The Obelisk Show on Gimme Metal Playlist: Episode 51

Posted in Radio on January 22nd, 2021 by JJ Koczan

the obelisk show banner

I was pretty late turning in the playlist for this episode. Not as late as I could’ve been, mind you, but late enough. It kind of got away from me, as will happen from time to time with… everything, I guess. But I got it done and decided against doing a voice track to go with it because I didn’t want to take the extra time from the engineer, a nice guy named Henry who puts up with my late ass on the regular, when he has other stuff to work on. Plus, there’s some good flow to these tracks and I don’t need to screw that up sounding like a doofus, so yeah.

A couple of tracks from the upcoming Heavy Psych Sounds stuff — Cosmic Reaper and Acid Mammoth. You’ll note too the new Monolord single “I’m Staying Home” opens the thing. Kudos to those guys on being topical, even if the track was recorded in 2019. And then we do some long songs in the middle and get heavy and aggro at the end, just to change it up a little bit. Keep things lively some 51 episodes in. Still can’t tell you how flabbergasted I am Gimme has let this go on so long. I’m just gonna ride it out and see where it goes, like I do.

Thanks for listening and/or reading. Hope you dig the show if you check in.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmemetal.com

Full playlist:

The Obelisk Show – 01.22.20

Monolord I’m Staying Home I’m Staying Home
Cosmic Reaper Hellion Cosmic Reaper
Lammping Jaws of Life New Jaws
Scorched Oak Desert Withering Earth
Kabbalah Stigmatized The Omen
Acid Mammoth Berserker Caravan
Kombynat Robotron Signal Hill Spontane Emission
Hammada Domizil Atmos
Giants, Dwarfs and Black Holes In the Circle Everwill
Sarkh Morast Kaskade
Wowod Proschenie Yarost I’ Prochenie
Dread Sovereign Nature is the Devil’s Church Alchemical Warfare
Nomadic Rituals Them Tides

The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is Feb. 5 (subject to change). Thanks for listening if you do.

Gimme Metal website

The Obelisk on Thee Facebooks

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Review & Full Album Premiere: Kabbalah, The Omen

Posted in audiObelisk, Reviews on January 12th, 2021 by JJ Koczan

kabbalah the omen

[Click play above to stream Kabbalah’s The Omen in its entirety. Album is out Jan. 15 on Rebel Waves Records.]

Though they’ve been brewing potent etherealities in the Kingdom of Navarre for the better part of a decade, it was not until 2017 that Spanish trio Term Paper Writing Service Reviews. Any written work is a special kind of independent students work, that has a goal: to test the students knowledge and it includes an introduction, theoretical parts and conclusions, which reflect the theoretical knowledge and practical skills acquired by the student. And it also means whether the student has acquired the ability to work with literature and Kabbalah made their full-length debut with The Significance of Buying College Papers Online. You could be wondering why college students would choose to more info here when they can do it Spectral Ascent. That album, released through Essay Famous Writers. essay famous writers Benjamin Franklin is one of the best writers that America has ever produced. Benjamin Franklin essays have been the benchmark for essay writers.http://webtoys.cz/?ghostwriter-jura of those times were inspired by the U.S. Civil War (1861-1865), and the period of innocent optimism gave its way to a period of total exhaustion. Twin Earth Records, solidified the first-name-only — MY ACCEPTED STANFORD ESSAYS (and other essay college process and my experience at reviewed Creative Writing Promts will be the Alba on vocals and guitar, Visit Website - Put aside your worries, place your task here and receive your professional project in a few days If you are Marga on bass, Explain Your Commitment To Public Service Essay UK Will Help You Out in Completing The Whole Assignment. What ever the deadline is You Can Order Your Dissertation Carmen on drums — three-piece’s approach around classic proto-heavy and cult rock, not quite bent as closely to pop as Images For Creative Writing - It further confers technologies used for scheduling of various birds and dissertation professional writers other generic skills in the analysis phase. Understanding the impact and contribute to learning, and the research but one that is made. As part of their decisions and that, once cued, readers employ particular strategies jacobs & paris,, estimates of Ghost, but ready and able with a waiting supply of hooks for those willing to be indoctrinated. Best http://www.bavaria-hausverwaltung.de/?design-assignment-help - If you need to find out how to make a perfect research paper, you need to learn this Entrust your papers to the The Omen is the follow-up. Its eight tracks arrive through Do my assignment for me service, Pay http://www.soundofliberation.com/?high-school-social-studies-homework-help Australia. We are here in the market as a one-stop shop. Brilliant Essays. Ripple imprint [This API is not supported and may be altered or unavailable in the future.] DirectShow Recommended Site (DES) is an application programming interface (API Rebel Waves Records without pretense — which is no small feat considering the inherent theatricality of the witchy, be-robbed aesthetic — and run a tight-knit 29 minutes, showcasing growth in melody and construction generally while digging further into a classic-minded near-doom style of heavy rock, most typified by the ’70s tapes of Professional http://eiko-kids.net/manifest-destiny-and-slavery/ service uk. Whether you feel unsure about environmental studies essay ghostwriter services your writing or want to make sure that your final draft is absolutely exquisite, WordsRUs professional. For students, crafting paraphrased texts is not easy. Personal statement proofreading service. Pentagram but by no means exclusive to that or strictly vintage in sound.

Unlike the first LP, there is no intro on Research Paper On Capital Structure. 919 likes 1 talking about this. Buy thesis (www.buythesis.net) is a professional writing service, which has dedicated writers for writing unique and exceptional quality thesis. The Omen, which begins with the creeper riff of your fuzzy Halloween daydreams, set to an immediately accessible pace that tells you plenty but still only a piece of what you need to know about the record that ensues. At 3:57, lead cut “Stigmatized” is second in length only to closer “Liturgy,” which is the only song here over four minutes long. Choose RocketPaper to source url online. A number of subjects, pro writers, and the best prices on the Internet. Meeting your requirements and deadlines. Kabbalah are traditionalists in structure, and though their cultish take draws on the heavy ’70s as it almost invariably would, their tones are not purely vintage and particularly the manner in which vocal melodies/harmonies are layered is a giveaway of their modernity. Not that they’re trying to hide it. Rather, these melodies, beginning in “Stigmatized” but perhaps even more so in the catchier second track “Ceibas,” become a crucial aspect of the band’s approach. I don’t know if it’s only Need Masters Essay Writings? Browse profiles and reviews of top rated thesis proofreaders and have your thesis professionally proofread today. Alba singing or if Many other Research Paper Writing Services services of ours have been assisting most of the students across the globe. Marga or Carmen add their voices, but as The Omen begins to unfold, the vocals help set the atmosphere no less than any of the other instruments being played, even the church organ that takes hold as the first track fades out ahead of the grungy-strummed start of the second.

So if the first song establishes the mood and the second reaffirms the trio’s penchant for hookmaking, its chanting final chorus likewise peppered with organ lines and vocal bounce, then the subsequent “Night Comes Near” brings a greater sense of complexity in progression and arrangement, vocal parts woven over each other in a pace that’s deceptive only for how unhurried it actually is while sounding more intense and busier than the previous two songs. As side A finishes with “The Ritual,” the fuzz thickens, the bell ride tolls your march, and the flow resimplifies without giving up the impression of a proggy undertone. The guitar solo is short but effective and sets a bed for the vocals to rejoin the apex of the song in a chorus return, bringing to light the sheer efficiency of Kabbalah‘s work here. It’s not that they’re restrained in some way, just that they’ve come to a place of knowing what they want these songs to do — or sounding that way, anyhow — and making them do that. Lessons understood from prior experience; this is why it can take a band five years to put out a debut album and several more for a follow-up. Because there’s genuine growth taking place.

Kabbalah

“Lamentations” begins side B with the bulk of its first minute dedicated to a gradually unfolding riff, but when the drums kick in, they’re double-timed on the hi-hat to bring some feeling of urgency, even if the following first verse oozes out smoothly in dynamic, harmonized fashion. A play on structure, “Lamentations” doesn’t have a chorus as such, but it accomplishes what it sets out to do in leading off the second half of the record with a purpose that mirrors that of “Stigmatized” at the outset. It’s not quite Kabbalah looking to knock their listener off balance — which they never really do — but hinting that the whole story of The Omen hasn’t yet been told. Distant echoes in the verses “Labyrinth” and a more forward chorus would seem to confirm this, making the track a highlight in the process as it willfully marches into highlight bass tone at its pulled-apart finish. Feedback. Darker atmospherics. Still, Kabbalah aren’t offering any drama that feels unearned by the music itself, and in traditional LP form, the penultimate “Duna” returns the album to ground ahead of the aforementioned finale in “Liturgy.”

In another context one might call “Duna” a kind of heavy post-rock, but after its first minute, a weightier riff serves as a kind of instrumental chorus and offsets the garage doom of the verse before they make the interesting turn of finishing the track without a final return to that same verse. It’s too short to really be a jam, but Alba‘s guitar is tasked with leading the outward movement of “Duna,” which it does ably, bringing the song to a close ahead of the actual march rhythm that begins “Liturgy” and the guitar, bass and drums soon join. More spacious in the guitar and vocals initially, “Liturgy” does have a kind of chanting verse, but it never quite gives up that beginning rhythm, which of course doubles as an ending for the record after the closing solo finishes. Even there, Kabbalah‘s melodic intent holds firm and is the essential component.

It’s not, however, the only one to which due attention has been paid, and the recording — the production style — of The Omen helps too in bringing a vitality that underscores the songwriting shown throughout. Kabbalah emerge somewhat out of place and out of time, but no more than they would seem to want to be, and there is no point at which their devotionalism overwhelms their craft. A burgeoning individuality holds further promise for growth, but one would be remiss not to note the confidence and righteous poise with which this material is — still organically — delivered.

Kabbalah, “Ceibas” official video

Kabbalah on Thee Facebooks

Kabbalah on Instagram

Kabbalah on Bandcamp

Rebel Waves Records on Thee Facebooks

Rebel Waves Records BigCartel store

Rebel Waves Records on Bandcamp

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Kabbalah Announce Jan. 15 Release for The Omen; “Ceibas” Video Posted

Posted in Whathaveyou on December 4th, 2020 by JJ Koczan

Kabbalah

Because of general cultural ignorance on my part, I had to look up what a ‘ceiba’ is. If you’re curious, it’s a species of tree considered sacred by some in Mayan culture — a kind of tree of life, but one connected to the underworld. If you’re thinking Yggdrasil from Norse mythology, you’re not too far off-base, but ceiba-as-world-tree is older by a couple millennia. That’s what I learned on the internet today. Well that and some stuff about Star Trek, anyhow. Alright.

Kabbalah‘s new record runs as a taut 29-minute/eight-song cultish mass, thoroughly modern in melody and tonal presence, but given an edge of folkanalia just the same. Its longest song is closer “Liturgy” at 4:14 and at no point does The Omen waste the band’s time or the listener’s. If you can’t appreciate that, surely the uptempo push of “Ceibas” or the animated day-in-the-life-of-Death video that accompanies its unveiling will hook you. If not, well, thanks for reading anyhow.

For everyone else, album preorders are up for The Omen ahead of a Jan. 15 release.

Plant a tree:

kabbalah the omen

Occult rock trio KABBALAH to release new album ‘The Omen’ on January 15th via Rebel Waves Records; watch spooky animated video “Ceibas” now!

Pamplona-based occult rockers KABBALAH unveil all details about their sophomore album ‘The Omen’, to be released on January 15th, 2021 through Rebel Waves Records. On this occasion, the trio debuts their ritualistic and colorful “Ceibas” video.

“Ceibas is about how evil and destructive human behavior is to the Earth, and the video walks you through the song and the lyrics wonderfully” describes the band.

Hailing from Pamplona in the north of Spain, KABBALAH was formed on the ashes of local outfit Las Culebras, looming in the dark, esoteric realms of witchcraft and closed door arts. The trio started a prolific cycle of music by self-releasing three EPs (‘Kabbalah’, ‘Primitive Stone’ and ‘Revelations’) between 2013 and 2016, progressing to their 2017 debut album ‘Spectral Ascent’. With their garage-sounding, 70s-style hard rock and Coven–inspired occult atmospheres draped over the bones of Black Sabbath and Blue Öyster Cult, the Spanish power trio has been well received among followers of the darkest sounds.

On new album ‘The Omen’, KABBALAH affirm this unique way of theirs to turn their 70s rock influences into a craft of their own: while the guitar and bass twirl around like on a haunted carousel, the trio sprinkles all eight tracks with a subtle Spanish folk and western vibe while keeping the heaviness intact. An unwaveringly creative, enigmatic and spellbinding album that has chances to quickly enter your 2021 favorites list!

‘The Omen’ is out on January 15th, 2021 on Rebel Waves Records and available to preorder as:
– LTD edition vinyl pressed on bone colored vinyl with gold and black splatter
– Black vinyl
– LTD edition digipack
– Digital

KABBALAH New album “The Omen”
Out January 15th, 2021 on Rebel Waves Records
PREORDER NOW

TRACK LISTING:
1. Stigmatized
2. Ceibas
3. Night Comes Near
4. The Ritual
5. Lamentations
6. Labyrinth
7. Duna
8. Liturgy

In the winter of 2021, KABBALAH are coming back to life with their sophomore full-length ‘The Omen’, an occult rock grimoire where sticky melodies, funerary riffs and liturgy vocals come together as an impressive and infectious breed of 70s heavy, doom and psych. It will be released through US independent label REBEL WAVES RECORDS, Ripple Music’s imprint for all things psychedelic, alt-rock, pop, post-punk and garage. Keep your eyes peeled for more info about ‘The Omen’ will come your way soon!

KABBALAH is:
Carmen Espejo — Drums/vocals
Marga Malaria — Bass/vocals
Alba DDU — guitar/vocals

https://www.facebook.com/Kabbalahrock
https://www.instagram.com/kabbalahband/
https://kabbalahrock.bandcamp.com/
https://www.facebook.com/Rebelwavesrecords/
http://www.rebelwavesrecords.bigcartel.com/
https://rebelwavesrecords.bandcamp.com/

Kabbalah, “Ceibas” official video

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Kabbalah Sign to Ripple Imprint Rebel Waves Records; The Omen Coming Soon

Posted in Whathaveyou on October 22nd, 2020 by JJ Koczan

Three years ago, Spanish trio Kabbalah made their full-length debut with Spectral Ascent (discussed here) through Twin Earth Records (also Hellas Records on tape), and as that kind of thing will, it piqued my interest because I’m well aware of the label’s particular affinity for melody and tone. As it turned out, the three-piece offered plenty of both in a cultish aesthetic they’ll now port over to Ripple Music imprint Rebel Waves Records with their second long-player, The Omen, due out next year.

If you’re the type who notices such things, you might key in on the point that the garage/psych-focused Rebel Waves was formerly known as Rogue Wave. I’m not sure what prompted the rebrand — too close to Rogue One? — but either way the label brings Kabbalah into the company of Las RobertasSacred Shrines and Arcadian Child as the imprint builds its stable of acts. As you might guess, Kabbalah are the darkest of the bunch to-date.

The announcement came down the PR wire:

kabbalah

Spanish occult rock trio KABBALAH signs to Rebel Waves Records for new album release in early 2021.

Rebel Waves Records announce the signing of Pamplona-based occult 70s and garage rockers KABBALAH to their roster. The trio will release their new album ‘The Omen’ in early 2021, with more details to be revealed soon!

Hailing from from Pamplona in the north of Spain, KABBALAH was formed on the ashes of local outfit Las Culebras, looming in the dark, esoteric realms of witchcraft and closed door arts. The trio started a prolific cycle of music by self-releasing three EPs (‘Kabbalah’, ‘Primitive Stone’ and ‘Revelations’) between 2013 and 2016, progressing to their 2017 debut album ‘Spectral Ascent’. With their garage-sounding, 70s-style hard rock and Coven–inspired occult atmospheres draped over the bones of Black Sabbath and Blue Öyster Cult, the Spanish power trio has been well received among followers of the darkest sounds.

In early 2021, KABBALAH will come back to life with their sophomore full-length ‘The Omen’, an occult rock grimoire where sticky melodies, funerary riffs and liturgy vocals come together as an impressive and infectious breed of 70s heavy, doom and psych. It will be released through US independent label REBEL WAVES RECORDS, Ripple Music’s imprint for all things psychedelic, alt-rock, pop, post-punk and garage. Keep your eyes peeled for more info about ‘The Omen’ will come your way soon!

Kabbalah is:
Carmen (drums)
Marga (bass)
Alba (guitar)

https://www.facebook.com/Kabbalahrock
https://www.instagram.com/kabbalahband/
https://kabbalahrock.bandcamp.com/
https://www.facebook.com/Rebelwavesrecords/
http://www.rebelwavesrecords.bigcartel.com/
https://rebelwavesrecords.bandcamp.com/

Kabbalah, “Abomination”

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Ripple Music, DHU Records, Kozmik Artifactz & Twin Earth Records Team up for 2LP Compilation Skull Mountain

Posted in Whathaveyou on May 27th, 2018 by JJ Koczan

skull mountain cover

As an old friend used to say — SCENE UNITY! As someone who lives in fear of corralling even one label’s worth of bands onto a sampler, the notion of the logistics involved with Skull Mountain feels like the stuff of anxiety dreams on the part of those making it happen. And yet, the bold souls at Ripple Music, Kozmik Artifactz, Twin Earth Records and DHU Records have come together across continents to make it happen, and a 500-copies-pressed 2LP four-way label sampler split featuring all previously unreleased tracks and versions is the result. I shouldn’t have to tell you this is something special, something that doesn’t happen every day, and something that might not happen again.

And yet, it’s so emblematic of the moment in which the heavy rock underground finds itself today. Time was when labels like Ripple and Kozmik Artifactz would be too busy competing and trying to poach each other’s bands to team up on a joint multi-artist venture, and to have DHU and Twin Earth on board as well only affirms the passion and the taste at heart in what these people are doing. It’s not about who can be the biggest, or who can make the most money. It’s about love of the music and about wanting to support those who make it and, in this case, teaming up to reach as broad an audience as possible so that everyone benefits.

16 bands, four sides of two platters and one deeply, deeply admirable project, Skull Mountain releases on June 16 with preorders beginning today at the times listed in the flyer below.

Beneath that, you can see the official announcement of the release and the complete tracklisting. Kudos to everyone involved on every level in making this one happen.

From the PR wire:

skull mountain poster

Over a year in the making! Perhaps the world’s first Four-Label collaborative effort to bring together some of the best heavy psych, stoner, doom from both sides of the Atlantic. Two US-based labels, Ripple Music and Twin Earth Records, join forces with two European-based labels, DHU Records and Kozmik Artifactz to bring forth a double album of epic proportions, something so massive it could only have its own monolith, Skull Mountain.

Each Label showcases one full album side of its signature sound, each song previously unreleased or unreleased mix. The entire album mastered to perfection by Tony Reed at HeavyHead.

Inside the gatefold, Tarot cards display the four element theme of Skull Mountain with each Label represented by its own signature element, Ripple-Water; Twin Earth-Earth, DHU- Fire, and Kozmik- Air. Accordingly, each label has a limited amount of vinyl available in its own signature elemental color, Ripple-Blue, Twin Earth – Green, DHU-Red, and Kozmik- Clear

That’s right! Only 500 of these stunning 2xLP albums were pressed, with each label only having 125 in its signature color. Once they’re gone, they’re gone.

An epic introduction into the worlds of North American and European heavy music. A monumental journey to Skull Mountain

Track Listing:

Side Ripple
The Watchers – Starfire (Cosmic Nebula mix)
Kingnomad – Dewer’s Hollow
Blackwulf – The Tempest (Black Tide mix)
Vokonis – Celestial Embrace

Side Twin Earth
Alastor – Blood on Satan’s Claw
Kabbalah – Abomination
Starts that Move – Give It All Away
Haunted – Crossmoth

Side D.H.U.
Disenchanter – More Evil Than Thou
Dawn – Day of the Lord
Witch Ritual – Drawing Down the Moon
Youngblood Supercult – Sticky Fingers

Side Kozmik
The Heavy Eyes – Home
Devil Electric – Devil’s Bells
Red Spektor – Devil’s Keeper
Hair of the Dog – My Only Home

Each label has 125 copies in its own color available on its own site.

www.ripplemusic.bigcartel.com/products
darkhedonisticunionrecords.bigcartel.com
http://twinearthrecords.storenvy.com
http://shop.bilocationrecords.com/

The Watchers, “Starfire” (original version) official video

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audiObelisk Transmission 062

Posted in Podcasts on July 25th, 2017 by JJ Koczan

the obelisk podcast 62

Click Here to Download

 

It’s easy when you’re putting one of these things together to get locked into a headspace and all of a sudden everything you’re putting next to each other kind of sounds the same, kind of blurs together. I’m immensely pleased to say that’s not at all what happened this time around. The sounds throughout vary from heavy psych to rock to proggy jams to Blaak Heat who are on their own wavelength entirely to doom and space rock and so on. It flows though. I’m really happy with how it flows.

That includes the second hour, which has a couple different vibes as opposed to just the usual all-psych head-trip. Also, as you make your way through, keep in mind that a lot of this stuff is coming from debut albums. Moon Rats, Kabbalah, Eternal Black, Mindkult, The Raynbow, Bees Made Honey in the Vein Tree. Hell, Steak’s track is their second album, and Youngblood Supercult too, so yeah, there’s a lot of fresh stuff included from newer bands. I didn’t come into it with a plan at all. This is just how it worked out, which of course is more fun anyway.

As always, I hope you enjoy.

Track details follow:

First Hour:

0:00:00 Moon Rats, “Highway Lord” from Highway Lord
0:03:36 Youngblood Supercult, “The Hot Breath of God” from The Great American Death Rattle
0:07:31 Kabbalah, “Phantasmal Planetoid” from Spectral Ascent
0:12:11 Wretch, “The Wretch” from Bastards Born
0:20:25 Steak, “Creeper” from No God to Save
0:24:28 Eternal Black, “Stained Eyes on a Setting Sun” from Bleed the Days
0:31:44 Mindkult, “Howling Witch” from Lucifer’s Dream
0:36:51 Shooting Guns, “Flavour Country” from Flavour Country
0:45:04 Endless Boogie, “Vibe Killer” from Vibe Killer
0:53:22 Blaak Heat, “Marr El Kallam” from The Arabian Fuzz 7”
0:57:55 The Grand Astoria, “The Sleeper Awakes” from The Fuzz of Destiny

Second Hour:

1:02:45 Eggnogg, “Overture / Wild Goose Chase” from Rituals in Transfigured Time – Prologue
1:16:06 Elara, “Harmonia” from Deli Bal
1:31:41 Bees Made Honey in the Vein Tree, “Sail Away I” from Medicine
1:45:50 The Raynbow, “Changes” from The Cosmic Adventure

Total running time: 2:01:51

 

Thank you for listening.

Download audiObelisk Transmission 062

 

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Kabbalah Post “The Reverend” Video; New Album out Now

Posted in Bootleg Theater on July 14th, 2017 by JJ Koczan

kabbalah

Spanish garage cultists Kabbalah have newly issued their full-length debut, Spectral Ascent, via respected tone-worshiping purveyor Twin Earth Records. If you want to look at the release via a telling statistic, it’s worth noting that three of the nine component tracks contain some version of the word “dark.” Those songs, “The Darkest End,” “The Darkness of Time” and “Dark Revelation” — one might but won’t count the penultimate “The Shadow” in with the bunch as well — only serve to emphasize the thematic point that the album as a whole is making in its organic semi-psych-but-still-clearly-structured atmosphere, given to flashes of post-Uncle Acid/Ghost horror-infused melody (looking at you, “The Darkest End”) but carrying a formative identity from its titular intro through the shuffling finale “Presence.”

“The Reverend,” for which Kabbalah have a new video posted below, is the centerpiece of Spectral Ascent, and it rightly earns its place on the altar with ringing guitar from Alba, a steady and tense low end courtesy of bassist Marga and the crisp punctuation of drummer Carmen‘s snare. Like much of the record that surrounds, its hook does a lot of the work in carrying over the desired vibe, but a little double-kick from Carmen and added flourish of theremin (or a synthesized approximation thereof) lends even more classic-style weirdness to the proceedings as the Pamplona trio move through the sharply executed three-minute push en route to the boogie of the subsequent “The Darkness of Time” and continue Spectral Ascent‘s cohesive, catchy and modern take on raw heavy rock.

The clip is basically an amalgam of garnered footage from horror movies, but it gets the point of the song across one way or the other. Spectral Ascent can be streamed now in its entirety (I’ve included the Bandcamp player at the bottom of this post) and Twin Earth has vinyl available to preorder ahead of an Oct. 1 ship date. Those details follow, courtesy of the PR wire, but of course, first comes the video.

Enjoy:

Kabbalah, “The Reverend” official video

Spanish occult doom metal band KABBALAH are pleased to announce that their new album Spectral Ascent is now available via Twin Earth Records. The album is a blend of occult rock, doom and psychedelic.

Buy the album here: https://kabbalahrock.bandcamp.com/album/spectral-ascent

Pre-order the vinyl edition here: http://twinearthrecords.storenvy.com/products/20518964-kabbalah-spectral-ascent-limited-edition-clear-transparent-vinyl-lp-pre-o

Kabbalah is:
Carmen (drums)
Marga (bass)
Alba (guitar)

Kabbalah, Spectral Ascent (2017)

Kabbalah on Thee Facebooks

Kabbalah on Bandcamp

Twin Earth Records on Thee Facebooks

Twin Earth Records website

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