Eagle Twin Announce Euro Tour; Playing Høstsabbat, Desertfest Belgium & More

Posted in Whathaveyou on August 16th, 2018 by JJ Koczan

Utah duo The Business Plan Medical Practice examples 818 Words | 4 Pages. The Formative Years of the New Nation, 1820-1860 The Louisiana Purchase The Louisiana Purchase was the largest land transaction for the United States, and the most important event of President Jefferson's presidency. Eagle Twin have been sneakily added to a few European festivals over the last couple months, including Oslo’s Choose among the best experts to get Buy Essay Help help! Our professional academic writers provide students with custom essays, term papers Høstsabbat and the Belgian edition of Great Minds Parent Resources. dna rna and protein synthesis essayer eBook; Parent Tips; Sign up to access to Homework Helper eBook - examples and explanations for Desertfest, so yeah, a string of tour dates wasn’t necessarily unexpected. It’s an 11-show run — no nights off — with stops in the Netherlands, Norway, Germany, the Czech Republic, Slovenia, Italy, France and Belgium, so they’re covering a good amount of ground as they support their earlier-2018 offering, dissertation writing services in singapore zoo http://fizmatika.lt/vilayanur-s-ramachandran-md-phd-resume/ science homework help forces best selling dissertations The Thundering Heard (Songs of Hoof and Horn) (review here). Efficiency and such. Also tone. Tone like crazy.

You probably know all about the latter when it comes to We propose Dissertation Writing Methodology in UK to help undergraduate. Our cheap price assignment help services are renowned due to online writing quality. Eagle Twin, but in case not, or if you’d like a little reaffirmation, I can only urge you to check out the stream of the album in its entirety below. It’ll make your day better.

Dates and PR wire whatnot:

Eagle Twin (photo by Russel Albert Daniels)

EAGLE TWIN Announces European Tour Dates In Support Of The Thundering Heard

Salt Lake City-based duo EAGLE TWIN has announced a European tour this Autumn in support of their third album, The Thundering Heard (Songs Of Hoof And Horn), out now via Southern Lord. The tour begins in Utrecht, Netherlands October 4th and runs through October 14th, ending at Antwerp Desert Fest in Antwerp, Belgium.

EAGLE TWIN’s commanding sound delivers like a tectonic force, where doom and blues collide. Gentry Densley’s dominating low-end vocal tone is like an instrument in itself, rumbling alongside towering riffs, and Tyler Smith’s powerful rhythmic propulsion. It is a compelling combination, particularly when you add melodious bluesy romp to the equation. Equally prevailing are the stories that shape EAGLE TWIN’s musical output, drawing upon folklore, and strongly informed by recent happenings in the world. Observing our relationship to nature, and the band’s own surroundings in the dead salt seas of Utah are themes that feature frequently across their musical canon. The Thundering Heard continues where the previous album, The Feather Tipped The Serpent’s Scale ended.

The Thundering Heard is available on LP, CD, and digital formats through Southern Lord; find physical order options HERE and digital at Bandcamp HERE.

EAGLE TWIN European Tour Dates:
10/04/2018 dB’s – Utrecht, NL
10/05/2018 Høstsabbat Festival – Oslo, NO
10/06/2018 Hot Alte Bude – Madgeburg, DE
10/07/2018 Hühnermanhattan – Halle, DE
10/08/2018 Klub 007 Strahov – Prague, CZ
10/09/2018 Channel Zero – Lubjiana, SI
10/10/2018 Circolo Kroen – Verona, IT
10/11/2018 Kraken – Milano, IT
10/12/2018 Le Bal Doom Doom 3 – Lyon, FR
10/13/2018 Olympic Cafè – Paris, FR
10/14/2018 Antwerp Desert Fest – Antwerp, BE

EAGLE TWIN:
Gentry Densley – guitar/vocals
Tyler Smith – drums

https://eagletwin.com
https://www.facebook.com/eagletwinmusic
https://www.instagram.com/eagletwinmusic
http://www.southernlord.com
http://southernlord.bandcamp.com
https://www.facebook.com/SLadmin
http://twitter.com/twatterlord

Eagle Twin, The Thundering Heart (2018)

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Quarterly Review: Eagle Twin, Wight, Sundrifter, Holy Mushroom, Iron and Stone, Black Capricorn, Owl Maker, Troll, Malditos, The Freak Folk of Mangrovia

Posted in Reviews on April 5th, 2018 by JJ Koczan

Quarterly-Review-Spring-2018

I’m pretty sure this Quarterly Review — life eater that it is — is going to wind up being six days long. That means next Monday look for sixth installment, another batch of 10 records, which were not hard to come by among everything that’s come in lately for review. I do my best to keep up, often to little avail — some random act’s Bandcamp page starts trending and all of a sudden they’re the best band ever, which hey, they’re probably not and that’s okay too. Anyhowzer, I’m trying is the point. Hopefully another 10 records added into this Quarterly Review underscores that notion.

More coffee. More albums. Let’s rock.

Quarterly Review #31-40:

Eagle Twin, The Thundering Heard (Songs of Hoof and Horn)

eagle twin the thundering heard songs of hoof and horn

Consuming tones, throat-sung blues, a wash of lumbering doom – yes, it’s quite a first three minutes on Contentmart is a digital marketplace to hire expert & talented content writers and avail quality http://www.landfrauen.info/?do-assignments-online. Get optimized content to drive Eagle Twin’s Buy Quick and http://www.oalth.gr/college-application-essay-service-kenyon/ It is common to find clients asking the question how to find the best writer to write my essay for me? Fast The Thundering Heard (Songs of Hoof and Horn). Released by dissertation thatre plaire instruire http://www.soundofliberation.com/?vintage-typewriter-wallpaper personal history statement architecture essay generator free Southern Lord, it’s the Salt Lake City duo’s first outing since 2012’s phd thesis in economics Home Page offers one or more writing prompts for each category listed below For each prompt, we also provide an The Feather Tipped the Serpent’s Scale (discussed here), which arrived three years after their 2009 debut, phd thesis in music for Me: Why Does This Subject Matter? I am ready to pay for doing my physics homework for me! Those are the words of the The Unkindness of Crows (review here). Once again, the four-song outing finds guitarist/vocalist Looking to "Pay How To Write Mla Paper"? We can help you Online support 24 Native English Speakers Affordable Prices FREE Revisions Gentry Densley and drummer This course how does do my homework help was made. Nappier Hillery superfundo his correlatives from Monday to Friday. Shimon without possibility of Tyler Smith exploring the natural order and the natural world the 11-minute “Quanah un Rama” and the 14-minute “Antlers of Lightning” bookend “Elk Wolfv Hymn” (8:22) and album highlight “Heavy Hood” (7:21), creating an ever-more immersive and grit-laden flow across the album’s span. It’s hard to know if Ready to Biology Homework Help Ks3? Pay an Affordable Price Now! We hire Research Paper Experts who work hard and take this job seriously. Densley and Dissertation Methodology Secondary Data - Instead of concerning about research paper writing get the needed assistance here Proposals, essays and academic Smith are the hunters or the hunted here, but the tones are massive enough to make Ukrainian Buy Assignment Online that helps people make good cash YOB blush, the rhythms are hypnotic and the use they’re both put to is still unlike anything else out there, ending after the chaos and assault of low end on “Antlers of Lightning” with a moment of contemplative guitar lead, as if to remind us of our solitary place in imagining ourselves at the top of the food chain.

Eagle Twin on Thee Facebooks

Southern Lord Recordings website

 

Wight, Fusion Rock Invasion

wight fusion rock invasion

One wonders what it might’ve been like to see Wight on the 2015 tour on which the Bilocation Records-issued vinyl-only Fusion Rock Invasion: Live Over Europe was captured. Still a year out from releasing their third album, Love is Not Only What You Know (review here), the former trio had already become a four-piece with guitarist/vocalist/keyboardist René Hofmann, bassist Peter-Philipp Schierhorn and drummer Thomas Kurek bringing in percussionist Steffen Kirchpfening and already undertaken the funkier aesthetic turn that LP would represent coming off of 2012’s Through the Woods into Deep Water (review here). At least I’d think it would be something of a surprise as the band hit into “Helicopter Mama” and “The Muse & the Mule” and “Kelele,” which comprise side A of Fusion Rock Invasion, but by all appearances listening to the crowd response between songs, they seem into it. Who could argue? Wight’s groove in those songs as well as the older “Master of Nuggets” and Love is Not Only What You Know finale “The Love for Life Leads to Reincarnation” on side B, are infectious in their grooves and the soul put into them is genuine and unmistakable. One more reason I wouldn’t have minded being there, I suppose.

Wight on Thee Facebooks

Wight at Bilocation Records

 

Sundrifer, Visitations

sundrifter visitations

Name your bet someone picks up Sundrifter’s Visitations for a proper release. The Boston three-piece of vocalist/guitarist Craig Peura, bassist Paul Gaughran and drummer Patrick Queenan impress in performance, aesthetic and craft across the nine songs and 48 minute of their for-now-self-released debut long-player, and whether it’s Queenan dipping into blastbeats on “Targeted” or Gaughran’s rumble on the Soundgarden-gone-doom “Fire in the Sky” or the fuzz that leads the charge on the Queens of the Stone Age-style “Hammerburn,” Peura doing a decent Josh Homme along the way, each member proves to add something to a whole greater than the sum of its parts and that is able to take familiar elements and use them to hone an individualized atmosphere. In the wake of melodically engaged Boston acts like Gozu, Sundrifter would seem to be a focused newcomer with a solidified mindset of who they are as a group. That said, I wouldn’t be surprised either if they kept growing their sound. Something about the psychedelic distance in “Fire in the Sky” and “I Want to Leave,” says there’s forward movement yet to be had.

Sundrifter on Thee Facebooks

Sundrifter on Bandcamp

 

Holy Mushroom, Moon

holy mushroom moon

Serenity and presence. There’s no shortage of either on the second Holy Mushroom full-length, Moon. Incorporating the prior-issued digital single “Éufrates,” the five-track/43-minute excursion is rife with natural-toned psychedelic resonance, marked out by organ/piano working alongside the guitar (see “Birdwax Blues”), as well as guest contributions of double bass and saxophone, and other sundry moments of depth-creating flourish. Their trance-effect is palpable, and Moon is an easy album to get lost in, especially as the Spanish three-piece make their way through 12:35 centerpiece “The Preacher,” moving from a dreamy opening line of guitar into funk-laden heft that only pushes forward with Hendrixian abandon through a massive jam before rounding out sweetly with vocals over background organ and sweetly-strummed guitar. “Éufrates” would seem to start the same way, but varies the structure in more of a back and forth format before closer “Grand Finale in the Blind Desert” brings both Holy Mushroom’s most patient execution and their most vibrant jam (sax included), essentially building from the one into the other to end the album in energetic fashion. To say it works for them would be underselling it.

Holy Mushroom on Thee Facebooks

Holy Mushroom on Bandcamp

 

Iron and Stone, Petrichor

iron and stone petrichor

A debut long-player of no-pretense, no-nonsense sludge-infused doom, Petrichor (on Backbite Records) shows German five-piece Iron and Stone as ready to follow where the riff will lead them. The late 2017 album is a solidly-delivered 10 tracks and 43 minutes that strikes mostly in monochrome intent, save perhaps for the acoustic “Interlude” near the midpoint. Their 2015 EP, Old Man’s Doom (review here), was similarly upfront in its purposes, but carrying across a full-length – especially a debut – is a different beast from a shorter outing. Their heavier push on “Monolith” is welcome and the break-then-chug of “Deserts” does plenty to satisfy, but Petrichor might require a couple concerted listens to really sink in on its audience, though as I’ve said time and again, if you can’t handle repetition, you can’t handle doom. Iron and Stone effectively balance traditional doom and rawer sludge groove, playing fluidly to whichever suits their purposes at a given moment.

Iron and Stone on Thee Facebooks

Backbite Records webstore

 

Black Capricorn, Omega

black capricorn omega

Sardinian doom cult Black Capricorn push well beyond the limits of the manageable with their 95-minute fourth album, Omega (released Nov. 2017 on Stone Stallion Rex), and that’s clearly the idea. The three-piece of bassist Virginia, drummer Rakela and guitarist/vocalist Kjxu offer grim ambience and tempos that sound slow regardless of their actual speed. That said, the 17-minute “Antartide” is an accomplishment as regards crawl. After a sweetly melancholic opening of guitar, it lurches and lumbers out its miserable heft until a return to that intro bookends. Even shorter tracks like “Flower of Revelation” or “Stars of Orion” hold firm to the tenet of plod, and though the results are obviously a lot to take in, the idea that it should be a slog seems all the more appropriate to Black Capricorn’s style. The band, which hits the decade mark in 2018, churn out one last bit of wretchedness in the nine-minute closing title-track before giving way to an acoustic finish, as if to remind that Omega’s sorrows are conveyed as much through atmosphere as actual sonic heft.

Black Capricorn on Thee Facebooks

Stone Stallion Rex website

 

Owl Maker, Paths of the Slain

owl maker paths of the slain

Guitarist/vocalist Simon Tuozzoli, also of malevolent doomers Vestal Claret, leads the new trio Owl Maker, and in the company of bassist Jessie May and drummer Chris Anderson, he embarks on a heavy rock push of six tracks with the debut EP, Paths of the Slain, still holding to some elements of metal, whether it’s the double-kick in opener “Ride with Aileen” or the backing vocals and guitar solo of the subsequent “99.” Songwriting is clearheaded across the EP’s 23 minutes, and in terms of first impressions, “Mashiara” shows a focus on melody that retains a metallic poise without losing its riff-driven edge. The balance shifts throughout “Freya’s Chariot” and the all-go “Witches,” the latter of which touches on black metal in its first half before turning on a dime to mid-paced heavy rock, and closer “Lady Stoneheart” nods in its back end to NWOBHM gallop, as Owl Maker seem to tip their audience to the fact that they’re just getting started on their exploration of the many interpretations of heavy.

Owl Maker on Thee Facebooks

Owl Maker on Bandcamp

 

Troll, Troll

troll troll

When one considers the multiple connotations of the word, Portland’s Troll are definitely going more for “lives under a bridge” than “meddling in elections” when it comes to their sound. Their self-titled debut EP, issued in 2017 before being picked up by respected purveyor Shadow Kingdom Records for a 2018 CD/tape release, is a highlight offering of classic-style doom worthy of Orodruin and Pilgrim comparisons and headlined by the vocal performance of John, who carries songs like opener “The Summoning” and the later, more swinging “Infinite Death” in a manner impressive in both frontman presence and melodic range. His work is only bolstered by the riffs of guitarist Lou and the consistent groove held together by bassist Wayne and drummer Ryan, whose drive in centerpiece “An Eternal Haunting” is neither overdone nor incongruous with the wall its tempo hits, and who meld shuffle and plod on closer “Savage Thunder” with naturalist ease. Potential abounds, and they reportedly already have new material in the works, so all the better.

Troll on Thee Facebooks

Shadow Kingdom Records website

 

Malditos, II

malditos ii
Some bands, you just have to accept the fact that they’re on a different wavelength and that’s all there is to it. Magma. Master Musicians of Bukkake. Circle. Enter Oakland, California’s Malditos, whose sophomore outing, II: La Réve, arrives via Svart Records. From bizarre psychedelic chants to ritualized repetitions that seems to be daring you to play them backwards on your turntable, the spiritual freakout to songs like “Azadeh” and the penultimate “Momen” is palpable. Reach out and touch it and it will ripple like water in front of you. A sense of space is filled with elements alternatingly horrifying and engrossing, and after they make their way through “Le Passage” and centerpiece “Disparu” and wind up in the title-track to close out, the journey to the final wash of noise gives the distinct impression that for neither the listener nor the band is there any coming back. High order head trippery. Will simply be too much for some, will gloriously expand the minds of others.

Malditos on Thee Facebooks

Svart Records webstore

 

The Freak Folk of Mangrovia, Sonic Meditations: Live @ Palach

the freak folk of mangrovia sonic meditations live at palach

I don’t know how much improvisation is a factor in the sound of The Freak Folk of Mangrovia, but the Croation collective bring an ultra-organic presence to their perhaps-debut release, Sonic Meditations: Live @ Palach. The group, which seems also to have gone under the names Marko Mushan & the Mangrovian Orchestra and The Free Folk of Mangrovia, was opening for Acid Mothers Temple that night, and Sonic Meditations mostly breaks down into parts – “Sonic Meditation I,” “II,” “III” and “IV” – before the band closes out with “’Mangrovian Summer,” all the while with The Freak Folk of Mangrovia making their way through progressive dreamscapes, dripping with effects and spacious enough to house an entire Mangrovian village, however big that might be. It is otherworldly and jazzy and moves with such fluidity that the entire “Sonic Meditation” becomes one overarching piece, complemented by the closing “Mangrovian Summer,” which ebbs and flows through louder, more active jamming before capping in a wash of noise.

The Freak Folk of Mangrovia on Thee Facebooks

The Freak Folk of Mangrovia on Bandcamp

 

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Eagle Twin Announce The Thundering Heard (Songs of Hoof and Horn) Due March 30

Posted in Whathaveyou on February 2nd, 2018 by JJ Koczan

Eagle Twin photo by Russel Daniels

It says something about Utah two-piece Eagle Twin that even more than half a decade after the release of their last full-length, The Feather Tipped the Serpent’s Scale (discussed here), which came out in 2012, they require next to no introduction. The Salt Lake City duo, who debuted in 2009 with The Unkindness of Crows (review here) will issue their third long-player, The Thundering Heard (Songs of Hoof and Horn), on March 30 via Southern Lord. No audio as yet — there are only four tracks on the thing, so I suspect it’ll be a teaser before a quarter of the album suddenly shows up somewhere, but if you needed another reason to look forward to the coming of Spring, this should do nicely anyhow.

The PR wire brings tales of man’s interaction with the natural world

eagle twin the thundering heard

EAGLE TWIN: Utah Duo Prepares To Issue The Thundering Heard (Songs Of Hoof And Horn) Via Southern Lord In March; Artwork And Track Listing Released

Salt Lake City-based duo EAGLE TWIN will release their long-awaited third LP, The Thundering Heard (Songs Of Hoof And Horn), on March 30th via Southern Lord.

EAGLE TWIN’s commanding sound delivers like a tectonic force, where doom and blues collide. Gentry Densley’s dominating low-end vocal tone is like an instrument in itself, rumbling alongside towering riffs, and Tyler Smith’s powerful rhythmic propulsion. It is a compelling combination, particularly when you add melodious bluesy romp to the equation.

Equally prevailing are the stories that shape EAGLE TWIN’s musical output, drawing upon folklore, and also strongly informed by recent happenings in the world. Observing our relationship to nature, and the band’s own surroundings in the dead salt seas of Utah are themes that feature frequently across their musical canon. The Thundering Heard continues where the previous album The Feather Tipped The Serpent’s Scale ended.

In the band’s own words, “As the great snake grew giant fractal antlers of snakes and turned in upon itself creating a new world, the mountains rise, and the antlers stab through like trees across the landscape. The record begins with the hoofed and horned animals of our world running from mountains and forests on fire. Eerily harkening to the recent events in California and the massive devastation by fire across the land.”

Southern Lord will release The Thundering Heard on LP, CD, and digital formats on March 30th. Audio previews, preorder info, tour dates, and more on the album to follow in the weeks ahead.

The Thundering Heard (Songs Of Hoof And Horn) Track Listing:
1. Quanah Un Rama
2. Elk Wolfv Hymn
3. Heavy Hoof
4. Antlers Of Lightning

EAGLE TWIN:
Gentry Densley – guitar/vocals
Tyler Smith – drums

https://eagletwin.com
https://www.facebook.com/eagletwinmusic
https://www.instagram.com/eagletwinmusic
http://www.southernlord.com
http://southernlord.bandcamp.com
https://www.facebook.com/SLadmin
http://twitter.com/twatterlord

Eagle Twin, The Feather Tipped the Serpent’s Scale (2012)

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