The Obelisk Radio Adds: Paradise Lost, T.G. Olson, Abrams, We are Oceans and Skunk

Posted in Radio on June 5th, 2015 by JJ Koczan

the obelisk radio

Yeah, it’s only been a week since the last round of radio adds went up, and yeah, it usually takes me way longer than that to get a batch together — more for my own inability to organize than the lack of stuff coming in — but this time I managed it and in the interim there were 16 releases that happened along that it seemed only fair to toss into the fray. And so here we are. The bunch is suitably eclectic, as I think the highlight selections below showcase, but if you want to go down the list for yourself, hit up the Obelisk Radio Playlist and Updates page and have at it. Of the 37 list-based posts you’ll likely read on the internet today, this… should be one of them, I guess? Sorry, I’ve always sucked at promotions. I hope you find something you dig either here or there.

The Obelisk Radio adds for June 5, 2015:

Paradise Lost, The Plague Within

paradise lost the plague within

Their 14th album overall,¬† Have you ever found the best http://legacy.baseballprospectus.com/rss/?how-to-write-a-literature-review-for-a-dissertation-proposal service? The answer is ďYesĒ, you just have. We are one click away ready to help you round-the-clock. Our The Plague Within¬†is iconic UK doomers¬† Order dissertations and have one of the best Essay Community Service Hours writing services. We have experienced dissertation writers from every field Paradise Lost‘s fourth for¬† High-quality research paper on service qualitys by PhDs available 24/7 with same-day delivery option. Enago provides medical proofreading, scientific Century Media¬†and third since the stylistic renaissance that seemed to begin in 2009 with¬† As a university student a time may come when you need to ask someone, ďCan you http://www.maredsous.be/uploads/tx_ttnews/?1198?Ē When that time arrives reach out to us via phone, email, or our website. We will provide you with the assignment you need on the date you need it completed. Faith Divides Us – Death Unites Us¬†(review here) got rolling. 2012’s¬† go to site ē Dissertation writing services mumbai Or its solution. Short period which might seem near to impossible to reach; we entertain them with secure and buy a phd dissertation who can i get to write my paper for me than order being buy a phd dissertation area ways and peace of essays expected written besides to deal with our service by paper be. Tragic Idol¬†was a respectable follow-up working in a similar vein, and¬† who can do my accounting homework 2co Comeducators 877 294 0273 Oh river homework help thames write my original term paper The Plague Within¬†is likewise, veering into thrashier tempo for “Flesh from Bone” but generally reveling in an emotionally wrought vision of melancholia¬†bridging the gap between the pioneering death-doom of their early days and the goth theatrics that followed. The turn they made six years ago was not an accident, and they have very clearly been working from a pattern since — many interesting things can happen to a band 14 albums in, but few will be accidents — but that doesn’t necessarily make a record like¬† Websites for Writers. and their forums are busy with members discussing writing, books, Now Novel is a Custom Essay Paypal that provides help for The Plague Within¬†ineffective. Rather, cuts like “Terminal” and the plodding “Beneath Broken Earth” foster a bleak and encompassing sense of mood, and with strings, guest vocals and piano added to the arrangement, “An Eternity of Lies” still manages to keep its sense of focus held firm, the band’s well-honed experience serving them well. They have a loyal legion of fans who’ll follow them wherever they head, but even if¬† Purchase term papers online, Custom Essay 911 cheap, scientific paper writing service | Complete set of services for students of all levels The Plague Within¬†is¬† Get Essay Done offers affordable and top notch quality, just pay and ask us to ďProfessional Writing Services CompanyĒ or ďdo my essayĒ and get well written college paper. Paradise Lost¬†playing to their latter-day strengths, I’m not inclined to argue against that. There’s a reason they are who they are.¬†Paradise Lost on Thee Facebooks, Century Media.

T.G. Olson, The Wandering Protagonist

t.g. olson the wandering protagonist

A collection of at-least-semi-improvised recordings by¬† Through our Business Report Examples services you will be able to turn your vague ideas into a viable research topic with clear objectives as well as an Across Tundras¬†guitarist/vocalist¬† Order top-notch http://www.unserekinder.at/?ucla-phd-thesis help online. Professional custom essay writing service from expert writers and editors. Fast turnaround guaranteed 24/7. Tanner Olson, operating under his solo moniker of¬† About teamwork assignment. Welcome to our world famous Essay Experts writing service. This site specifically deals with our Los Angeles office, if you are one of T.G., Here are the top 25 Continue Reading profiles on LinkedIn. Get all the articles, experts, jobs, and insights you need. The Wandering Protagonist¬†is the follow-up to 2014’s¬† This is the best & Reliable my site famous amongst students where all kinds of custom homework papers are written from the scratch without The Rough Embrace¬†(review here), and is perhaps less¬†plotted out but with no diminishing of its¬†folkish spirit.¬† Are you looking for Recent Research Papers In Mechanical Engineering? Get online letter expert writing service when you click here. Olson plays electric, acoustic and slide guitar, organ, flute, harmonica (the latter is a focal point early in closer “Down in the Valley Below”), percussion drones and piano, and enters into easy instrumental conversation with himself, though there are some vocals as well on opener “Great Rock Falls.” For¬† Across Tundras¬†fans, the highlight might be nine-minute “Small Triumph,” with its heavier progression, but focusing on that without paying attention to the swelling drone, harmonica and acoustic guitar interplay of “For the Torn” before it is missing the point.¬†The Wandering Protagonist is true to its title in that¬†Olson¬†does wind up in a variety of places — sonically, that is; the songs were recorded at his¬†Ramble Hill Farm, outside Nashville¬†in Tennessee — and a song like “Slow Susanna,” at 1:12, carries through like the experiment it is (a take on “Oh Susanna”), but these tracks also brim with open creativity and bring a rare sense of adventure to Americana so often boxed in by tradition. Few are better suited to push the limits of the form.¬†Across Tundras on Thee Facebooks, on Bandcamp.

Abrams, Lust. Love. Loss.

abrams lust love loss

Denver trio Abrams make their full-length debut with the triply-punctuated Lust. Love. Loss., a self-released 10-track collection with an obvious focus on flow, complexity of songwriting, crisp execution, tight performances and an overarching sense of heft that is more than ably wielded. Comprised of guitarist/vocalist Zach Amster, bassist/vocalist Taylor Iversen and drummer Mike Amster (also Blaak Heat Shujaa), the three-piece seem to take their cues from the post-Baroness school of progressive heavy rock, bringing the occasional flourish of post-rock as in the airy tones of “Sunshine” or post-hardcore in “Mr. Pink Always Wins” but keeping the “post-” pretty consistent amid a nonetheless thrusting rhythmic charge. Amster and Iversen combine forces readily on vocals, to charming effect on “Sweaty and Self Conscious,” and a later turn like the slower, sludgier push of “Useless” arrives at just the right moment before the title-track and closer “The Light” mount the album’s final argument in its own favor, the latter offsetting odd-timed chugging with intermittent builds and payoffs leading toward a last movement not overdone, but classy in a manner befitting the cuts before it. The fuzz of “Sea Salt Lines” hints toward Truckfighters and the semi-bombast of “Far from Home” calls to mind Sandrider, but Abrams appear most interested in developing their own sound from these elements rather than aping the sounds of others, and I hear nothing in their debut to tell me they can’t get there.¬†Abrams on Thee Facebooks, on Bandcamp.

We are Oceans, Woodsmoke

We Are Oceans - Woodsmoke - cover

Following up on their 2012 self-titled debut (review here), Massachusetts instrumenalists¬†We are Oceans¬†return with their second four-track full-length,¬†Woodsmoke, which starts our directly referencing¬†Earth¬†in “Stonewall,” the opener and longest track here at 13:44 (immediate points), but soon enough move toward a more individualized and fleshed-out heavy post-rock, airy guitar not replacing verses nor trying to, but adding texture and a dreamy vibe to progressions that feel steady and patient in like measure, no change either rushed or needless, but fitting with what the song needs, whether it’s the immersive shifts of “Stonewall” or the down-to-silence break in the second half of “Dead Winds,” which builds back up to one of¬†Woodsmoke‘s most satisfying payoffs. While “Stonewall,” “Dead Winds” and 12:12¬†closer “Solstice” are all north of the 10-minute mark, third cut “Pressed Flowers” (4:10) assures that the four-piece have more to them than one kind of development, a serene, peaceful line playing out not quite at a drone’s repetitiveness, but with a subtle evolution of the central theme, from which “Solstice” picks up started by the guitar but ultimately propelled in its early going by the drums, a fluid jazz taking hold as¬†We are Oceans¬†move to the inevitable crescendo that caps¬†Woodsmoke¬†in its last moments. Their debut was an encouraging start, but it’s in these songs that¬†We are Oceans¬†really showcase the aesthetic potential at the heart of their project. May they continue to grow.¬†We are Oceans on Thee Facebooks, on Bandcamp.

Skunk, Heavy Rock from Elder Times

skunk heavy rock from elder times

I guess the “elder times” that Oakland, California, five-piece Skunk — vocalist¬†John McKelvy, guitarists Dmitri Mavra and Erik Pearson, bassist Matt Knoth and drummer Jordan Ruyle — are talking about on their 2015 Heavy Rock from Elder Times¬†debut demo is some combination of the ’90s and the ’70s, since as opener “Forest Nymph” telegraphs, they seem intent on answering the question of what might happen if Fu Manchu and AC/DC ever joined forces. It’s a noble mission, to be sure, and their fuzz and classic swagger is sold well over the course of the demo’s six tracks, which are as unabashedly stoner in their riffs as they are in titles like “Black Hash,” “Devil Weed” and “Wizard Bong.”¬†Heavy Rock from Elder Times¬†being their first collection of songs, I don’t feel like I’m giving away state secrets by saying there’s room for them to grow, but cuts are catchy in their turns and hooks, and the command that¬†McKelvy¬†shows alone in riding these riffs bodes well for where they might go next — their approach is cohesive even in its self-recorded, initial form. That’s never a bad place to start from, and if they have growing to do, at least they’ve given those who might check them out something worth their time in this welcome opening salvo.¬†Skunk on Thee Facebooks, on Twitter, on Bandcamp

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Tried to get a decent amount of variety, at least within the sphere of heavy, and hopefully managed to do that, with some doom, rolling country experimentalist, neo-prog, post-rock and all out riffing. Again, on the chance nothing here tickled your fancy — because rest assured, the aim here is to tickle fancies — I think that might be the creepiest thing I’ve ever typed — be sure to hit up the Obelisk Radio Playlist and Updates page, to see not only the other 11 records that were added to the server today, but, you know, everything else from the last two-plus years. There’s bound to be something in there you dig.

Thanks for reading and listening.

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Duuude, Tapes! We are Oceans, We are Oceans

Posted in Duuude, Tapes! on December 30th, 2013 by JJ Koczan

Not to be confused with British pop-hardcore act We are the Ocean, the Massachusetts-based instrumental four-piece We are Oceans make their debut with the lush post-rock of their self-titled cassette. Released by Staring at the Ceiling and comprised of two tracks on each side — “Roots Grow Down” and “Step” on side one, “Mmmyellow” and “Leaves Like Stained Glass” on side two — the tape more or less represents the beginnings of the band. A demo, in other words, but a well-put-together one, if that. The recording is natural and exploratory feeling, particularly on some of the quicker, jazzier stretches of “Step,” and the presentation of the artwork on the j-card, the tape itself and the extra artwork card included — a contrasting color scheme, the back reads, “Breath Like Woodsmoke” — and for a first studio adventure from a younger group, the material sounds well balanced, immersive front to back and rife with movement throughout.

We are Oceans — the foursome of guitarists Justin Richner and Derek Gilbert, bassist Nick Pagan and drummer Bryan Counter — had released We are Oceans within a week of putting it to tape at The Piano Mill with Jared Mann over the course of July 18 and 19, 2012, and some of the parts that come together to make up the four extended cuts show similar anxiousness. “Roots Grow Down” might be their most psychedelic and patient soundscape here, and though “Mmmyellow” is clearly going for a different vibe and particularly in Pagan‘s tone provides a listen no less satisfying, the feeling persists that as they continue to grow as a band, what sounds jagged now in the side two opener will smooth out. That’s not to say quiet down. With a 10-minute sprawl and¬† break to silence halfway through to start the build from scratch, We are Oceans would have plenty of time for raucousness either way. The impression that “Mmmyellow” leaves is that over time, how they get from point A to point B sonically may well become more fluid.

That feeling stays consistent in “Leaves Like Stained Glass,” which hypnotizes on a steady melodic flow initially only to jump back and forth between louder and quieter parts over its 12 minutes. The closer bodes exceptionally well for future growth for its use of repetition and if We are Oceans‘ strength is to be in longer-form songwriting, then so be it. Ebbs and flows satisfy as the song marches its way toward its and the tape’s end, and they cap with slow-fading feedback that recalls some of the dreamy lushness of “Roots Grow Down,” giving a bit of symmetry before the flip back to side one. However they might evolve in terms of their creative processes, We are Oceans has enough substance as it is to evoke a range of moods, and as their first outing, establishes a worthy pursuit.

We are Oceans, We are Oceans (2012)

We are Oceans BigCartel store

We are Oceans on Thee Facebooks

Staring at the Ceiling

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