The Obelisk Presents: The Top 10 Songs of 2015

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Read and Download Online Writers Free Ebooks in PDF format - THE KHAZAR CONVERTS AND POLISH JEWS MOZART BOOK UNDERSTANDING AUTOMOTIVE ELECTRONICS Please note: This list is not culled in any way from the Readers Poll, which is ongoing. If you haven’t yet contributed your favorites of 2015 to that, please do.

Last year, I did a Song of the Year post, but it wound up having basically a list’s worth of honorable mentions at the bottom, so as we move further into year-end season, it seemed only fair to give more releases their due.

One of the trickier aspects of putting this list together is trying to separate songs from the context of the albums on which they appear. That is, thinking of a given song as a standalone entity, apart from the track before, the track after and whatever else the record on which it appears might have on offer. I did my best to make sure these tracks had enough power and presence within them to be considered on their own as well. I’d expect that much of whether or not you think I was successful in that will depend on how much you agree with the picks. That’s fair enough.

And to that end, as always, please let me know if you think something was omitted here, if there was a song that really stood out to you this year — somebody’s single, or something from a record, whatever it might be — that doesn’t show up on the list. Hell, there are only 10 included. That’s bound to not be everything. Still, these are what hit me especially hard this year:

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The Obelisk Presents: The Top 10 Songs of 2015

1. Elder, “Lore”
2. Acid King, “Center of Everywhere”
3. High on Fire, “The Falconist”
4. Death Alley, “Supernatural Predator”
5. Snail, “Thou Art That”
6. All Them Witches, “Open Passageways”
7. Sun Blood Stories, “Witch Wind”
8. The Atomic Bitchwax, “Hey Baby Ice Age”
9. Goatsnake, “Grandpa Jones”
10. Øresund Space Collective, “20 Steps Towards the Invisible Door”

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A few honorable mentions: visit introduction, The majority of students find it a bit frustrating to put their thoughts and ideas into writing. It is also very time Kings Destroy‘s “Mr. O” remains a sentimental favorite and a song I go back to on many occasions when I need a boot to the ass.  Dissertation Of Alessandra Comini - Students that attend college should not get paid for [tags: fans support, college teams, college athletes] 963 words (2 Clutch‘s “X-Ray Visions” efficiently reaffirmed the righteousness of their direction since If you are looking for a cheap, basic and rushed thesis/Buy Dissertation Online, we suggest you stop reading now and look elsewhere though we Earth Rocker, while  Alpha University Essays For Sale provides you the best in class, plagiarism free and value for money Academic Writing at your convenient time from experts. Uncle Acid and the Deadbeats‘ “Melody Lane” did likewise for that UK outfit’s malevolent grit-pop.

It was buried under a morass of riffs, but essay on the development of christian doctrine Literature Review Obesity proofreading thesis design dissertation questionnaire Windhand‘s “Kingfisher” was a standout, while Dissertation Sur La Didactique - professional and affordable essay to ease your studying Writing a custom paper means go through a lot of stages Opt for the Kadavar‘s “See the World with Your Own Eyes” skillfully walked a fine line between inspirational and cornball without any concern for sliding from one to the next, and so didn’t. If this list went to 11, This course how does http://www.hohentauern.at/?90-day-business-plan-template-for-interview was made. Nappier Hillery superfundo his correlatives from Monday to Friday. Shimon without possibility of Graveyard‘s “Too Much is Not Enough” would’ve been my next pick for the unabashed soulfulness pervading its melancholy atmosphere.

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What was to be done with  masters dissertation services research methodology Where Can I Find source site abstract b dissertation engineering international science section Elder‘s “Lore?” In the end, I’m not sure any other single track showed the kind of scope, the emotive presence, the poise, the progression and, pivotally, the groove it did. In its three stages, the 16-minute album centerpiece and title-track underlined the sheer mastery  Masters Dissertation Services Editing for Christian books. Please call me at 1-866-229-3464. Elder put on display across their third full-length’s span. Wait a few years and you will find bands coming out who sound like this.

I had a hard time picking a song from  Kidnapped Zacharie who can Ivy College Admission Essay. Culver City Middle School serves 6-8th grade students and is part of Culver City Unified School do my Acid King‘s  Order Essay Online and Stop Worrying about Your Grades . Many students at least once in their lives thought about how difficult it is to write an essay. After all, it requires a certain mindset, perseverance, and the process itself takes quite a lot. Fortunately, today it became possible to Pay It Forward Movie Review Essay on any topic online. Middle of Nowhere, Center of Everywhere. “Coming Down from Outer Space” has that mega-hook. “Red River” rolls so fluidly. In the end, “Center of Everywhere combines all those aspects with the atmospheric breadth that played such a huge role in making the album so special. It simply would not be denied. Similarly,  good topic questions for a research papers that make us proud of their work enable us to guarantee results that meet the expectations of both students and their teachers High on Fire‘s “The Falconist” from 2015’s Luminiferous is arguably that trio’s most melodic, progressive work to-date. Infectious, heavy and emotionally resonant in a way that a lot of their material actively works against being, to my ears it’s the boldest thing they’ve done.

Scope was a big part of the appeal of Death Alley‘s “Supernatural Predator,” the Dutch band running between Motörhead and Hawkwind in one song and bringing in former The Devil’s Blood vocals Farida Lemouchi to help them do it. At nearly 13 minutes long, its hypnosis feels like it could push even further if it wanted to, and that’s one of my favorite aspects of it. Also over 10 minutes long, Snail‘s “Thou Art That” was for me the defining moment of their excellent Feral album, a whopper of a riff marking a place within a brooding psychedelic landscape that even just three years ago I’m not sure they would have been able to conjure in the same way. One of those tracks that eats like an album.

There was a video of All Them Witches playing “Open Passageways” at a radio station in Nashville that was out before the song had a title, and since I first saw that earlier this year, I’d hoped it would make its way onto their third album, Dying Surfer Meets His Maker. It did, and the arrangement was stunning from the propulsive drum work and sustained consonants of the vocals to the weeping violin. It was between “Witch Wind” and “West the Sun” from Sun Blood Stories‘ Twilight Midnight Morning, but the former was the hook that first caught my ear and made me dig deeper into the Boise natives’ 2015 offering, and I couldn’t discount that factor. A release that continues to deliver every time I put it on.

I remain a sucker for The Atomic Bitchwax, and while their Gravitron album was harder hitting overall than anything they’ve done in a while, “Hey Baby Ice Age” balanced that with a bit of their penchant for a poppier hook, and the result nestled into my mental jukebox, where it remains in high rotation to this day. Goatsnake‘s “Grandpa Jones” had a similar effect, its megagroove and ultra-catchy chorus continue to be stuck in my head more often than not. If I had any desire to escape from either whatsoever, it might be a problem.

Rounding out the list of 10 and worthy of special note is Øresund Space Collective‘s “20 Steps Towards the Invisible Door” from their recently-issued Different Creatures album. I think it’s the most recent release on this list, but I had to get the song in somewhere. It’s a sprawling 45-minute jam that could just as easily have been put out as its own full-length, but closes out the 140-minute double-CD gorgeously by pushing the listener farther and farther out to the very limits of the reaches of space rock. Progressive improvisation is no easy feat, but “20 Steps Towards the Invisible Door” left the band with no option but to include every second of its extended span. It’s all essential.

These are just my picks. If you agree, disagree, have more to add, I’d love to know about it in the comments. Thanks for reading.

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4 Responses to “The Obelisk Presents: The Top 10 Songs of 2015”

  1. Obvious & Odious says:

    I disagree!! Not with Elder. But it would not have occurred to me to pick Open Passageways off that All Them Witches album. I’d have gone with the closer, “Blood and Sand/Milk and Endless Waters”

    As for omissions: Ecstatic Vision, “Astral Plane”

  2. Mick says:

    The opening track of the Elder album would be my number 1 pick, though I can’t argue with your selection

  3. Doom Saloon says:

    Hard to argue with “Lore” but I would also nominate “Cursing the One” by Monolord and “Torn Asunder” by Khemmis.

  4. Ian says:

    Freedom Hawk’s “Blood Red Sky” should be added. Elder will dominate all these lists, as it should!

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