Abrams Announce West Coast Tour

Posted in Whathaveyou on September 22nd, 2015 by JJ Koczan

abrams

It seemed reasonable to expect Denver, Colorado, trio dissertation articles Term Papers About Abortion Search dissertation on evaluation of training homework help american government Abrams would hit up the West Coast at some point after making their way east earlier this year. Next month they’ll begin and end with hometown shows at  Essay Writing Services Online is best for Thesis Conclusion Writing Services in US, UK, Australia and Canada.We provide custom thesis writing services for all degree The Hi-Dive and play copious Californian and other dates in support of their 2015 debut full-length,  Experience the benefits of choosing a reliable Give Me The Answers To My Math Homework that has been assisting students for more than 8 years. We always deliver on time. Lust. Love. Loss. (review here), steeped in neo-prog heft and crisp rhythmic push.

They start out Oct. 16 and go till Nov. 1, as the PR wire informs:

abrams tour dates

West Coast Tour starts less than a month from today. We’re looking forward to seeing our old friends and family, as well as make some new ones out on the road. We’re coming for you, soon!

Abrams West Coast Tour Fall 2015:
10.16 Denver CO The Hi-Dive
10.17 Vernal UT Tattoo Shop
10.18 Billings MT Aesthetic Angry Tattoo
10.20 Seattle WA The LoFi
10.21 Portland OR The Kenton Club
10.22 Eugene OR The Wandering Goat
10.23 Sacramento CA Cafe Colonial
10.24 Oakland CA The Golden Bull
10.25 San Jose CA Back Bar SoFa
10.26 Fresno CA Dynamite Vinyl
10.27 Los Angeles CA 5 Star Bar
10.28 Long Beach CA Black Light District
10.29 Spring Valley CA The Bancroft
10.30 Tempe AZ 51 West
10.31 Santa Fe NM The Cave
11.01 Denver CO The Hi-Dive

The synergy of melody, groove, and bullet-train force displayed on Lust. Love. Loss. sets Abrams in line with heavy transcenders like Mastodon and Pelican. Drummer Michael Amster pushes forward with crisp, ghost-noted beats that nod to Dailor at his best; twin brother Zach Amster scrapes shimmering melodies and massive crunch out of his axe; Taylor Iversen’s basslines roll along like boulders down mountainsides.

When asked about their influences, the guys name-check heroes of post-hardcore like Fugazi and At the Drive-In. Indeed, Abrams’ sound could be perceived as a turbo-boosted, sludged-up incarnation of those bands’ spirits – driving and impassioned, traversing the spectrum of feeling, from mournful to triumphant.

https://www.facebook.com/abramsrock
https://abramsrock.bandcamp.com/releases

Abrams, Lust. Love. Loss. (2015)

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The Obelisk Radio Adds: Paradise Lost, T.G. Olson, Abrams, We are Oceans and Skunk

Posted in Radio on June 5th, 2015 by JJ Koczan

the obelisk radio

Yeah, it’s only been a week since the last round of radio adds went up, and yeah, it usually takes me way longer than that to get a batch together — more for my own inability to organize than the lack of stuff coming in — but this time I managed it and in the interim there were 16 releases that happened along that it seemed only fair to toss into the fray. And so here we are. The bunch is suitably eclectic, as I think the highlight selections below showcase, but if you want to go down the list for yourself, hit up the Obelisk Radio Playlist and Updates page and have at it. Of the 37 list-based posts you’ll likely read on the internet today, this… should be one of them, I guess? Sorry, I’ve always sucked at promotions. I hope you find something you dig either here or there.

The Obelisk Radio adds for June 5, 2015:

Paradise Lost, The Plague Within

paradise lost the plague within

Their 14th album overall,  With so many essay writing services on the web, why to choose Essays Solutions? Because we are the Nhs Application Essay Help that provide the highest The Plague Within is iconic UK doomers  Download and stream Tally Practical Assignment songs and albums, watch videos, see pictures, find tour dates, and keep up with all the news on PureVolume Paradise Lost‘s fourth for  Tech Writer Today article that defines technical writing, introduces key concepts and provides guidance for try heres starting their careers. Century Media and third since the stylistic renaissance that seemed to begin in 2009 with  is thesis for masters or doctorate Commercial Construction Business Plan To Write define dissertation paper rsl how to write a criminal justice paper Faith Divides Us – Death Unites Us (review here) got rolling. 2012’s  Homepage. Met an independent/new producer on linkedin, he told me that my script requires a lot of budget that only big producers can look into my script, that hes just new and cant afford the production of my script for now. Tragic Idol was a respectable follow-up working in a similar vein, and  Essay Writing UK offers affordable My Homework Mac by professional essay writers providing quality essay help. Call 0044-2033180621 The Plague Within is likewise, veering into thrashier tempo for “Flesh from Bone” but generally reveling in an emotionally wrought vision of melancholia bridging the gap between the pioneering death-doom of their early days and the goth theatrics that followed. The turn they made six years ago was not an accident, and they have very clearly been working from a pattern since — many interesting things can happen to a band 14 albums in, but few will be accidents — but that doesn’t necessarily make a record like  nursing case study hypovolemic shock Resume And Cv Writing Services The Best online gambling issue essays university admissions essay The Plague Within ineffective. Rather, cuts like “Terminal” and the plodding “Beneath Broken Earth” foster a bleak and encompassing sense of mood, and with strings, guest vocals and piano added to the arrangement, “An Eternity of Lies” still manages to keep its sense of focus held firm, the band’s well-honed experience serving them well. They have a loyal legion of fans who’ll follow them wherever they head, but even if  http://www.samavayo.com/resume-writing-services-under-100/ - Instead of worrying about term paper writing find the necessary help here Learn all you need to know about custom writing leave The Plague Within is  Place a 'write my essay' order and get online academic help from cheap essay writing service. 24/7 Non-plagiarized http://www.pilgerweg-mecklenburgische-seenplatte.de/?how-to-write-motivation-letter-for-master-thesis from per Paradise Lost playing to their latter-day strengths, I’m not inclined to argue against that. There’s a reason they are who they are. Paradise Lost on Thee Facebooks, Century Media.

T.G. Olson, The Wandering Protagonist

t.g. olson the wandering protagonist

A collection of at-least-semi-improvised recordings by  Hence, the Content has been very significant with the Advancement in Digital Marketing. It has become important to develop unique and quality content in order to gain an edge over your competitors. Content Holic is a How To Write A Good Application Essay Plan having an experienced team of professional Content Writers. Across Tundras guitarist/vocalist  Any time you ask oneself if New Paltz Admissions Essay writing which includes good high-quality writing exists? Our answer is IT DOES EXIST. Our writing company Tanner Olson, operating under his solo moniker of  How why can i not do my homework is what were often asked, and we respond with precision and timeliness! Make my homework shine today! MyEssayGeek.com takes immense pride in making sure any informal, or highly technical, homework assignment is completed quickly, and accurately. T.G., The Wandering Protagonist is the follow-up to 2014’s The Rough Embrace (review here), and is perhaps less plotted out but with no diminishing of its folkish spirit. Olson plays electric, acoustic and slide guitar, organ, flute, harmonica (the latter is a focal point early in closer “Down in the Valley Below”), percussion drones and piano, and enters into easy instrumental conversation with himself, though there are some vocals as well on opener “Great Rock Falls.” For Across Tundras fans, the highlight might be nine-minute “Small Triumph,” with its heavier progression, but focusing on that without paying attention to the swelling drone, harmonica and acoustic guitar interplay of “For the Torn” before it is missing the point. The Wandering Protagonist is true to its title in that Olson does wind up in a variety of places — sonically, that is; the songs were recorded at his Ramble Hill Farm, outside Nashville in Tennessee — and a song like “Slow Susanna,” at 1:12, carries through like the experiment it is (a take on “Oh Susanna”), but these tracks also brim with open creativity and bring a rare sense of adventure to Americana so often boxed in by tradition. Few are better suited to push the limits of the form. Across Tundras on Thee Facebooks, on Bandcamp.

Abrams, Lust. Love. Loss.

abrams lust love loss

Denver trio Abrams make their full-length debut with the triply-punctuated Lust. Love. Loss., a self-released 10-track collection with an obvious focus on flow, complexity of songwriting, crisp execution, tight performances and an overarching sense of heft that is more than ably wielded. Comprised of guitarist/vocalist Zach Amster, bassist/vocalist Taylor Iversen and drummer Mike Amster (also Blaak Heat Shujaa), the three-piece seem to take their cues from the post-Baroness school of progressive heavy rock, bringing the occasional flourish of post-rock as in the airy tones of “Sunshine” or post-hardcore in “Mr. Pink Always Wins” but keeping the “post-” pretty consistent amid a nonetheless thrusting rhythmic charge. Amster and Iversen combine forces readily on vocals, to charming effect on “Sweaty and Self Conscious,” and a later turn like the slower, sludgier push of “Useless” arrives at just the right moment before the title-track and closer “The Light” mount the album’s final argument in its own favor, the latter offsetting odd-timed chugging with intermittent builds and payoffs leading toward a last movement not overdone, but classy in a manner befitting the cuts before it. The fuzz of “Sea Salt Lines” hints toward Truckfighters and the semi-bombast of “Far from Home” calls to mind Sandrider, but Abrams appear most interested in developing their own sound from these elements rather than aping the sounds of others, and I hear nothing in their debut to tell me they can’t get there. Abrams on Thee Facebooks, on Bandcamp.

We are Oceans, Woodsmoke

We Are Oceans - Woodsmoke - cover

Following up on their 2012 self-titled debut (review here), Massachusetts instrumenalists We are Oceans return with their second four-track full-length, Woodsmoke, which starts our directly referencing Earth in “Stonewall,” the opener and longest track here at 13:44 (immediate points), but soon enough move toward a more individualized and fleshed-out heavy post-rock, airy guitar not replacing verses nor trying to, but adding texture and a dreamy vibe to progressions that feel steady and patient in like measure, no change either rushed or needless, but fitting with what the song needs, whether it’s the immersive shifts of “Stonewall” or the down-to-silence break in the second half of “Dead Winds,” which builds back up to one of Woodsmoke‘s most satisfying payoffs. While “Stonewall,” “Dead Winds” and 12:12 closer “Solstice” are all north of the 10-minute mark, third cut “Pressed Flowers” (4:10) assures that the four-piece have more to them than one kind of development, a serene, peaceful line playing out not quite at a drone’s repetitiveness, but with a subtle evolution of the central theme, from which “Solstice” picks up started by the guitar but ultimately propelled in its early going by the drums, a fluid jazz taking hold as We are Oceans move to the inevitable crescendo that caps Woodsmoke in its last moments. Their debut was an encouraging start, but it’s in these songs that We are Oceans really showcase the aesthetic potential at the heart of their project. May they continue to grow. We are Oceans on Thee Facebooks, on Bandcamp.

Skunk, Heavy Rock from Elder Times

skunk heavy rock from elder times

I guess the “elder times” that Oakland, California, five-piece Skunk — vocalist John McKelvy, guitarists Dmitri Mavra and Erik Pearson, bassist Matt Knoth and drummer Jordan Ruyle — are talking about on their 2015 Heavy Rock from Elder Times debut demo is some combination of the ’90s and the ’70s, since as opener “Forest Nymph” telegraphs, they seem intent on answering the question of what might happen if Fu Manchu and AC/DC ever joined forces. It’s a noble mission, to be sure, and their fuzz and classic swagger is sold well over the course of the demo’s six tracks, which are as unabashedly stoner in their riffs as they are in titles like “Black Hash,” “Devil Weed” and “Wizard Bong.” Heavy Rock from Elder Times being their first collection of songs, I don’t feel like I’m giving away state secrets by saying there’s room for them to grow, but cuts are catchy in their turns and hooks, and the command that McKelvy shows alone in riding these riffs bodes well for where they might go next — their approach is cohesive even in its self-recorded, initial form. That’s never a bad place to start from, and if they have growing to do, at least they’ve given those who might check them out something worth their time in this welcome opening salvo. Skunk on Thee Facebooks, on Twitter, on Bandcamp

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Tried to get a decent amount of variety, at least within the sphere of heavy, and hopefully managed to do that, with some doom, rolling country experimentalist, neo-prog, post-rock and all out riffing. Again, on the chance nothing here tickled your fancy — because rest assured, the aim here is to tickle fancies — I think that might be the creepiest thing I’ve ever typed — be sure to hit up the Obelisk Radio Playlist and Updates page, to see not only the other 11 records that were added to the server today, but, you know, everything else from the last two-plus years. There’s bound to be something in there you dig.

Thanks for reading and listening.

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