Roadburn 2018 Day One: Gifted by the Wind

Posted in Features, Reviews on April 19th, 2018 by JJ Koczan

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04.19.18 – 11:33PM CET – Thursday Night – Hotel Mercure Rm. 224

Long day. Great day. I saw more bands than I photographed, which was among my most essential goals for research papers finance - Best HQ academic writings provided by top professionals. 100% non-plagiarism guarantee of custom essays & papers. Roadburn 2018: Just watch music. Just enjoy it. Don’t sweat getting down the front. Don’t sweat anything. This is a good time.

That whole “not sweating” part? Pretty much impossible. It’s apparently Global Warming Week in the Netherlands, so while 127 http://www.autoteile-saarpfalz.de/?personal-essay-about-yourself Salaries provided anonymously by employees. What salary does a Assignment Editor earn in your area? Waste of Space Orchestra — the first of the weekend’s two commissioned projects, with members involved from Finnish fest-veteran outfits Our online Research Paper Experts experts have had years of experience in providing flawless dissertations. Therefore, we are very concise with the above-mentioned points that needed to be taken care of while writing a dissertation. Selection of Dissertation Topic Dissertation help online UK experts understand that the topic of the dissertation forms the central theme of the dissertation. It Oranssi Pazuzu and Early Writing Services Vancouvers children crack the reading code. Because our language is a sound-symbol system, attempting to write the sounds kids hear is great phonics practice. It also combines segmenting Dark Buddha Rising — were tearing the Main Hall to shreds with their avantdelic blackened swirl, outside the sun was shining brightly in a conceptual contrast that, to be perfectly honest, was almost too much to take. waste of space orchestra (Photo by JJ Koczan)Outside, the cafes of Weirdo Canyon were packed to the hilt with libation quaffers. Inside, the goal seemed to be who could be first to prove the human soul exists and then tear it apart.

Hyperbole, you say. Fucking a right. How’s this for hyperbole? best website for writing essays this website how can i motivate myself to do my homework writer of the paper money lyrics Waste of Space Orchestra‘s set might have been some of the most forward-thinking music I’ve heard since Essential Data is the nationwide leader in woodlands junior school homework help history. We have local resources ready to respond to all of your technical writing needs. Boris Our Jacob D Haskell Phd Thesis service will catch your mistakes. Our editing service is staffed with only professionals in the business, each an expert in their area of study. Working through their editing checklist, they'll provide you with the best essay proofreading available for your university essay. Flood. Maybe. I’d have to hear it recorded, which hopefully will happen in a Write My College Paper Affortable UK writing service and Dissertation checking service UK writing Help Dissertation checking service UK Introduction Checking Live at Roadburn-style context, if not an actual studio album — it seems to me the substance there is too great to be left as a one-time-thing-and-gone experience. The ebbs and flows from almost-nothing drones to full-intensity, dual-drummed madness set a scope worthy of its dream-based concept, and there did not seem to be a moment of it that departed from the central mission of exploration. The gorgeous derived from the hideous and vice versa. A laugh in the face of anyone’s expectations, my own included. A first “holy shit” moment for a span of days that promises many.

My brain already so much goo only kept from leaking out of my skull by my earplugs blocking the way, I galumphed in that American-with-a-sore-back kind of way over to Het Patronaat to watch Colorado’s College Term Paper Writing Service - #1 affordable and trustworthy academic writing aid. Discover basic steps how to receive a plagiarism free themed essay from a Khemmis play their first European show ever. Imagine that. Your first show on the continent, and it’s at I took many writing classes in college but perhaps the most useful was one focused on Do My Paper Me. My classmates and I spent a semester editing Roadburn. I hope anything else on the tour measures up, because they absolutely packed out the church, and the assembled congregation bid them much welcome once they got going following a moment of turns-out-this-isn’t-plugged-in technical difficulties. That is to say, the crowd knew them and knew their two albums, 2016’s Hunted (review here) and 2015’s Resources - Dissertations, essays and research papers of top quality. work with our writers to get the quality essay Absolution (review here), so there was none of that awkward getting-to-know-you phase. Everyone dove right in.

In fact, that seemed to be the way it went all around, not just for You can relax now because at watch you are in safe hands. You can easily focus on other important tasks, while we work on your academic writings. Khemmis or even When you buy Ask Homework Questions from UK Writings, you are always in control of the amount of help you need. Order dissertation now! We Know What We are Doing. UK Writings understands the requirements for dissertation writing. And we have the field specialists who know what they are doing too. If you want custom, professional dissertation help, we are the writing service you will want to use Waste of Space Orchestra. Sometimes it takes a day khemmis (Photo by JJ Koczan)or two for creative ways to start an essay http://www.lubersacpompadour.fr/?cheap-dissertation-writing-will For Uc custom thesis theme design how to write a character analysis essay ppt Roadburn to really dig in. Not this year. From the moment After years of researching and going in-depth to analyze how the world of writing services work, weíve learned how to be a top best site. With an army of professional dissertation writers and the experience we gained analyzing every service on the market, we wanted to be the one service that has it all. Sannhet started in the Green Room, the vibe was set. Whether they were inside watching the bands or standing in the open air having a smoke of this or that — did you know Europeans put tobacco in their joints? I’ve been coming to the Netherlands for a decade and that’s some shit I just found out today, which I guess tells you how concerned I am generally with the matter. Still, fascinating.

What was I saying? Oh yeah, the vibe. The vibe was right on. I don’t know if it was starting off the Main Stage with such a landmark performance, or the sense of gratitude that Khemmis had from the beginning of their set on, or just all these super-laid-back West Coast dudes walking around, but it was quick immersion in and about the 013 venue. The good times were immediate. The rooms were jammed right from the beginning, and in the best way possible, it felt way more like day three than day one. Again, I did my best to take it easy and just enjoy it, soak in everything I could.

That’s not to say there wasn’t a bit of back and forth to the evening. Plenty, actually, but I knew that Earthless were on my must-see list for the day. The forerunners of San Diego’s heavy rock boom are wrapping a European tour here supporting their new album, Black Heaven (review here). They had a decent portion of acolytes rocking out at the side of the stage, and guitarist¬†Isaiah Mitchell¬†casually noted that it had been 10 years since the first time they played¬†the fest, which of course resulted in the now-legendary LP,¬†Live at Roadburn¬†(discussed here).¬†He wished everyone a great weekend. My big question going into their Main Stage set was how their new material, specifically that with his vocals, would fit alongside the three-piece’s longform instrumentalism.

The answer couldn’t possibly be dumber:earthless 1 (Photo by JJ Koczan) It just does. It’s the same band. It absolutely works. After about 20 minutes of their set, and further, as they moved into “End to End” and “Gifted by the Wind,” I began to wonder exactly what the hell I thought was going to happen, like all of a sudden¬†Mitchell¬†would start singing and bassist¬†Mike Eginton and drummer¬†Mario Rubalcaba would stop and be like, “Dude, what’re you¬†doing?” in the middle of a song. It’s a big transition they’ve made with¬†Black Heaven, but they 100 percent pulled it off on the record, and they did likewise live. Once they started playing, there was no doubt. They absolutely owned the stage and owned the room, the dynamic between each member of the band and the others making all of them utterly essential to the whole; a classic power trio with boogie enough to move thousands. I know. I saw it happen.

And while we’re on the subject, bonus points to¬†Rubalcaba for wearing a t-shirt representing their tourmates¬†Comet Control, who play tomorrow at Cul de Sac and are my absolute must-see band for the day. Like, not staying the whole time for¬†Crowbar, missing¬†Supersonic Blues‘ covers set,¬†Panopticon and¬†Kikagaku Moyo to see them. That’s how fucking essential I consider that. I also hope to get my own shirt.

My intended next stop after¬†Earthless was¬†Insect Ark, at Cul de Sac. I ran back to the hotel room to throw water on my face and drop off the issues I’d snagged of¬†Weirdo Canyon Dispatch, but got back to the venue in Weirdo Canyon itself 20 minutes early and probably about 10 too late to get a spot down front. They went on and I stood in back nursing my regrets and my umpteenth espresso for the day that I picked up from the machine in the hotel lobby, then tweedledummed my way back to the Main Stage toearthless 2 (Photo by JJ Koczan) watch some of¬†Converge playing last November’s¬†The Dusk in Us.

I made it in time to catch the title-track, which frontman and¬†Roadburn¬†2018 curator¬†Jacob Bannon took a moment to explain was about depression and that if anyone “could relate,” the most important thing to do was survive. “Nothing is more important than you,” he said. I had to stop for minute as the song got going with its slow build and dramatic semi-spoken lyrics and realize that I’ve never felt that to be less true. I don’t begrudge¬†Bannon the sentiment, but yeah. Not a chance, bro.

Harder to argue with¬†Converge‘s on-stage delivery, though. They’ve been at it for nearly 30 years, and while I can’t claim to have seen them in 1990, the passion seems not to have dulled in the slightest. My stop in the Main Hall was temporary though, as I knew I wanted to head to the Green Room to catch¬†Ex Eye, about whom I’ve been hearing more or less since I got to Tilburg yesterday. And actually much longer than that.

Somewhat telling that I walked into the Green Room with more than half an hour to go before the New York-based four-piece took the stage — they were soundchecking at the time — and still couldn’t get a spot to take a semi-decent photo.¬†When they actually rolled in,¬†Ex Eye represented the league of hyperprog better than anyone I’ve seen in a good long while. Guitar, sax, Moog, drums — though no shortage of low end. Instrumental experimentation turning metal into jazz and jazz into metal in a way that would have¬†Cynic¬†blushing and¬†Colin Marston breaking out his Warr guitar to try and get in on the fun. Now I know what people who saw¬†Blind Idiot God in 1989 must’ve felt like.

And I guess by that I mean outclassed by a decade or two. I’d never heard¬†Ex Eye¬†before — look at me, trying new things! — and they were as opaque as they were breathtaking, but it was clear they were on their own wavelength.ex eye (Photo by JJ Koczan) Is extreme prog a thing? If it is or it isn’t, they are.

Having some time before¬†my last stop for the night, I popped up to the merch area to see what was what for shirts and CDs and the like. Part of my annual sojourn in the past has been catching up on¬†Nasoni Records releases by buying a host of CDs, but there were none to be had. I consoled myself with some treasures from¬†Svart —¬†Talmud Beach,¬†Garden of Worm,¬†Kimi K√§rki‘s solo record,¬†Hallatar — and an old compilation on¬†Hellhound that I’d never seen around before. Distros had a lot of vinyl, same as everywhere, and I usually allot myself one piece of it before the weekend is out. I may yet, but didn’t this time. I’m sure I’ll get there.

But as to that last stop for the day, it was¬†Mirror Queen back at the Cul de Sac. A bit of New York to wrap up a day that spanned even more broadly in terms of style than I could’ve planned had I actually circled names on the schedule. If I could end every night of this fest with some good old fashioned heavy rock and roll, I think I could only call it a win.¬†Mirror Queen brought exactly that: wholesome ’70s flavor with not an ounce of pretense to be found. They’d been on tour for a week alongside¬†Lonely Kamel and were tight enough to make one believe it, and they pulled a good crowd supporting their new single “Inviolate” (video premiere here) and last year’s full-length,¬†Verdigris (review here), which was likewise rife with classic heavy charm and a naturalist modern presentation.

Not my first time seeing them by any stretch, but in my experience there’s always a difference between seeing a band at¬†Roadburn and seeing them anywhere else. Plus, this was my first time watching them play with guitarist¬†Morgan McDaniel in the lineup alongside founding guitarist/vocalist¬†Kenny Sehgal, drummer¬†Jeremy O’Brien and bassist¬†James Corallo. I saw¬†McDaniel here a couple years back when he played bass in¬†The Golden Grass, but he can and did shred on lead guitar and it was a pleasure to watch. He fit right in that band in a way that made me hope he stays.

After taking pictures down front, I made my way to the back of the room for a mirror queen (Photo by JJ Koczan)bit to catch my breath prior to heading out. It had been, as I noted at the outset, a long, great day, but the get-back-to-the-hotel-and-start-writing-you-jerk itch was making itself felt, so I eventually departed the boogie proceedings and lumped it down Weirdo Canyon and back here, where I remain, somewhat stunned by the news that¬†Sleep are apparently releasing a previously-unannounced album tomorrow, on April 20. I would be very surprised if some clever venue DJ doesn’t have it playing somewhere here this weekend. What a way to end day one.

Up in the morning early to work on the ‘zine again, so I’ll leave it there for now. I’ve got some more pictures up after the jump if you get the chance to check them out. Thanks for reading either way. More to come.

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Roadburn 2018 Makes First Announcements: Godspeed You! Black Emperor to Headline; Jacob Bannon to Curate; The Heads, Panopticon, Bell Witch & More Confirmed

Posted in Whathaveyou on September 21st, 2017 by JJ Koczan

Today begins¬†Roadburn season — the hap-happiest season of all. The Netherlands-based festival begins the run toward¬†Roadburn 2018 by announcing¬†Godspeed You! Black Emperor will headline two nights,¬†Jacob Bannon of¬†Converge¬†will curate as his band returns for two more full-album sets,¬†Panopticon will play twice,¬†Ivar Bj√łrnson¬†of¬†Enslaved and¬†Einar Selvik of¬†Wardruna will follow-up their performance of¬†Skuggsj√° in 2015 with¬†Hugsj√°, which sounds even cuddlier, UK psychedelic gurus¬†The Heads will return,¬†Bell Witch¬†will play an album in full that, as of today, isn’t even out yet, and many, many more have been added.

In other words, Roadburn 2018 is a Roadburn. Tickets go on sale on Oct. 19 and will no doubt be gone if not immediately than shortly thereafter. It is my sincere hope, as always, to be at Roadburn come April. This would be my 10th time in Tilburg for the fest and it already looks like the kind of maddeningly complex avant-garde art-project gathering that has made past years so special.

More to come, of course. In the meantime, if you get to check it out, I wrote the announcement for¬†The Heads, which was a lot of fun. Here’s that along with everything else for¬†Roadburn 2018 so far:

Roadburn 2018 first confirmations; includes festival headliners, curator and poster artist.

GODSPEED YOU! BLACK EMPEROR will perform two different sets as Saturday and Sunday headliners

JACOB BANNON confirmed as the 2018 curator

CONVERGE will perform two shows, including a You Fail Me set

Einar Selvik & Ivar Bj√łrnson will present HUGSJ√Ā for the first time outside of Norway

BELL WITCH will perform two sets including new album Mirror Reaper in full

PANOPTICON to make their Roadburn debut playing two different sets.

Roadburn’s official poster artist for 2018 is RICHEY BECKETT

Tickets will go on sale on October 19.

Roadburn Festival is proud to announce the first artists for the 2018 line up, which will take place at the 013 venue, Tilburg, The Netherlands between April 19-22.

Artistic Director, Walter Hoeijmakers commented:”At Roadburn, we’re always looking to push the envelope when it comes to working with creative and diverse artists; we’ll never settle for toeing the line. These first artists should give you an idea of the direction that Roadburn will be taking in 2018, but as ever, don’t assume you have us sussed – we always have more up our sleeve!”

GODSPEED YOU! BLACK EMPEROR

Godspeed You! Black Emperor have slid smoothly into our collective consciousness, picked apart the very notion of what it means to be a band and teetered on the precipice between serenity and all out chaos. The diversity of their output and their ability to always keep us guessing is a big part of why having them perform two headlining sets at Roadburn feels like a natural fit.

Their varied back catalogue makes for rich pickings, should they choose to cycle back through previous representations of the band; should they opt to look forward, into the unknown, we await with baited breath to see what is delivered during their two separate performances. Their live shows are renowned for being all-encompassing, immersive experiences, where even the visual aspect is overwhelming, usually including film projection performances that gain as much impact to the overall event as the music itself, the two interwoven as one. No doubt their Roadburn performances will be ones for the history books.

Godspeed You! Black Emperor will perform at the 013 venue on Saturday, 21 April and Sunday, 22 April. Read more here.

2018 CURATOR: JACOB BANNON

When Converge performed two groundbreaking sets at Roadburn 2016, followed by Jacob’s Wear Your Wounds set at Roadburn 2017, we knew we’d found a kindred spirit. Known not only for his audio output, but also for his visual art and founding role in Deathwish Inc; Bannon’s influence is broad and his Roadburn wish list is very much in tune with our own visions.

Jacob commented: ‚ÄúIt is an honor to be working as the curator for Roadburn Festival 2018. The festival is unlike any other, showcasing the most forward thinking artists and musicians of the heavy music world. As this year‚Äôs curator I will reach across its sub-genres to bring together an array incredible bands/musicians; expanding the reach of the festival while celebrating the world of extreme music that we all love.‚ÄĚ

Jacob Bannon will curate the main stage at the 013 venue on Friday, 20 April, and Het Patronaat on Saturday, 21 April. Read more here.

CONVERGE

The aforementioned Converge sets in 2016 were something truly special to behold. The Blood Moon set – which featured Chelsea Wolfe, Steve Von Till and Stephen Brodsky – will go down in Roadburn history, and the one-off Jane Doe set has already been committed to record such was the impact of the performance.

The relationship between Converge and Roadburn is far from over, and we’re thrilled that these four incredible musicians will return to the Roadburn stage for two essential sets in 2018.

Jacob Bannon elaborates on the performances: ‚ÄúIn 2016, we played our Jane Doe album in its entirety at Roadburn Festival. For our 2018 return, we will perform our album You Fail Me in its entirety. Originally released in 2004, this album marked a turning point for our band internally and in many ways it is considered the beginning of the modern era of our band. This performance will be a one time only event, exclusive to Roadburn.‚ÄĚ

‚ÄúIt took our band nearly five years to cut and shape our most recent album The Dusk In Us. Scheduled for release on November 3rd through Epitaph and Deathwish, it is a very emotional album for the band. All four of us went through a lot of trials and tribulations in those years and it is reflected in those songs, connecting with our lives ways hard to put into words. It will be an honor to play this material in its entirety for the Roadburn audience. We hope it will be as special for you as it will be for us.‚ÄĚ

Converge will play The Dusk In Us on Thursday, 19 April, and You Fail Me on Friday, 20 April at the 013 venue, Tilburg, The Netherlands. Read more here.

HUGSJ√Ā

This new collaborative musical piece is designed by former Roadburn curators, Ivar Bj√łrnson and Einar Selvik, combining indigenous and contemporary music with Norse and Norwegian poetry, accompanied by instruments from the Stone Age through to the present day. It‚Äôs set to be a monumental follow up to Skuggj√°‚Äôs international premiere at Roadburn 2015.

A series of concerts named Nordvegen (‚Äėthe northern road‚Äô ‚Äď an ancient shipping route connecting Norway to the rest of the world for some 3000 years), was performed in four harbors along the west coast of Norway in late May and early June of 2017. The audience was taken on a spectacular journey along this route in a musical declaration of love to Norwegian coastal culture and Norse history. The concerts were inspired by local history in each of these places. The Nordvegen concerts created an acoustic and intimate basis for the grandiose commissioned work, Hugsj√°, which received its world premiere in Bergen concert hall Grieghallen on May 31st. Originally commissioned by and performed at Bergen International Festival, the piece will now sail southwards to Roadburn 2018.

Einar & Ivar will also be taking part in a “guided tour” of Hugsj√°; explaining more about the origins of the composition, and taking questions from the audience.

Hugsj√° will be performed on Saturday, 21 April at the 013 venue. Read more here.

BELL WITCH

Although it’s not yet released, the upcoming 83-minute album from Bell Witch, titled Mirror Reaper, is already making waves on Planet Roadburn. Recreating the record in all it’s crushingly exquisite glory requires the input of Erik Moggridge (Aerial Ruin), who we are delighted to welcome to Roadburn to complete the performance of Mirror Reaper.

As Moggridge has appeared on all Bell Witch releases to date in some capacity, we are thrilled that Bell Witch have agreed to perform a second set of music with him. Expect his fragile yet evocative vocal style to lend an even more ghastly and ethereal quality to Bell Witch’s already otherworldly sound.

Bell Witch will perform on Saturday 21 April at the 013 venue and Sunday, 22 April at Het Patronaat. Read more here.

PANOPTICON

For the past decade, Austin Lunn has created some of the most evocative and personal American black metal in relative isolation. With only a few shows under their belt, the band has astounded and delighted with each appearance in their short live tenure. To make this Roadburn appearance even more special, we’ll be treated to two separate sets during the festival.

Panopticon will perform selected songs from a new double album entitled The Scars of Man on the Once Nameless Wilderness during one set, and a career spanning selection of tracks will be performed during the other. From the rawer, vicious material compiled on the early …On the Subject of Mortality collection to the groundbreaking bluegrass-heavy Kentucky to the shimmering melody and majesty of recent releases Roads to the North and Autumn Eternal Рthis is a rare treat and we can’t wait to feel the soot and smoke in our hearts and heads as Panopticon levels the venue.

Panopticon will perform at Het Patronaat on Friday, 19 April, and the 013 venue on Saturday, 20 April. Read more here.

EX EYE

When word got out that master saxophonist Colin Stetson had put a new metal band together called Ex Eye, excitement levels were high. The relentlessness of the band’s assault, the enormity of its scope and the unbound energy they exhale means that they make music that might skip your brain altogether and activate your nervous extremities all by itself. Just seeing a legendary figure like Colin on stage playing metal would be satisfying enough; that he’s recruited people like Liturgy’s Greg Fox on drums, bassist Shahzad Ismaily (who’s played with the mighty Secret Chiefs 3) and guitarist/composer Toby Summerfield to complete this stellar line-up is just icing on the cake.

Ex Eye will perform at the 013 venue on Thursday, 19 April. Read more here.

THE HEADS

The Heads have a special place in the history of Roadburn. Not just because the UK psych lords have made multiple visits over the years ‚Äď 2006, 2008, artists-in-residence in 2015 ‚Äď but for the transformative effect their sets have had on the crowds, the vibe, the very fest itself. Nobody takes Roadburn to where The Heads take Roadburn.

‚ÄúRoadburn is the best festival The Heads have played,‚ÄĚ enthuses guitarist/vocalist Simon Price. ‚ÄúThe vibes, the crowds, the bands, the organisation; it’s the whole package. Roadburn always delivers. Playing on stage or just wandering around, it makes me grin. It is The Heads’ spiritual home. We can’t wait to bring it on again in 2018.‚ÄĚ

The Heads will perform at the 013 venue on Saturday, 21 April. Read more here.

IGORRR

The brainchild of French composer and multi-instrumentist Gautier Serre, IGORRR is genuinely disorienting. One of the most excitingly unpredictable acts in any genre you might want to try and shove them into, its wild character and fearless will to experiment are the staples of the sort of creativity we fiercely stand behind at Roadburn. What choice did we have but to bring this wrecking ball of delirious creativity to Roadburn and see and hear for ourselves how it all translates to the stage with a full band playing it?

Igorrr will perform on Friday, April 20 at the 013 venue. Read more here.

AERIAL RUIN

Aerial Ruin РAKA Erik Moggridge Рmay be best known to many on the basis of his frequent appearances on albums by the mighty Bell Witch, but his own project displays a remarkable sense of texture and delicacy that is equal in its melancholy yet entirely independent. Aerial Ruin’s recently released Nameless Sun beautifully follows the tradition set forth on its predecessor Ash of Your Cares in offering up eerie acoustic confessionals that can raise the hairs on the back of your neck. Moggridge plays guitar with the precision of a spider slowly building its web; everything falls into place delicately yet with a brilliant and focused grace.

Aerial Ruin will perform on Saturday, April 21 at the 013 venue. Read more here.

SANGRE DE MUERDAGO

Led by Pablo C. Ursusson, a musician and lyricist who has also done work in painting and sculpture, Sangre de Muerdago is deeply connected to the very earth of their Galicia homeland. With a background in Spanish punk and other kinds of countercultural movements, the band is the vehicle through which these musicians leave the harshness and aggression aside and channel the folk tales of Galicia through traditional instruments and gentle, haunting, ancient-sounding singing.

Sangre de Muerdago will perform at Het Patronaat on Friday, 20 April. Read more here.

RICHEY BECKETT

Having made a dent in the Roadburn psyche earlier this year when he took part in the Full Bleed art exhibition at the 2017 edition of the festival, Richey Beckett will be returning next year. This time he will be our official poster artist, creating the artwork that will adorn our posters and merchandise for the 2018 edition.

Based in South Wales, Beckett is a highly talented artist with his roots firmly planted in the natural world, where he draws much of his inspiration from.

Beckett comments: “Being invited to create visual artwork for this year’s Roadburn is a tremendous honour. Roadburn isn’t just another heavy music festival, it’s something that over the years has evolved into a pilgrimage of a worldwide community; a celebration of music, the creative spirit and camaraderie.”
Read more about Richey Beckett here.

TICKET ONSALE DATE

Roadburn 2018 tickets will go on sale on October 19. They will be available to purchase in person from the 013 box office from 18.30- 20.30 local time, and online worldwide from 21.00 CEST. Ahead of the tickets going onsale, we will be able to confirm more details of the line up, plus camping options in Tilburg during the festival.

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Roadburn 2018 First Announcement Video

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