All of the music included in today’s episode of The Obelisk Show is new unless otherwise noted. There was some fresh-out stuff I knew I wanted to put in — REZN, Black Helium, Child, Edena Gardens, Santo Rostro, etc. — and then I kind of started digging back a little, and with the space of a year between went back to dig a few tracks out of 2021, the Thermic Boogie song from 2020, and so on, all with the semi-conscious aim of exploring the idea of what it means when one thinks of a band being ‘dug in.’
In the voice tracks, clever soul that I am, I call it “digging in to being dug in.” It’s not a special episode, really — apart from the odd deep-dive or memorial, getting to play new music someone might not’ve heard on a platform like Gimme Metal is pretty special already, as far as I’m concerned — but kind of an underlying semi-theme. At very least, something that was in my head when I put the playlist together.
So with the back and forth of new and old(er) material and longer songs generally, it’s a different episode for sure than the last one, but I wanted to see how this went and how it felt really picking tracks that unfold in their own way, letting them do that. I don’t know if it’ll work or not — if the chat is dead and nobody’s listening, I’ll have my answer — but it’s a little bit of an experiment on my end and I’m grateful for the opportunity to conduct it.
Thanks if you listen. Thanks for reading. Thanks in general. Your support is appreciated. I’m a real human being and it means something to me, genuinely.
The Obelisk Show airs 5PM Eastern today on the Gimme app or at: http://gimmemetal.com.
Full playlist:
The Obelisk Show – 03.17.23 (VT = voice track)
E-L-R
Forêt
Vexier (2022)
Santo Rostro
Matriz
Después no habrá nada
REZN
Reversal
Solace
VT
Thermic Boogie
A Herdhead
Sheer Madness (2020)
Child
Coming Up Trumps
Soul Murder
The Buzzards of Fuzz
Mostly Harmless
The Buzzards of Fuzz (2021)
Edena Gardens
Veil
Agar
Genghis Tron
Dream Weapon
Dream Weapon (2021)
Sermon
Golden
Of Golden Verse
Black Helium
Another Heaven
Um
VT
Witch Ripper
Everlasting in Retrograde Pts. 1 & 2
The Flight After the Fall
King Buffalo
Firmament
Regenerator (2022)
The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is March 31 (subject to change). Thanks for listening if you do.
Andalusian atmospheric heavy rock three-piece Santo Rostro will issue their fourth album, Después no habrá nada, on March 10 through Spinda Records, Discos Macarras and LaRubia Producciones. At 34 minutes and five songs, it’s barely as long as the list of links at the bottom of this post, but that’s plenty enough time for the Jaén trio to make their impression in fuzz, space and largesse, crafting a kind of heavy rock that, whether it’s celebrating riffs for crunch’s sake on “Carcasa Digital” or twisting around the more progressive headspins of “Matriz” later on, resounds with persona and purpose alike.
Self-recorded, the album is likewise heavy and movement-based, even in its basic construction; the individual tracks — “Telerañas” (3:50), “Carcasa Digital” (4:29), “Aire” (5:44), “Matriz” (8:09) and the instrumental “Después no habrá nada” (11:52) — being arranged shortest to longest to draw the listener further in as “Carcasa Digital” picks up from the post-grunge melodic noise rock of “Telerañas” to intertwine synth with the fuzzy crunch of (also vocalist) Miguel Ortega‘s guitar and Antonio Gámez‘s bass; Alejandro Galiano‘s snare drum tapping away furiously beneath the keyboard-topped swirl of “Carcasa Digital” before the whole thing shifts into a proggy run of start-stops and sweeps back into the build, ending with more of a tempo push than a swell of volume.
There’s grace here, and the listener is never in doubt Santo Rostro are going to get where they’re going, but the process of how that happens is what makes the record an exciting and grabbing listen, the jabs of keys in “Telerañas” and the beginning there of the almost manic guitar runs runs that typify the album as a whole (or at least as a most), and the sneaky entry of what on many albums would be a culmination-riff after the three-minute mark — it put me in mind of something Genghis Tron might use to make a declaration earlier in their career, but there isn’t much in common between the two bands otherwise, save for a generalization like “they’re intense” — and the trio’s Andalusian-folk-informed semi-psychedelic atmospheres emerging from the physicality of the music itself, angular and immediate in rhythm, but with an overarching flow like some kind of overly complex hyper-run-on sentence that just won’t end and maybe you forgot what you wanted to say when you started it but Santo Rostro still know what they’re doing when they’re spinning circles around the inside of your brain. Dance, baby, dance.
And then doom a bit, because indeed, Después no habrá nada (English: ‘Then there will be nothing’) isn’t screwing around when it comes to heft as one of the tools in its stylistic shed. The first three tracks — what one assumes is side A — drop hints of the largesse to come in “Matriz” and the title-cut, the acoustic guitar that starts “Aire” and remains beneath for the duration, the electrifying surge in the layers of the solo in the song’s second half ascends to its peak, the band exquisitely tapping aspects of regional heavy psych, less garage than Mía Turbia, in which Ortega drums, but certainly aware of the likes of Mind!, Atavismo and Híbrido and the post-Viaje a 800 cohort’s ability to create a flowing current from seemingly hairpin turns. Santo Rostro aren’t nearly as drift-minded or kosmiche as some of those, and they’re not trying to be, but there are shared elements just the same, as “Matriz” begins side B with an immediate run of full synth-complemented fuzz and sprinting progressive heavy.
This out-of-a-cannon madcap sproing is destined to hit a wall, but the infectiousness of Después no habrá nada‘s energy isn’t to be understated as the band’s rhythmic tension is taken in by the listener, turned into a skin-tightening grip as “Matriz” grows more spacious in its chorus, Ortega‘s gruff vocals (yes, in Spanish) echoing over. The bass and guitar foreshadow just after the four-minute mark, but they’re still in full-go mode, and not to be lost in the cacophony is the sense of control on the part of the band holding it all together even when the song itself sounds like it’s struggling to come apart.
You could debate who’s won as the drums crash out at 5:17 and not-just-a-but-the-slower-riff is introduced, taking the clue dropped in “Telerañas” and bringing that righteous nod forward as the foundation for the rest of the track. They set it up in grand style, Galiano keeping time on the crash, Gámez underscoring with warmth the guitar and the organ line that emerges to join the slow march. The ending of “Matriz” is a standout moment that grows noisier and its own kind of frantic in the layering despite the drop in pace, but the shift is intentional and smoothly done as Santo Rostro give themselves an arrival point to go along with all that going.
Of course, they’re not done yet. “Matriz” howls by the time it’s done, the vocals and guitar as stretched out as they’re going to get, and the closer “Después no habrá nada” takes off like nothing ever happened, effectively resetting the pieces on the board for another game as they bounce and careen, build and run through the first couple minutes of the title-track, vague in genre — if some dude was screaming on it circa the three-minute mark, you’d say it sounded like Enslaved, but in reality Santo Rostro aren’t nearly so metal — but right on in affect and, by this time, well established in their doing-their-own-thing ethic.
As noted, “Después no habrá nada” is instrumental, but that aside it accounts for most of what Santo Rostro do throughout the album that shares its name, including the prog-out-into-slowdown at 4:30, the echoing atmospheric lead lines thereafter and the keys bolstering the moment’s impact, a fluid jam proceeding until before seven minutes in the drums break and an acoustic guitar enters to set up the final section, a cosmic payoff that, while keeping the acoustic guitar beneath like in “Matriz,” unfolds with due sense of exhalation. Ortega throws some shred into the fray, but the ending is less about one player than the total immersion crafted by the three of them. It stops, invariably, and hums into a fade, but the acoustic returns for another minute-plus of grows-more-urgent strum before cutting to silence, as though the album could end any other way.
It’s been six years since Santo Rostro issued their third full-length, The Healer, and coming up on 10 since they made their self-titled debut, and while Después no habrá nada carries forward some of the sonic facets and attitude of their prior work, the change from English to Spanish lyrics and titles and the choice to record themselves can only be said to suit them. They make themselves at home in the stormy, jazzy feverishness, and effectively contrast that later on with more straight-ahead groove, furthering the whole-record experience at no cost to the individual tracks in terms of the impression made. Después no habrá nada, like any kind of extreme music or really anything, won’t be universally received, but for those willing to put in the effort to keep up with it, the satisfaction is commensurate.
The album is streaming in its entirety below, followed by some more basic info and the aforementioned barrage of links.
Please enjoy:
‘DESPUÉS NO HABRÁ NADA’ by Santo Rostro. Out 10th March 2023.
Spanish psych-doom rockers SANTO ROSTRO are back in business with their 4th studio album ‘Después no habrá nada’ – to be released on 10th March 2023 via Discos Macarras, LaRubia Producciones & Spinda Records.
Andalusian power trio returns with a dark-psych rock album, with long tracks including complex instrumental developments, processed atmospheres and a dirty sound plenty of echoes, different modulations and occasional synths.
Many things have changed in SANTO ROSTRO since they put out ‘The Healer’ in 2017, and this is obviously reflected in this new album. ‘Después no habrá nada’ is the result of a more mature band, with thousands of kilometers touring both Spain and EU on their back, several TV appearances and a couple of stand-alone video-singles – and everything 100% DIY.
The album was produced by the band itself; then recorded and mixed by Raúl Pérez at La Mina (Spain); and mastered by Mario G. Alberni at Kadifornia Mastering (Spain). Behind the artwork is The Braves Church, based on photographies by Manu Rosaleny.
Digital 300x CD Digipack 150x Black Vinyl 150x Orange Translucent Vinyl
TRACK-LIST: 1. Telarañas 2. Carcasa Digital 3. Aire 4. Matriz 5. Después no habrá nada
SANTO ROSTRO: Miguel Ortega: guitars Antonio Gámez: bass, vocals Alejandro Galiano: drums
Posted in Whathaveyou on February 10th, 2023 by JJ Koczan
Okay, so, you’re probably going to notice pretty quickly the spaciousness in Santo Rostro‘s new single, “Telarañas,” what with all that cavernous echo and reverb tonality, vocals calling up from the mix and so on. Killer, right from the moment the song bursts in just when it should. As the Andalusian trio bring it forward through its utterly-consumable sub-four-minute run, you’ll notice that that space that feels so open at the beginning of the song has begun to fill up. By the end of the track, it becomes a full-on wash of clearheaded atmospheric heavy psych, pushing forward in a way that reminds me of bands like Arc of Ascent, who’ve mastered the art of bringing together grounded groove and lysergic effects plunge. The band’s fourth album — first I’ve heard, I’ll say outright; I ain’t perfect and I’m just about never Johnny Groundfloor — is called Después No Habrá Nada, and with the unveiling of the opening track today and the launch of preorders comes confirmation of a March 10 release through Spinda Records, Discos Macarras and LaRubia Producciones.
Yes, this is another post about Spinda engaging in a multi-label conglomerate to get behind a new release. Also yes, I recognize that Spanish imprints have been doing this for years, and that all three involved parties here — four if you count the band, which it’s fair to do — are based in Spain, but the last few weeks have seen Spinda making announcements that broaden this ethic to other places in Europe and beyond, and I’ll gladly reiterate that I think it’s a good thing.
Perhaps you don’t give a shit about any of that and just want to rock the tune and see if you’re interested. Go for it. But while you do, just keep in the back of your mind the sort of team ethic and extended reach that’s possible when independent labels like this work together. Teamwork, dream work, and all that. Then blow out the airlock and get ready to launch into open cosmos because that’s pretty much where this one goes.
Enjoy:
‘DESPUÉS NO HABRÁ NADA’ by Santo Rostro. Out 10th March 2023.
Spanish psych-doom rockers SANTO ROSTRO are back in business with their 4th studio album ‘Después no habrá nada’ – to be released on 10th March 2023 via Discos Macarras, LaRubia Producciones & Spinda Records, although the single “Telarañas” is coming out on 10th February. The pre-order for vinyl, compact discs and digital editions starts that same day.
Andalusian power trio returns with a dark-psych rock album, with long tracks including complex instrumental developments, processed atmospheres and a dirty sound plenty of echoes, different modulations and occasional synths.
Many things have changed in SANTO ROSTRO since they put out ‘The Healer’ in 2017, and this is obviously reflected in this new album. ‘Después no habrá nada’ is the result of a more mature band, with thousands of kilometers touring both Spain and EU on their back, several TV appearances and a couple of stand-alone video-singles – and everything 100% DIY.
This way, we find ourselves with a more balanced and determined sound, with a tremendous solid and seamless rhythmic base, powerful and organic at the same time, with a dance of tempos that accelerate and slow down at the right time – there’s no clapperboard in here.
In ‘Después no habrá nada’ you’ll find from doom to sludge, with high doses of progressive metal and even Andalusian heavy psych. It could be understood as a great mix of bands such as Viaje a 800, Adrift, Oransi Pazuzu, Mastadon or Russian Circles, but with an imprint that only SANTO ROSTRO has. This new album is a kind of a personal delirium and hangover; with some rehearsal room taste and accumulated fatigue.
The album was produced by the band itself; then recorded and mixed by Raúl Pérez at La Mina (Spain); and mastered by Mario G. Alberni at Kadifornia Mastering (Spain). Behind the artwork is The Braves Church, based on photographies by Manu Rosaleny.
‘Después no habrá nada’ comes out on 10th March 2023 through Discos Macarras, LaRubia Producciones and Spinda Records in the following editions:
Digital 300x CD Digipack 150x Black Vinyl 150x Orange Translucent Vinyl
TRACK-LIST: 1. Telarañas 2. Carcasa Digital 3. Aire 4. Matriz 5. Después no habrá nada
SANTO ROSTRO: Miguel Ortega: guitars Antonio Gámez: bass, vocals Alejandro Galiano: drums
Completely understandable if perhaps the thought of undertaking an exploration of the Spanish heavy underground across 12 seven-inch split releases, limited in number, shipping in four separate batches — the third went out last month — and all tied together through mosaic artwork and a unity of purpose seems overwhelming. It’s a lot, and in terms of there being 250 copies made once and that’s it, not a lot of it. But the thing you need to understand about Spinda Records‘ Grados. Minutos. Segundos. compilation is that, with exclusive material from 24 Spanish bands, it’s not just speaking to the current moment. It’s presenting a document for future history.
Think of the box like a time capsule celebrating the vitality of Spain’s creative community. Some of these bands are new to me too, and to pretend otherwise would be missing the point. Coordinated by Spinda big-boss Berto Cáceres, the set speaks to a history in punk rock and DIY, but fleshes it out beautifully in presentation and class, just as the music too has grown up. I’m not in the business of telling you how to spend your money — I’m not in the business of anything, as it happens — but the truth is this is something special, that doesn’t come along every day, year or decade, let alone minutes or seconds.
There’s still one more shipment to go out in March and I’ll hope to wrap this track-by-track series then (past installments are here and here). Thanks again to Berto Cáceres, here’s the track-by-track for part three and the stream of the whole thing:
After the First 16 Stops, This Trip Around the Indie Music Scene Called ‘Grados. Minutos. Segundos.’ Continues Now with 6 New Bands: Atavismo, Mía Turbia, Santo Rostro, Cemënteri, The Soulbreaker Company and Domo.
‘Grados. Minutos. Segundos.’ is a no-return trip around the four cardinal points of the deepest underground music scenes in Spain. Thanks to a boxset full of previously unreleased tracks of 24 indie Spanish bands you’ll have the chance to understand how’s the sound of this new generation of independent musicians. You don’t want to be told about it, you want to be part of it.
Grados. Minutos. Segundos. Track-by-Track Pt. 3
ATAVISMO – “Psicopatías del 2021”
“This track is a new vision of an old creation from the past. New language, new performers, same minds at stage. “Psicopatías del 2021″ is bringing our insanity down to the deepest abyss, to be eaten by our own demons and again like a new status of reality. Space-rock and psychedelia dancing together around a crazy sublet beat, while the strings machines are killing the common sense of the harmonies. Enjoy!”
MÍA TURBIA – “Centro de gravedad”
“For this compilation we wanted to write something a bit closer to space rock and all these things inspired by Hawkwind, plenty of synths and tape delays. The track itself came from a previous demo, but twisted it, added some vocals and we got it – we kept things on the dirty side. The song talks about about a lonely traveller who goes down into the depths of the ocean. The world that surrounds us is sometimes so wrong that to be isolated is the only solution.”
SANTO ROSTRO – “Annual”
“We’ve been playing live this song since 2019 and it’s purely Sabbath – we love it! We set up everything in a warehouse close to our rehearsal place and we recorded it live. Then on the studio we added another guitar and some vocal overdubs and we got it. Pretty straightforward, and it sounds live and fresh, if that makes any sense nowadays.”
CEMËNTERI – “El verano más corto”
“Trying to do something different, we went from a noisy intro at the beginning to the quietest music we’ve ever written. Singing spoken-word in this part is also unusual for us. However the end of the song is quite punk and noisy and we personally like this contrast. In terms of lyrics, this song is Covid-19 related. “El verano más corto” (the shortest Summer) goes about how fast the Summer of the year 2020 went and how disappointing it was at the end. After being locked at home for 8 full weeks, we thought Summer could bring great news, but the fact was that it was still crap, with everybody scared and out of their minds – everything was so depressing.”
CEMËNTERI – “El ritmo frenético”
“In here we also tried to do something different and definitely we managed to add something fresh to our style without losing our personality. African influences and a more funky-dance sound get together with punk rock. Drums follow afro-beat stuff whilst guitar goes closer to Tuareg-rock before merging into punk rock half way through the track…
Lyrically the song is an invitation to dance, to go into a room completely packed and surrender to the power of music, the vibration of the bodies and the physicality of music. We finished the song after Covid-19 first lockdown and by that time dancing was completely forbidden and everybody must be seated in bars and live shows. The message was poignant – we were writing about something that we took for granted for decades and we lost it quickly.”
THE SOULBREAKER COMPANY – “Kill the Devil (with his dick)”
“The song tries to create a serious atmosphere since it talks about that kind of men, referring to them as “the Devil” that use sexual workers (In the lyrics a fiction story where that “devil” is killed with his own dick). In terms of melody and harmony, we tried to create a continuous rock beat with unexpected tempo changes which are not very usual in our compositions. This, together with the claps and some extra voices, makes this song a rarity within our discography.”
DOMO – “Aldorassa”
“Aldorassa is one of the highest peaks in the Scandinavian Mountains. When composing our music, we mostly get our inspiration from nature, from its most ancestral and wild side. We truly believe there is a connection between melodies, riffs, rhythms and the vastness of the rocky sceneries shaped by the erosion and passage of time. When we return to dust, music, like mountains, will be everlasting.
Posted in audiObelisk on December 7th, 2021 by JJ Koczan
The third shipment of vinyl records from Spinda Records‘ massively ambitious seven-inch box set compilation series Grados. Minutos. Segundos. has gone out, and to celebrate, the Spanish imprint overseeing the project bringing together 24 acts from Spain’s native heavy underground is premiering the inclusion from one of the country’s forerunning psych-prog acts: Atavismo. “Psicopatías del 2021” is a reworking of a song by Mind! — in which Atavismo‘s Pow and Pot and Matt played — called “Cucumbers From Mars.” The original track appeared on Mind!‘s 2013 prog opus Stunde Null (review here), and though the Atavismo take is shorter — it would have to be to fit on a 7″ record — the result is no less spacious and the smooth fluidity of the tones, groove and production are definitively Atavismo‘s own. Considering it’s some of the same players, it’s interesting how much it sounds like a different band.
If you haven’t been following Spinda‘s Grados. Minutos. Segundos. series — hey, it happens; everybody’s busy — it is a work of singular passion and regional pride. A total of 12 two-sided 7″s are being included, shipped out in installments of three singles, each one shared by two bands, which adds up to 24 different acts included in a limited one-time pressing and digital release. The art is beautiful and distinct, and the sense of curation that’s overarching for the whole affair is not to be taken lightly. Even amid an always crowded field of releases, it is something special.
As dug in as it is, it’s not going to be for everybody. I know that. But it’s important work, not just for highlighting acts from the Spanish heavy underground — though definitely for that too — but for the dedication to form. Plus it’s got new Atavismo, and as far as I’m concerned, that’s plenty to get me on board with just about anything. The band’s most recent outing, 2018’s Valdeinfierno (review here), is certainly due for a follow-up, and my understanding is that such a thing is in the works even as they unveil this new single. Nice to imagine another record from them coming sometime next year, though of course that’s wishful thinking on my part and I have no confirmation.
For now, I’m happy to host this premiere, and to continue to offer reminders about Grados. Minutos. Segundos. for as long as the series goes.
After the first 12 stops, this trip around the indie music scene called ‘Grados. Minutos. Segundos.’ continues now with 6 new bands: Atavismo, Mía Turbia, Santo Rostro, Cemënteri, the Soulbreaker Company and Domo.
Grados. Minutos. Segundos.’ will be made of 12x 7″ vinyl records (to be released in 4 batches from June 2021 to March 2022), being each of them shared by 2 bands with apparently no connection at all.
But in this limited-edition boxset you won’t only find bands coming from Spinda Records roster as it is also open to others in order to get a solid project for the fans to enjoy. From the psychedelia of Acid Mess, Atavismo, Arenna or The Soulbreaker Company to the heavier sounds of Rosy Finch, Adrift, Domo or Santo Rostro; without forgetting the alternative rock of Medicina, Habitar La Mar, The Dry Mouths and Laverge; the hard rock of Partícula, Saturna or Kabbalah; the progressive rock of Moura, Pyramidal, Híbrido or Cró!; as well as new bands such us Cemënteri, Here The Captain Speaking The Captain Band, Battosai, Mía Turbia or Mondo Infiel. Fitting 24 bands in the same project can be tricky, and it is; but Spinda Records are here to have fun… Spinda Records is here for “fiesta”.
The project is limited to 240 hand-numbered boxsets, designed by The Braves Church and including 12x 7″ vinyl records, booklet, download code and stickers, as well as a tee-shirt and tote bag on its deluxe and freak editions. There won’t be reissues, so when they’re gone, they’re gone!
Mind!, “Cucumbers From Mars”
Various Artists, Grados. Minutos. Segundos. (2021)
