Brant Bjork Trio Recording New Album

Posted in Whathaveyou on February 1st, 2024 by JJ Koczan

In the interest of framing a discussion, we’ll call it the debut album from Brant Bjork Trio being recorded this week by the three-piece in California. But really, it’s not the first record Brant Bjork and Mario Lalli have made together, and it’s not the first record that Brant Bjork and Ryan Güt have made together — it’s just the first time the three of them are together under this configuration. Güt, on tour with Bjork and Nick Oliveri as part of Stöner, I’m pretty sure drums on the upcoming Mario Lalli and the Rubber Snake Charmers release, and there was no shortage of crossover jamming on that tour between Stöner and Lalli‘s emergent project, spearheaded aside from his tenure with Yawning Man or Fatso Jetson.

So familiar-enough dudes, but with new songs. I guess they need to get it all done as soon as possible because in March it’s back on the road. First they’re in South America, then Australia, then Europe this Spring for three Desertfests and Sonic Whip in the Netherlands and more besides, including club shows with Ruff Majik (who also have new stuff in the works) and Monkey3 (who have a new record on Napalm out in March). A summer or September album release doesn’t seem unreasonable to anticipate, all the more since Brant Bjork Trio have already been confirmed for Rock im Wald (end of July) and Hoflärm in Germany and SonicBlast Fest in Portugal this August, which speaks of more European touring to be announced for later in the year.

Here are all the tour dates I could find. Note they were also at Planet Desert Rock Weekend in Las Vegas this past weekend. I assume the eventual LP will be on Heavy Psych Sounds, but you never know until you get the ‘X-person who’s signed to Heavy Psych Sounds signs to Heavy Psych Sounds’ news announcement. Always fun, those. Anyhoo:

Brant Bjork Trio

Heading into the studio this week to capture these tres hombres grooving a righteous batch of new tunes !

In March we head out to rock in South America and Australia ✌🏽🎵🙏 good times roll on ⚡️⚡️⚡️

https://linktr.ee/brantbjorktrio

Brant Bjork Trio
SOUTH AMERICAN TOUR 2024 !!
06/03 Casa de Salud Concepcion Chile
07/03 Metronomo Santiago Chile
08/03 Casa Aurea Sao Paulo Brazil
09/03 Uniclub Buenos Aires Argentina
10/03 Plaza Mateo Montevideo Argentina

Brant Bjork Trio w/ Full Tone Generator
Get DOWNunder !
28/03 – Barwon Club Geelong
29/03 – Frankston Singing Bird Studio
30/03 – Gasometer Hotel Melbourne
31/03 – Crown & Anchor Hotel Adelaide
03/04 – The Basement Canberra
04/04 – Dicey Rileys Wollongong
05/04 – Marrickville Bowlo Sydney
06/04 – Mos Desert Clubhouse Gold Coast
07/04 – Panthers Port Macquarie NSW

Sound of Liberation proudly presents:
BRANT BJORK TRIO – EURO 2024 TOUR
10.05.24 (NO) Oslo, Desertfest
11.05.24 (NL) Nijmegen, Sonic Whip
12.05.24 (DE) Cologne, Club Volta * w/ monkey3
14.05.24 (DE) Hamburg, Bahnhof Pauli
15.05.24 (DE) Bielefeld, Forum
16.05.24 (BE) Sint-Niklaas, De Casino * w/ monkey3
17.05.24 (UK) London, Desertfest
18.05.24 (FR) Wasquehal, The Black Lab
19.05.24 (FR) Nantes, Le Ferrailleur
20.05.24 (FR) Paris, Backstage By The Mill
22.05.24 (DE) Aschaffenburg, Colos-Saal * w/ Siena Root
23.05.24 (CH) Aarau, Kiff * w/ Ruff Majik
24.05.24 (DE) Munich, Feierwerk * w/ Ruff Majik
25.05.24 (DE) Erfurt, VEB Kultur * w/ Ruff Majik
25.05.24 (DE) Berlin, Desertfest
28.05.24 (NL) Amsterdam, Melkweg

Tickets: https://linktr.ee/brantbjorktrio

The Brant Bjork Trio:
Brant Bjork – guitar/vocals
Mario Lalli – bass 
Ryan Güt – drums

https://www.facebook.com/BrantBjorkOfficial
https://www.instagram.com/brant_bjork
http://www.brantbjork.com

Brant Bjork Trio, “Sunshine” live at Desertfest New York 2023

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Brant Bjork Trio Announce European Tour Dates

Posted in Whathaveyou on January 18th, 2024 by JJ Koczan

Previously confirmed for Desertfest Oslo, Desertfest London and Desertfest Berlin, the Brant Bjork Trio have now tied those slots together as part of a European tour set for Spring. This tour is coupled by stints set for South America in March and Australia later in March and early April.

That will just about bring the three-piece of Brant Bjork, Mario Lalli and Ryan Güt to here, which is the start of May at Desertfest Oslo and the launch of this tour. You’ll note that the run — which is put together by Sound of Liberation — is billed as ‘Pt. 1.’ It makes sense to think that ‘Pt. 2’ might happen in July or August, when they’re already confirmed for Hoflärm and SonicBlast Fest, which will either precede or not a slot at Ripplefest Texas, I can’t even remember. Gonna say, “probably?”

Before anything else, though, they’ll be at Planet Desert Rock Weekend in Las Vegas the weekend of Jan. 25, which is next week. I was hoping to make the trip, but well, hope don’t pay flights and a room for a couple nights and I don’t have a job, so yeah.

Note shows here with Ruff Majik and Monkey3. Both are slated to have new records out this year, maybe even in the first half of the year. And for what it’s worth, Siena Root are there too and they had a record in 2023, and Brant Bjork Trio have new songs as well. These kinds of things can make a run like this all the more special.

Go go go:

Brant Bjork Trio euro tour

Sound of Liberation proudly presents:
BRANT BJORK TRIO – EURO 2024 TOUR

10.05.24 (NO) Oslo, Desertfest
11.05.24 (NL) Nijmegen, Sonic Whip
12.05.24 (DE) Cologne, Club Volta * w/ monkey3
14.05.24 (DE) Hamburg, Bahnhof Pauli
15.05.24 (DE) Bielefeld, Forum
16.05.24 (BE) Sint-Niklaas, De Casino * w/ monkey3
17.05.24 (UK) London, Desertfest
18.05.24 (FR) Wasquehal, The Black Lab
19.05.24 (FR) Nantes, Le Ferrailleur
20.05.24 (FR) Paris, Backstage By The Mill
22.05.24 (DE) Aschaffenburg, Colos-Saal * w/ Siena Root
23.05.24 (CH) Aarau, Kiff * w/ Ruff Majik
24.05.24 (DE) Munich, Feierwerk * w/ Ruff Majik
25.05.24 (DE) Erfurt, VEB Kultur * w/ Ruff Majik
25.05.24 (DE) Berlin, Desertfest
28.05.24 (NL) Amsterdam, Melkweg

Tickets: https://linktr.ee/brantbjorktrio

The Brant Bjork Trio:
Brant Bjork – guitar/vocals
Mario Lalli – bass 
Ryan Güt – drums

https://www.facebook.com/BrantBjorkOfficial
https://www.instagram.com/brant_bjork
http://www.brantbjork.com

Brant Bjork Trio, “Let the Truth Be Known” live in North Hollywood, Sept. 8, 2023

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Brant Bjork Trio Announce Australian Tour

Posted in Whathaveyou on December 19th, 2023 by JJ Koczan

brant bjork trio

Anybody notice Brant Bjork hitting the road pretty hard these last couple years? Since I guess later 2021/2022, if it hasn’t been solo, it’s been the trio Stöner, and of late he’s been keeping company with that band’s drummer Ryan Güt and longtime collaborator and bassist Mario Lalli, also of Fatso JetsonYawning Man, more recently the jammy The Rubber Snake Charmers, and like Bjork (Kyuss, Fu Manchu, etc.), is a founding principal of Californian desert rock. I was fortunate enough to see this band, the Brant Bjork Trio, at Desertfest New York (review here), and their chemistry, presence, groove all live up to reputation. Playing tunes from Bjork‘s solo catalog and even apparently composing new material perhaps with an eye toward an LP, they’ve obviously been hither and yon in the US already, and in 2024 they’ll look to expand on that in busy fashion.

After Planet Desert Rock Weekend in January — which I want to go to; anyone got a flight and hotel room I could borrow? — the three-piece head to South America in March for a run of shows in Chile, Brazil, Argentina and Uruguay. That’s not an insignificant amount of travel. Later the same month, they’ll one-up themselves by undertaking the journey to Australia for shows there with support from Full Tone Generator, with whom Bjork has both played and produced previously. That stint ends early in April, and is the newest announcement, hence the headline above. Still to come, however, are the full dates for the European tour that will go at least three full weeks as it’s already confirmed to take Brant Bjork Trio from Desertfest Oslo (May 10-11) through Desertfest London (May 17-19) to Desertfest Berlin (May 24-26).

I seriously doubt that will be the end of their year, either, especially if they might be eyeing a Fall LP release with so much touring before. Or maybe they’ll hit the studio this Winter and put out a record in Spring. Or maybe a fucking asteroid will smash into the planet and none of these shows will happen, for all I know, but the point here is that despite having absolutely nothing, zero, nulla, to prove to anyone, they’re out doing so anyway. If you be there to see them on stage — they seem to be making it easier by going everywhere — I can only recommend doing so as something you will not regret.

Dates follow, as per social media:

Brant Bjork Trio aus tour

One of my favorite places to play !

Stoked to announce the Brant Bjork Trio is coming over to Australia, we will be playing with our buddy’s Full Tone Generator on all the dates !

Brant Bjork Trio featuring Ryan Güt & Mario Lalli.

Tix and info :
https://linktr.ee/brantbjorktrio

BRANT BJORK TRIO

US DATES
Dec 21st Venice West
Planet Desert Rock Weekend IV – January 25-26-27, 2024, Las Vegas

SOUTH AMERICAN TOUR
Concepcion Chile 3/6/2024
Santiago Chile 3/7/2024
São Paulo Brazil 3/8/2024
March 9th Uniclub Buenos Aries Argentina
MAR 10 SUN Montevideo, Uruguay Plaza Mateo

AUSTRALIAN TOUR
28/03 – Barwon Club Geelong (VIC) AUS
29/03 – Singing Bird Studio Frankston AUS
30/03 – Gasometer Hotel Melbourne (VIC) AUS
31/03 – Crown & Anchor Hotel Adelaide (SA) AUS
03/04 – The Basement Canberra (ACT) AUS
04/04 – Dicey Rileys Wollongong (NSW) AUS
05/04 – Marrickville Bowlo Sydney (NSW) AUS
06/04 – Mos Clubhouse Gold coast (QLD) AUS

EUROPE 2024
Desertfest Oslo: 10th – 11th May 2024
Desertfest – Berlin
Desertfest London

The Brant Bjork Trio:
Brant Bjork – guitar/vocals
Mario Lalli – bass 
Ryan Güt – drums

https://www.facebook.com/BrantBjorkOfficial
https://www.instagram.com/brant_bjork
http://www.brantbjork.com

Brant Bjork Trio, “Let the Truth Be Known” live in North Hollywood, Sept. 8, 2023

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Notes From Desertfest New York Night Two, 09.16.23

Posted in Features, Reviews on September 17th, 2023 by JJ Koczan

Ecstatic Vision (Photo by JJ Koczan)

09.16.23 – Saturday – Knockdown Center – Before show

First thing, got kicked out of the parking lot. “Who are you with?” Alone in the car, clearly I’m by myself. Whatever. That’s New York. “You can’t be here.” Is it okay if I exist anywhere else?

Yesterday was great, front to back. Knockdown Center has apparently gotten a new sound system since last year and I’ll confirm with my ringing ears that it is fully functional. But even aside from that, saw cool people I don’t often get to see, met some I’d never met, dared to enjoy myself amid the back and forth.

Got to bed at about 2AM, was up a bit after seven. Charged the camera batteries, phone, etc. Traffic was light on the way in, which felt like a gift, and I did find parking on the street nearby, so yeah.

What does the day hold? An intimidating amount of music. Today opens the third stage — called ‘The Ruins’ though actually it looks pretty nice — outside in back where the food trucks were last year. Brant Bjork Trio out there will be cool, as well as Clouds Taste Satanic and Mick’s Jaguar early. And both inside stages are packed, so it’s right back to it. It is my sincere hope that adrenaline will carry me through. Guess we’ll find out.

Conan loading in. Clouds Taste Satanic checking on the outside stage, where by the grace of Geezer Butler’s bass tone on Master of Reality there is a photo pit. Thank you Desertfest for that specifically. Maybe I’ll just hang out outside all afternoon. Crazy ideas you get.

Here’s the day:

Clouds Taste Satanic

Clouds Taste Satanic (Photo by JJ Koczan)

Did not turn out to be a photo pit, just a barricade — Geezer’s bass giveth and taketh away; it’s okay though because Tomoko went in and I’m going to do the same next time — but though I went up and laid out on a picnic table before New York’s own instrumentalists Clouds Taste Satanic went on, here supporting this year’s Majestic Mountain-issued 2LP, Tales of Demonic Possession (discussed here) as they are after a first European stint this Spring, they bore the naked riffing and groove that tells you how little you need anything else when you do it right. I grabbed some photos and put myself in a shady spot. It’s a long day ahead, and especially as I’m outside in the sun, gotta hydrate. Clouds Taste Satanic, with their LSD name and raw sound, were a wakeup for me — almost literally — but there’s no arguing with their approach, they drew a good early crowd and more came as they played, and a broken kick pedal only cost about a minute before they were back at it. I’d never seen them though and I’m glad to have rectified that. Imagine sans-vocal toe-tappers, but like 15 minutes long.

Mick’s Jaguar

Mick's Jaguar (Photo by JJ Koczan)

A check-in with New York-based attitude rockers Mick’s Jaguar is appreciated after the late-2022 release of their Salvation (review here) album, and their catchy, ultra-NYC take on heavy revels in a lineage that goes back actual generations, not just musical ones that are like four years or whatever. They’re the middle installment in a NYC triad opening the ourdoor stage, and their party vibe and brash swing and crash were suited to that spot, with some flow held over from Clouds Taste Satanic, but brought to a different context. There’s a narrative there, Clouds Taste Satanic into Mick’s Jaguar into White Hills, Desertfest celebrating the local sphere and its aural diversity. Other than to fill my water bottle — 16 oz. per band; I am a firm believer in radical hydration — I haven’t been inside yet, and I suppose that’s not really saying anything since there haven’t been any bands on in there yet, but the sunshine, gently autumnal breeze and buzz in the crowd were suitable accommodation for an energetic take and people were into it. I’ll say it was different being outside as opposed to when I saw them at Desertfest NY 2019 (review here), when they played the small room at The Well, which has only become smaller in my mind in the years since. Almost the opposite, really, but the fact that they owned both spaces is a unifying factor.

Mantar

Mantar (Photo by JJ Koczan)

I didn’t go in the photo pit, because jesus there’s gotta be a break somewhere and I could not envision a scenario in which somebody said to themselves “oh man he didn’t shoot Mantar — fucking poseur,” and I was all set to remain on the picnic bench where I’d been writing and hanging out, but the ultra-aggressive German two-piece drew me inside for a bit. Nasty, gnashing, pummeling and biting as they are, Mantar still groove. If that’s the crossover appeal that lets them play a fest like this, fair enough. They’ll always be an outlier, but you need that for something like this. Yesterday I called Windhand the sore thumb, and they were. That’s Mantar today, if less so with the always devastating Conan on the bill. Godflesh are mean, but it’s not the same intensity. Even punk as they are, Mantar cross that line between heavy and metal, and when you’re on one side there, it’s easy to recognize the other. They’re not really my thing most of the time, but I like that they wreck up the place, sonically speaking.

White Hills

White Hills 1 (Photo by JJ Koczan)

White Hills are weirder than you, weirder than me, weirder than the fact that an electron doesn’t technically exist until something is used to measure it. The list goes on. But the stalwart NYC outfit — third of three in the noted triumvirate — seem perfectly content to inhabit their own spacial plane. Comprised of drummer/vocalist Ego Sensation and guitarist/vocalist Dave W., their persistently exploratory psychedelia — here droning, there rolling, somehow freaking out ALL THE TIME like they’re me with any kind of social obligation — is wholly immersive. Even in the great out-of-doors. Their sound bounced off the concrete wall up by where the trains go (I don’t think it’s an actual station, but could be wrong; it’d be an odd spot for one but these are odd times) and seemed to come from behind as well as in front while standing near the stage, and the effect was hypnotic. A roll you can just go with, a drift set adrift, jams for the universe. Spirals of water down a drain casting hurricane echoes and a scale at which even galaxies rotate. The sun’s out. Everything is great. Let’s be friends in real life.

Conan

Conan 1 (Photo by JJ Koczan)

I went outside for a bit during Conan’s set to let some air back in my lungs after they had squeezed it all out. They’re was about three entire seconds of my earplugs not being in, and I suspect that’ll be enough for me to hear their low distortion in my head when I try to go to sleep tonight. Fine. I don’t know how many superlatives are left to say it — also don’t care — but there’s no mistaking Conan as one of the heaviest bands on the planet. When I was done with pictures, I stood over by the sound desk for optimal fidelity. All hail “Volt Thrower.” Jon Davis, Chris Fielding, Johnny King — guitar, bass, drums — and if you put it on paper it’s nothing so special, but when these dudes hit it, you know damn well to whom you are listening. And if you do go see them, which you should, wear earplugs. The whole time. Sad to say, however, my foamies aren’t holding up to Conan’s volume assault — “Thronehammer” laying waste, as it will — which is probably to be expected. But against all common sense and every piece of advice one might receive from a medical professional, I stayed there and let that volume and tone just kill me. And sure enough, I was obliterated. 9 got another bottle of water though and felt better after that.

Dorthia Cottrell

You could hear Mondo Generator playing outside before Dorthia Cottrell — vocalist for Windhand, who played last night — started her set, playing as a three-piece with guitar and violin accompaniment. As to the metric by which I ended up inside instead of out, the math is easy. Last time I saw Mondo Generator was a month ago. saw Cottrell play solo was 2015, and Also last June. Both have new records. From hers, which is called Death Folk Country (review here), Cottrell eased quickly into the sad blues and dark folk — you might say she’s influenced by, death, folk, and country — with the breathy melody of her voice bolstered by the textures of the additional guitar (it was Leanne Martz, formerly of Heavy Temple) and fiddle. To their credit, once they started, I didn’t even know anymore whether you could still hear the noise from outside. Got lost in the mood and the ambience and and somehow it no longer mattered.

Godflesh

Godflesh 1 (Photo by JJ Koczan)

The Main Stage heft streak continues, and it turns out that what I’ve needed all day was to be churned into so much human goo by industrial metal pioneers and still-ahead-of-their-time crushbringers Godflesh. They have a new record out, Purge. I didn’t see it on the merch table earlier, but will check again to be sure. They played at least initially mostly in the dark and fog, and fair enough, but the onslaught of their beats and distortion, of guitarist Justin K. Broadrick’s gruff, barking shout and the filthy tone of G.C. Green’s bass, was consuming regardless of how visible they might or might not have been. I’ve been destroyed. Bludgeoned. Godflesh were a culmination of the progression on the main stage today that drew through Mantar and Conan; another triad. A decidedly angrier one, and if you want to hear what it feels like when your brain is running a thousand miles an hour and you don’t want it to and your entire body feels overwhelmed to the point of physical collapse — if you want to hear something that will remind you of being an insecure kid — Godflesh are here for it. I’d heard a bunch of good things about them on their current tour — mostly from Boston — and I was not misinformed. Now, about that album. Not on the table. Oh, if only someone would invent the internet so I can buy a Godflesh CD. Oh wait, sold out online too. You’ve betrayed me, circumstance! JK Flesh, one of Broadrick’s many other projects, plays NYC tomorrow. Good for him, making the most of the trip. Also, Godflesh rule. Thanks.

The Brant Bjork Trio

The Brant Bjork Trio (Photo by JJ Koczan)

Brant Bjork, Mario Lalli and Ryan Güt are The Brant Bjork Trio, and they played songs from Bjork’s solo catalog. I don’t have any insight into the narrative of how they got together this time around, but I know that Bjork and Lalli have known each other for decades and worked together periodically over that time. Lalli played on Bjork’s 1999 solo debut, Jalamanta, so that’s about all the way back at least as far as this thing goes. And Mario Lalli and The Rubber Snake Charmers supported Bjork’s Stõner three-piece last year. On and on. Güt is a part of Stöner as well with Nick Oliveri on bass/vocals, and I kind of assumed that when Nick was ready to go back to Mondo Generator, keeping a trio configuration made sense. And crap, if there’s a chance to go on tour in a band with Lalli on bass, of course you’re gonna do that. Together, Bjork and Lalli are sculptors of desert rock, Lalli having actively participated in the forming of the style in Yawning Man and brought weird to the desert in Fatso Jetson, Bjork having played drums and contributed to the songwriting of Kyuss before joining Fu Manchu and embarking on the solo thing in various formats over the last 24 years, the latter I’d argue as his most crucial work. I could go on about this — blah blah generator parties; the horrible truth is I think the timeline is fun — but what I’m trying to say is these guys are real deal lifers, and in addition to having influenced two-plus generations of bands in a global underground that exists in part because of them, they also rock. “Cleaning Out the Ashtray” was a nice touch, and “Let the Truth Be Known.” There was a longer-maybe new song with a classic, sleek groove called “Sunshine” that broke after a couple verses into an even more languid flow, and if there’s new material, maybe this band will put out an LP. That’d be just ducky, thanks. Maybe I’d even get to tell the same story about how these guys are legends all over again! Perhaps with slight variations in the phrasing! Sweet!

Boris

Volume and thrust, lumber and noise. Shove. GO. Boris make it all exciting, and are somehow frenetic in their energy no matter what they’re actually playing. They drew the biggest crowd of the festival. Significant, statistically. Brant Bjork Trio finished and Djunah — of whom I saw a few minutes; knew nothing about them beforehand, turned out they were cool; a note-to-self moment — and I guess everybody who was at another stage congregated in front of Boris only to be blown back by a bulldozer of volume. Whoosh. It’s been a few years, but Boris were Boris, and that’s maybe the highest compliment they might be paid, since it actually means so many things, nearly all of them awesome. Wata, Atsuo and Takeshi took the whole building on a ride through a vortex of shred, the set becoming an assault of noise and fog with the band in the eye of their own storm, and while I could go on mixing metaphors and trying to craft suitable hyperbole for what they do on stage, the truth is that I’m really, really fucking tired and that I don’t need to hide that. Doesn’t mean I didn’t appreciate Boris, doesn’t mean I don’t think they’re an incredible band with decades of influence and legacy who also absolutely slay live. The not-even-the-end-of-the-day fatigue might’ve put Boris closer to the line between immersion and abrasion for my own experience, but hell’s bells, they’re dizzying when they want to be.

Ecstatic Vision

Ecstatic Vision (Photo by JJ Koczan)

Because I’ve seen the band before, I showed up 25 minutes early to Ecstatic Vision on the Texas stage. Does it make sense to leave a band from Japan’s set to go see a band from Philadelphia when you’re in New York? It does if that band is Ecstatic Vision. Psychrippers extraordinaire. Bombast in excelsis. Willfully sliding into most of humanity’s definition of obnoxious, but hitting this crowd just right. I wasn’t the only one there early, nor first in the room. A reputation, preceding. I knew I was going to miss the Melvins — I saw them in June and as I said then, I’m not a huge fan, though they were and are good live — and somehow having Ecstatic Vision in the small room as my capper seemed just right. It goes without saying they destroyed. The sax, the guitar, bass and drums, the effects wash, the intense push inherited from Hawkwind and Monster Magnet both, cosmic heavy rock turned into a party unparalleled by anyone I’ve encountered in current US psych. They were the blowout, and as excellent as the Melvins are live (and yes I know they’ve got Coady Willis drumming in place of Dale Crover; the point stands), I knew that was how I wanted to cap my Desertfest New York 2023. Three days of heavy stuffed into a cannon and launched into the sun, and everyone in the room with it. I’d take a new record from them for sure, but I do also feel like they shouldn’t even stop playing live long enough to make one. These guys are providing a valuable service guiding all involved parties on a direct line into the supermassive black hole at the center of the galaxy.

I made it home from Brooklyn in under an hour. It was beautiful. Unheard of. “Magic,” as Ronnie James Dio might say. Falling asleep at the keyboard now.

That’s it for me. Thanks to Desertfest New York for coming back, to Sarika, Reece and Matte and all behind the making of the thing. Friends old and new — in the photo pit: Falk-Hagen Bernshausen (so glad you made it over), Tim Bugbee (you’re the best), Dante Torrieri (that Star Trek nerd-out turned my whole day around), Dylan Gonzalez (smartest guy in the room, also sweetest), Tomoko (thanks for the fruit offer, by the way you’re a genius), Charles (rarely do I find somebody who so much speaks the same language of sarcasm) — and everyone who came to say hi or something nice about the site. Thanks to The Patient Mrs. for the time. Thank you for reading.

More pics after the jump.

Read more »

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The Brant Bjork Trio Announces US Tour; Playing Desertfest NYC, Ripplefest Texas and More

Posted in Whathaveyou on August 21st, 2023 by JJ Koczan

The first The Brant Bjork Trio live dates were announced when the band’s existence was revealed this past Spring, the new-ish project branching off from guitarist/vocalist Brant Bjork and drummer Ryan Güt‘s run with Stöner — which, in turn, was branched off their work together in Bjork‘s touring solo band — with desert mainstay Mario Lalli, also of Fatso Jetson and Yawning Man, on bass. Lalli‘s bonus-extra jammy Mario Lalli and the Rubber Snake Charmers outfit toured alongside Stöner last year, and of course none of these guys are strangers to each other.

Lalli shines playing bass in a three-piece, as Yawning Man‘s legacy in desert rock can attest, and Bjork and Güt are an established commodity when it comes to heavy rolling mellow groove. You can see the trio in action from the recent Burque Rock City Fest in New Mexico. In addition to Desertfest New York next month, they’ll be at Ripplefest Texas, then meet up with Hippie Death Cult on the way to the Kyuss World reunion in Palm Desert, which I’d imagine will be a trip of a thing. This is how it starts. Kyusscon.

Dates follow here, as posted on socials:

brant-bjork-trio-poster

Go Van Go !
So stoked to be out rocking around the states!!

Sat Aug 26, Cultivate Fest, Chicago Il
Thur Sept 7th – the Wayfarer, Costa Mesa Ca
Fri Sept 8th – Knitting Factory, North Hollywood Ca
Sat Sept 9th – Benders Bar, San Francisco Ca
Sun Sept 10th – Catalyst Bar , Atrium Santa Cruz Ca
Tue Sept 12th – El Corazon, Seattle Wa
Wed Sept 13th – Mississippi Studios, Portland or
Thu Sept 14th – the Big Dipper, Spokane Wa
Sat Sept 16th – Knockdown Center, Desertfest Ny, Queens Ny
Tue Sept 19th, Larimer Lounge, Denver Co
Fri Sept 22nd – Ripplefest Tx, Farout Lounge and Stage, Austin Tx
Sun Sept 24th – Three Links Deep Ellum, Dallas Tx
Tue Sept 26th – Sister Bar, Albuquerque Nm with Hippie Death Cult
Wed Sept 27th – Yucca Tap Room, Tempe Az with Hippie Death Cult
Thur Sept 28th – the Usual Place, Las Vegas Nv with Hippie Death Cult
Fri Sept 29th – the Hood Bar, Palm Desert Ca. Kyuss World Party
Sat Sept 30th – Casbah, San Diego Ca

The Brant Bjork Trio:
Brant Bjork – guitar/vocals
Mario Lalli – bass 
Ryan Güt – drums

https://www.facebook.com/BrantBjorkOfficial
https://www.instagram.com/brant_bjork
http://www.brantbjork.com

The Brant Bjork Trio, “Automatic Fantastic” live at Burque Rock City Fest, Aug. 4, 2023

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Brant Bjork and the Bros. & Ché Albums to Be Reissued

Posted in Whathaveyou on June 22nd, 2023 by JJ Koczan

I love the story of Mathias Schneeberger telling Brant Bjork to re-record Ché‘s Sounds of Liberation (discussed here) because, “the music is great but the recording is shit.” Saying that kind of thing to somebody can end a friendship, and the level of trust that it won’t is hard to come by, whether we’re talking artist egos or pretty much anybody’s anything. You could say to someone their cooking tastes like crap go back and make it again and lose a spouse. I don’t know if that’s the verbatim quote, but even paraphrased that’s a hell of an impression to make.

Some historical reorganizing here. I remember seeing Brant Bjork and the Bros. touring to support Saved by Magic, and I dug that 2CD outing a lot but would definitely be interested to hear it divided between its two component sessions, one solo, one with the full band, split up as sans and avec-Bros. offerings billed as Saved by Magic Again. The coming of that and a reissue for Ché are part of an ongoing series of catalog reissues from Bjork through Heavy Psych Sounds. I don’t know how much is left, but the good thing about there being a bunch of Brant Bjork records is you can probably circle back to do a new edition of Jalamanta by the time you finish with the rest.

You like records, right? Here’s some records:

brant bjork che reissues

Heavy Psych Sounds to announce BRANT BJORK – Saved By Magic + BRANT BJORK & THE BROS – Saved By Magic + CHE – Sounds of Liberation – presale starts TODAY !!!

Today we are stoked to start the presale of 3 REMASTERED ALBUMS !!!

BRANT BJORK – Saved By Magic Again

BRANT BJORK & THE BROS – Saved By Magic Again

CHE – Sounds Of Liberation

RELEASE DATE: SEPTEMBER 22nd

ALBUMs PRESALE: https://www.heavypsychsounds.com/

USA PRESALE: https://www.heavypsychsounds.com/shop-usa.htm

HPS278 *** BRANT BJORK – Saved By Magic Again ***

– REMASTERED REISSUE of Brant Bjork’s legendary album in brand new coloured vinyls and artwork –

RELEASED IN
15 ULTRA LTD TEST PRESS VINYL
200 ULTRA LTD SIDE A – SIDE B GREEN/YELLOW/PURPLE VINYL
600 LTD ORANGE SOLID VINYL
BLACK VINYL
DIGIPAK
DIGITAL

TRACKLIST
Magic Vs. Technology
Get Into It
Kiss Away
Sweet Maria’s Dreams
Sunshine Of Your Love
Freak Levels
Let The Truth Be Known
Avenida De La Revolución
Arcade Eyes
2000 Man

New album cover by Maarten Donders.

Remastered by John McBain !!

______________________________________

HPS279 *** BRANT BJORK & THE BROS – Saved By Magic Again ***

– REMASTERED REISSUE of Brant Bjork’s & The Bros legendary album in brand new coloured vinyls and artwork –

RELEASED IN
15 ULTRA LTD TEST PRESS VINYL
200 ULTRA LTD TRANSP. BACK. COLOR IN COLOR RED/SPLATTER BLUE VINYL
600 LTD GOLD NUGGET VINYL
BLACK VINYL
DIGIPAK
DIGITAL

TRACKLIST
’73
Lil’ Bro
Dr. Aura
Inside Of You
Paradise On Earth
Gonna Make The Pony Trot
The Messengers
Dylan’s Fantasy
Moda
Cool Abdul

ALBUM DESCRIPTION

“I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005.

Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” Brant Bjork

New album cover by Maarten Donders.

Remastered by John McBain !!

___________________________________

HPS261 *** CHE – Sounds Of Liberation ***

– REMASTERED REISSUE of the legendary super-band debut album in brand new coloured vinyls and artwork –

RELEASED IN
15 ULTRA LTD TEST PRESS VINYL
100 ULTRA LTD TRANSPARENT SPLATTER RED/BLACK/WHITE VINYL
400 LTD HALF HALF WHITE/RED VINYL
BLACK VINYL
DIGIPAK
DIGITAL

TRACKLIST
Hydraulicks 04:23
The Knife 03:39
Pray For Rock 05:16
Sounds Of Liberation 06:11
Adelante 05:13
Blue Demon 06:13
The Day The Pirate Retired 04:39

ALBUM DESCRIPTION

“It was late 1999. I was living in Palm Desert with Dave Dinsmore. Dave had just left Unida and Alfredo Hernandez was in town and had just left Queens of the Stone Age. I had a rare bit of downtime from touring with Fu Manchu. The three of us started jamming at the house. I had just got over a bad relationship and songs were pouring out of me. Frank Kozik heard about us jamming and called me up and said he wanted to put out whatever we come up with. Within two weeks we were already recording on an 8 track reel to reel. I took the recording to brother Schneebie to mix in LA. He said the music is great but the recording is shit. He asked to re-record it. I asked when? He said now. We re recorded right there on the spot and finished everything in 2 days. We decided on the name CHE and called the record Sounds of Liberation. ” – Brant Bjork

Artwork made by Maarten Donders.

https://www.facebook.com/BrantBjorkOfficial
https://www.instagram.com/brant_bjork
http://www.brantbjork.com

https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com
https://heavypsychsoundsrecords.bandcamp.com

Brant Bjork & the Bros., Saved by Magic (2005)

Ché, Sounds of Liberation (2000)

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Burque Rock City Fest Lineup Finalized; Dead Meadow, Greenbeard & More Added

Posted in Whathaveyou on May 31st, 2023 by JJ Koczan

Party in the desert, right? Certainly looks that way as the inaugural and maybe-one-time-only Burque Rock City Fest adds Dead Meadow, Greenbeard, Abrams, SuperGiant, Violet Rising and THC Worm to complete its lineup. SuperGiant are local to Albuquerque — which is the ‘Burque’ in ‘Burque City,’ where the fest is happening — this Aug. 4-5, and the first three names are familiar, but I admit I can’t find any info on Violet Rising and as this is my first time hearing/hearing of THC Worm, I’ve included the Bandcamp stream of their Dec. 2022 debut, Dead Horse Incubator, in case you’d also like to be introduced. As one might expect, it’s pretty over the top.

In the end — and I’ll note that there’s still two months to go before the festival actually takes place, so ‘end’ is relative — the lineup here is pretty solid for a lower-key take on what the same crew normally puts together for Monolith on the Mesa. A representative showing set in a different context. If this is a pivot to building something new, they certainly have the contacts, infrastructure and reach to do so, but if it’s a placeholder until 2024, it’s a badass one just the same. If you headed out, I think you probably know what’s coming, and if not, please see the first sentence above.

From the PR wire:

BURQUE ROCK CIY FEST Final poster

BURQUE ROCK CITY ANNOUNCE FINAL LINEUP!

Burque Rock City Is Happy To Announce The Full Lineup Of Bands For August 4th & 5th Downtown ABQ At The Historic El Rey Theater & Insideout Bar

Burque Rock City Would Love to Welcome: Dead Meadow * Greenbeard * Abrams * Supergiant * Violet Rising * THC Worm

Completing the Amazing Lineup with Previously Announced Bands:

Weedeater * Pike Vs The Automaton * Belzebong * Early Moods * High Desert Queen * Thunder Horse * Sorcia * Prism Bitch * Coma Revovery * Brant Bjork * Yawning Balch * Year of the Cobra * Fatso Jetson * Electric Citizen * Tenderizor * Street Tombs * Red Mesa * Ojo Malo * Nomestomper

Get Your Early Bird Tickets NOW while you can!

Early Bird Day Pass-$100: https://holdmyticket.com/event/412535

Early Bird 2 Day Pass-$200: https://holdmyticket.com/event/412537

Roman Barham, co-founder of Monolith on the Mesa, has been quietly working on Burque Rock City Fest.

Barham says:

“Monolith On The Mesa crew would love to thank everyone who helped make Monolith 2022 an awesome fest. Huge thanks from The Taos Mesa Brewery crew, the Hotel Luna Mystica crew and to all the very respectful patrons that came out and made Monolith On The Mesa 2022 an amazing tribute to our fallen brother Dano Sanchez (deceased Monolith co-founder).

We have decided to take a year off from Monolith and bring it back in 2024 to Taos Mesa Brewery.

Branching south from the Monolith On The Mesa tree is Burque Rock City Fest in Albuquerque, NM At The Historic El Rey Theater & Insideout Bar On Friday August 4th & Saturday August 5th 2023.

monolithonthemesa.com
instagram.com/monolithonthemesa
facebook.com/monolithonthemesa
twitter.com/onmonolith

THC Worm, Dead Horse Incubator (2022)

Dead Meadow, Live at Heavy Psych Sounds Fest 2022, San Francisco, CA

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Former Man’s Ruin Artists Pay Tribute to Frank Kozik

Posted in Features on May 15th, 2023 by JJ Koczan

Some of the best heavy rock records of all time were released through Man’s Ruin Records. We’re talking about pivotal, genre-defining releases that continue to resonate some 20-plus years later, which in rock and roll time is an eternity. Some bands are still active and contributing, and some have left it behind, but in light of the sudden passing last week of artist and label-founder Frank Kozik, it felt right to take a look at that portion of his life he spent fostering bands and some of the impact that music has had on, at this point, two subsequent generations of heavy.

I’ve told this story before, but maybe in 2004, I was at SXSW in Austin, Texas, meandering off 6th St. in order to find a show happening in a record store. Went under the highway bridge and all that to get to Snake Eyes Vinyl. I don’t think it’s there anymore, but at the time they were hosting bands as part of the whole SXSW thing. They moved bins and so on to make room for amps, or had artists play outside; I sat on a hill and saw Kylesa on the back of a trailer on a sunny afternoon; Drunk Horse and Saviours shared the ‘stage’ inside, etc.

The narrative in my head is that I was waiting for either Drunk Horse or Saviours — I honestly don’t remember — to go on, did some shopping in the interim, and stumbled on a motherlode of Man’s Ruin CDs. Some I had, many I didn’t, but with the label defunct two years prior, the stuff was already becoming rare and, on eBay, not cheap. I grabbed a stack that was no fewer than 10 discs — including Drunk Horse — and made my way to the counter to pay, only to find out that they belonged to Becca, the woman who ran the store. She was visibly sad to be parting with them.

I said that it was okay, I would give them a good home and take care of them. And I did. I still have them the better part of two decades later. It tells you the kind of connections that listeners made to the music that Kozik put out that, even when she had decided to sell them in her shop, it was hard to let go of those albums. Kozik’s work with Man’s Ruin was special, and the heavy underground has worked on a label-as-hub model since, whether it’s imprints like Small Stone, Ripple Music, Heavy Psych Sounds, and so on. Not only is Kozik’s output through Man’s Ruin still relevant aurally and visually, but it continues to shape the structure of heavy rock’s promotional and distribution apparatus. One does not generally think of a small business as influential.

Yet here we are. Some of the below was hoisted from social media, and some folks I hit up direct or through PR, but through it all, the spirit of thankfulness is palpable, and I’ll add my thanks to that, because there’s no way I’d be sitting here writing this sentence right now if not for Frank Kozik and Man’s Ruin Records. Heavy music owes him a debt it can never repay.

Thanks to all who took part in this, and thanks as always for reading.

man's ruin records cat logo

Lori S. from Acid King:

Wow (#128558#)(#128546#). Um…. Don’t know what to say . Man’s Ruin and Frank were a huge part of my life and always will be . Thank you for releasing our records creating a scene that didn’t exist and for the endless amount of cool artwork that will be on planet earth way longer than all of us R.I.P.

Sometime like, 94-96 I went to visit my friend, Tim Moss in San Francisco. While running around we stopped at Man’s Ruin where he introduced me to Frank Kozik and Frank being the nice guy that he is, let me grab a bunch of posters. I was freaking out. His label opened my ears to so many bands who later would become family. His art has always been a part of my life. Below is one of the prints he let me take and it was the very first piece of art we hung at Jackalope. Oh shit and then that amazing Man’s Ruin fest at the Troubadour w/ Scott Carlson, Lori Joseph, Rich Hay, Scott Reeder and lord can only remember who else (#128514#). Thanks for everything, Frank. Rest easy.

Fatso Jetson:

Our music and art scene has lost a true godfather, Frank Kozik believed in the unique music from our desert and was responsible for some of the most influential recordings, all were released on his Man’s Ruin label. From Kyuss to Queens of the Stone Age, Brant Bjork, the Jack Saints, Desert Sessions….the list goes on and on. We are so grateful and honored to be part of his history. Thank you Frank …Fatso sends love to you and your family brother. God Speed.

Brant Bjork (Kyuss, Ché, Fu Manchu, solo):

I was having dinner with Frank Kozik one night in SF and he asked me if it was true that I was going to record a solo record. I said yes. He said he wanted to put it out. The result was Jalamanta. That was in 1999 and it was my first solo release. I had no idea then I’d still be releasing solo records 24 years later. Thank you Frank for believing in me and all the other artists and bands you believed in. It takes one to know one. Frank was, still is and will always be… a true artist. ❤️BB

Eddie Glass of Nebula:

Frank was such a cool dude and played a legendary part in the scene when it was coming up. It was so cool being on his label because he would design the covers and the Sun Creature EP came out perfectly. He will be dearly missed.

Amanda Topaz from Begotten:

Frank Kozik was a friend at a time in my life when it was really hard to be my friend. His unexpected death makes me incredibly sad an my thoughts are with his wife Sharon. Although I Haven’t seen him in twenty years I am so grateful for his generosity. I don’t think cats now realize the extent of what he gave us because now the Spotify AI Algorithm picks out what you listen to every day, AI makes your music videos for you, for all I know AI is generating your riffs for you too. But back then in New York, finishing up music school where I was lucky enough to have one of Coltrane’s bass players as a teacher – and he would tell us – We can teach you how to play the music but you have to understand that it’s the soul of our generation – we created it in the streets and in the clubs -. Imagine then as a lost child hearing THE MELVINS for the first time – this sound from the Bay Area all the way across the country – for the first time at 1 in the morning from some cd bought in an underground record shop in a back alley with a group of friends. Or the desert sessions. Or Acid King / Kyuss / Nebula/ High on Fire. It was life-changing. This was the sound of OUR generation. Kozik handed it to us on a Man’s Ruin platter. Didn’t make a dime off it – he supported the company with poster and art sales as far as I know. And he was nice enough to give our big ugly maroon 89 Chevy van the name, “La Guappa”.

Lou Gorra of Solarized (also Halfway to Gone):

Frank was a brilliant artist. We all know that. I was so incredibly humbled when one of my favorite artists of all time signed my dopey little band to one of the coolest labels of the twentieth century. My time making records for Man’s Ruin was short lived, but the memories I made during that time will remain with me for the rest of life. I’m so incredibly sad that there will be no more new Kozik art for the world to love, but I’m tearfully grateful that my music can be referenced in his monolithic legacy, even in the most minuscule way. Thank you Frank. RIP

Darryl Shepard (ex-Roadsaw, currently Kind, etc.):

Seeing as how Craig and I were both in Roadsaw and we both play on this record, I feel this should be posted here as well: Not enough can be said about Frank Kozik. His artwork defined a subculture. His record label Man’s Ruin kickstarted the global stoner rock underground into high gear. The heavy underground rock scene would not exist the way it does now without his involvement. That is not hyperbole. Roadsaw was fortunate enough to release a 7” on Man’s Ruin. We went to his art studio in San Francisco while on tour and met him while he was screen printing the covers. We played the Bottom of the Hill that night and he personally dropped off the records at the club so we’d have some to sell. An absolute legend in the art and music worlds. R.I.P. Mr. Kozik. And thank you.

Sergio Ch. of Los Natas (currently Ararat, Soldati, solo, etc.):

Frank gave me the opportunity of my life. He believed in my work and shared it to the world. Got me into the big leagues just trusting some guys from Argentina and their love for music. I wouldn´t be standing where I am right now if not for is help, art and determination. I remember after recording album Ciudad de Brahman, back in San Francisco 1999, we piled into his truck and took a ride, just pumping the album’s mix cassette tape into the car’s player. He looked at me right into my eyes in a stop light and told me, almost breaking in tears, “Sergio, your music has spirit. Never give up. I am old and tired but you must keep doing what you do.” A few [years] later, Man’s Ruin Records announced their closeup and I got a huge UPS box right at my home in Argentina, including the one inch tapes from Natas’ Ciudad de Brahman album. along with a release rights letter from Frank. What a gentleman. Will miss you Boss, thanks and love foreva.

Erik Larson of Alabama Thunderpussy:

I didn’t know Frank Kozik as well as I would have liked to, but the fact that I knew him at all is nothing short of fantastic. When we met, I was just some Metal-Punk from Virginia, and yet the man showed me and Alabama Thunderpussy nothing but encouragement throughout the years we had a working relationship. I could always count on a no bullshit opinion from him. Frank didn’t seem to tolerate bullshit. His whole approach to Man’s Ruin Records seemed to be a testament to that viewpoint, and a ‘pay attention to what’s important right now’ attitude that kept things exciting, challenging and precarious all at once. I think it is safe to say Alabama Thunderpussy would never have achieved as much as we have, had it not been for that first opportunity Frank Kozik gave to us. I’m forever grateful to him for that.

Jim Hogan of Solarized (currently Defiance Engine):

When Frank Kozik ran Man’s Ruin Records, he helped our band, Solarized, more than any other label we ever dealt with. He offered a 50% profit split, made us store posters, and he made custom screened posters for when we toured. Eventually the label folded, but he helped hundreds of bands, and he and his crew released a whole lot of great albums. His poster art, his custom vinyl toys, and his record label were nothing short of amazing. He was the only guy we ever knew who got interviewed by Newsweek. He was an outstanding human being and he is truly a brother lost.

Reg Hogan of Solarized (currently Defiance Engine):

We send our heart felt condolences to Frank’s family and friends…Frank did more to elevate scene awareness, with his passion and love for the music, than most of the music industry. We are grateful he took a shine to our brand of Jersey swamp rock.

Arthur Seay of Unida:

Was an honor to have Frank release our Unida record ‘Coping with the Urban Coyote’, which really put us on the map and allowed us to tour Europe and caught the attention of the majors lol. He was a true artist, gifted, talented and crazy as fuck.

Jason Casanova of Tummler (currently Sasquatch):

Frank was the man. Not only for his art, but his vision for Man’s Ruin and the music scene that it created. I can’t thank him enough for giving my old band Tummler a shot at putting out a record back in the heyday. The smoking bunny will live on forever. RIP dude. You rule. – C

Johan Rockner of Dozer:

RIP Frank Kozik ❤️

He signed us back in ’98 and released our two first albums In the Tail of a Comet and Madre De Dios. He was one of those who believed in us, which we are forever thankful for. Without him Dozer would not be were we are. We met him in Stockholm at his exhibition “the Stockholm job”, a really cool and down to earth kind of guy.

Ben Ward of Orange Goblin:

Sad news this morning that the legendary artist Frank Kozik has passed away. Frank did some great artwork for Orange Goblin over the years and his label, Man’s Ruin Records, was responsible for some of the coolest releases in various genres from the mid to late ’90s. His artwork lives on forever and Frank will be remembered as a kind, funny, intelligent and humble man with a very unique style and he will be missed. Condolences to his family and friends. Thank you Frank, RIP.

Sons of Otis:

RIP Frank Kozik(#128128#) Mad visionary. The ONLY label that ever paid us.

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