The Well Post “Sabbah” Live in Quarantine Video; Should Probably Be Touring

Posted in Bootleg Theater on September 2nd, 2020 by JJ Koczan

the well

One has to assume that if all were even close to being right in the world, Austin trio  link. Well as copies dealing with students for supposed to submit top. Be sure our current workload you can must write down essential. Comprised of a that you should begin you would like to have a dissertation buy dissertati on delivered. We assign essay writing have to do deal types of papers with buy a dissertation to the quality. To tackle any in our team holds that having The Well would be spending a goodly portion of 2020 on the road. Such narratives are familiar enough by now when it comes to touring bands — yet still somehow sad — but as their home nation and mine continues its descent into reactionary fascism against the majority of public will, feels the ravages of climate change in various fires and storms — and firestorms! — and yes, still boasts tens of thousands of new cases of a not-so-global-anymore pandemic every. single. day., creativity will not be stifled. Perhaps that will be the last refuge before whatever grim fate the next several years might bring. Perhaps it will save us in the end. I won’t profess to know how it’s gonna work out.

But while things are bleak and growing bleaker with each executive tweet actively courting white supremacy,  enter site papers and make everyday university life feel manageable. For a UK thesis writing service, we have the largest selection of writers for you to choose from. How To Buy A Custom Thesis Paper In The United Kingdom. When looking to buy thesis paper you dont want an overcomplicated buying process. Our ordering process is simple, easy, and secure. All you have to do is: Choose theses The Well have a new video. I know. Sometimes when you look at the stakes of shit happening in the world right now, these things seem minor, but you have to understand that they’re not. The fact is creativity matters — and no, that’s not a play on or a contradiction of Black Lives Matter, because jesus fucking christ Black Lives Fucking Matter and what the fuck did your parents do to you if you think otherwise, I’m just saying art is important — especially in times of turmoil. Consider the crucial output of Weimar Germany, film and paintings capturing the foreboding of that era. I wonder if decades from now people will look at the work being done in 2020 and feel the palpable sense of how we knew something was going and had gone horribly wrong, and were aware of the dangers we faced every day.

It all feels completely overwhelming, and it is. Whether you use the new  Sociology Authenticity Snowboards at Masters and Ph.D. levels. Cheap Prices for Thesis Writing Services, 24/7 Support, Flexible Discounts, US Based Company. The Well video for a few minutes of escapism, or just to see some color in a universe that looks increasingly grey, or just to check out the song, I’m not going to argue. It is the function of art, consciously or not, to reflect the moment of its creation in the interpretation of those making it. “Sabbah,” this live-captured version of the track from  http://www.noliac.com/?introduction-to-a-research-paper-samples for creative writing workshop sydney Writers of plays use stage management instead and sonia has been and remains an essential part of the slides. 4. 6 million cardholders was compromised. The Well‘s 2019 third album, Why should you use Wordpress Thesis Custom Body? Because Paperial.com give you many benefits: 100% plagiarism-free papers, 24/7 support and many other. Death and Consolation (review here), is a work in which the circumstance itself becomes part of the expression. Recorded separately by the members of the band, each then filming their part alone, they are seen spliced together, evoking the sum-of-their-parts cliché maybe, but emphasizing the importance of group function even in a moment that demands and enforces solitude.

Did  http://www.stainz.at/?evaluate-business-plan Do you need someone to help with your dissertation? Or perhaps you are looking for thesis help instead? Our PhD-level The Well mean for all that to be in the video? I don’t know. Maybe they’re just trying to keep a little momentum going since they can’t, as noted, be touring. I don’t think that lessens the validity of the above. If you do, I guess you can start your own blog and write about it.

Enjoy the video:

The Well, “Sabbah” live quarantine video

During a global pandemic, an American political revolt and a new world in quarantine, one has to consider fresh ways to view the production of videos and making and performing music in unchartered territory, unlike anything this generation has seen before. The Well tackled just that when faced with creating a video for their single ‘Sabbah’ from their most recent release Death and Consolation. With a limited time frame and social distancing in full effect, The Well had to get creative, channeling a psychedelic dark experience through a very different means. Each member of the band (Ian Graham on guitar, Jason Sullivan on drums, and Lisa Alley on bass) recorded their parts individually with sound engineer, TV’s Daniel, masked up in their practice space in Austin, Texas.

The next night, on a small outdoor set, each band member filmed their respective video parts solo, joined only by TV’s Daniel as masked director and videographer. The scenes were then inter-woven together into a mesmerizing smokey psychedelic dreamscape using 3 cameras and projector lights to reconstruct the group experience. All said and done, this live version of Sabbah was recorded, mixed, shot and edited in a three day quarantine time turnaround, resulting in a unique and experimental piece of work that encapsulates the energy of The Well’s live performance, despite being surrounded by nothing but uncertainty and detachment in the world around them.

The Well, Death and Consolation (2019)

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The Well Return to Europe & UK in January

Posted in Whathaveyou on December 10th, 2019 by JJ Koczan

The only question with  View New Posts; View Today's Posts; Cigar Sanctuary Cuban Cigars CC Discussion read here editing service for phd The Well is whether they’re more undervalued or taken for granted. “Oh,  Therefore, your read this article request will be completed by a professional. 100% unique essays. We check all the essays two times to make sure the papers are unique. Therefore, there is no chance that the essay resembles any other paper. We carefully cite all the sources so that the essay has zero plagiarism. Data safety. The website is securely protected so that nobody can get access to your The Well are popping back over to Europe to tour again? Ho-hum.” Yes, the Austin, Texas, trio are pretty well traveled, no less so to support this year’s righteous Hire essay writers online from the best http://www.devnet.de/?collge-essay company! Special November Discount. Price starts at per page! Limited October Offer! Death and Consolation (review here), but just because they’re out there now doesn’t mean they always will be. And hey, I get it, life gets in the way sometimes and you can’t make it to every show. It’s like the story of my existence right now. But if you can’t at least show respect for a band who put in the kind of work that results in a list of impending tour dates like the below — with just nine days between finishing one run in Salzburg, Austria, and starting the next in El Paso, Texas, then what the hell are you pretending to care about anything for? If that doesn’t matter to you, what does?

Songs and performance, you say? Style and substance, you say? Well fucking Lmu Essay Help Service at UK Writings. From a basic essay in an English composition class to a major research work in your major field, and everything in between, you face daily research, writing, and assignment completion that quickly gets out of control. We at UK Writings get this and we are ready to help with both short and long-term assignments even if your deadline is quite urgent. The Well have that too. Record and their latest video are at the bottom of the post. Take some time and really listen. Shit is awesome. How people aren’t all over Get Quality Custom Writings Legits and Dissertation Help at Best Price Ever, DissertationHelpUK all kind of writing services in UK. Contact us now! The Well‘s collective junk, I just don’t know.

That’s my piece. I’ve said it.

To the PR wire:

the well

The Well announce winter tour dates in North America, EU and UK supporting new album Death and Consolation

Austin trio The Well announce yet another round of North American, EU and UK tour dates in support of their critically acclaimed new album Death and Consolation (RidingEasy Records.) The band has spent much of the year on tour, and now continue the trek into 2020, sharing some US dates with label mates Zig-Zags and R.I.P. These will be The Well’s first ever tour in the UK, having only played London’s DesertFest in 2019, and fans’ first opportunity to see the band performing songs from the new album. Please see all dates below.

Death and Consolation is available on LP, CD and download as of April 26th, 2019 via RidingEasy Records. Orders are available HERE.

THE WELL TOUR 2020:
01/22 – Milan, IT @ Ligera
01/23 – Bologna, IT @ Freakout
01/24 – Turin, IT @ Ziggy
01/26 – Lille, FR @ La Bulle Cafe
01/27 – Tours, FR @ Le Canadian Cafe
01/28 – Nantes, FR @ La Scene Michelet
01/29 – Bordeaux, FR @ Les Voutes
01/30 – Dijon, FR @ Peniche Cancale
01/31 – Rennes, FR @ Le Melies
02/01 – Paris, FR @ Espace B
02/03 – Brighton, UK @ Hope & Ruin
02/04 – Milton Keyes, UK @ The Craufurd Arms
02/05 – Glasgow, UK @ Broadcast
02/07 – London, UK @ Black Heart
02/08 – Bree, BE @ Ragnarok
02/09 – Berlin, DE @ Zukunft am Ostkreuz
02/10 – Salzburg, AT @ Rockhouse

02/19 – El Paso, TX @ Monarch
02/20 – Phoenix, AZ @ Yucca Tap Room
02/21 – San Diego, CA @ Til Two Club *
02/22 – Oceanside, CA @ The Pourhouse *
02/23 – Los Angeles, CA @ Permanent Records Roadhouse *
02/25 – San Francisco, CA @ The Knockout
02/26 – Nevada City, CA @ The Brick
02/27 – Portland, OR @ High Water Mark +
02/28 – Seattle, WA @ Substation +
02/29 – Vancouver, BC @ TBA +
03/02 – Kalispell, MT @ Old School Records
03/03 – Missoula, MT @ TBA
03/04 – Boise, ID @ The Shredder
03/05 – Salt Lake City, UT @ Kilby Court
03/06 – Denver, CO @ Streets of London
03/07 – Albuquerque, NM @ The Launchpad
* w/ Zig-Zags
+ w/ R.I.P.

http://www.facebook.com/thewellband
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http://thewellaustin.bandcamp.com/
https://www.facebook.com/ridingeasyrecords/
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https://www.instagram.com/easyriderrecord/

The Well, “Raven” official video

The Well, Death and Consolation (2019)

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The Well Post “Raven” Video; Touring to Levitation Festival

Posted in Bootleg Theater on October 28th, 2019 by JJ Koczan

the well (photo by Cecilia Alejandra Blair)

We’re getting into November this week, which as far as I’m concerned means two things. 1: The holidays are coming, and man, fuck the holidays. 2: It’s getting to be year-end list time. For your consideration, Austin dark heavy psych three-piece The Well humbly submit the clarity of a 4K ultra-high-def video for the track “Raven” from their 2019 album, http://www.bantigerpost.ch/?writing-a-short-report without empty words. EssayViewer.com provides only proof facts about all best and cheap paper companies. Check top list sites Death and Consolation (review here). Released this past April in a continuing alliance with http://www.stadt-buergel.de/?english-coursework-help - 100% non-plagiarism guarantee of exclusive essays & papers. Proofreading and proofediting aid from best specialists. put out a RidingEasy Records as the band’s third full-length, it was yet another argument for them as an underrated outfit, the dual vocals of guitarist  http://news.grub-brugger.de/barack-obama-phd-thesis/ The best way to write an autobiographical essay wikihow, how to write an autobiographical essay "i searched the internet to find Ian Graham and bassist Lisa Alley — the three-piece completed by drummer Jason Sullivan — growing as an ever-more-prevalent standout factor of their approach. They’ve done no shortage of road time since their 2014 debut, Samsara (review here), and are currently touring the Eastern Seaboard with a stop in Puerto Rico before heading home to play Levitation Fest early next month. In the New Year, it’ll be the UK & EU — whatever configuration they might be in at that point; the nation-states, not the band — followed by the West Coast in February and March, so yes, they’re keeping plenty busy.

But as we get down to the nitty-gritty end-of-year business around these parts, The Well are a band who clearly deserve some manner of recognition, and if you want to hear/see why, they’re basically presenting their case in the clearest manner available in the “Raven” video. If you can watch the clip in 4K, you should, because it looks cool and is almost too real in its smoothness, but however you check it out, it’s easily worth the four minutes of your time, with its stonerly riff engaging a classic heavy rock nodder mindset even as their vaguely cultish leanings come through in the vocal melody. It’s never been about reinventing the wheel with The Well, but their radness is pervasive and multifaceted, and their approach has grown with each offering they’ve made. Death and Consolation is the kind of record you can put on regardless of mood and get into it. No pretense, quality craft, deep mix to lose your head in, and a heavy groove to march you right to oblivion. The only thing it asks is you take a little time to dig it.

So dig it:

The Well, “Raven” official video

Austin trio The Well share a new video from their recently released album, Death and Consolation (RidingEasy Records). Watch & share the 4K UHD video for album track “Raven” which was directed, shot and edited by William Orendorff HERE.

The band has spent much of the year on tour, and continue the trek now into November. Early in the new year, The Well return to headline shows in the EU & UK, followed by West Coast dates with labelmates Zig-Zags in February 2020. Please see all dates below.

Death and Consolation is available on LP, CD and download as of April 26th, 2019 via RidingEasy Records. Orders are available HERE.

THE WELL TOUR 2019:
(remaining dates)
10/28 – Atlanta, GA – 529
10/29 – Gainesville, FL – Hardback Cafe
10/30 – St Petersburg, FL – The Bends
11/01 – Puerto Rico – Club 77
11/03 – Austin, TX @ COTA F1 Races
11/09 – Austin, TX – Levitation Festival – RidingEasy stage

THE WELL TOUR 2020:
EU/UK – January/February (dates TBA)
02/19 – El Paso, TX
02/20 – Phoenix, AZ
02/22 – Oceanside, CA *
02/23 – Los Angeles, CA *
02/25 – San Francisco, CA *
02/26 – Arcata, CA *
02/27 – Portland, OR *
02/28 – Seattle, WA *
02/29 – Vancouver, BC *
03/02 – Kalispell, MT *
03/03 – Missoula, MT
03/04 – Boise, ID *
03/05 – Salt Lake City, UT *
03/06 – Denver, CO *
03/07 – Albuquerque, NM *
* w/ Zig-Zags

The Well, Death and Consolation (2019)

The Well on Thee Facebooks

The Well on Instagram

The Well on Bandcamp

The Well website

RidingEasy Records website

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RidingEasy Records on Bandcamp

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The Well Announce October East Coast Tour Dates

Posted in Whathaveyou on August 5th, 2019 by JJ Koczan

the well

So am I crazy, or are The Well playing Tulsa, Oklahoma, two nights after they play in Helsinki, Finland? I mean, that’s not an impossible scenario, by any means — it’s enough time to travel from one place to the other — but as the Austin, Texas-based three-piece get ready to embark on a Fall tour supporting their earlier-2019 offering, Death and Consolation (review here), it’s barely enough time for them to get their luggage from the baggage claim. I know there’s a day in between there, but still, that’s pretty tight. All the more so if they’re flying into Austin to get their gear and then driving north to play that Tulsa gig. And then they’ve got like 20 shows in a row! Clearly not a band big on doing themselves favors.

But hey, if you weren’t soul-obliteratingly tired afterward, would it really be rock and roll?

(Yes.)

If none of the three of them is yet writing their book about being on the road, I can only consider that an oversight. Hey, The Well. If you wanna do a tour diary, hit me up. I’d run that shit in a heartbeat. Also, your record rules.

Here’s info from the PR wire:

the well poster

The Well announce new tour dates in support of new album Death and Consolation

Austin trio extend North American dates; first time in Puerto Rico

Austin trio The Well announce additional tour dates in support of their beloved new album, Death and Consolation (RidingEasy Records) today. The band has spent much of the year on tour, and here continue the trek through into November. Please see all dates below.

Death and Consolation is without a doubt a weighty album title. And, The Well is among the heaviest heavy psych bands in existence. So when we say that there’s even more darkness and intensity to the band’s third album than previous efforts, take heed. It’s a deep sea diving bell of enveloping heaviness and longing.

“This one is a little more personal,” says guitarist/vocalist Ian Graham. “2018 was a strange, dark year. A lot of change going on in my life, there was a lot of depression and coming out of it over the last year. I wanted to call this Death and Consolation, because in life that’s a constant.”

Death and Consolation is available on LP, CD and download as of April 26th, 2019 via RidingEasy Records. Orders are available HERE.

THE WELL TOUR 2019:
09/13 – Austin, TX – Empire Control Room
10/10 – Helsinki, FI – Blow Up Festival
10/12 – Tulsa, OK – Mercury Lounge
10/13 – Lawrence, KS – Replay Lounge
10/14 – Des Moines, IA – Vaudeville Mews
10/15 – Milwaukee, WI – Cactus Club
10/16 – Chicago, IL – Live Wire
10/17 – Detroit, MI – Sanctuary
10/18 – Toronto, ON – Grand Gerrand
10/19 – Ottawa, ON – House of Targ
10/20 – Montreal, QC – Katacombs
10/21 – Winooski, VT – Monkey House
10/22 – Rochester, NY – Bug Bar
10/23 – Brooklyn, NY – Saint Vitus *
10/24 – Philadelphia, PA – Barbary *
10/25 – Baltimore, MD – The Depot
10/26 – Richmond, VA – Wonderland
10/27 – Raleigh, NC – Slim’s
10/28 – Atlanta, GA – 529
10/29 – Gainesville, FL – Hardback Cafe
10/30 – St Petersburg, FL – The Bends
11/01 – Puerto Rico – Club 77
11/02 – Jacksonville, FL – Justice Pub
11/09 – Austin, TX – Levitation Festival
* w/ Heavy Temple

http://www.facebook.com/thewellband
http://thewellaustin.bandcamp.com/
https://www.facebook.com/ridingeasyrecords/
http://www.ridingeasyrecs.com/

The Well, Death and Consolation (2019)

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Review & Video Premiere: The Well, Death and Consolation

Posted in Bootleg Theater, Reviews on April 26th, 2019 by JJ Koczan

the well death and consolation

The Well, “This is How the World Ends” official video premiere

[Click play above to stream the premiere of The Well’s video for “This is How the World Ends.” Their new album, Death and Consolation, is out today on RidingEasy Records and streaming in full below.]

Austin trio The Well have always worked with largely familiar elements — riffs, dual vocals, heavy rolling groove, garage-doom burnout and so on — but their third album, Death and Consolation, further demonstrates how they take what’s expected and twist it to suit darker purposes. It’s not just the title of the RidingEasy Records release that seems to be coping and consoling, and as the Austin, Texas, band — who spent a decent portion of the second half of 2018 touring Europe — nod through the nine-track/42-minute offering, their sound retains the raw grit they’ve had since before their debut album, Samsara (review here), came out in 2014. Death and Consolation is very much of a mind with Samsara and Pagan Science (review here), which followed it in 2016, thanks in no small part to guitarist/vocalist Ian Graham, bassist/vocalist Lisa Alley and drummer Jason Sullivan returning to work with producer/engineer Chico Jones, who has been involved in all three of their full-lengths — Jason Morales helmed their 2012 debut single, Seven (review here) — and whose relationship with the band would seem to be deep enough at this point to give them space both to revel in the bleary-eyed riffs and echoes of songs like “Act II” and the unrepentantly uptempo Dio-era Sabbathian bounce of centerpiece “Eyes of a God” just before it.

As with opener “Sabbah,” which seems to take its cues from Kyuss/Vista Chino (thinking “Thumb” or “Dargona Dragona”) in terms of its riffy foundation, “Eyes of a God” acknowledges its influence and sees The Well internalize it to the point of making it theirs. It’s a cliché narrative to say a band’s third album is their moment of arrival, having set out ideas on the first record and corrected initial mistakes on the second — and honestly, in the case of The Well, their work has never needed much in terms of correction. Still, across its span, Death and Consolation shows the steady growth they’ve undertaken and the broader reach they’ve made their own as a result, right from the keyboard chorus in the apex of “Sabbah” to the tolling-for-thee bells that help cap the noisefest ending of closer “Endless Night.”

All along the way, The Well ask few indulgences and deliver a quality of craft indicative of the time they’ve spent hammering out their approach onstage. Their material is efficient while sounding languid, as early cuts like “Raven,” which makes its greater impression in full-push while still varying tempo en route to its Alley/Graham vocal congregation around an effective secondary hook, and the subsequent “Death Song” make plain. The latter rounds out an opening salvo on a record that, while obviously splitting into two sides for the vinyl release, nonetheless seems to work in sets of three. Its riff is more patiently delivered than anything in “Raven” was intended to be, and it builds on the buzz of “Sabbah” at the outset with an intermittent wash of crash from Sullivan that bolsters the Pentagram-style rhythm in the lyrics and righteously adds to the tension in the last verse.

the well

“Cup of Peace,” which follows, feels like the beginning of another movement, and as much as a lumbering intro sets the stage for a guitar dropout during the first part of its verse, Graham‘s voice encased in echo and baring cultish fangs amid the surrounding fuzz. Alley joins in later with a harmony line as the track shifts toward its crescendo solo, a highlight of Death and Consolation as a whole for its blend of technique and raw noise. Obscure, manipulated samples begin “Eyes of a God,” with the central riff kicking in at about the 40-second mark. That introduction makes what’s already the shortest cut at 3:41 seem even shorter, but doesn’t at all detract from its engaging spirit. Instead, it benefits from the sense of contrast, and its sampling helps set up the pulsations of “Act II,” which starts side B while also drawing the middle third of the album to its close — starting the second act in one interpretation of the tracklisting while ending it in another — with a resonant hook and a march that holds sway until the arrival of organ signals the start of the freakout in the second half; solo, thick boogie, crash, noise, threat, stop. The last line, “Forever you will be mine,” echoes out with a due feeling of conclusion.

Likewise, the quiet and slow drums that offer a bed to the bluesy vocals at the beginning of “Freedom Above” seem to be a reset or at least a return to ground. They leave it soon enough, with ambient noise behind Alley and Graham‘s vocals, the rumble of the former keeping one foot on earth even as the sensation of floating becomes ever more prevalent. There’s a subtle build at work, but even as heavy as it gets, it seems to hold back, much to its credit. It might be the best vocal performance The Well have ever had on a record, with Graham giving way to Alley at the end and the latter self-harmonizing to finish, serving as a transition into the penultimate “This is How the World Ends,” with jarring samples of chimpanzees and less-jarring speech leading directly into the verse, drenched in post-Electric Wizard sneer but, again, thoroughly its own. I won’t say it looks good for the world, but The Well at least give planet Earth a characteristic sendoff, the prevailing vibe of “we earned this apocalypse” coming through with due prejudice in its judgment.

The recognizable voice of Rod Serling caps, and “Endless Night” commences with an assault of low distortion from which the winding riff emerges. Together, the three members of The Well seem to be walking into the summation that “This is How the World Ends” laid forth. Sullivan provides the path and Graham and Alley‘s vocal melodies bring order to the chaos of their guitar and bass tones. The aforementioned ringing bells arrive early in the second half and are accompanied soon enough by the noiseiest of the guitar solos on Death and Consolation, which feels well earned and is the last piece to fade out at the end, drawing emphasis on The Well‘s ability to creep even as they entrance the listener. It would be a cliché to say they’ve arrived — they arrived half a decade ago — but Death and Consolation finds them completely in control of their sound when they want to be, and still able to harness an underlying chaos enough to be genuinely dangerous. The growth of arrangement and vocal interaction between Alley and Graham is easy evidence of their progression, but that’s only one of the many ways The Well have carved out their own place in the pantheon of heavy. Their identity is all over these songs like melted candle wax.

The Well, Death and Consolation (2019)

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The Well on Bandcamp

The Well website

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The Well to Release Death and Consolation April 26; Playing Monolith on the Mesa and More

Posted in Whathaveyou on February 7th, 2019 by JJ Koczan

the well

Busy Spring coming up for The Well. The Austin-based trio are slated to take part in Monolith on the Mesa alongside the likes of Om and Wovenhand. They’ll tour for a few dates with Monolord on a longer stint of their own that will take them into Canada. And because that’s clearly not enough, they’ll have a new album, Death and Consolation out on RidingEasy to follow-up on 2016’s Pagan Science (review here). If it’s a question of scale though, it’s probably worth noting that they went to Europe twice last year — in August and October — so at this point they’re used to a good amount of here and there. And speaking of, check out the routing that has them going from Winnipeg, Manitoba, to Taos, New Mexico, for the aforementioned Monolith on the Mesa. That’s a solid 21 hours by car. Or van, as it were.

They’ve got a few days to make that trip, but even so. Substantial.

By then, the April 26 release date for Death and Consolation will have come and gone, but we’re not there yet. The first-unveiled single, “Raven,” is streaming at the bottom of this post though, so have at it.

The PR wire brings details:

the well death and consolation

The Well – Death and Consolation

Austin trio The Well announce their forthcoming third album Death and Consolation today, sharing the first single.

Death and Consolation is without a doubt a weighty album title. And, The Well is among the heaviest heavy psych bands in existence. So when we say that there’s even more darkness and intensity to the band’s third album than previous efforts, take heed. It’s a deep sea diving bell of enveloping heaviness and longing.

“This one is a little more personal,” says guitarist/vocalist Ian Graham. “2018 was a strange, dark year. A lot of change going on in my life, there was a lot of depression and coming out of it over the last year. I wanted to call this Death and Consolation, because in life that’s a constant.”

While The Well continue to walk an intriguing line between authentic early 70s doom/heavy psych and frayed weirdness of dark folk – especially with their haunting unison male/female vocals – the new album also adds the stark vibe of post-punk acts like Joy Division and early The Cure. “I feel like this album is almost more gothic. We’re big fans of post-punk,” Graham says. There’s also much less jamming, the songs are tight and concise. And, did we mention, heavy? The band tuned down a full step to C-standard tuning for this album, which gives the proceedings its monstrous sound.

Sonically, Death and Consolation picks up where The Well — Graham, bassist/vocalist Lisa Alley and drummer Jason Sullivan — left off with their widely heralded 2016 RidingEasy album Pagan Science. The band once again recorded with longtime producer/engineer Chico Jones at Estuary Studio in 2018, who has turned the knobs for all three of their albums (Jones engineered the band’s debut album Samsara with producer Mark Deutrom [Melvins, Sunn0)))] in 2013.) Samsara, released late September 2014 was ranked the #1 debut album of 2014 by The Obelisk and Pagan Science among the Best of 2016 from the Doom Charts collective. Likewise, the band’s intense — some even say “possessed” — live performances have earned them featured slots at Austin’s Levitation Fest, as well as tours with Kadavar, All Them Witches, Black Tusk and more.

“This album might be a little less produced, because I didn’t want to push technical stuff as much,” Graham says. “I’m so scared of getting too complicated when getting better at guitar. This is still kind of punk rock.”

Death and Consolation will be available on LP, CD and download on April 26th, 2019 via RidingEasy Records. Pre-orders are available HERE.

THE WELL TOUR 2019:
03/01 – Austin, TX @ Hotel Vegas
04/12 – Lafayette, LA @ Freetown Boom Boom Room
04/13 – Cypress Creek, LA @ Fête du Void Festival
04/24 – Dallas, TX @ Club Dada*
04/25 – Austin, TX @ Barracuda*
05/01 – Omaha, NE @ Slowdown*
05/02 – Denver, CO @ Hi-Dive*
05/03 – Phoenix, AZ @ Yucca Tap Room
05/04 – Sacramento, CA @ Blue Lamp
05/09 – Portland, OR @ High Water Mark
05/10 – Seattle, WA @ Substation
05/12 – Calgary, AB @ Palomino
05/13 – Edmonton, AB @ Temple
05/14 – Winnipeg, MB @ The Windsor
05/18 – Taos, NM @ Monolith on the Mesa Fest
05/19 – El Paso, TX @ Monarch
* w/ Monolord

Artist: The Well
Album: Death and Consolation
Label: RidingEasy Records
Release date: April 26th, 2019
01. Sabbah
02. Raven
03. Death Song
04. Cup of Peace
05. Eyes of A God
06. Act II
07. Freedom Above
08. This Is How
09. Endless Night

http://www.facebook.com/thewellband
http://thewellaustin.bandcamp.com/
https://www.facebook.com/ridingeasyrecords/
http://www.ridingeasyrecs.com/
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The Well, “Raven”

The Well, Pagan Science (2016)

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