Hifiklub vs. Fatso Jetson & Gary Arce, Double Quartet Serie Vol. 1

Posted in audiObelisk, Reviews on September 9th, 2016 by JJ Koczan

hifiklub-vs-fatso-jetson-gary-arce-double-quartet-serie-vol-1-700

[Click play above to stream Double Quartet Serie Vol. 1 by Hifiklub vs. Fatso Jetson & Gary Arce in full. Album is out next month on Subsound Records.]

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Eight dudes, in a room together, making their way through seven tracks/37:41 of improv vibing, it’s no wonder one can hear bits and pieces of conversation taking place throughout, though that might also be samples playing through the songs. With such a wide-open sonic range, it’s important to acknowledge any number of possibilities for what could be happening at any given moment.

Goes without saying that Hifiklub vs. Fatso Jetson + Gary Arce, as a whole, eight-piece unit, are tailor-made for headphones. Any single one of those entities would be headphone-worthy on their own, and together, their sounds coming through different channels on the vast “A la Fin Je l’Espère Calme,” that’s even more the case. The album glides through a suitably varied scope of moods, from the rolling, massive-in-the-low-end march of side A closer “Glorious Whores” — also the longest cut at 8:02 — to the noise-wash build of “Safe in Pieces,” which is almost straightforward compared to some of what’s going on.

That’s not to say there isn’t a sense of structure throughout. Beginning with “Tenderloin Vignette” (video premiere here), Double Quartet Serie Vol. 1 pairs longer tracks with shorter ones. It’s not that “Tenderloin Vignette” is a rocker and the subsequent “Un Gribouillis De La BeautĂ©” (3:10) an interlude — both keep a consistent focus on ambience — but it seems more about different jams working in different ways depending on which element is in the lead.

fatso-jetson-hifiklub

“Tenderloin Vignette” follows the guitar and “Un Gribouillis De La BeautĂ©” presents a more sparse, key-led wash that gets immediately contrasted by the double-drum solo from Tornay and Julien at the launch of “Glorious Whores,” soon enough joined by a bass tone so rumbling it’s almost funny that turns out to be a defining aspect of the song around which the guitars and drums build to a considerable plod.

There are vocals on several of the tracks, “Glorious Whores” among them, but no discernible lyrics to form a verse/chorus trade, which only underscores the dudes-in-a-room-playing-off-the-cuff spirit of the record as a whole. None of these players are strangers to improv or to collaboration, so to have them working together is still an experiment, but definitely one that benefits from their general readiness to plug in and play.

And the shorter, more atmospheric pieces — “Un Gribouillis De La BeautĂ©,” “Black Without White,” “A la Fin Je l’Espère Calme” — do much to avoid a “sessions” kind of feel, adding range to the project overall and giving context to the post-grunge guitar work on “Safe in Pieces” or the dreamy meld in “Tenderloin Vignette.” That tradeoff becomes even more apparent on side B, with four tracks beginning with “Black Without White” leading into “Safe in Pieces” and the pair of “A la Fin Je l’Espère Calme” and “The Rocky Road to Holiness” closing out.

More conversation is had — literal and figurative — as guitars play off each other in “A la Fin Je l’Espère Calme,” but with how fluidly they do so, it would be easy to listen to a a whole record of nothing but that, particularly with the keys surrounding. To call it a jam I guess is fair enough, but it’s more of a standalone piece, and it comes apart to let the quiet start of the finale set its mood with more foreboding guitar, toms and cymbal wash, introducing chanting before the two-minute mark and dropping out circa 2:30 into its 7:29 to let the guitar introduce the figure on which “The Rocky Road to Holiness” will roll Double Quartet Serie Vol. 1 to its conclusion, both drummers working in lockstep as the bass and guitars build around them.

By the time they’re about five minutes deep, they’ve brought the wash to its head, and topping it with some “ohh”-type vocals from one side, the other, or both, it’s a cohesive way to cap the release as it winds down, underscoring the point that throughout, it’s not so much a case of Fatso Jetson and Gary Arce opposing Hifiklub as working in concert with them. I said as much with the video premiere, but really, what the eight-piece Hifiklub vs. Fatso Jetson + Gary Arce conjure is molten to the point of liquidity, and with how well they fit together, Double Quartet Serie Vol. 1 is able to engage front-to-back with a genuine sense of adventure and immersive depth.

Hifiklub vs. Fatso Jetson + Gary Arce, The Making of Double Quartet Serie Vol. 1

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Video Premiere: Fatso Jetson & Gary Arce Debut Collaboration with Hifiklub

Posted in Bootleg Theater on September 2nd, 2016 by JJ Koczan

fatso jetson hifiklub

The official name of the project — Hifiklub vs. Fatso Jetson & Gary Arce, Double Quartet Serie Volume 1 — is kind of complicated, but what it works out to is gorgeous psychedelic spaces crafted with a spirit of resonant improvisation. Indeed, the parties involved in the seven-track Subsound Records release are collaboration-prone French experimentalists Hifiklub (they’ve also worked with Alain Johannes and have a new record out with Jad Fair and kptmichigan), as well as Fatso Jetson — who at the time of the recording were touring as the trio of Mario Lalli, Dino von Lalli and Tony Tornay — and Yawning Man guitarist Gary Arce, with whom they were on the road. Two quartets. Hence “double.”

Subsound will have the full-length out next month, and I haven’t yet heard the whole thing, but listening to the two tracks included in the video below, “Tenderloin Vignette” and “Glorious Whores,” my only quibble is with the “vs.” part of the collaboration’s moniker. There’s very little working against each other going on here, if any. Granted it might be awkward to go with Hifiklub & Fatso Jetson & Gary Arce, but that’s really kind of how it works out. Each party makes clear contributions, but I wouldn’t say there’s any antagonism on a sonic level to be found — only fluid, desert-infused psychedelic jamming, oddly choral vocalizations, and a bendy-string intro that soon gives way to two cuts anchored by warm and consuming bass tone over which guitars shine out in engaging progressions. I get the use of “vs.” as a stylistic choice in naming the project, but it’s worth making clear that nobody in Hifiklub or Fatso Jetson seem like enemies by the time the songs are done.

Rather, the vibe that pervades is delightfully let’s-go-into-the-studio-and-see-what-happens. The underlying motion of “Tenderloin Vignette” and the bass push that starts “Glorious Whores” seem to have been thought out beforehand, but there’s a lot here that sounds off the cuff, a real “sessions”-kind of release. You get members of one band or the other screwing around between the tracks and all, and it makes the whole thing seem even more natural, not that it was hurting in that regard.

The video, directed by Laetitia Bica, captures Mont Faron, in Hifiklub‘s native Toulon. Some of the portion in the second half going backwards gave me kind of a queasy feeling, so if you’re affected by that kind of thing, keep an eye out, but even if you put it on and click to another window, I think you’ll agree it’s well worth your time to listen.

More to come on this release next week. Please enjoy:

Hifiklub vs. Fatso Jetson & Gary Arce, “Tenderloin Vignette”/”Glorious Whores” official video

Subsound Records is happy to announce the ‘2 Tracks video’ (track 1 and 3) from the upcoming album “Double Quartet Serie” Vol.1 HIFIKLUB Vs FATSO JATSON w/ GARY ARCE, directed by the artist Laetitia Bica.

It’s a portrait of the montain in Toulon, Le mont Faron, France.

The release will be out via Subsound Records in October and distributed worldwide.

Tracklist :
1. Tenderloin Vignette
2. Un Gribouillis De La Beautè
3. Glorious Whores
4. Black Without White
5. Safe In Pieces
6. Ă€ La Fin Je L’Espère Calme
7. The Rocky Road To Holiness

Double Quartet Serie Volume 1
Hifiklub vs Fatso Jetson + Gary Arce
2016, Subsound Records

Two tracks:
1. Tenderloin Vignette
2. Glorious Whores — starts at 6.49

Music by Pascal Abbatucci Julien, RĂ©gis Laugier & Nico Morcillo
Arranged with Gary Arce, Ahmad Compaoré, Mario Lalli, Arnaud Maguet, Tony Tornay & Dino Von Lalli

Quartet 1, left channel — Hifiklub
Ahmad Compaoré – drums
Régis Laugier –bass & vocals
Arnaud Maguet – effects
Nico Morcillo – guitar

Quartet 2, right channel — Fatso Jetson + Gary Arce
Gary Arce – guitar
Mario Lalli – bass & vocals
Tony Tornay – drums
Dino Von Lalli – guitar

Subsound Records website

Hifiklub website

Fatso Jetson website

Laetitia Bica website

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