Posted in Whathaveyou on May 11th, 2018 by JJ Koczan
A vague update, a merch sale, and then, hey, a send-us-your-address-and-we’ll-send-you stickers-and-whatnot, and yeah, that’s pretty much the latest from Texas duo Stone Machine Electric. Charming as ever, and no, I’m not being sarcastic about that. They’ve had new material in the works for a while now for an album that either will or will not get out before the end of the year, and last we heard from them, they were talking up a CD pressing of their 2014 Garage Tape (review here) release that seems to be available to order now from their Bandcamp.
All good stuff, and I’m curious to find out if they’ll put together another Heavy Mash for this year. You might recall, the inaugural edition in 2017 was presented in part by this site. Still one of my favorite show posters as well.
Here’s the latest newsletter from the band:
THE ELECTRIC REPORT 13
We’ve been a little recluse this year, but that’s because we’re working on all that “behind the scenes” stuff you never see. It’s ugly, we’re ugly, but everything is ugly! Don’t fret, unless you’re playing guitar, that means we’ve got news we’re not disclosing quite yet. Nothing big, just working on the newer material. Getting ready to do things with it.
In the meantime, feel free to raid our merch store so you can help us bring you more news (wink-wink, say no more)! Use the code – electricreport – at our bandcamp site and get 20% off of anything. Anything.
You can still email us at band@stonemachineelectric.net and send us your physical mailing address. Maybe we’ll send you a postcard, a sticker, or who knows what! Yeah, who knows what we’re doing – we don’t….
Posted in Whathaveyou on January 31st, 2018 by JJ Koczan
Mind you, I don’t know if in the process of putting it out on compact disc, Texas duo Stone Machine Electric are actually re-titling their limited 2014 cassette — initially dubbed Garage Tape (review here) — as Garage Tape, er, CD?, but being relatively familiar with the Lone Star twosome’s work over the last however many years, I’d absolutely believe it. In fact, it’s precisely the kind of weirdo charm in which Stone Machine Electric specialize, and as one awaits further word of their next album, I’ll happily take whatever comes from these two deeply underrated psych jammers.
If you didn’t hear it the first time around, Garage Tape was comprised of two side-consuming, sprawling jams that came with a bonus track in the digital form. I don’t know if that will be included on the CD or not, but the chance to hear it all together as one flowing jam session seems like a pretty righteous opportunity, so yeah, here’s the info. Ships in March, apparently. That seems like forever from now, but apparently is very much not that thing:
STONE MACHINE ELECTRIC – Garage Tape, er CD?
Texas heavy duo, Stone Machine Electric, is re-releasing the mind-bending “Garage Tape” onto, what else, but CD. This is by semi-popular demand. Sshhh, yes, vinyl would be nice, we know.
Garage Tape tracklisting: 1. Side A 20:52 2. Side B 21:38
Improvised live on July 26, 2014 in Kitchens’ garage.
Expect these to start shipping beginning to mid-March.
For further information, contact the band at band@stonemachineelectric.net
Stone Machine Electric started in the summer of 2009 with founding members Mark Kitchens and William (Dub) Irvin. Dub had asked Kitchens if he’d be interested in helping him start a band since the two had been in other bands together in previous years.
Oh, I do love it when Stone Machine Electric get weird. They’re so good at it. The Hurst, Texas, duo of guitarist/vocalist William “Dub” Irvin and drummer/thereminist/synthesist/backing vocalist Mark Kitchens have a few particularly choice live appearances slated for the next couple months, including one tonight with The Midnight Ghost Train, a slot at the Obelisk-presented Heavy Mash in September (info here) and one at End Hip End It in October (info here) that puts them on a bill with damn near half their home state, including boogie magnates Amplified Heat and reformed proto-heavy rockers Josefus.
Perhaps in part to mark the forthcoming occasion(s) and to follow-up on their late-2016 live offering, Vivere (review here) — which was itself an answer to the studio release, Sollicitus es Veritatem (review here), that came out earlier in the year — Dub and Kitchens are doing that thing they do so well: getting weird. Actually, getting kind of creepy. Their new video, for the six-minute, bass-led experimental piece “The Demon and the Bird,” carries a warning that its flashing lights might be dangerous to those with a sensitivity to such things. It should probably also have a one in there about haunting dreams.
I’m not really sure what’s going on in the clip. There’s someone walking into a building, then there’s creepy-mask-face, then I’m hiding under the table and that’s about where I get lost. All I know from there on out is that the atmosphere of the song itself seems likewise intended to terrify, starting out a little prog noodly and working its way toward eerie drones to add to the tension of the fretwork. It could well be there’s a narrative playing out in the video, though — the band are pretty tight-lipped on the subject — and as they’re never really too long between one offering and the next, current work feeding off prior work as they go, I can’t help but wonder if “The Bird and the Demon” might bode of more darkness to follow.
Then again, could be a total freak one-time thing. Part of the fun of Stone Machine Electric is that you never really know what you’re going to get.
Video, info and live dates follow, courtesy of the PR wire. Please enjoy:
Stone Machine Electric, “The Demon and the Bird” official video
Stone Machine Electric – “The Demon and the Bird” Video Release
The duo known only as Stone Machine Electric (we only have one band name) have completed work on a concept video titled “the Demon and the Bird”.
At this time, there is no further explanation for this video or any good reason for releasing it. Maybe it will make you want to purchase our fine wares or come see us do make-believe on stage.
WARNING: This video may potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised.
Stone Machine Electric live: AUG 24 The Grotto, Fort Worth, TX w/ The Midnight Ghost Train, Huffer, Gypsy Sun Revival SEP 7 Lola’s Saloon Fort Worth, TX w/ The Atomic Bitchwax SEP 23 & 24 Division Brewing, Arlington, TX – Heavy Mash 2017 featuring Wo Fat and more! OCT 7 Division Brewing, Arlington, TX w/ Gypsy Sun Revival OCT 21 & 22 End Hip End It Music Festival, Old Town Spring, Spring, TX
Posted in Whathaveyou on August 14th, 2017 by JJ Koczan
I’m not gonna discount the notion of seeing the likes of Josefus sharing the stage with The Well and Doomstress, or of watching the almighty Acid King roll out their riffly triumphs next to Dead Meadow, Elder, Mothership and a megaslew of others, but I think the fact that if you buy a ticket for the second day of End Hip End It you get two slices of pizza speaks volumes to the vibe the Spring, Texas-based festival is going for, and that’s a vibe with which I think just about anybody can get down.
The lineup is varied from Funeral Horse and Switchblade Jesus to King Buffalo and Stone Machine Electric, but there’s a heaping representation of the fertile Texan underground here, and that’s likewise respectable. My understanding is they’ve run into some branding issues — I guess repeating any word in your fest name in Texas is verboten because you’re making fun of SXSW? seems to me SXSW could stand to be taken down a peg or two, but couldn’t we all? — and might rename the event for 2018, but whatever you call it, it looks like a good time to me.
Lineup, other info and ticket link follow:
END HIP END IT MUSIC FESTIVAL
OCT 21 – OLD TOWN SPRING, TEXAS
DAY 1 will feature 25 bands in Old Town Spring, Texas. Preservation Park will have three stages of music as well as many interactive art projects thanks to the Generators Playground.
Stage 1 Dead meadow 12:00 – 1:00 The Bright Light Social Hour 10:40 – 11:20 Golden Dawn Arkestra 9:20 – 10:00 Bayonne 8:00 – 8:40 The deer 6:40 – 7:20 AMERICAN SHARKS 5:20 – 6:00 ROSE ETTE 4:00 – 4:40 VANILLA WHALE 3:00 – 3:40 pyreship 2:00 – 2:30 JODY SEABODY & THE WHIRLS 1:00 – 1:30
Stage 3 John Evans Band 8:20 – 9:00 Flower Graves 7:10 – 7:50 The Cuckoos 6:10 – 6:50 Ancient Cat Society 5:10 – 5:50 The Mammoths 4:10 – 4:50 Mantra Love 3:10 – 3:50 Howard & the Nosebleeds 2:10 – 2:40
OCT 22 – WALTER’S DOWNTOWN SUNDAY at Walter’s Downtown there will be two stages with 13 bands on rotation. Ticket purchasers will receive two drink tickets and two pizza slices!
the well L.A. Witch doomstress amplified heat space villains* white dog josefus crypt trip stone machine electric only beast concrete heat daze shallow
KIP Passes get you… Entry to both days backstage access FREE T-shirt on Saturday access to hammock hangout one extra beer on Sunday
At End Hip End It you will find a tightly tucked 20 acre plot of land filled with green grass, craft breweries, interactive art projects, live music, beer tasting events, auctions for charities, Light shows, food trucks, VIP access, local vendors, and more. Interactive art projects will be hosted by Bao Pham of the Generators Playground.
Few things in life are better than spending a full day at a fest with a killer lineup, and so I’m happy as hell to have The Obelisk stand among the presenters for the inaugural Heavy Mash on Sept. 23 in Arlington, Texas. The all-dayer-type event features 10 bands from all around Arlington and Fort Worth, as well as one from Monroe and one from — because, hey, why not? — Adelaide, Australia, but a good swath of Lone Star heavy is represented, and anytime you get Wo Fat on board to headline, you know choice-cut groove will be had. The Dallas trio don’t do it any other way.
Heavy Mash will be held at Division Brewing, so one imagines all the more of a party atmosphere as the day plays out amid fine beers and good times from band to band, and with the likes of jam-psych duo Stone Machine Electric, classic style stoner rockers Boudain, and more aggressive groove-rollers like Cursus on the bill — not to mention the swaggering two-piece Filthy Lucre, who will make that journey across the Pacific to get there — it’s a sonically diverse lineup to which I’m proud to have this site’s name attached. I don’t think I’ll get to Arlington for it, because money, and money, and money, but if you’re either in the area or can make the trip, doing so seems like a total no-brainer. Hopefully it’ll be recorded one way or another, video and/or audio.
You already saw the awesomeness of the poster above, the Thee Facebooks event page is here, but here’s the full lineup and more info:
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Heavy Mash 2017 featuring Wo Fat and more!
Arlington, TX Heavy Music Festival – Sept. 23, 2017
Division Brewing 506 E Main St, Arlington, Texas 76010
In conjunction with Division Brewing in Arlington, TX, we are pleased to announce this small fest sponsored by Division Brewing, The Obelisk, Off the Record Label, and Fistful of Doom Radio! It will be held at Division Brewing in Arlington, TX on September 23rd from 2pm to midnight. Below is our full line-up, starting with the headlining act:
Wo Fat – the veteran swampadelic trio from Dallas, TX Filthy Lucre – desert blues from Adelaide, South Australia Stone Machine Electric – weird doom-jazz duo from Fort Worth, TX Cursus – psychedelic sludge from San Antonio, TX Orcanaut – heavy/progressive shit from Denton, TX Boudain – stoner-groove four-piece from Monroe, LA FTW – heavy blues trio from Fort Worth, TX The Dirty Seeds – face melting stoner rock from Houston, TX Black on High – three true thugs from Fort Worth, TX Justinian – stoner metal from Arlington, TX
Posted in Whathaveyou on May 8th, 2017 by JJ Koczan
Never ones for keeping still for too long, Texas duo Stone Machine Electric have announced they’ve begun work on their next batch of material, presumably with an eye toward an upcoming studio release. Their latest outing, you’ll likely recall, is earlier 2017’s Vivere (review here), a live album issued as a companion-piece to the 2016 sophomore full-length, Sollicitus es Veritatem (review here). We might very well get a release from them before another record surfaces, as they have done in the past putting out tapes of jams or intermittent live digital offerings, etc., but cool that they’re working on new stuff either way, in whatever form it might show up.
They’ve got live dates booked for the summer months around TX, and in October they’ll take part in End Hip End It alongside Doomstress, The Well, Amplified Heat, the new lineup of Josefus and a slew of others. More to come on that, I’m sure. In the meantime, Stone Machine Electric sent the following down the PR wire:
What’s going on with Stone Machine Electric? I guess we can tell you…
Looks like everyone is digging our latest release – VIVERE. You can still pick up a copy on our bandcamp site, along with any other merch you should be interested in. Europe folks can get them at Shiny Beast and save on that shipping!
Us two dudes have been working on a handful of new songs. This means our live set is fresher (because it is always fresh, but now fresh-er), so you should come to an upcoming show if we’re near you. If we’re not playing close enough, let us know and we’ll see what we can do!
SHOW DATES 5/19 – Hellcat Cafe – Houston, TX (w/ Boudain and The Dirty Seeds) 5/20 – Babylon Sportsbar – Metairie, LA (w/ Boudain) 5/26 – The Grotto – Fort Worth, TX (w/ Doomstress) 6/30 – The Grotto – Fort Worth, TX (w/ Burn Thee Insects and Mountain of Smoke) 7/1 – Leftwoods – Amarillo, TX (w/ Burn Thee Insects) 7/14 – Division Brewing – Arlington, TX (w/ Forming the Void and Orcanaut) 10/22 – Walter’s Downtown – Spring, TX End Hip End It
Posted in Reviews on February 27th, 2017 by JJ Koczan
Last Spring, Texas duo Stone Machine Electric — who by my estimation remain underrated as only a non-touring band can — self-released their second long-player in the form of Sollicitus es Veritatem (review here). The timing on that is important. It was May, and as a grueling primary season wound down, the US presidential election was beginning to take shape as a contest between Hillary Clinton and Donald Trump. The Hurst-based two-piece acknowledged these current events in the cover art, which depicted a rat in a suit and a telling red tie standing in front of an audience of sheep, with his arm raised in front of a building burning with a giant skull behind it. Not subtle in visual metaphor, and the translation from Latin of the title — “nightmares are reality” — was correspondingly blunt.
Among what passes for a left-leaning contingent in the States, it would be difficult to see Sollicitus es Veritatem as anything other than prescient in hindsight. Songs like “Dreaming” had a bent of social commentary that never came at the expense of the liquidity of Stone Machine Electric‘s jamming, which has been central to their appeal over the last half-decade-plus, across offerings like the 2015 The Amazing Terror EP (review here), 2014’s Garage Tape (review here), their 2013 self-titled debut (review here) and their 2010 demo, Awash in Feedback (review here). Working frequently in the studio with Kent Stump of Wo Fat, guitarist/vocalist William “Dub” Irvin and drummer/thereminist Mark Kitchens (also synth and backing vocals) have developed a sound able at once to convey straightforward heavy roll and an echo of unpredictability, so that the listener never quite knows when they might take off and just where they might be headed on a given track.
That ability is a big part of why I call them underrated above, and it’s writ large over Vivere, their new live CD recorded June 3, 2016, at the Doublewide in Dallas and issued through Off the Record Label. As the Latin title — the infinitive form of the verb meaning “to live” — hints, the six-song/40-minute set is intended as a complement to Sollicitus es Veritatem, and it very much functions on that level. Its longer tracks, opener “I am Fire,” “Dreaming,” “PorR” and the finale “I am Fire (Slightly Burned)” all come from Sollicitus es Veritatem, and with the proximity of one to the other, another mixdown by Stump, and the general live feel that Irvin and Kitchens bring to their material, there’s no shortage of commonality between Vivere and its studio predecessor. Particularly for someone who’s grown to be a fan of the band and hasn’t been fortunate enough to see them play live — as I have and haven’t — the draw should be obvious.
For others, the question becomes what does Vivere have to offer that Sollicitus es Veritatem doesn’t? Fair ask. For one thing, like the studio counterpart, it’s the most cohesive Stone Machine Electric live outing yet. Their last one, 2013.02.07 (recorded, clearly, in 2013), was performed as a trio with Mark Cook on warr guitar, and caught them in the midst of a series of lineup shifts before they settled on the Dub/Kitchens duo as their seemingly permanent configuration. I don’t think I’m giving away state secrets in saying they work best in this form, and that shows itself from the nodding “I am Fire” onward here. It’s not uncommon for a live album to represent a band’s stage presence well — there are very few that are truly “warts and all” — but something else Vivere does is mirror the immersive listening experience of Sollicitus es Veritatem in how one song plays into the next via two short, seemingly-improvised transitional pieces: “Mindless Meanderings” and “Invented Passages.”
Though these are quick courses run at 2:54 and 2:42, respectively, and the broader impression of Vivere is found in moments like Dub‘s execution of the hook in “Dreaming” — the lines “Hustlers ain’t in the alley/They’re runnin’ the global scene/They’ll take you down/And take you further/Oh, how I wish I was dreaming” standing out as something of a centerpiece and summary of the set as a whole, let alone the track itself — and the raucous uptick provided at the end by “I am Fire (Slightly Burned),” on which Kitchens joins in a vocal call and response, both “Mindless Meanderings” and “Invented Passages” are crucial to the flow of Vivere. The first arrives between “I am Fire” and “Dreaming,” and gives Stone Machine Electric an even more atmospheric space in which to work, shifting via guitar lead and drum fills between the one longer song and the other without stopping. They are a band of few words, it seems.
Amid an initial hum at the outset of “I am Fire,” Dub says, “Yeah, we don’t talk. We’re just Stone Machine Electric,” and over a closing bed of synth drone in the ending of “I am Fire (Slightly Burned),” he follows up with “We’ve been Stone Machine Electric…” and something else only semi-intelligible, but other than that, they move from song to song without stopping. Accordingly, “Invented Passages” rises from the end of “Dreaming” with a bit of rhythmic push from Kitchens and a winding riff to accompany but hits the brakes well in time to start the familiar drift of “PorR,” which tops 13 hypnotic minutes riding that progression — down from over 14 for the studio version — and builds to an apex of thud, rumble and slow-motion riffing that moves via feedback into “I am Fire (Slightly Burned)” feeling both practiced and unforced; the closer picking up after about a minute and providing Vivere‘s final movement, which turns to brief cacophony just before ending in a way that seems only to re-suggest the improvisational elements at root in their creative approach.
The reinforcement thereof is another aspect of Vivere that shines through especially in its following Sollicitus es Veritatem, which was arguably the most song-based outing from Stone Machine Electric to-date. Still, this is the part where I say that one doesn’t need to have heard the studio album to appreciate the live one. A cliché, and probably only half-true, but valid when considering the molten nature of the band’s execution in either sphere. One of the joys of following Dub and Kitchens over their years together has been the way in which one release has always fed into the next — the debut into the first live album and Garage Tape into The Amazing Terror into Sollicitus es Veritatem — and Vivere adds to that line, acknowledging what they’ve done before and using it as a basis for moving forward.
What makes it even more engaging, though, is that the songs themselves do the very same thing on a meta-level, and are reshaped and recontextualized by this performance on this given night. One expects that as Stone Machine Electric put more distance between themselves and their second full-length headed perhaps toward a third, the evolution of their ideas will likewise continue, and the multi-tiered fluidity they’ve thus far shown will reach its next stage. That’s the hope, anyhow. But though their heavy psychedelia is often tinged with a darker, brooding sensibility, and Sollicitus es Veritatem certainly had its air of cynicism, I hear nothing on Vivere to make me think that core vibrancy will dull anytime soon. And who knows? If the live album turns out to be as predictive as its predecessor, we might all just survive these curious times in which we’ve found ourselves.
Posted in Whathaveyou on January 30th, 2017 by JJ Koczan
“We don’t talk. We’re just Stone Machine Electric.” So begins the (spoken) introduction to Vivere, the new live album from the Texas two-piece to complement their 2016 studio offering, Sollicitus es Veritatem (review here). Opening with the rumbles and roll of “I am Fire,” Vivere also features “Dreaming,” “PorR” and “I am Fire (Slightly Burned)” from the record, as well as a couple off-the-cuff transitional pieces and for those of us who’ve yet to have the pleasure of seeing the band live, it’s an appreciated glimpse of the flow that William “Dub” Irvin and Mark Kitchens are able to bring to the stage these days. A mix by Wo Fat‘s Kent Stump doesn’t hurt either, of course.
It’s true though, they don’t have much to say throughout the set banter-wise, but as it’s streaming in full now I think you’ll find that only makes the listening experience more immersive. If you didn’t check out Sollicitus es Veritatem, you should, but whether you have prior knowledge of these tracks or not, they’re still likely to swallow you whole, so while advised as a proper course, it’s not 100 percent necessary. Can’t imagine that if you take the time to listen to Vivere you’re not going to want to chase the studio versions down anyhow, so either way.
Better band than people know.
Dig it:
Off The Record Label based in The Netherlands has got the CDs for “VIVERE” on the way to us! So you folks in the states will be able to get them from us soon. The release date is scheduled for 01/27/2017. You can order from www.clearspot.nl, or if you are in The Netherlands, go by Off The Record’s shop and get one. Tjeerd will also be sending some copies to All That is Heavy for distribution in the states.
Here’s the track list for the album: I Am Fire “mindless meanderings” Dreaming “invented passages” PorR I Am Fire (Slightly Burned)
Recorded live on June 3rd, 2016 at the Doublewide in Dallas, TX by Rob Stercraw. Mixed by Kent Stump and mastered by Ryan Lee at Crystal Clear Sound. Available on CD from Off the Record Label –www.offtherecordlabel.com
