Brant Bjork, Groundhogs, Child, Yawning Man and More Playing Black Deer Festival in London

Posted in Whathaveyou on February 19th, 2019 by JJ Koczan

black deer desertscene banner

Desertscene in London — the same good people who put together Desertfest there and have worked to bring it to New York as well — have paired up with the country/Americana/blues Black Deer Festival to present a stage called The Roadhouse that’ll have custom motorcycles hanging around, camping and a lineup that’s pretty kickass front to back. It’s not exactly like they’re sneaking into the bill, but you’ve got Yawning ManAsteroidBrant Bjork and Groundhogs and King Buffalo and Radio Moscow and Duel and Steak and Child and so on bringing their wares to Edridge Park in Kent and it seems to me you could do a hell of a lot worse than kind of having a mini-Desertfest built into another festival. That’s how you reach a broader audience, by playing for people who maybe haven’t already heard you. Seems likely a few heads will be turned across the three-day event.

The PR wire has info:

black deer fest poster

BLACK DEER FESTIVAL REVEAL MORE NAMES FOR 2019

Another round of carefully curated names have been added to the Black Deer Festival lineup today, making for an impressive second year for the award-winning new event. The three-day celebration of Americana and Country, set in the beautiful Eridge Park in Kent, presents a unique experience combining music, food and Americana culture that can’t be found anywhere else in the UK.

Brant Bjork, the member of two of the most influential 90’s stoner rock bands Kyuss and Fu Manchu, whose desert rock and roots style will resonate from The Roadhouse stage in June. Brant Bjork joins the all American heavy blues contingent of previously announced Left Lane Cruiser, Radio Moscow and The Roadhouse ‘house band’ Steak – all curated by Desertscene for Black Deer.

Completing today’s line up is British blues rock band Groundhogs, who are best known for their 70’s single Cherry Red – a name adopted by one of Britain’s longest standing independent record labels – as well as heavy psych-blues trio King Buffalo, Australian blues-rockers Child, 60’s psychedelic songwriter Roxanne De Bastion, California’s experimental rockers Yawning Man, Country preacher Paul Cauthen, larger than life boatman and bluesman Sonic Gypsy and Hertfordshire’s rock band Redwood.

ARTISTS ANNOUNCED TO DATE (A-Z)
Asteroid, Band of Horses, Brant Bjork, Chance McCoy, Child, Daniel Antopolsky, Duel, Fantastic Negrito, Ferris & Sylvester, Gordie MacKeeman and His Rhythm Boys, Groundhogs, Hayseed Dixie, Irish Mythen, Jerron Blind Boy Paxton, John Butler Trio, John Smith, Justin Townes Earle, King Buffalo, Kris Kristofferson & The Strangers, Larkin Poe, Left Lane Cruiser, Lucero, Martin Harley, Morganway, Mountains, Neko Case, Paul Cauthen, Radio Moscow, Redwood, Roxanne De Bastion, Ryan Bingham, Sonic Gypsy, Steak, Stubb, The Black Wizards, The Dead South, The Marcus King Band, The Mavericks, The Sheepdogs, The Staves, The Vintage Caravan, The Wandering Hearts, The Trials of Cato, William Crighton, Worry Dolls, Yawning Man.

TICKET INFORMATION
Tier 1 tickets on sale now and are available from https://blackdeerfestival.com/tickets/
Ticket prices from £105 – subject to booking fees.

Tier 2 tickets will be on sale from 26th February.

https://www.facebook.com/events/342379713221524/
https://facebook.com/blackdeerfest
https://www.instagram.com/blackdeerfest/
https://blackdeerfestival.com/tickets/

King Buffalo, “Longing to be the Mountain” live in Philadelphia, Nov. 3, 2018

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Live Review: Høstsabbat 2018 Night Two in Oslo, Norway, 10.06.18

Posted in Reviews on October 6th, 2018 by JJ Koczan

hostsabbat 2018 poster

I knew this was going to be a quick trip, but now that I’m sitting on the other end of Høstsabbat 2018 it feels even quicker than it did on paper. Today was — church pun totally intended — little short of immaculate. It picked up from the energy and personality of yesterday’s show and directed the personalities of each stage in a different way. Upstairs on the altar, it was rock and psych for most of the night, while downstairs in the Crypt, it dug deep into post-metal. Then, for the final two acts, they pulled a total swap. Just when you think you’ve caught the pattern: no dice.

Slept hard after posting that last review and stopped at the organic market on my way back to the Kulturkirken Jakob and picked up a little natural-rubber frog for The Pecan back home, then hit the venue to check in. I should note: Coffee was had. In bulk. I didn’t count cups, but I wouldn’t have been able to keep track anyhow. I know I put down two or three before Taiga Woods were finished opening the day in the basement, and I stopped in for more several times along the way after that. Big quality of life improvement.

I’m not sure how else to say it — today was a special day. I am not young, and I have been to many shows in my time. That’s not bragging; I’ve by no means seen the most shows. But I’ve seen a few. And a day like this doesn’t come along all that often. I know already I’ll be looking back on my time here fondly. I haven’t even left the hotel to go to the airport yet, and frankly I’m already feeling nostalgic.

Thank you for reading. This is how it went:

hostsabbat art

Taiga Woods

Taiga Woods (Photo by JJ Koczan)

Rockin’ start to the proceedings. Oslo’s own Taiga Woods tapped into a traditional style of desert heavy, showing shades of Kyuss and Queens of the Stone Age early on, but working their way toward their own identity in style and presence. Most of what they played came from their 2017 self-titled debut, though it’s worth noting that it would seem guitarist/vocalist Erik Skundberg has undergone a total revamp of the band in the 13 months since that LP was released, bringing on board drummer Jonatan Eikum as well as guitarist Jøran Normann, who played upstairs yesterday as a member of Lonely Kamel, and bassist Ole Ulvik Rokseth, who opened the Crypt yesterday as part of SÂVER. Familiar faces or no, that’s not a minor change when it’s three-fourths of the lineup. But as refreshing as it was to see an act get down to the ’90s roots of modern-style heavy rock, they lacked nothing for chemistry between them, and the new song “Step Up” fit well ahead the catchy “Slow Burning” as they made their way toward finishing with “The Great Machine.” I didn’t see CDs for sale, which only says to me they’re ready for someone to step up and put that record out either before or in conjunction with a new one to come.

Elephant Tree

Elephant Tree (Photo by JJ Koczan)

Maybe once — maybe — at a festival like this, I’ll see something that makes me pull the plugs out of my ears. Elephant Tree were that band at Høstsabbat. Kind of hard not to feel like the universe was doing me favors, lining up them, Asteroid and Electric Moon one into the next on the upstairs stage. The London three-piece were freshly arrived off a tour with Mothership and Stoned Jesus, and they sounded like it. I was lucky enough to see them in their hometown this past May (review here), and of course the context was different them play on an actual church altar in a room with a ceiling at least three stories high, but even so, they were locked in like a band who’ve been touring, and while they were joking around and guitarist/vocalist Jack Townley and bassist/vocalist Peter Holland were ragging on drummer Sam Hart for forgetting to get a beer before they took stage — someone brought him one — they were utterly locked in through “Dawn,” “Surma” and “Aphotic Blues” from their 2016 self-titled debut (review here). The harmonies between Townley and Holland were dead on, and they only showed progression in that regard with two new songs that carried the tentative titles “Wasted” and “Bella” before they closed out with a slowed-down cover of Black Sabbath‘s “Paranoid.” Because of the tempo, I actually thought they might dip into the Type O Negative version, but they ultimately stayed loyal at least in structure to the original. To call them a highlight of the trip would be underselling it viciously. A blast all the way through. They played Psycho Las Vegas last year, but I hope their next album brings them to the US for a full tour. They sounded ready and well up to the task.

Dwaal

Dwaal (Photo by JJ Koczan)

I knew nothing about Dwaal going into their set, and sometimes I like that. Also based in Oslo, they packed their five-piece lineup into the basement stage such that bassist Stian spent a decent portion of the set playing at least half behind a concrete support pillar. Metal. Actually, post-metal, and sludge, and doom, but fittingly atmospheric for an evening that would be headlined by Amenra. Their debut EP, Darben, came out last year comprised of two extended cuts — I’d call it a full-length since it topped 30 minutes, but why argue? — and they’ve reportedly got an album in the works, and while I don’t know if the bulk of what they played was new or older, their aggression and their level of crushing riffing were obviously a far cry from both Elephant Tree and Taiga Woods, but they marked the beginning point of a second thread running throughout the evening, which comprised more ambient and aggro post-whatnottery in contrast to the more rock-minded or psychedelic fare. Either way, the room knew them more than I did and they had heads banging and nodding in front of the “stage” — that’s not to say “the spot on the floor where the rug was” — and on the side as well, which was closed yesterday and opened today presumably to accommodate a broader flux of attendees. It was full for Dwaal, and reasonably so.

Asteroid

Asteroid (Photo by JJ Koczan)

Such boogie. Such warmth. I mean, come on. All other things in the universe being equal — especially money — the chance to see Asteroid alone would’ve justified this trip. I made my way up early to the Chapel stage, to make sure I got a spot up front to see them, and was rewarded with a set that gracefully spanned all three of their albums to-date and found them jamming out psychedelic heavy blues with a naturalism that was present not only in the individual tones and voices of guitarist/vocalist Robin Hirse and bassist/vocalist Johannes Nilsson, or the swing and shuffle in Jimmi Kohlscheen‘s drumming, but in the sonic conversation between the the three of them. That might be the most classic aspect of the Örebro trio’s sound, and it’s something that comes across on their records as well — their 2007 self-titled debut (discussed here), 2010’s II (review here) and 2016’s return from hiatus, III (review here) — but of course, to see it in the moment as it’s happening, to see them make the easy shift between “Garden” and “Disappear” or to have them turn to the riffy “Speaking to the Sea” from the first album ahead of “Mr. Strange” from the latest one, it was all the more powerful of an impression made. I hear tell there’s new material in the works; songs coming together for the next record and plans to tour ahead of hitting the studio. As Asteroid have been off and on the better part of the last five years, it only bodes well to know they’re thinking ahead for good things to come. They only make the world a better place for existing, and the more they do that, the merrier.

The Moth Gatherer

The Moth Gatherer (Photo by JJ Koczan)

Back downstairs for more post-metallic volume assault. Sweden’s The Moth Gatherer in some ways picked up where Dwaal left off, but traded in some of the rawness of their Crypt-stage predecessors for an even-more atmospheric take. They had an EP out last year called The Comfortable Low, but their latest full-length was 2015’s The Earth is the Sky (review here), and their more post-rock-based style sat well with the crowd downstairs that was packed to capacity with a line outside waiting to get in as other people made their way out. A very thoughtful, progressive sound nonetheless had its share of claustrophobia, which was all the more fitting given the basement where they played, and watching them, it was evident just how righteously Høstsabbat had managed to capture not just a “club show” experience with its smaller stage, but more like a house show. To low light and periodically bludgeoning intensity, The Moth Gatherer filled that Crypt with sound as much as people, and they were a band I’d probably never have the chance to see anywhere else, so I felt all the more fortunate for the chance to do so here, in that small room where the walls seemed so ready to cave in at a moment’s notice. The thread that started with Dwaal and continued with The Moth Gatherer would pick up again with Amenra at the end, but there was still more rock to be had first.

Electric Moon

Electric Moon (Photo by JJ Koczan)

Before the German instrumentalist space/psych jammers got started, they shared a hug on the side of the stage, and then guitarist Dave “Sula Bassana” Schmidt got on mic and wished everyone a pleasant flight. With the core trio of the band made all the more lush owing to guest synth from Burt Rocket (SEID) at the center of the stage, that trip took off quickly and didn’t bother to look back at ground below. Schmidt and bassist/sometimes-vocalist “Komet Lulu” Neudeck were rejoined by original drummer Pablo Carneval about a year ago, and their adventures only seemed to take them farther and farther out as their set went on, washes of guitar and synth floating up to the high ceiling while the bass and drums held together a fluidity of groove that showed the band for the masters of the form — such as it is a “form” with a sound so utterly molten — that they are. I’ve been lucky enough to catch them at Roadburn in years past (review here) and with their members in various projects, as the band’s pedigree runs through acts like Zone Six and WeltraumstaunenKrautzone, etc., but to see Electric Moon on stage is something unto itself. They’re never overly showy in terms of thrashing about or anything, but the experience of their sonic exploration comes through vividly as they play, and that suits the laid back feel of the resultant material itself perfectly. They did not in any way fail to invite the audience along on what indeed turned out to be a pleasurable, radiant-in-the-sense-of-light journey.

Brutus

Brutus (Photo by JJ Koczan)

I did not see nearly enough of Brutus. They were killer, and they were killing, and I did not see nearly enough of them doing it. To be fair to myself, I’d probably say the same if I’d managed to watch their full set, but the Norwegian traditionalist heavy rockers headlined in the Crypt, and they had the basement of Kulturkirken Jakob so jammed with bodies that for the first time in the whole weekend, I felt the press of the crowd almost knock me over up front. And even if I do at some point in my life get to see Brutus again, chances are, it won’t be in the kind of situation where I’m in danger of tripping over the stage monitors on the floor because of the push of people behind me, so I relished the opportunity while I could. And Brutus — clearly hometown heroes of boozy riff-purveyance — were a thrill to behold in that headlining spot. They could’ve played upstairs easily, I’m sure, but despite their sonic discrepancy with The Moth Gatherer and Dwall directly before, they made that basement into a party all the way, and while I knew that in just a little while, Amenra were going to close out the festival on a much darker note, the chance to see Brutus play, and to play in a place that small, wasn’t to be overlooked. I didn’t see enough of it, but I’m grateful for what I did catch, because that’s not an opportunity that will come along often, if it ever does again at all.

Amenra

Amenra (Photo by JJ Koczan)

The Belgian post-metal kingpins have toured the US more than a couple of times at this point, I believe most recently as support for the wallop duo of Neurosis and Converge — their also on the former’s label, Neurot Recordings — but I’m still not sure America really appreciates just how huge Amenra are in Europe. They’re gods here. I knew that from seeing them at Roadburn in 2016, but the intervening years have only seen them all the more don a headliner role. They would seem to have taken the post-metal crown that once belonged to Cult of Luna, and while I’ll admit I could in no way match my fellow fest-goers’ sense of worship when it came time for them to go on, there’s absolutely nothing one can take away either from their intensity or their obvious dedication to how they present themselves. I don’t know if it would be possible to find a more fitting locale for Amenra to play than in a church with cathedral ceilings of height enough for their projections to be shown massively to the assembled congregation, but even if you discount all of that, and ignore the we-play-in-the-dark-until-the-strobes-hit lighting and the fact that frontman Colin H. van Eeckhout doesn’t face the audience until the last song, if then, they’re still a formidable presence live, and there would’ve been nowhere else to put them on the Høstsabbat bill if they weren’t at the top of it. I’m not 100 percent sure I’m ready to call myself a full-on convert to the “church of ra,” as they put it, but I definitely didn’t have any trouble seeing the appeal of their dogma. And I reserve the right to become a total fanboy at some later date.

I left out of Kulturkirken Jakob into the chilly Oslo air without my hoodie on. Just wanted to feel that cold as it was rather than shy away from it. Something about the sensory experience on my bare neck and forearms seemed like a good idea at the time. It’s coming up on three in the morning CET and my flight is at nine-something, so I won’t get to see a lot of the city on this trip. Maybe that was my way of taking as much of it in as I could.

When I got back around the block to the Anker Hotel, I messaged Johannes from Asteroid. We had talked earlier in the day about doing an interview for “The Obelisk Show” on Gimme Radio, and it didn’t happen at the venue, but I thought if they were around the hotel maybe it could work. Was worth a shot, anyhow. Robin was asleep, but I chatted in the hotel bar with Johannes and Jimmi, and that was a blast. I spoke with Elephant Tree earlier in the day as well, and with Ole Helstad and Jens Storaker, who run the fest, so I think I’ll probably just dedicate a whole episode to having been here. I think I have a few weeks before I get there, but I’ll keep you posted.

I haven’t sorted any pics yet from tonight, so need to do that, but I’m not sleepy yet, so hopefully my brain won’t come crashing down before I have to leave for the airport. Help me, last tiny drops of adrenaline.

My eyelids are getting heavy just thinking about it.

I can’t possibly thank you enough for reading if you have.

Thank you.

Thank you so much to Jens and to Ole for having me back here. Thank you to The Patient Mrs. and to Cate Wright for taking on my Pecan duties in my absence. Thank you to my mother and my sister for their undying support. My only hope is they know how grateful I am for it. Thanks to Falk-Hagen Bernshausen for always being so great to run into at fests, to Andrea who I met here, to Kai, who is an institution unto himself, to Pete, Jack and Sam from Elephant Tree, to Robin, Johannes and Jimmi from Asteroid, to Sula Bassana, Martin from Domkraft, Jens Heide, Lex and everyone else I spoke to over the last two days who said hi. It’s hugely appreciated and humbling. People say nice things. It feels good. Thank you.

Alright. On to photos, and then to shower, and then to airport. I doubt I’ll have it in me to post again before I’m back home, and don’t look for much on Monday, but really, one more time, thank you. So much. I don’t even get it, how lucky I am. My soul feels restored for having been here.

Thank you for that.

Pics after the jump.

Read more »

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Asteroid End Hiatus; Playing Høstsabbat in October

Posted in Whathaveyou on March 19th, 2018 by JJ Koczan

Norway-based festival Høstsabbat will be held Oct. 5 and 6 and has been making lineup announcements on successive Fridays since January that apparently I’ve just completely whiffed on because I totally suck at this. In the meantime? The roster of acts looks fucking awesome. Electric Moon, Elephant Tree, Toner Low, Krokofant (about whom I know absolutely nothing but who win on name alone), Brutus, Taiga Woods — and now frickin’ Asteroid. To think I could’ve spent the last two months sweating this excellent frickin’ lineup as it came together. I feel like a dope.

I caught the Asteroid announcement because, well, I wouldn’t call it stalking exactly, but I get notifications when they put out an update on Thee Facebooks, and as they’ve been on hiatus since last summer, there hasn’t been much coming through. That’s changed now, clearly. In addition to Høstsabbat, they’ll play April 20 at Truckstop Alaska in Gothenburg with Weedeater and Nebula, so some pretty killer stuff all around.

And needless to say, I’ve started “not stalking” Høstsabbat as well, so I’ll be keeping up with that as best as I’m able as they continue to reveal more groups playing this year’s fest.

Here’s their Asteroid announcement:

ASTEROID HOSTSABBAT 2018

On this crispy March Friday, we’re proud to announce a somewhat legendary band.

Out of Ørebro, Sweden, Asteroid has played an influential role together with their hometown allies in Truckfighters. Asteroid has delivered fuzzy and groovelicious tunes to a hungry audience for over fifteen years, combining hard rock with a psychedelic and bluesy sound as their imprint.

The band went on total hiatus in 2013, but are finally back in motion again. We couldn’t be happier, or hippier, to welcome them to Høstsabbat in October.

Asteroid speaks for itself, you better come watch them glaze our main stage Saturday October 6th…

https://www.facebook.com/Asteroidband/
http://www.fuzzoramastore.com/en/bands/asteroid/
https://www.facebook.com/hostsabbat/
https://www.facebook.com/events/1394090067384672/

Asteroid, “Til’ Dawn” official video

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Asteroid Premiere Official Video for “Til’ Dawn”

Posted in Bootleg Theater on October 3rd, 2017 by JJ Koczan

asteroid

It was a marked bummer earlier this year when Swedish fuzz rockers Asteroid announced in June that the reignition that had led them to produce their most-welcome third album, III (review here), for Fuzzorama Records in 2016 was essentially cutting short in order to return to an immediate hiatus. Health issues were mentioned and that’s about the last that’s been heard from the three-piece of guitarist/vocalist Robin Hirse, bassist/vocalist Johannes Nilsson, and drummer Jimmi Kolscheen, the latter of whom had joined the band in place of Elvis Campbell after the LP recording. Particularly as the full-length offered a newly energized sound and still managed to keep the organic warmth of the Örebro natives’ prior two outings, 2010’s II (review here) and 2007’s self-titled debut (discussed here), it was sad to see them call it quits for some yet-TBD amount of time just when they seemed to have so much momentum on their side heading into the Fall festival season.

So it goes. One can — apparently — sit and lament all day. One can also check out the band’s new video for the track “Til’ Dawn” from III as a refresher of just how righteous that outing was and still very much is. Of course, since they’re not really together at the moment, Asteroid themselves don’t actually appear in the clip, but the band and Fuzzorama partnered with Minneapolis-based production company Know Idea Productions, who also previously created the video for Truckfighters‘ “Calm Before the Storm” (posted here) that proved controversial when it came out that the narrative was based on a true story and hit a little close to home in Sweden. I don’t know if the plotline of “Til’ Dawn” is similarly ‘ripped from the headlines,’ but its nighttime chase atmosphere and fluid slow motion shots resonate with the song itself and lend an emotional depth to the aural proceedings, which seems pretty much like the ideal.

Also noteworthy just how recognizable the cinematography of “Til’ Dawn” was after “Calm Before the Storm.” Even before I looked it up to confirm, I said to myself, “I bet these are the same people who did that Truckfighters video. Sure enough. So kudos on that.

The hope of course is that at some point Asteroid decide to pick back up and continue to move forward in supporting and eventually pushing beyond III. I’ve got no timeline on when or if that might happen, but a new video isn’t nothing and I’m happy to host the premiere of “Til’ Dawn” below, again, as a refresher for anyone for whom it might’ve been a minute since the last time they put on III. To be perfectly honest, it was enough to get me to play not only that record, but then to go back and grab II and the self-titled as well for a runthrough. I’ve kind of made an afternoon of it, and no complaints.

Credits and links follow. Please enjoy:

Asteroid, “Til’ Dawn” official video premiere

The official music video for the Asteroid song “Til’ Dawn” on Fuzzorama Records.

Written & Directed by: Aiden Kangas
Produced by: Kalaia Bouley
Cinematography by: Tony Perkins
Edited by: Joshua Harris Braun & Aiden Kangas
Color Grading: Tony Perkins
Starring: Joshua Harris Braun & Holly Peterson

Know Idea Productions website

Asteroid on Thee Facebooks

Asteroid on Twitter

Asteroid website

Fuzzorama Records webstore

Fuzzorama Records on Thee Facebooks

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Asteroid Announce Hiatus Citing Health Issues

Posted in Whathaveyou on June 2nd, 2017 by JJ Koczan

Swedish fuzz rockers Asteroid have announced an indefinite hiatus effective immediately. Previously confirmed for slots at this summer’s Freak Valley and Lake on Fire festivals in Germany and Austria, respectively, the Örebro-based trio have canceled all future live dates and other plans citing longtime health issues that need to be addressed.

Last year, Asteroid marked a return from another lengthy stretch of inactivity with the release of III (review here) on Fuzzorama Records. Guitarist/vocalist Robin Hirse, bassist/vocalist Johannes Nilsson, then went on to introduce new drummer Jimmi Kolscheen in place of Elvis Campbell (who played on the record), and hit the road in Europe to support the album. Slots at Desertfest 2016 in London and Berlin found them welcomed as returning heroes of fuzzy riffing and it seemed their melodic, open, jammy sensibility was already beginning to have an influence on the European underground.

Given the overwhelmingly positive reception to III, it’s all the more a bummer to see them hit hard times, and of course on behalf of myself and this site I wish the members of Asteroid all the best, quick recovery, and that whatever help they need, they get so they can get back to making the richly toned and harmonized heavy rock and roll that has so much become their own over the last decade-plus. They promise in the announcement that follows here it won’t be six years like it was after 2010’s II (review here) before they release another album, and one certainly hopes that holds true as they go forward.

Here’s what they had to say:

asteroid

Dear Friends, fans and supporters,

it is with great sadness that we have to inform you that we’re forced to cancel all upcoming shows and future plans from now on. The reason for this decision are long time health issues that won’t allow us to keep on doing as initially planned for this year. We’re deeply sorry and once again want to thank you all for believing in us and your continued support!

This hiatus doesn’t mean we’re going to be dead for six years like the last time! We’re still feeling creative and have music in our hearts!

Love, Asteroid, Jimmi, Johannes and Robin

https://www.facebook.com/Asteroidband/
http://www.fuzzoramastore.com/en/bands/asteroid/

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Lake on Fire 2017 Sold Out; Brant Bjork, Ufomammut, Elder, Acid King & More to Play

Posted in Whathaveyou on May 11th, 2017 by JJ Koczan

lake-on-fire-2017-banner

Austria-based festival Lake on Fire 2017 — which, yes, takes place on a lake and which, yes, looks totally frickin’ awesome as a result — sold out in a matter of minutes earlier this week after putting tickets on sale. The lineup is splendid with Brant Bjork headlining a bill that also includes Asteroid, Elder, Ufomammut, Acid King, Sasquatch, Rotor, and others, but you want to know something even more impressive about it? The full lineup hasn’t even been announced yet. What you see below, with Tides from Nebula, Weedpecker, King Buffalo, Triptonus and all that? Yeah, they’re not even done yet.

Next time you’re searching for an example of how unbelievably righteous the festival scene is in Europe, go ahead and consider Lake on Fire 2017, which offers camping and hotel options, a unique setting, killer bands, and a clientele that trusts it enough to completely buy up all the tickets before the full lineup has been unveiled. My minescule American brain boggles at the thought. Not that I’ve been Mr. Goestoshows lately or anything, but if you’re also from the States, consider the cultural richness at work in making something like this come together in the way it has. It’s astounding. I can’t even get bands to return my emails about playing an All-Dayer a year from now.

Go figure.

From the festival:

lake-on-fire-2017-poster

This is unreal – SOLD OUT again – for the 4th time in a row! Even compared to last year this was kinda fast! Thank you so much for your support! We love you!

For all those who haven’t got their tickets, don’t be sad, there will be another chance in approx. 2 weeks. All pre-registered users in our webshop (newly registered users won’t be considered anymore) will have the chance to be part of our LUCKY BIRD TICKET lottery.

The Artwork is made by the Austrian Artist Missfelidae Illustration.

LINE UP:
Brant Bjork [USA]
UFOMAMMUT [ITA]
Elder [USA]
Acid King [USA]
Rotor [GER]
Asteroid [SWE]
Tides From Nebula [POL]
Sasquatch [USA]
Triptonus [AUT]
Weedpecker [POL]
King Buffalo [USA]

The rest of the line up will be announced within the next two weeks!

www.lakeonfirefestival.com
facebook.com/LOF.festival

Lake on Fire 2016 impressions

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Freak Valley 2017 Adds Four More: Asteroid, Mothership, The Great Machine & Sativa Root to Play

Posted in Whathaveyou on March 6th, 2017 by JJ Koczan

I’m going to avoid the thing I usually do when it comes to posting about Freak Valley and not fall into woeful daydreaming about how much I’d like to go to the festival. I’m not going to give into the impulse in my head which says things like, “Golly, it sure would be nice to see Asteroid again now that they’re back together,” or, “You know, that live record Mothership put out after the last time they played was awesome, I bet they’ll kill it again at Freak Valley.” Nope.

Not gonna let myself go down a rabbit hole of being like, “Gee, I don’t even really know The Great Machine, and Sativa Root are supposed to have a bunch of new material and their last single was pretty cool,” and then make myself sad thinking about things like the prices of international flights and hotel stays.

I’m not going to do any of that stuff I normally do when it comes to these announcements. Nope. No sir.

It’s liberating to be so contented.

Freak Valley 2017 is June 15-17  in Siegen, Germany. It in no way kills me that that is a place I’ve never seen. No way whatsoever.

Here’s the latest from the fest:

freak-valley-2017-asteroid-mothership

Hi Freaks – here are 4 more bands that will join the Freak Valley 2017 lineup.

Asteroid [SW] – Hardrock/Blues/Jam
Mothership [US] – Heavy Rock
The Great Machine [IL] – Stoner/Doom/Psychedelic
Sativa Root [OE] – Austrian Instrumental Doomedelic Stoned Sludge Metal

For the past ten years, ASTEROID have been one of the trend setting bands in the independent psychedelic heavy rock community. With their origin in hard hitting stoner rock, they’ve constantly been adding more musical layers to evolve their own unique brand of rock. With inspiration taken from American and British Blues and Swedish folk music, the three piece always bring something new and fresh to the table. After all these years together and all these concerts Asteroid is a very impressive act to watch live, where their genuine love for the music really shines through in every song. The trio is well known for making use of the entire musical spectrum with a rich and powerful musical energy that never leaves any stone unturned.

“It’s got the murky darkness of the more menacing Zeppelin songs, the spaciness of Floyd’s cosmic tracks, and the bluesiness of Howlin’ Wolf – not to mention the incredible harmonies that tie everything together and keep you coming back for more.”

The supersonic intergalactic Heavy Rock trio MOTHERSHIP is landing at Freak Valley again!!!

The band will be releasing its highly anticipated third studio album “High Strangeness” in Spring 2017. The band is best known for its highly energetic and infectious live show, their non-stop dedication to performing on the road, and their unique Texas brand of heavy rock & roll boogie, blistering guitar solos, and thick grooves many find hard to believe for a 3 piece band. Consisting of brothers Kyle Juett on bass/lead vocals, Kelley Juett on guitar/vocals, and Judge Smith on drums, these guys have created a unique sound that satisfies like a steaming hot stew of UFO and Iron Maiden, blended with the southern swagger of Molly Hatchet and ZZ Top, paired with a deadly chalice of Black Sabbath. Mothership’s goal from the beginning has been to carry on the tradition of the classic rock style of the ’70?s, updated and amped up for the modern day. TRIP ON THE SHIP

THE GREAT MACHINE is a four piece band from Israel.

Led by the brothers Haviv: Omer on guitar and Aviran on the bass. Combined with the energetic drumming of Michael Izaki and the powerful singing of Noga Shalev they create a strong psychedelic, stoner-rock musical experience. The music of THE GREAT MACHINE is very powerfull. Two words: Riffs forward. the Brothers Haviv produce a heavy aggressive riff, that worships at the same time Black Sabbath and Led Zeppelin ; From the back Yitzhaki kills with his drums . Some things make this simplicity wins. First,the free spirit and wild feeling that the Great Machine spreads, their stage behavior immediately releases the rocker in the mind , even if it is quite suppressed . Second, the brothers Haviv are very good at creating a dynamics and tension of slow and heavy rock, and then they shatters.

SATIVA ROOT: A world created from the darkness of ourselves, the homogeneous perfection of the nature and the consequent discrimination of our community. All that and more surrounds the Austrian Band Sativa Root and consequences their motivation to create their special kind of music. But not that bad attributes alone provokes the Trio to write such hypnotic sounds. With a pure and raw instrumental Doom, a fist full of Sludge Metal and spooky psychedelic parts they will put you in a head banging trance.

FREAK VALLEY FESTIVAL – 15th-16th-17th June 2017
www.freakvalley.de www.rockfreaks.de

Freak Valley Festival 2017: No Fillers – Just Killers

LineUp 2017:
Slo Burn, King Gizzard & The Lizard Wizard, Pentagram, Ufomammut, Greenleaf, Conan, Golden Void, Asteroid, The Brew, Arbouretum, Maserati, Föllakzoid, Mothership, Wand, Salem’s Pot, MaidaVale, Elephant Tree, Geezer, Kikagaku Moyo, The Great Machine, Orango, Vodun, The Black Willows, Sativa Root, Limestone Whale

More tba soon…!

www.freakvalley.de
https://www.facebook.com/freakvalley
https://www.facebook.com/events/150965291977635/
https://twitter.com/FreakValley

Mothership, Live over Freak Valley (2016)

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The Top 20 of 2016 Year-End Poll — RESULTS!

Posted in Features on January 1st, 2017 by JJ Koczan

top 20 year end poll results

The poll is closed, the results are counted and the top 20 albums of 2016 have been chosen. Hard to argue with the list as it’s shown up over the course of the past month, so I won’t try. Instead, let me just say thanks to incredible amount of participants who contributed this year.

All told, between Dec. 1 and Dec. 31, 612 people added their picks to the proceedings, compared to 388 in last year’s poll. Considering how much that number blew my mind on Jan. 1, 2016, I’m sure you can imagine how I feel about adding another 200-plus lists to the pot. In short, I’m astounded, deeply humbled and so, so, so grateful. I feel like we got enough of a sampling this year to give a genuinely representative showing for where people’s heads have been at, so thank you if you were a part of it.

Thank you as well as always to Slevin for running the poll’s back end and tabulating the results. As ever, the weighting system is one in which a 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one. You’ll find that list (plus some honorable mentions) below, followed by the raw-vote tally.

And after the jump, as has become the tradition, are the full lists of everyone who submitted, alphabetized by name. I’m in there too. It’s a huge amount to wade through, and even if you thought you heard everything in 2016, it should be more than enough to keep you busy for the next year.

One last note: I’m no statistician. Please allow for these numbers to change over the next couple days on some small level.

Let’s go:

Top 20 of 2016 — Weighted Results

wo fat midnight cometh

1. Wo Fat, Midnight Cometh (375 points)
2. Greenleaf, Rise Above the Meadow (368)
3. Elephant Tree, Elephant Tree (324)
4. Asteroid, III (302)
5. Brant Bjork, Tao of the Devil (295)
6. Gozu, Revival (274)
7. Neurosis, Fires Within Fires (253)
8. King Buffalo, Orion (244)
9. Mars Red Sky, Apex III (Praise for the Burning Soul) (238)
10. Conan, Revengeance (232)
11. Cough, Still They Pray (228)
12. Holy Grove, Holy Grove (218)
13. SubRosa, For this We Fought the Battle of Ages (213)
14. Truckfighters, V (206)
15. Blood Ceremony, Lord of Misrule (200)
16. Khemmis, Hunted (192)
16. Red Fang, Only Ghosts (192)
17. Inter Arma, Paradise Gallows (181)
18. Witchcraft, Nucleus (174)
19. Opeth, Sorceress (173)
20. Church of Misery, And then there Were None (159)

Honorable mention to:
Causa Sui, Return to Sky (157)
Goatess, II: Purgatory Under New Management (157)
Black Mountain, IV (148)
Mos Generator, Abyssinia (144)
Wretch, Wretch (140)

Look at those tallies for number one and two. That race was close all month. Wo Fat kept out front for the most part, but Greenleaf kept it interesting and Elephant Tree’s debut snuck in there at third, which I love to see, both because it’s their first album and because that record was indeed so great. King Buffalo, another debut, also made the top 10, underscoring those two as bands to watch, and though Brant Bjork, Conan, Asteroid, Neurosis, Gozu and Mars Red Sky might be more expected names, they still certainly delivered excellent records, so again, nothing to fight with here. Things flesh out a bit in the 10-20 range, but I don’t think there’s one album on this list you could call is “miss.”

Top 20 of 2016 — Raw Votes

wo fat midnight cometh

1. Wo Fat, Midnight Cometh (109)
2. Greenleaf, Rise Above the Meadow (92)
3. Brant Bjork, Tao of the Devil (87)
4. Elephant Tree, Elephant Tree (82)
5. Asteroid, III (80)
6. Gozu, Revival (76)
7. Conan, Revengeance (73)
8. Cough, Still They Pray (70)
9. Mars Red Sky, Apex III (Praise for the Burning Soul) (68)
10. King Buffalo, Orion (67)
11. Truckfighters, V (62)
12. Red Fang, Only Ghosts (61)
13. Khemmis, Hunted (60)
14. Blood Ceremony, Lord of Misrule (59)
14. SubRosa, For this We Fought the Battle of Ages (59)
15. Holy Grove, Holy Grove (58)
16. Church of Misery, And then there Were None (53)
17. Inter Arma, Paradise Gallows (49)
17. Witchcraft, Nucleus (49)
18. Opeth, Sorceress (47)
19. Mos Generator, Abyssinia (45)
20. Black Mountain, IV (44)
20. Causa Sui, Return to Sky (44)
20. Wretch, Wretch (44)

Honorable mention to:
Goatess, II: Purgatory Under New Management (43)
Mondo Drag, The Occultation of Light (43)
Geezer, Geezer (41)
Crowbar, The Serpent Only Lies (41)
Gojira, Magma (37)
Slomatics, Future Echo Returns (36)
Graves at Sea, The Curse that Is… (35)
Black Rainbows, Stellar Prophecy (33)
Beastmaker, Lusus Naturae (32)
Vokonis, Olde One Ascending (31)

Left a few more honorable mentions in the raw-vote count, just for fun and so you could get more of a feel beyond the top 20 itself, which you’ll notice has a couple ties in it as the raw votes usually do and reorganizes a bit from the weighted results. One and two remain the same, however, and in the same order, and you’ll see Wo Fat was the only album that scored more than 100 votes on its own. As a whole, there were over 2,400 separate entries for albums this year, which is by far the most spread out that the voting has ever been. Frankly, with so many people involved and such a variety of stuff being voted on, I’m amazed anyone managed to agree on anything at all, but of course they did and once again a stellar list is the result.

Well, Happy New Year.

Before I go, thanks again to Slevin for the work put into running the back end of this site and this poll particularly. I show up with the finish lists, but it’s his code that makes it happen, and his efforts are appreciated more than I can say. Dude has never asked me for anything in the nearly eight years I’ve been a constant pain in his ass.

After the jump, you’ll find everybody’s list, alphabetized by name. Please enjoy browsing. I hope you find something awesome, because there’s certainly plenty in there that qualifies, and if you see something that looks like it appears often enough that it should be included in one or both of the counts above, let me know in the comments.

Thanks.

Read more »

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