Live Review: Geezer and Curse the Son in Connecticut, 09.18.15

Curse the Son (Photo by JJ Koczan)

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Harrington‘s slide ever at the ready, it was impossible not to notice how molten¬†Geezer‘s blues has become and how, without directly invoking psychedelia, the Kingston, NY, outfit have managed to bring about a laid back, earthy, jammy vibe. Liquid fuzz. I’ve been fortunate enough to see¬†Geezer¬†a handful of times by now, and even without¬†Turco‘s drums, the progression they’ve made in presence and sound was evident,¬†Harrington¬†in an “STB Family” shirt as a finger-plucking blues frontman, his gravelly voice calling out the changes on stage and turning to the mic to inform the crowd that they’d indeed hit into the “Full Tilt Boogie.” And so they have.

Just last week,¬†Geezer announced they’d inked a deal with the Paris-based bookers¬†Total Volume, signaling clearly an intent to tour Europe, and watching them roll through “Ancient Song” and “Ghost Rider Solar Plexus,” both highlights of their 2014¬†STB Records full-length,¬†Gage (review here), they looked and sounded ready for export, and while¬†Ruggiero was just sitting in, he brought aGeezer (Photo by JJ Koczan) sense of tension to the drums that fit well. Clearly the right person for the job, even if it’s a temp job. They finished with another jam-heavy groover (maybe new?) that was right on to the point where I didn’t even miss “Pony,” and were suitably lauded for their efforts. Because their material is so easy-rolling, it’s easy to lose sight of just how quickly they’ve come so far, but¬†Geezer have worked deceptively fast, and so in addition to having¬†an eye out for EU dates, I’m keeping my fingers crossed for a new album in 2016.

Homegrown riffers¬†Curse the Son had been pushing for a release even earlier than that, but I’ve no specifics to report on when or how their follow-up to 2012’s¬†Psychache (review here) might arrive. They’re due, though, and seeing them for the first time in more than a year — actually, last I caught both¬†Geezer and¬†Curse the Son individually, they were also sharing a bill, at¬†The Eye of the Stoned Goat IV¬†in Worcester, MA (review here); funny how that works — was all the¬†more intriguing because, like¬†Geezer, the Hamden-based band have also swapped out bassists, Curse the Son (Photo by JJ Koczan)with¬†Brendan Keefe taking the role formerly occupied by¬†Richard “Cheech” Weeden. Much to my delight, they also had new material to share.

I was enough of a fan of¬†Psychache‘s plus-sized fuzz riffing and spacious vibes¬†to be palpably stoked when¬†STB¬†picked it up for a giving-it-its-due vinyl release (review here) last year, but I’ve been looking forward to new¬†Curse the Son for a while, so a live taste was welcome. There were two new songs played and neither had a final title, but both took some of the roll-happy spirit of the last album and seemed to build on it with more of a sense of bounce and chug. Having¬†Keefe¬†wielding his¬†low-slung bass in the band also signaled a clear change in dynamic because he had a microphone in front of him and added his backing vocals to bechapeaued guitarist¬†Ron Vanacore‘s own (and while I’m making a theme out of¬†frontman t-shirt choices,¬†Vanacore had the¬†Iommi-as-god shirt, which seems about right), giving¬†Curse the Son‘s live performance something it didn’t previously have, but that at the same time was truer to the layering on¬†Psychache and presumably the next record as well.

Case in point, “Spider Stole the Weed.” First, if there was any doubt¬†Curse the Son were the hometown act, it was cast aside quickly by the audience’s familiarity with the track. Second,¬†Vanacore got a good laugh afterward when he told the true story on which the song was based — there was a spider, it stole the weed. Third, having¬†Keefe‘s vocals added only highlighted the hook even further on stage, and it made me hope they’ve continued to explore the two-singer approach in the studio, at least on some cursory level. Not that he and¬†Vanacore Curse the Son (Photo by JJ Koczan)need to be harmonizing necessarily — though they came close once or twice — but just continuing to refine their sound and make it a richer listening experience on the whole. Weedian¬†Psychache¬†opener “Goodbye Henry Anslinger” was similarly enhanced.

They had another, quicker new one worked in, drummer Michael Petrucci¬†(also Lord Fowl, etc.)¬†adding snare flourish during the builds and finding tension in each fill,¬†and closed out with “Pulsotar Bringer” from 2011’s debut LP,¬†Klonopain¬†(review here), the full-on nod brought to its natural boiling point, and the point underscored that, like¬†Geezer,¬†Curse the Son have taken significant steps forward since their first album. As they move ahead with the lineup of¬†Vanacore,¬†Petrucci and¬†Keefe, I’ll still look forward to what comes next, whenever it happens to show up, be it in 2015 or the New Year.

More pics after the jump. Thanks for reading.


Curse the Son

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2 Responses to “Live Review: Geezer and Curse the Son in Connecticut, 09.18.15”

  1. Scott 313 says:

    Ron V is one of my favorite singers, bar none. And those riffs he hurls are lbs for lbs the heaviest and catchiest ear resin I have had the privilege to hear. Can’t wait to hear the new album.

  2. Scott 313 says:

    And damn, if I didn’t mention the heavy handed slide played by my bro, Pat Harrington, I would be doing a disservice to guitarist world wide.
    Imagine Tony Iommi meets Duane Allman… Pretty damn close to = Pat Harrington.

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