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Brant Bjork and the Bros. & Ché Albums to Be Reissued

Posted in Whathaveyou on June 22nd, 2023 by JJ Koczan

I love the story of Mathias Schneeberger telling Brant Bjork to re-record Ché‘s Sounds of Liberation (discussed here) because, “the music is great but the recording is shit.” Saying that kind of thing to somebody can end a friendship, and the level of trust that it won’t is hard to come by, whether we’re talking artist egos or pretty much anybody’s anything. You could say to someone their cooking tastes like crap go back and make it again and lose a spouse. I don’t know if that’s the verbatim quote, but even paraphrased that’s a hell of an impression to make.

Some historical reorganizing here. I remember seeing Brant Bjork and the Bros. touring to support Saved by Magic, and I dug that 2CD outing a lot but would definitely be interested to hear it divided between its two component sessions, one solo, one with the full band, split up as sans and avec-Bros. offerings billed as Saved by Magic Again. The coming of that and a reissue for Ché are part of an ongoing series of catalog reissues from Bjork through Heavy Psych Sounds. I don’t know how much is left, but the good thing about there being a bunch of Brant Bjork records is you can probably circle back to do a new edition of Jalamanta by the time you finish with the rest.

You like records, right? Here’s some records:

brant bjork che reissues

Heavy Psych Sounds to announce BRANT BJORK – Saved By Magic + BRANT BJORK & THE BROS – Saved By Magic + CHE – Sounds of Liberation – presale starts TODAY !!!

Today we are stoked to start the presale of 3 REMASTERED ALBUMS !!!

BRANT BJORK – Saved By Magic Again

BRANT BJORK & THE BROS – Saved By Magic Again

CHE – Sounds Of Liberation

RELEASE DATE: SEPTEMBER 22nd

ALBUMs PRESALE: https://www.heavypsychsounds.com/

USA PRESALE: https://www.heavypsychsounds.com/shop-usa.htm

HPS278 *** BRANT BJORK – Saved By Magic Again ***

– REMASTERED REISSUE of Brant Bjork’s legendary album in brand new coloured vinyls and artwork –

RELEASED IN
15 ULTRA LTD TEST PRESS VINYL
200 ULTRA LTD SIDE A – SIDE B GREEN/YELLOW/PURPLE VINYL
600 LTD ORANGE SOLID VINYL
BLACK VINYL
DIGIPAK
DIGITAL

TRACKLIST
Magic Vs. Technology
Get Into It
Kiss Away
Sweet Maria’s Dreams
Sunshine Of Your Love
Freak Levels
Let The Truth Be Known
Avenida De La Revolución
Arcade Eyes
2000 Man

New album cover by Maarten Donders.

Remastered by John McBain !!

______________________________________

HPS279 *** BRANT BJORK & THE BROS – Saved By Magic Again ***

– REMASTERED REISSUE of Brant Bjork’s & The Bros legendary album in brand new coloured vinyls and artwork –

RELEASED IN
15 ULTRA LTD TEST PRESS VINYL
200 ULTRA LTD TRANSP. BACK. COLOR IN COLOR RED/SPLATTER BLUE VINYL
600 LTD GOLD NUGGET VINYL
BLACK VINYL
DIGIPAK
DIGITAL

TRACKLIST
’73
Lil’ Bro
Dr. Aura
Inside Of You
Paradise On Earth
Gonna Make The Pony Trot
The Messengers
Dylan’s Fantasy
Moda
Cool Abdul

ALBUM DESCRIPTION

“I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005.

Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” Brant Bjork

New album cover by Maarten Donders.

Remastered by John McBain !!

___________________________________

HPS261 *** CHE – Sounds Of Liberation ***

– REMASTERED REISSUE of the legendary super-band debut album in brand new coloured vinyls and artwork –

RELEASED IN
15 ULTRA LTD TEST PRESS VINYL
100 ULTRA LTD TRANSPARENT SPLATTER RED/BLACK/WHITE VINYL
400 LTD HALF HALF WHITE/RED VINYL
BLACK VINYL
DIGIPAK
DIGITAL

TRACKLIST
Hydraulicks 04:23
The Knife 03:39
Pray For Rock 05:16
Sounds Of Liberation 06:11
Adelante 05:13
Blue Demon 06:13
The Day The Pirate Retired 04:39

ALBUM DESCRIPTION

“It was late 1999. I was living in Palm Desert with Dave Dinsmore. Dave had just left Unida and Alfredo Hernandez was in town and had just left Queens of the Stone Age. I had a rare bit of downtime from touring with Fu Manchu. The three of us started jamming at the house. I had just got over a bad relationship and songs were pouring out of me. Frank Kozik heard about us jamming and called me up and said he wanted to put out whatever we come up with. Within two weeks we were already recording on an 8 track reel to reel. I took the recording to brother Schneebie to mix in LA. He said the music is great but the recording is shit. He asked to re-record it. I asked when? He said now. We re recorded right there on the spot and finished everything in 2 days. We decided on the name CHE and called the record Sounds of Liberation. ” – Brant Bjork

Artwork made by Maarten Donders.

https://www.facebook.com/BrantBjorkOfficial
https://www.instagram.com/brant_bjork
http://www.brantbjork.com

https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com
https://heavypsychsoundsrecords.bandcamp.com

Brant Bjork & the Bros., Saved by Magic (2005)

Ché, Sounds of Liberation (2000)

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Brant Bjork & the Bros.’ Somera Sól to Be Reissued

Posted in Whathaveyou on February 14th, 2022 by JJ Koczan

Has it been a full 24 hours since the last bit of news around here about Heavy Psych Sounds went up? Maybe not every record that’s being re-pressed, even with new artwork, is worth posting about — if it were, I wouldn’t have time to post about anything else — but I dig Brant Bjork & the Bros.Somera Sól (discussed here) a lot, so I’m just happy to have the excuse to put it on and vibe out for a bit.

Originally released in 2007, it was the final offering for Brant Bjork & the Bros. — see also 2005’s Saved by Magic — and it shared “Love is Revolution” with the acoustic-based Tres Dias (reissue review here), which sort of marks out that era of his work for me. The aughts, man. Simpler times. Remember when all we had to worry about was being at war for the rest of our lives? Alas.

Before I get too far off track, here’s info from the PR wire. Preorders are up, but even if they weren’t, you know how to get to Heavy Psych Sounds‘ store by now. If not, it’s super-easy:

brant bjork somera sol

HEAVY PSYCH SOUNDS Records is really proud to presale the repress of the mighty album “SOMERA SOL” of the Lord of Coolness Brant Bjork

The release will see the light May 6th on Heavy Psych Sounds !!!

ALBUM PRESALE:
https://www.heavypsychsounds.com/shop.htm#HPS221

USA PRESALE:
https://www.heavypsychsounds.com/shop-usa.htm

RELEASED IN
15 TEST PRESS
150 SIDE A SIDE B = YELLOW + BLACK + RED
400 YELLOW
BLACK
DIGIPACK

Somera Sól is the second album from the stoner rock band Brant Bjork and the Bros. It features former Kyuss drummer Alfredo Hernandez and guest appearances by Sean Wheeler of Throw Rag and Mario Lalli of Fatso Jetson. This is the second LP released by Brant Bjork in 2007 following the solo acoustic Tres Dias.

Tracklisting:
SIDE A
Turn Yourself On – 4:28
Love Is Revolution – 5:02
Shrine Communications – 4:03
Oblivion – 2:55
The Native Tongue – 5:04

SIDE B
Freaks Of Nature – 5:49
Ultimate Kickback – 5:33
Chinarosa – 4:40
Lion Wings – 6:30

THE NEW INCEDIBLE ARTWORK HAS BEEN DONE BY BRANCA STUDIO.

***IMPORTANT: PLEASE READ***

THE PRESALE OF SOMERA SOL SUPPOSED TO START TOGETHER WITH “STONER-TOTALLY…” UNTIL THIS MORNING PRESSING PLANT TOLD US IT WOULDN’T MAKE IN TIME FOR THE SAME DATE BUT THE MIRACLE HAPPENED AND WE CAN FORTUNATELY PRESALE NOW TOGETHER

***FOR WHOM HAS PREORDERED ALREADY “STONER-TOTALLY…” YESTERDAY AND TODAY WE WILL CONTACT YOU BACK SOON AND WE WILL GIVE INSTRUCTIONS TO COMPLETE THE ORDER IF YOU WANT TO ADD THIS SUPER TITLE TO YOUR PURCHASE!***

https://www.facebook.com/BrantBjorkOfficial
https://www.instagram.com/brant_bjork
http://www.brantbjork.com
https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com
https://heavypsychsoundsrecords.bandcamp.com

Brant Bjork & the Bros., Somera Sól (2007)

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Friday Full-Length: Brant Bjork and the Bros., Somera Sól

Posted in Bootleg Theater on March 16th, 2018 by JJ Koczan

Never mind what he’s brought to the genre in Kyuss, Fu Manchu, the early Desert Sessions or his brief time in Fatso Jetson, Brant Bjork‘s greatest contributions have been in his solo catalog. From his now-classic 1999 debut Jalamanta (discussed here) through 2016’s Tao of the Devil (review here), he’s developed an inimitable yet highly influential style that’s become synonymous with desert rock itself. I’ve called him the “godfather of desert groove” so many times at this point my brain hurts from it, but that’s what he is, and of all the former members of Kyuss, I don’t think any of them have done so much to set the course for the aesthetic as Bjork, whatever level of commercial success they may have attained.

There are a couple different ways to look at 2007’s Somera Sól. Bjork has both composed and performed albums entirely on his own and worked with a variety of other players over the course of the last 19 years. Somera Sól was his second and final outing with Brant Bjork and the Bros., and it reunited him with drummer Alfredo Hernandez — the two had previously worked together in the short-lived trio Ché — boasted guest appearances from Olive LalliSean Wheeler on “Freaks of Nature” and Mario Lalli and Vince Meghrouni of Fatso Jetson on funk-fortified closer “Blood in the Gallery” and the penultimate “Lion Wings,” respectively, featured bassist Dylan Roche and guitarist Cortez, production from Mathias Schneeberger, and took a more forward tack than much of what Bjork had overseen in the years prior. To wit, the previous outing with The Bros. behind him, 2005’s Saved by Magic, was a 2CD that, like nearly all 2CD releases, probably would’ve been better served being split up into an actual pair of albums, and while Somera Sól would be his final offering in that incarnation, his interest in playing in a band — the 2002 LP from Brant Bjork and the Operators hadn’t actually featured a full group of players, but after his run with the semi-Kyuss reunion Vista Chino in 2013, he’d form Brant Bjork and the Low Desert Punk Band — has always come and gone.

But one might look at Somera Sól as the capstone of this particular era of Bjork‘s “solo” career. The end of The Bros., and it’s a hell of a way to go out, with hooks like “Love is Revolution,” “Freaks of Nature,” “Shrine Communications” and so on. But at the same time, Somera Sól was also a distinct shift in sound for Bjork in general. Or at very least in presentation. I always have a hard time thinking of it outside the context of the immediately preceding 2007 release Tres Dias, which was essentially comprised of solo acoustic recordings of songs new and older — it opened with “Too Many Chiefs” from Jalamanta — and gave an intimate, folkish, sometimes protest-song manifestation to material that would wind up later the same year on Somera Sól like “Love is Revolution,” “Chinarosa” and “The Native Tongue,” making the two records complementary in a way despite a vastly different context of volume and arrangement. But not only was Somera Sól full-on in terms of the complete band (and then some) at work, it was also a marked shift in production method, and cleaner-sounding than anything Bjork had produced up to that point.

This gets to to the heart of where Somera Sól lies and what Somera Sól signifies in the Brant Bjork catalog. More than a complement for Tres Dias and more than the end of the Bros. era, it’s the record that brought the full maturity of Bjork‘s approach to light for the first time. It was clear-sounding, clean-sounding. Its tones still had that laid back spirit and some telltale fuzz — “The Native Tongue” walks by and waves — but the way those came through as part of the listening experience was more professionalized, reaching out to a broader audience than records like 2003’s Keep Your Cool or 2004’s Local Angel (discussed here) could have with their rougher sound. After 2008’s somewhat reactionary Punk Rock Guilt, which was comprised of earlier recordings, it’s a method Bjork would keep to on 2010’s Gods and Goddesses (review here), and when he returned to solo work following the stint with Kyuss Lives!/Vista Chino — whose 2013 album, Peace (review here), I’ll still argue is worthy of a follow-up, especially with C.O.C.‘s Mike Dean on bass — he formed the already-noted Brant Bjork and the Low Desert Punk Band and released 2014’s Black Power Flower (review here) as a predecessor to Tao of the Devil and last year’s Europe ’16 (review here) live offering. Looking back over the last 11 years of his output, Somera Sól seems to be the epicenter from which much of it emanates.

Even if it wasn’t such a choice display of songwriting or characteristic performance on the part of Bjork himself — has the dude ever sounded more like the dude than he does on “Ultimate Kickback” or “Love is Revolution?” — Somera Sól was/is a special moment in Brant Bjork‘s discography, and whether you picked up on his stuff before or after or if this is the first time you’ve ever heard anything he’s done as a solo artist, there’s no question it’s a standout moment and a defining statement of intent that continues to resonate in his work more than a decade later.

As always, I hope you enjoy.

So I went to another doctor last Friday. My two favorite lines from the entire experience? 1: “Well I don’t think you’re going to throw a clot.” Please. My life should be so interesting. 2: “You can put your undies back on.” I had no idea “undies” was a medical term. The EKG was normal, there’s no fluid around my lungs, she gave me a new pill for all the swelling that seems to be taking some of it down — I guess you’d mark it a win. Plus, she’s even further away than my regular primary care physician, so, bonus! I just love travel. Especially in Boston traffic. Best drivers.

I nonetheless spent a goodly portion of this week in a miserable daze. Seriously. Only reason I even knew today was Friday was because I had it in my notes that I needed to do this post. If I look at the calendar again and see it’s Wednesday or something I’m going to feel like a real ass.

You want to hear a nice story that’s not about me hating myself? Yesterday I took The Pecan to a record store. We were headed to the farm in Rhode Island to pick up some chicken — because you’re fucking right I drive an hour to buy chicken, and yes, I buy in bulk — and I wanted to pick up the new Judas Priest and Monster Magnet records, so I looked up where the nearest Newbury Comics — a New England institution no less than Samuel Adams, “local fahkin’ spoahts, khed” and yelling epithets at people out your car window as you pass by — was and hit the mall. I carried the baby in and perused the rock and metal sections for a while, grabbed the Priest, which was on sale. Turned out the Magnet doesn’t arrive until next week — you’d think I’d know that, right? — but I got that new Jimi Hendrix collection because, well, new Jimi Hendrix collection, and it was a good time. The baby was down for being carried around, as he has been of late to the point of screaming like fucking mad every time you put him in one of his 15 chairs, and I haven’t listened to the Hendrix yet — it’s on the agenda for today if I can ever stop putting the new Grayceon on repeat — but the first half of the Priest record rules and that’s good enough for me. It was a nice trip. Then The Pecan and I walked past Victoria’s Secret and I explained to him the importance of respecting your partner’s choices when it comes to “undies” and whatever else. The two middle-aged ladies walking for exercise in the mall were confused as hell as they went the other way by us as we walked, but they smiled anyway, because he’s a baby and that’s what people are biologically programmed to do.

So yeah, yesterday turned out alright. Also did some grocery shopping, which is pretty much standard at this point, though both buying and consuming food kind of disgusts me and there’s like this whole self-punishment aspect I’ve developed to this “refeeding” thing. I spent a lot of time this week wishing I had died when I was (apparently) starving myself. A lot. Oh well. Better luck next time. “I don’t think you’re going to throw a clot.”

As I’ve told everyone — doctors, therapist, nutritionist, my wife, even my father yesterday on the phone — if I was going to kill myself, I’d have done it by now.

The Patient Mrs. and The Pecan are off to town (to Boston, that is) today to be human beings for a while. I’m staying home, essentially to not. I have writing to do which in all likelihood I’ll blow off either to sleep or to read or to watch baseball — or all of them — while trying not to think about food or how swollen my legs still are or whatever. While I keep on keeping on, essentially, and keep listening to the new Grayceon, which fucking rules.

I’m also going to make nut butter in just a little bit. It’s about quarter to six in the morning as I write this. Hi. I’m out of my fucking mind. This time’s blend: Salted and unsalted peanuts, salted and unsalted cashews, salted macadamia nuts. Maybe some almonds if there’s room in the food processor. We’ll see. The race is on though because I expect any minute now to get the call to go upstairs and change the baby’s diaper.

Here’s what’s up for next week, subject to change blah blah blah:

Mon.: Maybe an Aeonian Sorrow review/premiere? Not sure.
Tue.: Mouth review/stream.
Wed.: Ruff Majik premiere.
Thu.: Rattlesnake premiere.
Fri.: Robespierre premiere.

There’s videos and news and such as well, I’m just not there yet on organization. I’ll figure it out. I have some other writing to do this weekend anyway — a new bio for Kings Destroy and a big announcement for Heavy Psych Sounds — so I’ll be on the laptop one way or another.

And if you’re wondering, the next Quarterly Review begins Monday, April 2.

Please have a great and safe weekend. Like I said, I’ll be around writing and likely on the social medias as well, so feel free to say hi. And please don’t forget to check out the forum and radio stream.

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