Various Artists, Kept in a Cave Vol. 1: The European Union of Fuzz

Posted in Reviews on May 10th, 2013 by JJ Koczan

I don’t know how many times I’ve said so – probably at least once for each time I’ve actually brought myself to do it – but I hate reviewing compilations. For most of them, there’s no flow between the tracks, being that it’s different artists, different recordings and sometimes different genres, and even when you get a gem, a non-album track or something like that, there’s no real context for being able to enjoy it, because once it’s over, you’re swept abruptly off to the next thing. Most of the enjoyment I get out of them is in hindsight, years later, when that non-album track is legitimately rare and hard to track down, or the alternate version has never appeared anywhere, or when the comp itself has built up some mystique as a landmark moment – those are even fewer and farther between, but it happens sometimes – either for an artist or the genre. Even if they’re alright to listen to, reviewing them is terrible. You’re either promoting the release outright – “hey, these people are doing good work and you should spend your money on it” – or doing little more than listing the bands involved – “this comp is cool because it has so-and-so involved and they do this song, whereas this band does another song,” and so on. I’ve never been able to find a middle ground in comp reviews and while I do genuinely think there are people out there putting in significant effort to promote artists they believe in, the pain in my ass that reviewing a compilation becomes is enough that I generally try to avoid it as much as possible.

So this is the part where, post-disclaimer, I tell you the case is wholly different with Kept in a Cave, Vol. 1, the 13-track mining operation of Europe’s heavy underground undertaken by Stonerrock.eu, right? Sort of. Kept in a Cave certainly gets a flow going, thanks in part to the similarities in fuzz and jam-minded process of the bands that make up its midsection – Sungrazer into The:Egocentrics into Been Obscene into Electric Moon works rather well and with a healthy dose of Elektrohasch and Elektrohasch-style heavy, there’s not much room for stuff to be out of place – but I still find myself in the position of wanting either to run through the tracklist or just promote it because I respect the effort on their behalf in making the release and its four-panel digipak with giant-mantis artwork happen. To counteract the first, here’s the rundown of artists and songs in its entirety, taken directly off the back of the package:

1. Grandloom, “Larry Fairy” (7:07)
2. Under Brooklyn Palms, “Restlessness” (6:20)
3. Mars Red Sky, “Sadaba” (5:07)
4. Kosmic Elephant, “Bloot Pilot” (6:38)
5. Sungrazer, “Wild Goose” (5:19)
6. The:Egocentrics, “Lost and Found” (4:54)
7. Been Obscene, “Endless Scheme” (6:55)
8. Electric Moon, “Triptriptrip” (8:45)
9. Samsara Blues Experiment, “Hangin’ on the Wire” (5:30)
10. Stonehenge, “Concrete Krieger” (7:36)
11. The Machine, “5 & 4” (6:14)
12. DxBxSx, “Problemkind” (2:16)
13. Sahara Surfers, “Gas” (6:00)

All this adds up to a 79-minute front-to-back listen, about as much as a single-CD will hold. Of the included artists, Sungrazer, Been Obscene, The Machine and DxBxSx are signed to Elektrohasch, and certainly familiar acts like Mars Red Sky, Samsara Blues Experiment and Electric Moon fit aesthetically with that fuzzy, jammy sound as well, so though it’s long, Kept in a Cave makes for a decent listen if you’re going to take it on as a whole, put it on for a party – I’m told music at parties is something human beings do – or whathaveyou, and even the likes of Grandloom, Under Brooklyn Palms (who, yes, are German), Kosmic Elephant, Stonehenge and Sahara Surfers fit on a sonic level. Nothing here is really out of place and obvious consideration has been given to how one song is met by the next – for emphasis, I’ll cite putting the punkier DxBxSx as the second-to-last cut, giving a short burst of energy after the fuzzfests preceding – so the project becomes even more admirable.

Read more »

Tags: , , , , , , , , , , , , ,

Up in Smoke Volume IV Tour Dates to Feature Monkey3, Glowsun and Grandloom

Posted in Whathaveyou on August 6th, 2012 by JJ Koczan

I didn’t really need an excuse to wish I was going to be in Europe come September, having already failed to get that Fulbright to Sweden I tried for last fall, but hey, why not toss another installment of the Up in Smoke tour on the pile? Indignity loves company.

This time around, it’s recent Napalm signees Monkey3 and Glowsun teamed up with German upstarts Grandloom. Good stuff. Sound of Liberation sent over dates and info on the PR wire:

UP IN SMOKE VOL IV
Monkey 3 (CH) — Glowsun (FRA) — Grandloom (GER)

The Psychedelic Roadfestival goes into the next round! From September 14th until September 29th, the Up In Smoke Roadfestival offers you finest heavy psychedelic rock music.

MONKEY 3  from Lausanne, well known for their outstanding live performance, will headline the evening. The ones among you, who have already seen the band live, know what we are talking about. Monkey 3 are constantly creating an excellent mixture of heavy, psychedelic, stoner and space rock. Atmospheric and emotional!
http://www.monkeythree.com/

For almost 15 years GLOWSUN has been on a journey through sheer endless distances of the musical cosmos. Consequently, the trio from Northern France continues their psychedelic trip. Swirling and heavy riffs meet the intelligent and playful foundation of the tight rhythm section, thus transforming the songs into compact sound clouds which surround and finally transport the listener into a completely new world. Glowsun will present their new CD “Eternal Season” during the UP IN SMOKE Tour.
https://www.facebook.com/Glowsunmusic

GRANDLOOM from Cottbus in Germany have already established their sound in the german underground scene. Their great mix of ‘70s rock, stoner, and psych leading them to trippy super jams…heavy, bluesy and always groovy.
http://www.grandloom.de/

Up In Smoke VOL IV – The Psychedelic Roadfestival on Tour:
14.09. CH Winterthur, Gaswerk
15.09. CH Yverdon, Amalgame
16.09. A  Salzburg, Rockhouse
17.09. Wuerzburg, Café Cairo
18.09. Munich, Feierwerk
19.09. A  Wien, Arena
20.09. Jena, Rose
21.09. Muenster, Amp
22.09. BEL  Brussels, Magasin 4
23.09. F  Paris, Glazart
24.09. Cologne , Underground
25.09. Frankfurt, das Bett
26.09. Berlin, Magnet
27.09. Hamburg, Molotow
28.09. Dresden, Groovestation
29.09. Esslingen, Komma
http://www.soundofliberation.com/up-in-smoke-vol-4.html

Tags: , , , , , , , , , , ,

Grandloom, Sunburst: Lights in the Desert Sky

Posted in Reviews on July 28th, 2011 by JJ Koczan

German trio Grandloom follow a stylistic course that seems to be hitting some kind of new echelon of prominence in 2011: namely, instrumental heavy psychedelia. The Cottbus threesome – guitar, bass, drums – rest in an in-between spot on the spectrum. They’re not as progressive as was 35007, not as riffy as Karma to Burn, not as desert-minded as their countrymen in Colour Haze, but one could just as easily argue they take influence from all three of those acts as well as some of Kyuss’ more spontaneous moments. The six mostly-extended tracks of Grandloom’s self-released debut studio full-length, Sunburst (which was preceded by 2010’s 5 Dollar Jam EP and 2009’s Live at Bautzener Tor), finds the Stoned From the Underground veterans following semi-plotted courses to meandering heaviness, occasionally relying on build structures or repeated parts, but not being afraid to throw a song into the ether and seeing how far out it goes. Though Sunburst begins straightforward with the opening movement of “Orbit Wobbler,” that soon proves to be pretty far out.

Without a vocalist and without any other kind of synth or noise contributions to fill out their sound, the onus is really on the three members of Grandloom to carry across their tracks with chemistry and fluidity – otherwise Sunburst simply falls flat. The record isn’t without its wandering moments, and occasionally in listening I’m left feeling they haven’t quite been able to pull a song like 12-minute closer “Earthvalley” as far back as they need to, but for the most part, they seem aware of the balance between quality jams and songwriting, and are able to walk that line well. The shortest inclusion here is second cut “Woodbridge” at 4:20, and it follows “Orbit Wobbler” with relatively straightforward stoner riffing that would have been no stretch to fit verses over, despite guitarist Thomas’ liberal soloing. It’s here though that bassist Hans begins to make his presence known in the rhythm section alongside drummer Rischi, offering fills that not only run alongside Thomas and contrast in the Butler/Iommi tradition, but are genuinely responsible for much of Sunburst’s character as the album develops. Hans’ playing becomes a major factor in the sound of the band, and much to both his and its credit.

Read more »

Tags: , , ,