Days of Rona: Dopelord

Posted in Features on April 27th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

dopelord

Days of Rona: Dopelord (Warsaw, Poland)

write my academic essay Research Proposal In Nursing june smith phd thesis professionalism and ethics in financial planning help on dissertation declaration How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

We’re under lockdown, so yeah, had to change all of our plans. Two tours postponed, pretty gutted about all of this, but this is what had to be done, no arguing here. We’re all healthy, no corona cases.

web link at our cheap college paper service. BuyEssaySafe.com provides professional academic writing help. Place an order and get your essay! What are the quarantine/isolation rules where you are?

Gatherings above two persons are prohibited. Two meters distance to be kept all of the time while outside the house. You cannot leave your house if it’s not for an important reason (if you have work outside the house, or do groceries).

Fast, affordable, top-quality What To Write Your College Essay Abouts. We analyze your product and service features. Research your customers. Then put together the right How have you seen the virus affecting the community around you and in music?

Well, all the events got canceled so there is nothing to do. We’re cannot do rehearsals. We cannot meet. Community is on hold.

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Sooner or later it’ll be over. Meanwhile take care of the local venues and clubs. If they’re gathering money to stay alive — help them out.

https://www.facebook.com/Dopelord666
https://www.instagram.com/dopelord_666/
https://dopelord.bandcamp.com/

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Days of Rona: Robert Ruszczyk of Sunnata

Posted in Features on April 23rd, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

sunnata Robert Ruszczyk

Days of Rona: Robert Ruszczyk of Sunnata (Warsaw, Poland)

Diversity Leadership Essay for free - Use this service to get your sophisticated paper delivered on time receive a 100% original, plagiarism-free thesis you How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

It’s the third week of home quarantine. Fortunately we are all safe and healthy. However, I would be lying if I said it didn’t affect our plans. We are currently working with Sunnata on our fourth album, that is planned to be recorded in the second half of 2020, so this lockdown definitely slows overall progress, but we are not giving up. Good thing is, that most of instrumentals were done already, so we can move on with vocals and lyrics. It also forced us to create and learn new ways of remote cooperation, but I miss regular rehearsal really, really bad.

education research proposal example - Find out basic recommendations how to receive a plagiarism free themed research paper from a trusted writing service Allow What are the quarantine/isolation rules where you are?

Believe me or not, but Polish government implemented additional restrictions on April’s Fools. They have their cynical sense of humour for sure.

Going out is limited to an absolute minimum with exceptions for people that have to go to work, help as volunteers in fighting COVID-19, do necessary groceries or take care of relatives. Generally, when out you have to keep 2-meters distance also between relatives, which doesn’t make any sense due to a fact they don’t keep it when together at home. There is a limit of people being in store at once, two hours a day for senior shopping only (no one below 65 yo can buy anything), requirement of gloves and masks. Fun fact, some restrictions don’t apply to our government’s pupils – priests and hunters, but it doesn’t surprise me anymore.

I’m about to start my fourth week of lockdown, when I literally go out maybe once or twice a week. It drives me crazy.

Our Ghostwriter Honorar by PhD editors ensures to make you thesis flawless and error-free. Hire our native PhD thesis editors now. How have you seen the virus affecting the community around you and in music?

It hit the community really hard. I have a privilege to work remotely from home, but many of my friends don’t. Some of them lost their source of income almost overnight! I also own a booking agency and we had to cancel or move at least a dozen of events we worked on for months in advance. Obviously, everyone are trying to live their lives, but what’s really touching is an incredible solidarity among people. People help each other the best they can, helping survive smaller, local businesses or others in need. I think that such ability to cooperate and support ourselves is what makes us humans.

Fulfill your need for custom, high-quality content and business emergency plan with Textbroker. We make it easy to find freelance authors to write What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We will go through it. I hope everyone will find their balance in those uncertain times.

https://www.facebook.com/sunnataofficial
https://twitter.com/followsunnata
http://sunnataofficial.bandcamp.com/
https://www.youtube.com/user/sunnataofficial/videos

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Sunnata and Weedpecker Touring Later This Month

Posted in Whathaveyou on February 6th, 2019 by JJ Koczan

That’s a solid pairing,  Resume Seamus Heaney Essay Helps are experts drawing up engaging and result-oriented CVs and cover letters to get clients invited to job interviews. Sunnata and  Your academic writing issues will be resolved within a click. Our Hcplc Homework Help writing service helps you to fulfill your essay submission on-time. Weedpecker. I’d call both bands progressive heavy psychedelic rock, but they don’t really tread a lot of the same ground when it comes right down to the nitty-gritty of their respective approaches. I’d imagine they’ll complement each other well on tour as they head through the Balkans and into Greece en route to playing the Buy best admission essay of high quality written from scratch by Cheap MBA Essay Writing Service UK. Our ghostwriter book are cheap SoundArt Festival in Bucharest, Romania. Both acts put out records last year, so all the better they’re joining forces for the run, and while I’m sad to say I’ve never seen either live, at least I can appreciate two such forward-thinking bands getting out and delivering their wares from door to door for about two weeks. I would not expect this to be either of their only shows this year, but still would be cool to catch them together. Plus the poster is awesome and that never hurts either.

The dates were posted as follows on the social medias, and there’s audio at the bottom of this post to get your brain expanded:

sunnata weedpecker tour

Sunnata & Weedpecker – 2019: A Balkan Odyssey Tour

2019: A Balkan Odyssey Tour. Conjoined journey of Weedpecker and sunnata to the south. We are bringing you the finest oriental/psychedelic/stoner trips you might get in February/March. Prepare your spacesuits and see you at:

27.02 – Vienna: Sunnata, Weedpecker, Ozymandias
28.02 – Zagreb: Weedpecker & Sunnata na Good Vibrationsu u Mocvari!
01.03 – Budapest: Sunnata /pol/ & Weedpecker /pol/ koncert Budapesten!
02.03 – Timisoara: Sunnata [POL] + Weedpecker [POL] live at Reflektor
03.03 – TBA / Serbia
05.03 – Sofia: Weedpecker & Sunnata live in Mixtape 5
06.03 – Thessaloniki: Sunnata [PL] & Weedpecker [PL] live in Thessaloniki
07.03 – Athens: Sunnata [PL] & Weedpecker [PL] live in Athens
09.03 – Bucharest: SoundArt Festival 2019
10.03 – Cluj-Napoca: Live / Sunnata [POL], Weedpecker [POL]

This one is going to be trippy.

SUNNATA is:
Szymon Ewertowski – vocals, guitar
Adrian Gadomski – vocals, guitar
Michal Dobrzanski – bass
Robert Ruszczyk – drums, percussion

Weedpecker is:
Wyro – guitar,vocals
Bartek – guitar,vocals
Karol – bass
Kuks – drums

https://www.facebook.com/sunnataofficial
https://twitter.com/followsunnata
http://sunnataofficial.bandcamp.com/
https://www.youtube.com/user/sunnataofficial/videos

https://www.facebook.com/Weedpecker-349871488424872/
https://weedpecker.bandcamp.com/
http://weedpecker.bigcartel.com/
http://weedpecker.8merch.com/

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Weedpecker Announce Oct. German Tour

Posted in Whathaveyou on September 3rd, 2018 by JJ Koczan

weedpecker

On Oct. 20, Polish progressive heavy psych rockers Custom Essay is a premium Doctoral Thesis Educational Management service with over 20 years of experience providing quality essays by expert writers to satisfied clients. Weedpecker will make an appearance for the second night Learn how you can benefit from using our reliable professional Assignable Contract online services to help improve the quality of your thesis paper. Setalight Fest 2018, the lineup for which also boasts Dissertation Writing Dissertation Writer Proposals that make us proud of their work enable us to guarantee results that meet the expectations of both students and their teachers Sasquatch, Order case study written from scratch according to your educational requirements; make use of a official site for students of all academic levels Beehoover, Weedruid, The Great Machine, Sativa Root, My Home on Trees and many more. That’s good company to keep, and for Weedpecker it will serve as the culmination of a string of dates alongside Gaffa Ghandi (also playing the festival) in support of their third album overall and first for Stickman Records, the aptly-titled III (discussed here).

That record has only grown in its appeal since its release in the early hours of 2018, its combination of heavy psychedelia and dreamy progressive rock lush in its arrangements and taking influence from the likes of labelmates Elder while adding personality of its own to the mix. Its extended tracks flow easily and immersively, and the hypnosis is one not conjured by boredom but by the depth of the engagement. Cool album? Cool album. Good band.

The tour’s all-Germany, so if you’re elsewhere you’ll have to wait until next time, but the poster is right on and the fact that Weedpecker are headed out anywhere is welcome news as far as I’m concerned. Glad someone will see them, even if it’s not me.

From the social medias:

weedpecker tour

Friends, People, Earthlings!

It has been coming a long way! Now it’s here: We’ll be joining forces with our german brothers, the mighty Gaffa Ghandi for a run of shows across Germany from 12th to 20th of october!!!

Come over and enjoy this killer package in a town near you while we deliver Dangerous Heavy Metal & Maximum Rock upon your banging heads!

Ultra sick artwork by our luvboi Artourette! Tour was booked and is presented by Unlimited Sonic Use!

Weedpecker live:

12.10 Bandhaus Leipzig
13.10 Zukunft Chemnitz
14.10 Chemiefabrik Dresden
15.10 TBC
16.10 Halle am Rhein Koln
17.10 Club VEB – Kulturfabrik Hildesheim
18.10 Bar227 Hamburg
19.10 Bunker Rostock
20.10 Setalight Fest Zukunft am Ostkreuz Berlin

Weedpecker is:
Wyro – guitar,vocals
Bartek – guitar,vocals
Karol – bass
Kuks – drums

https://www.facebook.com/Weedpecker-349871488424872/
https://weedpecker.bandcamp.com/
http://weedpecker.bigcartel.com/
http://weedpecker.8merch.com/
https://www.facebook.com/Stickman-Records-1522369868033940/
https://twitter.com/stickmanrecords

Weedpecker, III (2018)

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Sunnata, Outlands: Travel Beyond Borderlines

Posted in Reviews on March 28th, 2018 by JJ Koczan

sunnata outlands

This year marks a decade of activity for Poland’s Sunnata, who began their career releasing a series of EPs and a full-length under a prior name before beefing up their sound and adopting the new identity for 2014’s Climbing the Colossus. The impressive Zorya (review here) followed in 2016 and expanded their progressive reach, and their apparent penchant for putting out records on even years continues with Outlands, which also continues a theme of vague figures on the cover art, keeping in kind with both LPs prior in that regard.

If one were to look at the many faces and arms/branches of the person/alien/deity on the front of Outlands and think Sunnata — the lineup of vocalists/guitarists Szymon Ewertowski and Adrian Gadomski, bassist Michal Dobrzanski and drummer Robert Ruszczyk — might be shooting for something to convey a multifaceted existence of some sort, their sound bears that out across the eight-song/47-minute release, which is comprised of nothing less than brilliantly composed progressive post-heavy rock, so spacious that one can hardly see from one end of it to the other, and encompassing enough to genuinely feel like it’s creating its own world as it plays out.

Consistent in overall largesse, it varies in songcraft so that a piece like the nine-minute post-intro opener “Lucid Dream” and the later thrust of “Gordian Knot” hit their own targets, but the underlying force of the production and the expansiveness of the sounds being created tie the songs together and create an overarching flow that moves the listener carefully along Outlands‘ otherwise tumultuous path. If Climbing the Colossus was about Sunnata establishing what was then a new identity and Zorya about expanding their reach into new cross-genre territories, then Outlands feels like the realization of Sunnata of something unto itself, born of but not necessarily beholden to its influences and expressive on both emotional and cerebral levels.

It’s not every band who is able to make that leap, but Sunnata have quite clearly dedicated themselves to pushing ahead creatively, and that seems to guide the Warsaw four-piece’s craft on Outlands, be it the subtle build and surge of volume and groove in “Lucid Dream” that provides the record’s first payoff and arguably most effective moment of consumption, or the Alice in Chains-style harmonies and layering that tops the blastbeats of “Scars,” which follows. More even than their last time out, there’s a prevalent sense of ritual to Outlands — with some of the Eastern inflection in the guitar work, one is almost reminded of a less Om-derived Ethereal Riffian — but the real key to the album is patience.

Sunnata Aleksandra Burska

Even when they’re playing fast, as on “Scars” or in “The Ascender,” they’re in no rush, and suitably enough, the best example — if it’s not “Lucid Dream” — might be Outlands‘ side-A-capping title-track, which begins with an underlying tension of drums and whispers and moves fluidly through hypnotic repetitions through its early verses; the bottom-of-the-mouth vocals vague but working in intertwined layers to mask the build happening beneath them. Finally, at about the five-minute mark and in a mirror of “Lucid Dream” before it, “Outlands” slams into a massive groove that only grows larger when the drums slow to half-time. That would usually be enough to end on, but Sunnata push through the crescendo and dip back into atmospheric reaches and rebuild a progression that’s never really meant to take off in the way of the prior movement, but ends with acapella harmonies to give way to the low-end heft of “The Ascender” at the start of side B, which will ultimately be defined by the album’s 12-minute finale, “Hollow Kingdom” but still has plenty of crunch to offer along its path toward that ending.

To wit, the pairing of “The Ascender” and “Gordian Knot” at the start of side B doesn’t seem accidental. I’m not sure I’d all either track straightforward, but with some harsher vocals included in both — shouts that in the first verse of “Gordian Knot” are metallic enough to remind me of the last Amebix record (which I liked) — and shorter runtimes (5:33 and 4:21, respectively) compared to everything on side A except Outlands‘ 40-second noise-build “Intro,” the impression is still of a more direct methodology. Fortunately, Sunnata handle the intensity of “Gordian Knot” with no less grace than they did the worldbuilding of “Lucid Dreams,” and there are still all manner of backing vocal layers and other noises to contend with, so it’s not like the depth has disappeared, it’s just being used toward rawer ends. “Gordian Knot” caps at full-throttle and gives way to the manipulated guitar noise (and maybe keys?) of “Falling (Interlude),” which serves as a direct lead-in for “Hollow Kingdom,” the 12:35 run of which begins minimal, quiet and spacious, before moving through early sections that are more chants than verses but engagingly melodic nonetheless and serving as something of a hook anyway with the repetition of the word “hollow” as a kind of mantra.

Just before two minutes in, Sunnata shift into the next section of the song, but instead of continuing to build forward, cut back again after this verse and return to the patience shown in “Lucid Dreams” and the title-track. A chorus is established and while it seems like “Hollow Kingdom” is headed for an inevitable payoff, just before its halfway point, the song breaks — the kick drum and some sparse guitar letting you know it’s still there at all — and turns to a completely different progression. It’s a little out-of-nowhere, but one suspects that’s the whole idea. They’re building again, patiently, subtly, and they do indeed move into an apex for “Hollow Kingdom” with lumbering crashes that begin just passed nine minutes in, but to my mind, the real confirmation of the band’s achievement with Outlands is what follows, when they return to the original chorus to close out. By then, they’ve shifted so far away from where they originally came that it’s completely unexpected, and the turn is pulled off flawlessly as a final confirmation of the level of craft that Sunnata have been executing all along.

One wonders if, 10 years ago, the members of Sunnata might have had any sense of the accomplishments in style and substance they would ultimately attain, but whether Outlands is the result of a conscious evolutionary process or an organic growth from release to release, the fact remains that it stands in a place all its own.

Sunnata on Thee Facebooks

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Sunnata to Release Outlands March 23

Posted in Whathaveyou on March 7th, 2018 by JJ Koczan

sunnata

Points for consistency to Polish heavy progressive psychedelic rockers Sunnata. Their last album, 2016’s Zorya (review here), kicked ass, and so does their new one, Outlands. The Warsaw-based group’s third offering, Outands is out March 23, and it plays between influences extreme and atmospheric, metallic and rocking, and it bears a heaviness as much of spirit as of sound. Each record Sunnata have done has seen them come more into themselves sound-wise, and listening to the patient unfolding of the title-track as you can at the bottom of this post, you’ll clearly see that’s the case here as well.

Get yourself ready for a journey:

sunnata outlands

Ritual heavy unit SUNNATA unveil details for new album “Outlands” and share title track

Warsaw’s ritual heavy specialists SUNNATA return with their third full-length “Outlands” this March 23rd. Open your minds and enjoy the title track off this new sonic experience.

Hailing from Warsaw, Poland, SUNNATA have kept paving their own way to higher metal skies since their 2014 debut “Climbing The Colossus”. Weaving together sounds of the heaviest kind, dark psychedelia and grunge-infused hooks and vocals, the gifted foursome crafts a trippy and epic brand of metal that can only be accurately described as ‘ritual heavy’. Their spellbinding sophomore album “Zorya” (2016) made the band gather even more momentum with regard to the European alternative heavy scene. This third album entitled “Outlands” brilliantly brings out even more ‘ritual’ in the ‘heavy’, confidently crossing the frontier of progressive doom to land in even more melancholic and mind-expanding alleys. SUNNATA are back and set to blow minds once again.

SUNNATA give an insight into this new song and record: « We have chosen the title track ‘Outlands’, because it lays right at the crossroads of all influences that made our new album’s sound. It’s a trance-inducing, shamanic journey with a story about sacrifice of the self, as a way to reveal a deeper truth behind it. The longer we worked on our third album, the more surprised we were with the outcome. ‘Outlands’ was one of the first songs we wrote, and it definitely is a good representative of the new record. It shows the shift in our sound, that definitely pushed us more towards modern psychedelia merged with strong 90s influences, and a bit of ritualism and doom in the background. We’ve had over a year long journey with this material and we feel that it shows yet another face of Sunnata. We let ourselves loose to go with the flow. No boundaries. This is first taste of what happened. Open your mind and experience it. »

“Outlands” artwork was designed by Polish artist Maciej Kamuda. Band photo courtesy of Aleksandra Burska. The album was recorded, mixed and mastered by Haldor Grunberg at Satanic Audio.

SUNNATA – New album “Outlands”
Available on March 23rd on CD and digital

TRACK LISTING:
1. Intro
2. Lucid Dream
3. Scars
4. Outlands
5. The Ascender
6. Gordian Knot
7. Falling (Interlude)
8. Hollow Kingdom

SUNNATA ARE
Szymon Ewertowski – vocals, guitar
Adrian Gadomski – vocals, guitar
Michal Dobrzanski – bass
Robert Ruszczyk – drums, percussion

https://www.facebook.com/sunnataofficial
https://twitter.com/followsunnata
http://sunnataofficial.bandcamp.com/
https://www.youtube.com/user/sunnataofficial/videos

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Six Dumb Questions with Weedpecker (Plus Full Album Stream)

Posted in audiObelisk, Six Dumb Questions on January 5th, 2018 by JJ Koczan

weedpecker

Today, Jan. 5, marks the official release date of Polish heavy psych rockers Weedpecker‘s awaited third album, III. Also their debut outing through respected purveyor Stickman Records, its tracks have been floating around the interwebs for the better part of the last several months in one form or another, and the whole thing might well have been on YouTube already, I don’t really know, but if you click play below, you can stream it in full courtesy of the band and label, and whether it’s your first time hearing it or not, it’s one I’m thrilled to be able to feature for the wide-spreading wash it enacts and the inviting warmth with which it greets its audience.

Comprised now of founding brothers/guitarists/vocalists Piotr Wyroslaw “Wyro” Dobry and Bartek “Bando” Dobry, bassist Grzegorz “Mroku” Pawlowski, who joined in time for the release of II (review here) and drummer Pan Falon, the Warsaw-based troupe have held firm to a creatively progressive course since their self-titledweedpecker iii debut (review here) surfaced in 2013, but with III, their approach reaches new levels of patience and fluidity. Across the first two of the five inclusions, “Molecule” and “Embrace,” they employ dream-toned otherworldliness wielded with stonerly fascination and exploratory aplomb. Layers are rich but spread wide, allowing the listener to breathe easy as they make their way through toward the cyclonic churn that, prefaced in the second half of “Molecule,” takes fuller hold with album centerpiece “Liquid Sky” and the early going of the subsequent “From Mars to Mercury,” shades of latter-day Elder‘s lush melodies showing themselves amidst the swirl of fuzz and echo.

The full-length rounds out with the nigh-Beatlesian harmonies of “Lazy Boy and the Temple of Wonders,” a stretch of just under nine minutes that builds in linear fashion to a smoothly-executed apex pulled off with class and confidence alike, first swelling in the midsection before drawing back to highlight the Pawlowski‘s bassline as the Dobry brothers weave lines of guitar and (maybe?) Mellotron together for a serenity that thrusts forward circa 5:45 to begin to provide III with its well-earned final payoff. This, naturally, is no less fluid than anything that’s come before it, and III on the whole reveals itself to be a molten joy of heavy psych that finds Weedpecker more come into their own sonic persona than they’ve ever been.

Accordingly, and with the album out today, it seemed like the perfect opportunity to hit the Dobrys up with a few questions about the making of III and their sense of where Weedpecker are coming from generally and where they might be headed. You’ll find the results of that Q&A after the album player immediately following here.

Please enjoy the following stream and Six Dumb Questions:

Six Dumb Questions with Weedpecker

Tell me about writing III. When did the process start? Was there anything in particular you were looking to accomplish coming off of the last album and going into this one?

Piotr Dobry: We started writing the material for III right after we finished recording II. To be honest, I don’t quiet remember how it went. We were just working hard on upgrading the sound and compositions comparing to II. The experiences we earned from previous records are very precious, we wanted to use them to make the best possible album.

Bartek Dobry: I remember that I was really happy with the sound of II when we left the studio, but later on I started to notice that I don’t like it to be honest. The compositions and the sound. They seemed to be flat and boring. We really wanted not to repeat mistakes we did during the last studio session. I think it turned out okay but still I see lots of things that we can work on in the future.

How do Weedpecker songs take shape? A track like “Embrace” seems to have a lot of interwoven parts – how do they come together for you guys generally? Has this process changed at all over the course of your three albums?

PD: It depends, the whole material is written by me and Bartek, we bring patterns to the rehearsals and then we try to make songs out of them. Sometimes it takes very long for us to finish the song. Like the song is almost done but it needs one or two more patterns which just can’t come to your head, and then you wait even couple of months till you find what you were looking for. After finishing such a song we want to do something spontaneous and just jam something out.

BD: The process definitely changed, we started to put more attention on what patterns are getting in the songs. The selection was really raw. We probably had to give up riffs that could make another LP but they weren’t good enough. Also I’ve never recorded music in home just to register riffs and to work on them, which I did during working on III. It really makes a good work.

What was your time in the studio like for III? How long were you recording? What was the vibe like? Did you have any specific goals for the sound and, if so, what were some of the challenges along the way in making them happen?

PD: We recorded it in freshly built studio of Tides From Nebula fellas. Haldor of Satanic Audio was our recording guy just like on II. We’ve spent very intense week there, we’ve been recording for 12 hours a day and sometimes even more. We’ve smoked literally ton of weed during the session. It was pure pleasure. I love to record and it gives me lots of joy when I hear particular tracks being combined and slowly becoming a song on which we were working for two years. We knew exactly what kind of gear (guitars, amps and the whole rest) we wanted to use on this record. We bought some and some we borrowed from our good friends. On II we didn’t put as much effort.

BD: Special thanks to Cheesy Dude for being our backup sound guy for one night!

How did signing to Stickman come about? The label seems to have such distinctive taste. What does it mean to you to have them backing your record?

PD: It means a lot to us! Personally I love many records published by this label and I was really happy when we got the proposition. Good friend of ours, Nick DiSalvo came to the gig in Berlin, and he said that he’d like to show the material to Rolf [Gustavus], owner of the label. After something about a week we got an official proposition from Stickman.

How do you feel that Weedpecker has grown generally since the first album? Is that something you think about and try to purposefully make happen, or do you just prefer to let the songs take shape as they will and see what comes out? How much of your progression is intentional?

PD: Of course we care about the continuous growth of the band. We want every each album to sound better than the previous one. That means we have to work harder and invest more money each time. Still it gives us lots of pleasure and satisfaction. On each rehearsal we smoke blunts together, play, and talk about stuff.

BD: The progression is partly intentional. As we play more and have more experience with composing and stuff we begin to have more expectations about our music. I want songs to be more complicated and melodic. But still the most important is just to have fun out of playing. If we play the riff and we really feel it during the rehearsal than propably it’s good. Or perhaps it’s shit and we were too high while playing it. You never know.

Any plans or closing words you want to mention?

PD: Right after releasing III we go on the small tour around the Germany and Poland, and then we will see.

BD: Peace and love brothers and sisters!

Weedpecker on Thee Facebooks

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Weedpecker Sign to Stickman Records; III Coming Soon; New Song Streaming Now

Posted in Whathaveyou on August 21st, 2017 by JJ Koczan

weedpecker

Poland’s Weedpecker already have two strong albums under their collective belt in their 2013 self-titled (review here) and 2015’s even more expansive II (review here), but with an endorsement like that of Stickman Records behind the forthcoming III, it seems all the more like they might just be about to hit their finest hour to-date. The Warsaw four-piece are the latest impressive pickup from the German label, which seems to be on something of a spree over the course of the last year-plus, with King Buffalo, Papir and a distro deal with The Heads‘ imprint Rooster Rock, as well as releases by ElderMotorpsycho, OrangoThe Devil and the Almighty Blues, the aforementioned Papir, etc. All the better, as their taste is basically unfuckwithable as far as I’m concerned.

In the case of Weedpecker, they’re yet another band who take familiar sonic elements and turn them into something brazenly individual. With an underlying influence from their now-labelmates Elder, they honed a progressive feel across the still-psychedelic and very much still-heavy II, and based on what Stickman says about it and the track “Liquid Sky” that’s streaming below, I can’t wait to hear what’s in store for III. Good band. Good news. Positive vibes and kudos all around.

Exact release date still to come. Here’s the cover art and the announcement from the label:

weedpecker iii

STICKMAN WELCOMES WEEDPECKER WITH NEW ALBUM “III”!

It’s the year of the roman numeral at Stickman Records, beginning with Papir’s “V” and continuing the trend with our latest addition to the family – Poland’s WEEDPECKER for their third album, aptly titled “III”!

Weedpecker started turning heads with their fantastic debut album in 2013, no small feat in the oversaturated world of drug rock in the 21st century. Mixing grungy riffs with dreamy, psychedelic soundscapes, their heavy and trippy sound is singular and instantly recognizable. Numerous European tours including shows with our own Elder won the Warsaw quartet the kind of quiet reverence that accompanies any underground band who’s just too good to be let out into the mainstream and discovered for all, and the second LP “II” remains a sought-after gem. When we got the chance to work with them for their latest offering, of course we jumped at the chance!

If the band name conjures up images of marijuana haze – as it undoubtedly should – “III” is a whole ‘nother drug; showing no inhibitions in breaking out of the “stoner rock” mold, the extended trips float over the listener with lush keys, beautiful guitar melodies and ethereal vocal harmonies. Borrowing more heavily from the lighter psychedelia a la early Tame Impala, Pond or Morgan Delt, “III” shows the band experimenting and jamming more than ever before with unexpected and wonderful results.

Says Weedpecker: “We are very happy to announce that our new album will be released by Stickman Records! We’re super proud that Elder, Motorpsycho, Papir, Mos Generator, Anekdoten are our label buddies!”

Release date and details to follow soon!

Weedpecker is:
Wyro-guitar
Bartek-guitar
Mroku-bass
Falon-drums

https://www.facebook.com/Weedpecker-349871488424872/
https://weedpecker.bandcamp.com/
http://weedpecker.bigcartel.com/
http://weedpecker.8merch.com/
https://www.facebook.com/Stickman-Records-1522369868033940/
https://twitter.com/stickmanrecords

Weedpecker, “Liquid Sky”

Weedpecker, II (2015)

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