags: , , , , , , , , , , , , , , , , , , ,

Up in Smoke 2017 Adds Saint Vitus, Brant Bjork, Stoned Jesus, Beastmaker, Toner Low, Kaleidobolt and Usnea

Posted in Whathaveyou on May 18th, 2017 by JJ Koczan

up-in-smoke-2017-banner

I was fortunate enough to see Toner Low once in my life, and though it sounds greedy to even think I’d like to do so again, yeah, that would be pretty frickin’ awesome. At least that’s how it went last time around. Theirs is just one of the considerable names added to the Swiss-based Up in Smoke 2017 festival in this update, and one finds the Netherlands trio in the company of desert legend Brant Bjork, doom legends Saint Vitus, and YouTube legends Stoned Jesus, as well as Beastmaker — one assumes they’re soon to announce a full European tour for this fall — Usnea and Finland’s Kaleidobolt. All told it’s seven new bands for Up in Smoke 2017, which wasn’t exactly hurting before, with the likes of Orange Goblin and Graveyard, Ufommamut, Windhand and so on.

Bottom line? Awesome bill. Here’s the latest:

up-in-smoke-2017-poster

Up In Smoke 2017 – 7 New Bands : Brant Bjork (with Special Guest Sean Wheeler), Saint Vitus, Stoned Jesus & more added to the bill!

We are thrilled to announce 7 new bands confirmed for Up In Smoke 2017! BRANT BJORK (coming with Special Guest Sean Wheeler), SAINT VITUS, STONED JESUS, TONER LOW, BEASTMAKER, USNEA & KALEIDOBOLT! Our 5th edition will feature at least 20 bands on two stages with no overlapping set times, to guarantee you two days of Volume Worshipping!

BRANT BJORK (USA)
SAINT VITUS (USA)
STONED JESUS (UKR)
TONER LOW (NL)
BEASTMAKER (USA)
USNEA (USA)
KALEIDOBOLT (FIN)

Located Pratteln, in Switzerland’s best rock venue, Z7 Konzertfabrik, only a few kilometres from the German and French borders, Up In Smoke is an indoor festival for fans of Heavy Rock – Doom – Psych – Stoner… easily reachable by plane via the Euro-Airport (Basel/Muhouse) or by public transportations (train, bus) via Basel Main Station. There are plenty of affordable Hotels and Hostels located in Basel and for “budget savers” we are also offering to sleep over + breakfast (Coffee and bread rolls) in the venue for a small fee!

How does this work? After the last concert of the day, we ask everybody to step out of the venue for a few minutes. During that time, the venue and toilets are cleaned and the floor covered with a plastic sheet. (people have to bring their sleeping bags and air mattresses)

https://www.upinsmoke.de/tickets
http://www.z-7.ch/event.php?eventid=1306
https://www.facebook.com/UpInSmokeIndoorFestivalInZ7
https://www.facebook.com/events/466424317082118/
https://www.upinsmoke.de/

Brant Bjork, Live at Desert Generator 2017

Tags: , , , , , , , , , , ,

Lake on Fire 2017 Sold Out; Brant Bjork, Ufomammut, Elder, Acid King & More to Play

Posted in Whathaveyou on May 11th, 2017 by JJ Koczan

lake-on-fire-2017-banner

Austria-based festival Lake on Fire 2017 — which, yes, takes place on a lake and which, yes, looks totally frickin’ awesome as a result — sold out in a matter of minutes earlier this week after putting tickets on sale. The lineup is splendid with Brant Bjork headlining a bill that also includes Asteroid, Elder, Ufomammut, Acid King, Sasquatch, Rotor, and others, but you want to know something even more impressive about it? The full lineup hasn’t even been announced yet. What you see below, with Tides from Nebula, Weedpecker, King Buffalo, Triptonus and all that? Yeah, they’re not even done yet.

Next time you’re searching for an example of how unbelievably righteous the festival scene is in Europe, go ahead and consider Lake on Fire 2017, which offers camping and hotel options, a unique setting, killer bands, and a clientele that trusts it enough to completely buy up all the tickets before the full lineup has been unveiled. My minescule American brain boggles at the thought. Not that I’ve been Mr. Goestoshows lately or anything, but if you’re also from the States, consider the cultural richness at work in making something like this come together in the way it has. It’s astounding. I can’t even get bands to return my emails about playing an All-Dayer a year from now.

Go figure.

From the festival:

lake-on-fire-2017-poster

This is unreal – SOLD OUT again – for the 4th time in a row! Even compared to last year this was kinda fast! Thank you so much for your support! We love you!

For all those who haven’t got their tickets, don’t be sad, there will be another chance in approx. 2 weeks. All pre-registered users in our webshop (newly registered users won’t be considered anymore) will have the chance to be part of our LUCKY BIRD TICKET lottery.

The Artwork is made by the Austrian Artist Missfelidae Illustration.

LINE UP:
Brant Bjork [USA]
UFOMAMMUT [ITA]
Elder [USA]
Acid King [USA]
Rotor [GER]
Asteroid [SWE]
Tides From Nebula [POL]
Sasquatch [USA]
Triptonus [AUT]
Weedpecker [POL]
King Buffalo [USA]

The rest of the line up will be announced within the next two weeks!

www.lakeonfirefestival.com
facebook.com/LOF.festival

Lake on Fire 2016 impressions

Tags: , , , , , , , , , , , , , ,

Here’s a Bio I Wrote for Brant Bjork

Posted in Features on March 2nd, 2017 by JJ Koczan

At this point in what might be generously called my ‘career,’ I’ve written biographies for the likes of Neurosis, Electric Citizen, Kings Destroy, Gary Arce of Yawning Man, Alunah, Mondo Drag, Conan, Egypt, Lo-Pan, Wo Fat, Alexander von Wieding, and countless others when one considers things like festival announcements and press releases and other such and sundries I’ve put together. It’s extra work, but I enjoy it. For one thing, it’s nice to be thought of and asked. For another, it’s a chance to cross an editorial boundary and directly help an artist tell their own story, as opposed to trying to stand back and analyze it from as much distance as possible, as one might with a standard review. What does this person want to say about who and where they are creatively, and how can I bring that out in words?

I’ve posted numerous bios I’ve written here before, but it was a singular honor to be asked to compose a biography for Brant Bjork ahead of what looks to be a busy 2017 for him, between his Desert Generator fest (info here), recently-announced US tour (dates here), and the inevitable further activity that will surface as he continues to support last year’s excellent Tao of the Devil (review here) on Napalm Records. The chance to explore what might be desert rock’s most pivotal singular legacy — really, when you look at his raw discography, it’s staggering — was an opportunity to be relished, and having turned it over and gotten approval for a finished draft, I thought I’d share it with you.

A moment of self-indulgence on my part, probably, but I thank you as always for the allowance and for reading. If you have any thoughts on it, any and all comments are welcome.

It starts after the picture:

brant bjork

Brant Bjork Bio 2017

With Tao of the Devil, Brant Bjork reconfirms his position as the Godfather of Desert Groove. Across sprawling jams and classic rockers, the multi-instrumentalist frontman celebrates the other, the self and the Californian landscape he calls home, following 2014’s Black Power Flower – his first album for Napalm Records – with an even more resounding execution of memorable songcraft and inimitable, heavy vibe. In the company of The Low Desert Punk Band, he brings to bear the fruits of one of rock and roll’s most storied careers and, as he always does, pushes forward in ongoing, seemingly unstoppable growth.

Brant Bjork has spent over a quarter-century at the epicenter of Californian desert rock. From cutting his teeth alongside Fatso Jetson’s Mario Lalli in hardcore punkers De-Con to drumming and composing on Kyuss’ landmark early albums, to propelling the seminal fuzz of Fu Manchu from 1994-2001 while producing other bands, putting together offshoot projects like Ché, embarking on his solo career as a singer, guitarist and bandleader, founding his own record label and more, his history is a winding narrative of relentless, unflinching creativity.

For someone so outwardly laid back, he’s never really taken a break. And while Bjork has shown different sides of himself on albums like his funk-laden 1999 solo debut, Jalamanta, the mellow Local Angel (2004), 2007’s mostly-acoustic Tres Dias, and heavier rockers Somera Sól (2007), Gods & Goddesses (2010) and the two most recent outings with The Low Desert Punk Band, he’s maintained a natural representation of himself in his material, whether that’s coming across in the Thin Lizzy-isms of the faux-full-band 2002 release Brant Bjork and the Operators (actually just Bjork playing mostly by himself) or the weedy, in-the-jam-room spirit of “Dave’s War” from Tao of the Devil. When you’re listening to Brant Bjork, you know it, because there’s no one else who sounds quite like him.

That fact and years of hard touring have positioned Brant Bjork as an ambassador for the Southern California desert and the musical movement birthed there in the late ‘80s and early ‘90s. As underground interest has surged in recent years, Bjork has been a pivotal figurehead, realigning with his former Kyuss bandmate John Garcia to drum and write in Kyuss Lives!/Vista Chino, celebrating and building on that legacy while giving a new generation of fans the chance to see it happen in real-time.

Having told his story in films like Kate McCabe’s Sabbia (2006) and the documentaries Such Hawks Such Hounds (2008) and Lo Sound Desert (2015), he’s represented desert rock at home and abroad with no less honesty than that which he poured into the music helping to create it. The same impulse led to the founding of his Desert Generator in 2016, an annual festival held in Pioneertown, CA, with an international reach capturing the intimacy and timeless aura of the desert culture, including music, a van show in conjunction with Rolling Heavy magazine, the Stoned & Dusted pre-show in the wilderness, and an evolution that looks to continue into the foreseeable future.

Bjork’s work, with any project, has always had a rebellious sensibility. He’s always walked his own path. But more, his career through Kyuss, Fu Manchu, Ché, Vista Chino, and his crucial solo work has been about freedom through rock and roll, attained by the truest representation of the person and the place as art. This, along with a whole lot of groove, is what has helped Brant Bjork define desert rock as a worldwide phenomenon, and whatever comes next, it is what will continue to make him its most indispensable practitioner.

Brant Bjork on Thee Facebooks

Brant Bjork website

Desert Generator fest website

Napalm Records website

Tags: , , , , , , ,