The Obelisk Questionnaire: Love Forsberg, Zubaida Solid and Sam Riffer of Siena Root

SIENA ROOT (Photo by Petter Hilber)

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Love Forsberg, Zubaida Solid and Sam Riffer of Siena Root

How do you define what you do and how did you come to do it?

Love Forsberg – We make root rock music. Siena Root is a dynamic root rock experience.

Zubaida Solid – I’ve been with band since 2018 and my role has expanded since joining. For me Siena Root is a band that puts great emphasis on great live shows, high quality analog recordings with roots and inspiration from different genres, from blues, dragged, Indian ragas, classic rock, psychedelic influences. All this melt in to a honey pot that has something to offer everyone.

Sam Riffer – It’s the sum of our influences, personalities and creativity in a blender haha.

Describe your first musical memory.
LF – I think this was a ’70s production that my dad played, an album called “Kåldolmar och kalsipper”, by a swedish group Nationalteatern. It was an album somewhat produced for kids, but I still enjoy it today.

ZS – My first contact with music comes from my dad, listening to old Bollywood music from ’70s on cassette tape in the car. Listening and singing along while on road trips with my family, has special place in my heart.

SR – I was 7 years old and an older kid in school played a a cassette with Kiss’ Heaven’s on Fire really loud! I was stunned :) To this day I remember that kick drum beat and the shouts, somehow it came across as something dangerous… yet appealing.

Describe your best musical memory to date.

SR – When I saw Page & Plant, 1995 in Colorado, I was 18 years old and had recently discovered Led Zep. You could easily say I was on a Stairway to… It was a magical night with lots of hippies, friends and all the rest :)

When was a time when a firmly held belief was tested?

LF – Last year when my pacifism was set under pressure by a war in Europe that I thought was unpredicted.

ZS – I learned whilst being sick in covid how fragile life is. It was quite a jarring experience.

SR – Definitely the war here in Europe, so many things I believed in went out the window. I had always thought that the so called threat from the east was exaggerated here in Sweden. That said, I never believed that our generation would walk through life with only peace around us, yet it was something I wished for of course. Still a chock when war approaches for real and we’ve taken peace for granted somehow.

Where do you feel artistic progression leads?

ZS – That’s hard to answer but I always feel that different experiences and trails in life propels me forward musically.

SR – I guess it’s rather individual, for some people it can lead to less desirable things I think but to me it’s about learning, growing and moving forward but also about spiritual calmness and maturity.

How do you define success?

LF – Success is when you are understood by others.

ZS – Success for me is a combination of things. Having music out that you can stand for and be enjoyed by others and of course is substantial enough to make an impression and last.

SR – It’s not about commercial success to me it’s only about creative and musical fulfilment or whatever you live to achieve, doesn’t have to be music of course.

What is something you have seen that you wish you hadn’t?

SR – Tough one, I have seen things that makes me sad and/or angry and of course lots of things I wish never happened or didn’t exist like violence, oppression and poverty but I shouldn’t say I wish I hadn’t seen it as much as I wish those terrible things didn’t happen or exist. If it’s part of reality I am somehow obliged to face it rather than to close my eyes.

Describe something you haven’t created yet that you’d like to create.

ZS – A big dream of mine is writing a musical. If we could ever write something like works of Webber/Rice through a “Siena Root-lens” that would be super cool.

SR – I really would like to time-travel but I guess I won’t be able to create such a machine…

What do you believe is the most essential function of art?

ZS – I think we’ve seen different examples though out history as to why art Is so important. I think that arts biggest importance lies in the emotional outlet people need, not only for the creator but the viewer/listener as well. Seeing and hearing yourself being represented or recognising something within one self.

SR – Perspectives and interpretation, it’s all in the eyes and ears of the beholder and that’s the beauty of it, in most arts there is no correct answer or prevailing conclusion.

Something non-musical that you’re looking forward to?

SR – Besides our dream of lasting world peace I really look forward to summertime.

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Siena Root, Revelation

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