Roadburn 2018: Wear Your Wounds, All Pigs Must Die, Supersonic Blues, Spotlights and More Added; Day Tickets on Sale This Week

Posted in Whathaveyou on January 17th, 2018 by JJ Koczan

roadburn 2018 banner

Pretty clearly the overarching message of Roadburn 2018 has become that if you thought you had a snowball’s chance in hell of pinning the festival down to a single idea, genre or theme, it’s simply grown too massive, too sprawling and too complex to ever be subject to such easy definition. I mean it. If you squint and look at the lineup above, from Earthless jamming with Kikagaku Moyo to the likes of returning Icelandic black metal entities Misþyrming, Naðra, and Svartidauði, to Hague-based boogie newcomers Supersonic Blues — whose writeup I did and whom I’m particularly stoked to see — to All Pigs Must Die and all the bizarre stuff Justin Broadrick seems to have involved himself in, I think it’s inarguable this is the farthest ‘OUT THERE’ Roadburn has ever been, and as a result, I’m not sure the festival has ever been so exciting on a creative level.

As always, there’s a lot to dig into in the announcement that follows. Make sure you let the varied implications sink in. Then go ahead and get yourself a ticket while you still can.

Here’s to ya:

Roadburn 2018: details of second commissioned performance, final bands for Jacob Bannon’s curation & more

– Icelandic black metal bands unite for the second of Roadburn 2018’s specially commissioned performances
– Jacob Bannon confirms final bands for his curation including All Pigs Must Die.
– Day tickets go on sale – January 18!
– Further to the already announced commissioned project featuring Oranssi Pazuzu and Dark Buddha Rising, Roadburn Festival is thrilled to announce details of the second of such projects, among the next batch of confirmations for the 2018 edition of the festival.

Artistic Director Walter Hoeijmakers comments:

“For several years now, I have been a passionate supporter and advocate of the incredible music scene that is brewing in Iceland. I have witnessed some truly awe-inspiring performances, both on their home soil and further afield, and it is always an honour to have these musicians join us at Roadburn. What makes all of this even more exciting to me, is that I believe that the best is still yet to come for these talented performers – and I have every confidence that we’re going to get a good dose of that with this commissioned performance at Roadburn 2018.

“We’re nearing the end of our announcements for 2018 as the festival looms ever closer – our side programme and Cul de Sac bands announcement is pencilled in for early February. With day tickets going on sale this week, Roadburn 2018 looks like it will be another sell out edition, and yet another artistic triumph.”

COMMISSIONED PROJECT: Vánagandr – Sól án varma

The second of Roadburn’s specially commissioned projects will encapsulate the spirit and creativity of the thriving Icelandic black metal scene. Leading the charge has been Misþyrming who were our artists in residence in 2016, a tenure that surely peaked with their ritualistic Úlfsmessa performance.

We’re thrilled to confirm that the second of our specially commissioned performances for Roadburn 2018 will unite the might of Misþyrming, Naðra, Svartidauði, and Wormlust under the banner Vánagandr.

The title of the piece these six musicians will perform is Sól án varma, which roughly translates to “sun without radiance”. The opus will encompass a slow primal roar – a process which cannot be stopped once started, and that only continues to grow, reinventing itself in its complexity.

Chaos. Dissolution. Confusion.

JACOB BANNON’S CURATION: WEAR YOUR WOUNDS

Jacob Bannon’s own Wear Your Wounds will reprise their 2017 performance this year, promising improvisation and experimentation into the mix.
“I’m extremely excited to perform live with Wear Your Wounds at Roadburn 2018. Playing the 2017 edition of the festival was a creative high point for me and I am honored to return. This time we will be integrating different songs into the set from both the “WYW” double album, the “Dunedevil” album, as well as other material. In a live setting we plan on expanding on the studio recordings, using them as a skeleton for improvisation and experimentation. Hope to see some of you there.”
– Jacob Bannon

JACOB BANNON’S CURATION: ALL PIGS MUST DIE

“In my opinion All Pigs Must Die are one of the best bands playing dark hardcore/punk today. Founded by friends bonded by their collective obsession of heavy music, they have evolved from merely a project into a true force in aggressive. With their members so busy with other bands/projects, live performances have been rare over the years. It is an honor to bring them to Roadburn 2018, so their brand of heavy can be experienced by the masses.”
– Jacob Bannon

JACOB BANNON’S CURATION: STOMACH EARTH

Beginning in 2001 under the name Nyarlathotep, the one-man doom/death metal project of Mike McKenzie (The Red Chord, Wear Your Wounds, Unraveller) released a few demos and sunk back into the shadows for several years, with little to no activity beyond a name change. Over a decade after its inception, a full length was released on Black Market Activities. This release prompted two live performances before it would lie dormant once more. As part of Jacob Bannon’s curation, Stomach Earth will surface again to perform their self-titled debut in its entirety. Joining McKenzie on stage as Stomach Earth will be multi-instrumentalist Greg Weeks (The Red Chord, Wormwood).

NYIÞ & WORMLUST PERFORMING HIEROS GAMOS

At the core of most innovative work is the collaborative spirit. While Icelandic ritual drone and folk act NYIÞ is already an inherently collaborative entity, they’re really stepping things up this year by fusing with psychedelic black metal giant Wormlust to create a new beast: Hieros Gamos.

Little of this planned masterwork shall be revealed before the performance itself, but those with any familiarity can imagine what otherworldly horrors and delights await. Those who witnessed NYIÞ’s massive performance piece as part of the Úlfsmessa in 2016 knows just how deep the currents run. With the addition of such a force as Wormlust, we need say little beyond urging you to arrive early to be the first to witness Hieros Gamos in its live debut.

GALLOPS

Having broken up shortly after the release of their debut album back in 2012, Gallops left quite the hole in the ranks of bands who push at the boundaries of rock music. Fortunately, Gallops returned in 2016. “It just needed a nap,” was how Mark Huckridge, Liam Edwards and Brad Whyte jokingly put it, so we’re very happy and also relieved that someone remembered to set an alarm. They’ll keep you guessing at every turn, moods fluctuating from eeriness to jubilation, from intimidating darkness to feverish light, but always pulsating and engaging.

SCATTERWOUND FEAT. JUSTIN K BROADRICK

Known experimentalist Dirk Serries (YODOK III, The Void Of Expansion, Fear Falls Burning) and Hellmut Neidhardt, aka N, had this collaboration idea floating around in the ether for, rumour has it, almost a decade. Before the universe shifts and we lose sight of it for good, measures have been taken, both by the band and by Roadburn: Scatterwound will perform at Roadburn 2018 with none other than Justin K Broadrick as their special guest.

SPOTLIGHTS

Coming from the streets of Brooklyn, New York, Sarah and Mario Quintero, the pair at the core of this remarkable entity, don’t shy away from genre hopping, and capture a voice of their own by mainlining doom with shoegaze, pairing post rock to sludge, and forming a dreamy yet very melodic concoction. Spotlights are capturing audiences with their emotional depth, and by the time they’ve finished with us at Roadburn, we’ll all have a really bad case of Spotlights (and no doubt love every minute of it!).

SUPERSONIC BLUES

Hailing from The Hague and infused with a funk-fuzz power in their delivery that makes them an immediate standout, the young trio Supersonic Blues are welcomed to Roadburn 2018 with open arms this April. Supersonic Blues will perform at the San Diego Clubhouse AKA the Hall of Fame alongside kindred spirits from the San Diego scene on Friday, April 20.

POSTER ARTIST: RICHEY BECKETT

As our day tickets go on sale this week, we’re delighted to present the day splits in the form of four spell-binding posters by renowned artist, Richey Beckett.

TICKET ONSALE INFORMATION

Roadburn 2018 tickets are on sale now. 3 and 4 day tickets are currently available and day tickets will go on sale on January 18, 2018.

Thursday, 19 April – €62.40
Friday, 20 April – €62.40
Saturday, 21 April – €62.40
Sunday, 22 April – €57.40

4-day-tickets €198,40
3-day-tickets €175,40
(all prices include €3,40 service fees)

Camping tickets are also available to purchase, with additional options (such as Festipis and camper vans) also possible. This year the urban campsite will be in a new location – but still within walking distance to the 013 venue – providing a comfortable and affordable option for Roadburn attendees.

A brand new hotel is due to open in Tilburg just weeks prior to Roadburn 2018. The Valk Exclusive hotel is offering a special deal for Roadburners. Click here for more information

Click here for more information on tickets and the campsite

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Roadburn 2018 Fifth Announcement Video

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Roadburn 2018 Announces Boris Playing Absolutego, Godflesh Playing Selfless, Hooded Menace Playing Fulfill the Curse, Commissioned Oranssi Pazuzu and Dark Buddha Rising Collaboration, and Much More

Posted in Whathaveyou on December 14th, 2017 by JJ Koczan

Well, here’s Roadburn 2018 wishing you happy holidays as pretty much only Roadburn can. With Boris and Stephen O’Malley playing Absolutego in full, a one-off collaboration between Oranssi Pazuzu and Dark Buddha Rising kicking off the festival, additional whole-record performances from Godflesh and Hooded Menace, a European debut from Khemmis, plus the likes of Thou & The Body, Motorpsycho, Fuoco Fatuo, Forgotten Tomb, Wolfbrigade and of course a completely overwhelming ton of others. So yeah, happy holidays from Roadburn, I guess. Probably even happier if you already have your tickets for next April.

If you don’t, gadzooks, I hear it’s the holidays.

From the PR wire:

roadburn 2018 new flyer

Further artists confirmed for 2018 edition of Roadburn Festival; including details of specially commissioned performance

– Dark Buddha Rising and Oranssi Pazuzu collaborate on commissioned project, Waste of Space Orchestra
– Boris join forces with Stephen O’Malley for Absolutego performance
– Jacob Bannon adds Godflesh, Motorpsycho, Thou x The Body and Forgotten Tomb to his curation
– Justin K Broadrick and Kevin Martin unite as Zonal, with Moor Mother
– Hooded Menace to play Fulfill The Curse in its entirety

COMMISSIONED PROJECT: WASTE OF SPACE ORCHESTRA

Artistic Director Walter Hoeijmakers commented:

“Roadburn has always been about bringing people together, creating a network where the line between friend, fan, performer and artist is blurred. The very foundation of Roadburn is the community that it is built upon, around, and within. Alongside this, Roadburn has always sought to push the boundaries of creativity and expression.

These two defining facets of Roadburn have been brought together for a brand new project – or rather, two brand new projects – for 2018. For the first time, we have commissioned a two groups of entirely separate musicians to create music to be performed specifically at Roadburn. Today we’re thrilled to announce the first of those groups of musicians.”

Familiar to most Roadburners, Dark Buddha Rising and Oranssi Pazuzu are combining their forces to write and perform a new concept piece especially for Roadburn 2018. The collaboration will be titled the Waste of Space Orchestra.

The performance will include ten musicians onstage plus an original video accompaniment, designed to tell a parallel story with the music. The ten-part, one hour piece is a dive into the consciousnesses of three beings – all of whom are on a search for deeper truths in comprehending reality.

The Waste of Space Orchestra performance will open the main stage on the first day of Roadburn 2018 – Thursday, April 19.

BORIS AND STEPHEN O’MALLEY PERFORMING ABSOLUTEGO

It was Absolutego that kickstarted everything for Boris in 1996 and put that strange little band from Tokyo named after a Melvins song on the map. If you further exercise your memory, you will surely recall that Absolutego was – above everything – a drone album, one single track that took the listener on a strange, intense and very dark trip.

We’ve invited Boris to come and perform that whole Absolutego giant of sound, and they said yes. Joining them for this exclusive, one off performance is none other than Stephen O’Malley.

Boris with Stephen O’Malley will play Absolutego on Saturday, April 21 at the 013 venue, Tilburg, The Netherlands.

JACOB BANNON’S CURATION

MOTORPSYCHO

“When discussing with Walter potential artists that fit the experimental spirit of Roadburn Festival, we both landed on the idea of Motorpsycho. I was first exposed to the band through their Demon Box album and have attempted to follow their unique twists and turns since. Their output is legendary and their need for experimentation has been inspiring to follow over the years. It is a true honor to help bring this diverse voice to the Roadburn audience.”

– Jacob Bannon.

GODFLESH

As part of Jacob Bannon’s curation, Godflesh will perform their groundbreaking album Selfless at Roadburn Festival 2018.

“I first experienced Godflesh when I picked up the Grindcrusher compilation from Earache Records as a teenager. The otherworldly power of Streetcleaner effected me in a way that I still find hard to describe. Since then I have been an avid follower of all music that Justin creates. Though I celebrate the expansive Broadrick catalog as a whole, it is his forays into melody under the Godflesh name I really connect with. Selfless as is an album that has everything for me. Punishing heaviness, incredible hooks, and limitless emotional depth. It is a true honor that they have agreed to play this album in its entirety at Roadburn 2018.”

– Jacob Bannon.

CURATION: THOU X THE BODY

“Since their inception I’ve been following Thou. Their restlessness and drive for experimentation has been inspiring to follow. The same goes for The Body. They’ve been such an incredible band to watch evolve from release to release. When they joined together on their Released From Love and You Whom I Have Always Hated collaborations I was floored. Together, they amplify the best parts of each band’s individual output. Making some of the heaviest and most intense music of the last few years. This collaboration is a must listen and perfect fit for Roadburn Festival.”

– Jacob Bannon

CURATION: FORGOTTEN TOMB

“I was first exposed to Forgotten Tomb through their incredible Springtime Depression album. To me, Herr Morbid’s vision was immediately appealing. Carrying a relatable sadness and inescapable darkness unequaled by other artists of the time. Since then I’ve been following his growth as an artist and the evolution of the band. I feel that artistically Forgotten Tomb are a perfect fit for the core Roadburn audience. They are a musical black hole that claims everything around it. I can’t wait to experience their set at Roadburn Festival 2018.”

– Jacob Bannon

ZONAL WITH MOOR MOTHER

Justin K. Broadrick is such an integral part of the Roadburn backbone by now that he needs little introduction. When it was announced that Justin and Kevin Martin, aka The Bug – who already made himself part of Roadburn with a staggering show alongside Dylan Carlson of Earth this year – would reunite under the name Zonal (a spiritual continuation from their iconic Techno Animal duo) it registered on our always-on radar. They will be joined by Camae Ayewa, the musician, activist and poet from Philadelphia who also goes by the name Moor Mother.

HOODED MENACE

Since their earliest rumblings, Finnish cult doomsters Hooded Menace have held an astonishingly high profile in the underground realms. Their uniquely energetic take on the classic hybrid of doom and death metal has been invigorating audience since the release of their 2008 classic, Fulfill the Curse. We’re thrilled to announce that the band will perform this classic album in full at Roadburn 2018.

ALSO CONFIRMED

Classic heavy doom from Khemmis

Move or be moved by Wolfbrigade 

Tribulation’s Jonathan Hultén will haunt Het Patronaat

Worship will perform Last Tape Before Doomsday in its entirety

Get sucked into a cold, dark void by Fuoco Fatuo 

Welcome the wild and unrestrained spirit of Alda

Zuriaake will be the first Chinese band to perform at Roadburn Festival.

Some nightmares take us towards Vampillia

VMO will prove they are more than “just” a side project

Head out on an exhilarating ride with Watter

Allow yourself to shape shift with Hail Spirit Noir

Watch Kairon; Irse! defy time and space

Dive headfirst into Hortes dreamy slumber

Old Tower make their live debut at Roadburn 2018.

TICKET ONSALE INFORMATION
Roadburn 2018 tickets are on sale now. 3 and 4 day tickets are currently available, with day tickets going on sale at a later date.

4-day-tickets €198,40 (including €3,40 service fees)
3-day-tickets €175,40 (including €3,40 service fees)

Camping tickets are also available to purchase, with additional options (such as Festipis and camper vans) also possible. This year the urban campsite will be in a new location – but still within walking distance to the 013 venue – providing a comfortable and affordable option for Roadburn attendees.

Click here for more information on tickets and the campsite

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Roadburn 2018 Fourth Announcement Video

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Roadburn 2018: Earthless to be Artist-in-Residence; Crowbar, Kikagaku Moyo, Zola Jesus, Mutoid Man, Joy, Harsh Toke, Petyr, and More Added

Posted in Whathaveyou on November 15th, 2017 by JJ Koczan

This invariably happens every year. Roadburn hits a point where the festival loses its damn mind and delivers a completely overwhelming onslaught of lineup additions, greatly affirming the overall character of the event as well as its ongoing utter creative dominance of the Spring festival scene in Europe. I knew it was coming. I guess I just didn’t expect it so soon.

More the fool I. Today, Roadburn 2018 confirms Earthless will serve as Artist-in-Residence, and in addition to playing a set on their own, they’ll jam out with krautrock legend Damo Suzuki of Can as well as lead the charge of a ‘San Diego Takeover’ featuring the likes of Harsh TokeJoyPetyr and Sacri Monti. Not only that, but Crowbar will play Odd Fellows Rest in full at Jacob Bannon‘s curated event, and another takeover — this time by Japanese psychedelia — brings confirmation of Kikagaku MoyoMinami Deutsch and Dhidalah. Oh, and there’s a shit ton of others added as well, including Mutoid ManJarboe and Ruins of Beverast.

If you can get your head around it, you’ve got one up on me, though it’s certainly fun to try. I got to write the Earthless announcement, so make sure you read that one. Here’s all of it from the PR wire:

roadburn 2018 banner

Roadburn Festival 2018 Artist in Residence announced; plus more lineup confirmations

– Earthless confirmed as 2018 Artist in Residence
– Huge San Diego Takeover project announced feat. collaborations and jam sessions.
– Japanese Psych Experience courtesy of Kikagaku Moyo, Minami Deutsch and Dhidalah
– Crowbar & Zola Jesus confirmed for Jacob Bannon’s curated stages

Artistic Director, Walter Hoeijmakers commented:
“To be Roadburn’s Artist in Residence is quite a prestigious position; it really gives bands a chance to open up and explore different facets of their collective personalities. Earthless are – to me – the perfect fit for this next year; their bond with Roadburn is strong and we’re thrilled to have seen them grow and develop over the years since they first played Roadburn. In fact, it will be a full decade since their first performance on a Roadburn stage – and what a way to mark the occasion.

“The whole San Diego Takeover has been over a year in the planning, and we’re still working on even more ways to enhance what is already going to be such an incredibly special part of Roadburn 2018.”

ARTIST IN RESIDENCE: EARTHLESS

Roadburn is proud to welcome back our benevolent cosmic instrumentalist overlords in 2018! Earthless will perform three sets as our Artist in Residence, including some incredibly special, Roadburn-exclusive jams.

It’s been a decade since the San Diego three-piece of guitarist Isaiah Mitchell, bassist Mike Eginton and drummer Mario Rubalcaba set a standard for epic with the performance that became their landmark Live at Roadburn 2LP in 2008. Since then, Earthless have become the standard-bearers of a heavy psychedelic boom in California, inspiring countless acts around them.

As our Artist in Residence they will take the stage three times. For the first set, they’ll play in their standard three-piece incarnation, showcasing material from their upcoming 2018 album. The second set unites Earthless with progressive rock and improvisational legend Damo Suzuki, a set that is bound to be an occurrence of galaxy-shaking significance. If that’s not enough, Earthless will also take part in an ‘East Meets West’ psych jam with other members of the San Diego scene and members of Kikagaku Moyo from Japan.

The poster for Earthless was created by Maarten Donders.

Read more about Earthless, and Damo Suzuki.

SAN DIEGO TAKEOVER

Steeped in psychedelia and inspired by Earthless – who played a pivotal role in sparking this particular fire – the new breed of San Diego psych-rock bands is gearing up to launch themselves on Tilburg next April. Stand by; the San Diego circus is coming to town.

A veritable gang of musicians will be leaving behind the Pacific Ocean and making their way to the slightly less sun soaked – although no less open minded – vistas of Tilburg.

Each participating band will perform over the course of the weekend as part of the main festival programme at the 013, but a movement this influential deserves it’s own space to spread out, bloom, and indeed envelope us all. So, with that in mind, there will be a Californian takeover at the Hall of Fame on both Friday and Saturday; welcome to the San Diego Clubhouse!

When you count professional skaters among your ranks, it would seem remiss to not factor a skate expo into proceedings. Plus there will be visual exhibitions by the likes of JT Rhoades, Lannie Rhodes and BB Bastidas (the man responsible for the incredible poster below), there will also be stalls featuring Vol.4 Clothing and Psockadelic. We didn’t know we needed Roadburn branded socks until just now, but now we really need them…

More details will unfurl over the next couple of months, but for now, it’s time to get stoked: California is coming. Performing as part of the Roadburn 2018 San Diego takeover will be:
Harsh Toke
Sacri Monti
Joy
Petyr

Read more about the San Diego Takeover.

JAPANESE PSYCH: KIKAGAKA MOYO, MINAMI DEUTSCH, DHIDALAH

In conjunction with the San Diego Takeover, Roadburn 2018 will also host a Japanese psych experience! Steeped in ’60s and ’70s tradition, these bands are exploring psychedelia in a transportive and meditative way. Emphasis is put on the past, but they’re pushing the envelope, and it’s their forward-looking vision that’s prompted us to bring them to Roadburn 2018.

Please brace yourself to explore the sonic spectrum with these new champions of Japanese psych!

Centered around cult-label GuruGuruBrain, the following bands will perform as the Japanese counterparts of The San Diego Takeover:
Kikagaku Moyo
Minami Deutsch
Dhidalah

JACOB BANNON’S CURATION: CROWBAR

Crowbar have been at the forefront of heavy music for nearly three decades, and in 1998 released the album Odd Fellows Rest. This incredible album merged their existing heaviness with a refined melodic sensibility, creating one of the most powerful metal albums of the era.

Jacob Bannon comments:
“In 1991 I was introduced to Crowbar when I bought a tape of their Obedience Thru Suffering album. The sheer heaviness of the band floored me and I was hooked ever since. For me personally, their 1998 album Odd Fellows Rest is a high watermark of creativity. It is an incredible collection of songs that have been daily listens for me for nearly two decades. It’s an honor to have the band perform this record live at Roadburn Festival 2018.”

Read more about Crowbar.

JACOB BANNON’S CURATION: ZOLA JESUS

Zola Jesus is the stage name of Russian American musician Nika Roza Danilova. Under the name Zola Jesus, she has released a number of genre bending EPs and albums. Her approach is a cross pollination of electronic/industrial, classical, and gothic sounds; all of it coming together as a dark and emotional artistic experience.

Jacob Bannon comments:
“I first heard Nika’s work on the Stridulum EP. Every aspect of the release connected with me and it soon became a daily listen. The record (and all of her work) was relatable and infectious. I’ve been an avid listener ever since. Watching her artistry grow and deepen over time has been inspiring. Okovi, the latest from Zola Jesus is such a powerful album. I am truly honored to have Nika and Company at Roadburn 2018 as part of my curation.”

Read more about  Zola Jesus.

JARBOE FT. FATHER MURPHY

Jarboe has always made collaboration an essential part of her work, and her work with Italian duo Father Murphy has so far been incredibly fruitful. When they perform together at Roadburn, Father Murphy will take to the stage first and set the mood with heir creepy and enveloping aural tapestries, after which Jarboe, in all her glory, will join them to perform those songs. After that, the trio will perform a selection of some of the most powerful moments of the singer’s career so far.

Read more about Jarboe ft Father Murphy.

BIG BRAVE invite us to peek further into the shadows. Read more
DAWN RAY’D will be initiated into the Roadburn family. Read more.
HÄLLAS carry the heart and soul of the seventies. Read more.
KÆLAN MIKLA soundtrack the apocalypse with threatening darkwave rumblings beneath ominous monologues. Read more.
MUTOID MAN shake off the “super group” shackles and re-write the rules. Read more.
PLANNING FOR BURIAL are set to defy description and capture our hearts.Read more.
THE RUINS OF BEVERAST will reprise their 2013 show-stealing performance, this time with added Exuvia; they’ll play their latest album in full. Read more.
UNE MISÈRE are an explosive combination of elongated atmospherics and insanely meaty riffs. Read more.
WIEGEDOOD: furious catharsis, raging obscurity and fiery destruction from the Church of Ra  Read more.
WRECK AND REFERENCE shall devour genres and resist categorisation. Read more.
YELLOW EYES… With burning intention and a sight without limits, BLACK METAL AS SPIRITUAL WAR. Read more.

TICKET ONSALE INFORMATION
Roadburn 2018 tickets are on sale now. 3 and 4 day tickets are currently available, with day tickets going on sale at a later date.

4-day-tickets €198,40 (including €3,40 service fees)
3-day-tickets €175,40 (including €3,40 service fees)

Camping tickets are also available to purchase, with additional options (such as Festipis and camper vans) also possible. This year the urban campsite will be in a new location – but still within walking distance to the 013 venue – providing a comfortable and affordable option for Roadburn attendees.

Click here for more information on tickets and the campsite

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Roadburn 2018 Third Announcement Video

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Roadburn 2018: Weedeater, Greenmachine, Grave Pleasures, Årabrot and Many More Added; Tickets on Sale Oct. 19

Posted in Whathaveyou on October 12th, 2017 by JJ Koczan

Looks like Roadburn 2018 is already doing that thing that Roadburns do where they completely overwhelm with their scope and the promise of what’s to come with their lineup each year. This is, what, the second announcement for next April? Seems early for such things, but to have Weedeater confirmed to play God Luck and Good Speed and Greenmachine doing all of D.A.M.N. is pretty gosh darn special. I’m eager to find out who’s going to be the artist-in-residence — though Walter very pointedly uses “artists” below, so maybe there’s more than one — but there’s plenty to chew on in the meantime, so I won’t delay any further and let you get to it.

Also note the new venue. This fest just keeps expanding. Pretty soon every streetcorner in Tilburg will have a Roadburn venue. I’d be cool with that, by the way. Totally cool with that.

Here’s the latest:

ROADBURN 2018: Further names confirmed ahead of ticket onsale

– Cult of Luna and Julie Christmas to perform Mariner for the final time at Roadburn 2018

– Weedeater will play God Luck and Good Speed in full

– Grave Pleasures confirmed

– Greenmachine will play D.A.M.N in full as part of Jacob Bannon’s curation

Sixteen new artists have been confirmed for Roadburn 2018 ahead of tickets going on sale next week, on October 19.

Artistic Director, Walter Hoeijmakers commented:
“We’re thrilled to bring you this set of announcements ahead of the tickets going on sale next week. We have a lot more still to come including our Artists in Residence for 2018, and two specially commissioned performances. The artists that we’ve commissioned will be familiar to Roadburners, but they will be performing pieces of music that have never been heard before – just for us! We’re still confirming the final details before we can announce those shows but we already know this is going to raise the creative bar for Roadburn.

“We’re also very pleased to confirm that we’ll be making use of a new venue at Roadburn 2018. In response to feedback from our attendees, we have found the perfect space at the Koepelhal – just up the road from the 013 – to spread out a little bit and provide a fantastic space for bands and audiences alike.”

CULT OF LUNA AND JULIE CHRISTMAS

No strangers to the Roadburn stage, Cult of Luna have a rich back catalogue that has traversed many a strange land over their almost two decades. But when they teamed up with inimitable New Yorker, Julie Christmas, to create 2016’s Mariner album, the collaboration brewed up something truly magical.

Originally planned as a studio-only venture, the Swedish-American collaborators were coaxed into playing out last year as they performed a handful of European shows. The demand for North American shows warranted a short tour this past summer, and now they look to add a full stop to the Mariner experience, with a final performance at Roadburn 2018.

We find it hard to say no to Cult of Luna in any guise, so we’re thrilled that the feeling is mutual – and that this time around Julie will be along for the Roadburn ride to perform Mariner, in her words “one more fucking time!”. Whilst we are inclined to refute the adage that all good things must come to an end, if that’s really the case, we’re determined to give Mariner a proper send off.

Cult of Luna and Julie Christmas will perform Mariner on Thursday, 19 April at the 013 venue. Read more here.

WEEDEATER

Weedeater have always epitomised the true essence of what “stoner” music should be. It’s not enough to just add fuzz, or to jam out for hours while super high. Weedeater flirt unashamedly with doom and sludge, they have bite, a sharp attitude, gigantic riffs and a unique personality, not to mention the unpredictability factor brought by Dixie Dave’s irresistible antics.

Which is why, in 2018, the return of the much-loved weed-fuelled trio is not just a “normal” return. Braces yourselves… Weedeater are going to play, exclusively for Roadburn, their seminal 2007 album God Luck And Good Speed in full.

We’ll let you know what time Weedeater will be playing on Thursday, 19 April at the 013 venue in a few months, but you know it doesn’t matter – it’ll be 4:20 in any case. Read more here.

GRAVE PLEASURES

Grave Pleasures have now finally truly arrived at the peak of their creative powers; their new album Motherblood is a truly defining piece of work that will delight anyone – old Beastmilk fans, more recent Grave Pleasures devotees, absolute newcomers, essentially everyone with ears will not be able to resist the cheeky, mischievous glee with which the Finnish band welcome the end times.

Grave Pleasures play on Sunday, 22 April. Read more here.

JACOB BANNON’S CURATION: GREENMACHINE

As part of Jacob Bannon’s curation, Japan’s GREENMACHiNE will reunite and perform their D.A.M.N. album in its entirety at Roadburn Festival 2018. Originally released by Man’s Ruin Records in 1995, D.A.M.N. is the monumental album that raised GREENMACHiNE to cult like status, making them the Japanese counterpart to bands like Buzzoven, Cavity, Jesuit, and others. Its sound blurred the lines between Stoner Rock, Sludge/Doom, and Hardcore/Punk worlds.

Jacob Bannon comments:
“D.A.M.N.” was released by Man’s Ruin Records during the golden era of that influential label. For me, GREENMACHiNE were one of the bands that really connected with me in that stable. They were more intense than other releases the label was producing, and their origins within the Japanese Punk/Hardcore scene made them a welcomed mystery. A quality that was deepened by their subsequent breakups and brief reformations throughout the years. I am excited to finally see them unleash these brutal songs live at Roadburn 2018, it is an exclusive experience that is not to be missed.”

Greenmachine will perform as part of Jacob Bannon’s curation at Het Patronaat on Saturday, 21 April. Read more here.

FUTURE OCCULTISM

Currently reinventing himself musically and spiritually, ever forward thinking and his eyes and ears set on the future, is Dutch breakcore pioneer, Bong-Ra. Together with his cohorts – whether it’s his partner in dark matters, Svart Lava, or by way of inspiring the elusive Phuture Doom collective – they are pairing a futuristic take on modern day occultism with an eclectic outlook on (doom) metal and electronics.

Future Occultism will be presented at Roadburn in three parts: Bong-Ra, Servants Of The Apocalyptic Goat Rave (the binary view and vision of Future Occultism), and Phuture Doom (their preachings: digital sonic alchemy).

Future Occultism will take place in the 013 venue on Thursday, 19 April. Read more here.

ÅRABROT will defy explanation as they take to the stage  FURIA set to balance unhinged ferocity with intricate melody *European Exclusive*  Read more here
GOST will help us party our way to oblivion  Read more here
HELL to perform potent and evocative self titled album  Read more here
MAGGOT HEART will be making themselves known by force Read more here
MIZMOR  rise from a slumber to play Yodh in full *European Exclusive* Read more here
OCCVLTA will raise your fists for old school black metal  Read more here
SANNHET promise a sensory assault   Read more here
THAW to deliver a night of challenging sonic chaos  Read more here
UNIFORM are a duo defying convention, bringing audio warfare to Roadburn Read more here
WREKMEISTER HARMONIES will captivate hearts and minds with an unpredictable set  Read more here

Already announced:
Godspeed You! Black Emperor playing two sets, Converge (performing You Fail Me, and The Dusk In Us in full), Hugsjá (a collaboration between Ivar Bjørnson and Einar Selvik), Panopticon playing two sets, The Heads, Bell Witch, Ex Eye, Igorrr, Sangre De Muerdago, Aerial Ruin.

NEW VENUE: KOEPELHAL

As Roadburn’s popularity has increased over the years, we have strived to maintain the intimate atmosphere whilst comfortably accommodating our growing audience, and the demand for certain shows. We’re thrilled our 2018 edition will see the introduction of the Koepelhal as a Roadburn venue.

Located just a few minutes walk from the 013, the venue will house our merchandise for artists (meaning a return to a more laid back atmosphere and greater opportunity for interaction between bands and fans!), as well as being used as a 1,200 capacity stage on the Friday and Saturday of Roadburn 2018! This will allow us a bit more room and help to avoid queues, which we know will please attendees! More info on venues will be available in due course.

TICKET ONSALE INFORMATION

Roadburn 2018 tickets will go on sale on October 19. They will be available to purchase in person from the 013 box office from 18.30- 20.30 local time, and online worldwide from 21.00 CEST / 20:00 BST /15:00 EDT / 12:00 PDT.

3 and 4 day tickets will be available, with day tickets going on sale at a later date.

4-day-tickets €198,40 (including €3,40 service fees)
3-day-tickets €175,40 (including €3,40 service fees)

Camping tickets will also be available to purchase, with additional options (such as Festipis and camper vans) also possible. This year the urban campsite will be in a new location – but still within walking distance to the 013 venue – providing a comfortable and affordable option for Roadburn attendees.

Click here for more information on tickets and the campsite

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Roadburn 2018 lineup announcement by Costin Chioreanu

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Roadburn 2018 Makes First Announcements: Godspeed You! Black Emperor to Headline; Jacob Bannon to Curate; The Heads, Panopticon, Bell Witch & More Confirmed

Posted in Whathaveyou on September 21st, 2017 by JJ Koczan

Today begins Roadburn season — the hap-happiest season of all. The Netherlands-based festival begins the run toward Roadburn 2018 by announcing Godspeed You! Black Emperor will headline two nights, Jacob Bannon of Converge will curate as his band returns for two more full-album sets, Panopticon will play twice, Ivar Bjørnson of Enslaved and Einar Selvik of Wardruna will follow-up their performance of Skuggsjá in 2015 with Hugsjá, which sounds even cuddlier, UK psychedelic gurus The Heads will return, Bell Witch will play an album in full that, as of today, isn’t even out yet, and many, many more have been added.

In other words, Roadburn 2018 is a Roadburn. Tickets go on sale on Oct. 19 and will no doubt be gone if not immediately than shortly thereafter. It is my sincere hope, as always, to be at Roadburn come April. This would be my 10th time in Tilburg for the fest and it already looks like the kind of maddeningly complex avant-garde art-project gathering that has made past years so special.

More to come, of course. In the meantime, if you get to check it out, I wrote the announcement for The Heads, which was a lot of fun. Here’s that along with everything else for Roadburn 2018 so far:

Roadburn 2018 first confirmations; includes festival headliners, curator and poster artist.

GODSPEED YOU! BLACK EMPEROR will perform two different sets as Saturday and Sunday headliners

JACOB BANNON confirmed as the 2018 curator

CONVERGE will perform two shows, including a You Fail Me set

Einar Selvik & Ivar Bjørnson will present HUGSJÁ for the first time outside of Norway

BELL WITCH will perform two sets including new album Mirror Reaper in full

PANOPTICON to make their Roadburn debut playing two different sets.

Roadburn’s official poster artist for 2018 is RICHEY BECKETT

Tickets will go on sale on October 19.

Roadburn Festival is proud to announce the first artists for the 2018 line up, which will take place at the 013 venue, Tilburg, The Netherlands between April 19-22.

Artistic Director, Walter Hoeijmakers commented:”At Roadburn, we’re always looking to push the envelope when it comes to working with creative and diverse artists; we’ll never settle for toeing the line. These first artists should give you an idea of the direction that Roadburn will be taking in 2018, but as ever, don’t assume you have us sussed – we always have more up our sleeve!”

GODSPEED YOU! BLACK EMPEROR

Godspeed You! Black Emperor have slid smoothly into our collective consciousness, picked apart the very notion of what it means to be a band and teetered on the precipice between serenity and all out chaos. The diversity of their output and their ability to always keep us guessing is a big part of why having them perform two headlining sets at Roadburn feels like a natural fit.

Their varied back catalogue makes for rich pickings, should they choose to cycle back through previous representations of the band; should they opt to look forward, into the unknown, we await with baited breath to see what is delivered during their two separate performances. Their live shows are renowned for being all-encompassing, immersive experiences, where even the visual aspect is overwhelming, usually including film projection performances that gain as much impact to the overall event as the music itself, the two interwoven as one. No doubt their Roadburn performances will be ones for the history books.

Godspeed You! Black Emperor will perform at the 013 venue on Saturday, 21 April and Sunday, 22 April. Read more here.

2018 CURATOR: JACOB BANNON

When Converge performed two groundbreaking sets at Roadburn 2016, followed by Jacob’s Wear Your Wounds set at Roadburn 2017, we knew we’d found a kindred spirit. Known not only for his audio output, but also for his visual art and founding role in Deathwish Inc; Bannon’s influence is broad and his Roadburn wish list is very much in tune with our own visions.

Jacob commented: “It is an honor to be working as the curator for Roadburn Festival 2018. The festival is unlike any other, showcasing the most forward thinking artists and musicians of the heavy music world. As this year’s curator I will reach across its sub-genres to bring together an array incredible bands/musicians; expanding the reach of the festival while celebrating the world of extreme music that we all love.”

Jacob Bannon will curate the main stage at the 013 venue on Friday, 20 April, and Het Patronaat on Saturday, 21 April. Read more here.

CONVERGE

The aforementioned Converge sets in 2016 were something truly special to behold. The Blood Moon set – which featured Chelsea Wolfe, Steve Von Till and Stephen Brodsky – will go down in Roadburn history, and the one-off Jane Doe set has already been committed to record such was the impact of the performance.

The relationship between Converge and Roadburn is far from over, and we’re thrilled that these four incredible musicians will return to the Roadburn stage for two essential sets in 2018.

Jacob Bannon elaborates on the performances: “In 2016, we played our Jane Doe album in its entirety at Roadburn Festival. For our 2018 return, we will perform our album You Fail Me in its entirety. Originally released in 2004, this album marked a turning point for our band internally and in many ways it is considered the beginning of the modern era of our band. This performance will be a one time only event, exclusive to Roadburn.”

“It took our band nearly five years to cut and shape our most recent album The Dusk In Us. Scheduled for release on November 3rd through Epitaph and Deathwish, it is a very emotional album for the band. All four of us went through a lot of trials and tribulations in those years and it is reflected in those songs, connecting with our lives ways hard to put into words. It will be an honor to play this material in its entirety for the Roadburn audience. We hope it will be as special for you as it will be for us.”

Converge will play The Dusk In Us on Thursday, 19 April, and You Fail Me on Friday, 20 April at the 013 venue, Tilburg, The Netherlands. Read more here.

HUGSJÁ

This new collaborative musical piece is designed by former Roadburn curators, Ivar Bjørnson and Einar Selvik, combining indigenous and contemporary music with Norse and Norwegian poetry, accompanied by instruments from the Stone Age through to the present day. It’s set to be a monumental follow up to Skuggjá’s international premiere at Roadburn 2015.

A series of concerts named Nordvegen (‘the northern road’ – an ancient shipping route connecting Norway to the rest of the world for some 3000 years), was performed in four harbors along the west coast of Norway in late May and early June of 2017. The audience was taken on a spectacular journey along this route in a musical declaration of love to Norwegian coastal culture and Norse history. The concerts were inspired by local history in each of these places. The Nordvegen concerts created an acoustic and intimate basis for the grandiose commissioned work, Hugsjá, which received its world premiere in Bergen concert hall Grieghallen on May 31st. Originally commissioned by and performed at Bergen International Festival, the piece will now sail southwards to Roadburn 2018.

Einar & Ivar will also be taking part in a “guided tour” of Hugsjá; explaining more about the origins of the composition, and taking questions from the audience.

Hugsjá will be performed on Saturday, 21 April at the 013 venue. Read more here.

BELL WITCH

Although it’s not yet released, the upcoming 83-minute album from Bell Witch, titled Mirror Reaper, is already making waves on Planet Roadburn. Recreating the record in all it’s crushingly exquisite glory requires the input of Erik Moggridge (Aerial Ruin), who we are delighted to welcome to Roadburn to complete the performance of Mirror Reaper.

As Moggridge has appeared on all Bell Witch releases to date in some capacity, we are thrilled that Bell Witch have agreed to perform a second set of music with him. Expect his fragile yet evocative vocal style to lend an even more ghastly and ethereal quality to Bell Witch’s already otherworldly sound.

Bell Witch will perform on Saturday 21 April at the 013 venue and Sunday, 22 April at Het Patronaat. Read more here.

PANOPTICON

For the past decade, Austin Lunn has created some of the most evocative and personal American black metal in relative isolation. With only a few shows under their belt, the band has astounded and delighted with each appearance in their short live tenure. To make this Roadburn appearance even more special, we’ll be treated to two separate sets during the festival.

Panopticon will perform selected songs from a new double album entitled The Scars of Man on the Once Nameless Wilderness during one set, and a career spanning selection of tracks will be performed during the other. From the rawer, vicious material compiled on the early …On the Subject of Mortality collection to the groundbreaking bluegrass-heavy Kentucky to the shimmering melody and majesty of recent releases Roads to the North and Autumn Eternal – this is a rare treat and we can’t wait to feel the soot and smoke in our hearts and heads as Panopticon levels the venue.

Panopticon will perform at Het Patronaat on Friday, 19 April, and the 013 venue on Saturday, 20 April. Read more here.

EX EYE

When word got out that master saxophonist Colin Stetson had put a new metal band together called Ex Eye, excitement levels were high. The relentlessness of the band’s assault, the enormity of its scope and the unbound energy they exhale means that they make music that might skip your brain altogether and activate your nervous extremities all by itself. Just seeing a legendary figure like Colin on stage playing metal would be satisfying enough; that he’s recruited people like Liturgy’s Greg Fox on drums, bassist Shahzad Ismaily (who’s played with the mighty Secret Chiefs 3) and guitarist/composer Toby Summerfield to complete this stellar line-up is just icing on the cake.

Ex Eye will perform at the 013 venue on Thursday, 19 April. Read more here.

THE HEADS

The Heads have a special place in the history of Roadburn. Not just because the UK psych lords have made multiple visits over the years – 2006, 2008, artists-in-residence in 2015 – but for the transformative effect their sets have had on the crowds, the vibe, the very fest itself. Nobody takes Roadburn to where The Heads take Roadburn.

“Roadburn is the best festival The Heads have played,” enthuses guitarist/vocalist Simon Price. “The vibes, the crowds, the bands, the organisation; it’s the whole package. Roadburn always delivers. Playing on stage or just wandering around, it makes me grin. It is The Heads’ spiritual home. We can’t wait to bring it on again in 2018.”

The Heads will perform at the 013 venue on Saturday, 21 April. Read more here.

IGORRR

The brainchild of French composer and multi-instrumentist Gautier Serre, IGORRR is genuinely disorienting. One of the most excitingly unpredictable acts in any genre you might want to try and shove them into, its wild character and fearless will to experiment are the staples of the sort of creativity we fiercely stand behind at Roadburn. What choice did we have but to bring this wrecking ball of delirious creativity to Roadburn and see and hear for ourselves how it all translates to the stage with a full band playing it?

Igorrr will perform on Friday, April 20 at the 013 venue. Read more here.

AERIAL RUIN

Aerial Ruin – AKA Erik Moggridge – may be best known to many on the basis of his frequent appearances on albums by the mighty Bell Witch, but his own project displays a remarkable sense of texture and delicacy that is equal in its melancholy yet entirely independent. Aerial Ruin’s recently released Nameless Sun beautifully follows the tradition set forth on its predecessor Ash of Your Cares in offering up eerie acoustic confessionals that can raise the hairs on the back of your neck. Moggridge plays guitar with the precision of a spider slowly building its web; everything falls into place delicately yet with a brilliant and focused grace.

Aerial Ruin will perform on Saturday, April 21 at the 013 venue. Read more here.

SANGRE DE MUERDAGO

Led by Pablo C. Ursusson, a musician and lyricist who has also done work in painting and sculpture, Sangre de Muerdago is deeply connected to the very earth of their Galicia homeland. With a background in Spanish punk and other kinds of countercultural movements, the band is the vehicle through which these musicians leave the harshness and aggression aside and channel the folk tales of Galicia through traditional instruments and gentle, haunting, ancient-sounding singing.

Sangre de Muerdago will perform at Het Patronaat on Friday, 20 April. Read more here.

RICHEY BECKETT

Having made a dent in the Roadburn psyche earlier this year when he took part in the Full Bleed art exhibition at the 2017 edition of the festival, Richey Beckett will be returning next year. This time he will be our official poster artist, creating the artwork that will adorn our posters and merchandise for the 2018 edition.

Based in South Wales, Beckett is a highly talented artist with his roots firmly planted in the natural world, where he draws much of his inspiration from.

Beckett comments: “Being invited to create visual artwork for this year’s Roadburn is a tremendous honour. Roadburn isn’t just another heavy music festival, it’s something that over the years has evolved into a pilgrimage of a worldwide community; a celebration of music, the creative spirit and camaraderie.”
Read more about Richey Beckett here.

TICKET ONSALE DATE

Roadburn 2018 tickets will go on sale on October 19. They will be available to purchase in person from the 013 box office from 18.30- 20.30 local time, and online worldwide from 21.00 CEST. Ahead of the tickets going onsale, we will be able to confirm more details of the line up, plus camping options in Tilburg during the festival.

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Roadburn 2018 First Announcement Video

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Roadburn 2017 Audio Streams Mega-Batch Posted Featuring Bongzilla, Slomatics, Valborg, Warning and More

Posted in audiObelisk on September 15th, 2017 by JJ Koczan

warning-1-Photo-by-JJ-Koczan

It’s been tradition around these parts for I don’t even know how long to post the annual audio streams as they come out from each Roadburn, and I hope the case will be no different as we move further away from Roadburn 2017 this past April in Tilburg, the Netherlands, and inexorably toward the first announcements for Roadburn 2018 to come. This process — the posting — used to require a slew of links and media players, which I actually kind of liked because it allowed for emphasis on just how much material there was emerging from the festival, how much work Marcel van de Vondervoort and his team put into the recording and mixing of these sets for all the bands, and so on.

Well, it’s the future now — or I guess it was the future like five years ago? I may have missed when it actually became the future; whatever — and we apparently don’t even need to have 22 different media players to post 22 different streams from Roadburn 2017. We need one. Netherlands-based media company 3voor12, which has always hosted the sets, brings forth a mega-batch today featuring the likes of (alphabetically) Atala, Author and Punisher, Bongzilla, Carpenter Brut, Casual Nun, Cobalt, Disfear, Forn, GNOD, Inter Arma, Joy, Les Discrets, Nadra, Pontiak, Serpent Venom, Slomatics, Temple ov BBV, Trans Am, Ultha, Valborg, Warning and Wolvennest.

Not inconsiderable. It’s been mere hours since Slomatics‘ Futurians: Live at Roadburn was reviewed here, but I also had occasion to see Warning (pictured above), JoyLes DiscretsAtalaValborg and others on that list, and I can attest to their being a joy to behold. Part of the fun of these streams is also getting some sense of what you missed at Roadburn due to making the inevitable hard choice of a schedule conflict, so I guess this is my shot at hearing what Bongzilla got up to during their time on stage. If you need me I’ll be doing that.

Hope you enjoy as well:

Thanks as always to Walter for sending the embed my way. For all this site’s Roadburn 2017 coverage, click here.

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Marcel Van De Vondervoort on Thee Facebooks

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ROADBURN 2017 Day Four: God Particle

Posted in Features, Reviews on April 23rd, 2017 by JJ Koczan

roadburn 2017 banner (Photo by JJ Koczan)

04.23.17 — 22.26 — Sunday night — Hotel room

The last day of putting together the Weirdo Canyon Dispatch started with a panic when the office coffee machine was busted. At first I didn’t believe it and plugged the thing in to see if the sign that had been taped onto the front was bullshit, but indeed, it was not. Could’ve cried. Instead, went downstairs to the backstage area where they serve the meals and got coffee there. Survived.

Thus, the final issue of the 2017 Weirdo Canyon Dispatch came into being. Download the PDF version here.

What used to be known as the Afterburner, the traditional easing between a given Roadburn and the transition back to real life, is now basically just another day of the fest proper. They’ve dropped the name, and fairly enough so. Running across four stages this year, it’s hardly a means of becoming less immersed in the Roadburn experience at this point. If anything, it’s Roadscorch. The absolute last blast from the furnace that is this festival. My brain has turned into Roadchar.

I had no fewer bands I wanted to see today than yesterday or the day before, and a few others that I wouldn’t have minded catching had I been able to do so, so yeah, it was definitely Roadburn. It started early and went late and was packed for the duration. I did one more bounce between venues as I had earlier in the weekend — none at Cul de Sac for me today, but two at Het Patronaat — and was back and forth a few times between the Main Stage and the Green Room at the 013 proper, running past the merch area as well for good measure. Can’t be too careful. Wouldn’t want something to get by unnoticed.

It was a 15.00 start in the big room with Temple of BBV. I knew from seeing Gnod the other night (review here) that the culmination of their residency in a collaboration with Radar Men from the Moon was one I didn’t want to miss, so while it was early, I figured a head-first dive into willful prog oddity was well in order. I won’t like to you — it was a lot for three in the afternoon. Or three in the morning, for that matter. It was a lot, period. 10 people on Temple of BBV (Photo by JJ Koczan)stage, including two drummers, a near-constant throb and pulsations pushing outward into psycho-psychedelic reaches of the bizarre.

They were aggressively strange. On a strangeness crusade. They wore their strangeness like a badge of strangeness honor and as the room filled up slowly, people seeing to be hungover perhaps from the sensory assault Mysticum had provided the night before as much as from actual inebriation of whatever sort, the crowd had no choice but to be subsumed by what Temple of BBV were doing on that stage. Hair of the cosmic dog that gave you demonic space-rabies. Was it weird? Why, yes. Yes, it was.

I couldn’t help but try to remember when last I actually saw Pallbearer as their set got underway, also on the Main Stage. Turns out it was 2013 (review here). I’d also caught them at Roadburn that year (review here), as part of what was then the Afterburner in the Green Room. While I didn’t think it’d been that long at the time, the reason I thought of it was because of how much the Arkansas doomers seem to have stepped up their game in the intervening years. Their third album, Heartless (review here), is newly issued and fresh in mind, but live that material became heavier than it is on record and their presence in delivery was unmistakable. Since the last time I saw them, Pallbearer have become a headlining band.

No question they belonged on the Main Stage at Roadburn 2017. They not only held down that Pallbearer (Photo by JJ Koczan)spot well, but were in full command of their material and their sound, and with shared vocals across the front of the stage, they offered a richness to their doom that only underscored just how much they’ve made the genre work to their interests rather than working to the interests of genre. Heartless cuts like “I Saw the End,” “Thorns” and “Dancing in Madness” were high points in emphasizing their progression, but the churning heft of the whole set was dead on, whether it was those or “Fear and Fury,” “Worlds Apart,” or “The Ghost I Used to Be.” Remarking from the stage that playing Roadburn felt like coming home since it was where they’d done their first European show, they were welcomed as returning heroes and clearly rose to the occasion.

I know they’re like the hottest shit in the world and everyone knows it and Heartless is going to be everyone’s album of the year and blah blah blah so I’m giving away state secrets or anything, but Pallbearer fucking killed at Roadburn. I’ve seen them before and I was still genuinely surprised at how good they were.

Just for fun, I poked my head into the Green Room to catch a minute of Author and Punisher. A boy and his robots. The space was packed out so I didn’t linger, and instead sauntered back over to the big room again to watch Pallbearer finish and await the arrival of Les Discrets, who are also supporting a new album, Prédateurs, released just this week on Prophecy Productions. The moody vibes that the Parisian outfit proffered would make a lot of sense leading into Ulver, songs like “Virée Nocturne” having an element of the dark and urbane to them, progressive even beyond what one might’ve come to expect from their past work in post-black metal and Alcest-style melodicism. Guitarist/vocalist Fursy Teyssier, who also had a showcase of his visual art upstairs in the 013, had a quieter presence than when he led Les Discrets (Photo by JJ Koczan)the band when they played Roadburn 2013 at Het Patronaat (review here), but it worked for what they were doing.

In hindsight, it probably would’ve made narrative sense to stay put in the big room and await the arrival of the aforementioned Ulver. I didn’t do that. First, I went and grabbed dinner — chicken salad over lettuce and arugula with bacon and a bit of chicken/peppers in curry sauce; some bean sprouts in there, no corn, no onions, no celery; two plates, second void of curry and bacon — and was fortunate enough to sit in the company of Norwegian artist and Weirdo Canyon Dispatch contributor Kim Holm, and then I made my way back up to the Green Room to catch at least some of Valborg. I knew that I wanted to watch somebody from the Green Room balcony, and the underrated German martial metallers seemed like the perfect occasion.

And so they pretty much were. I watched as the space below filled up and when the German trio — whose new record, Endstrand, is also out on Prophecy this month (it came out April 7) — took stage, it was pretty clear the crowd knew them well. “Werwulf” from the 2016 single of the same name (review here) was like a riff-led wrecking ball that highlighted how perfectly paced Valborg‘s material is and the genre lines their songwriting so fluidly crosses between death metal, progressive synth textures Valborg (Photo by JJ Koczan)and goth atmospherics. They demonstrated clearly they can roll a groove with the best of them but seem to have little interest in heavy rock or anything quite so not-extreme, but wherever it was ultimately coming from, their sound was on its own wavelength and its complete lack of compromise notched a mark in the skull of everyone who was there to hear it, myself included.

I didn’t get to stay for Valborg‘s whole set because I knew Ulver were soon to go on the Main Stage. I worked my way off the balcony much to the delight of the person who’d been standing behind me while I leaned over the rail to take a couple pictures of the band and down around the back way to the Main Stage room — still kind of strange to me how the 013 works since it was remodeled last year; there’s a hallway with bathrooms there now that I think used to lead to the Bat Cave/Stage01, but jeez, don’t quote me on that. I’d have to look at the blueprints to be sure, and that would probably take hours because I’d have to find a YouTube video on how to read blueprints first. Sucks being useless sometimes. Most of the time, actually.

Anyway, I did manage to get myself one room over in time for the start of Ulver, and when the Norwegian more-post-everything-than-everything outfit got underway, I was really, really glad I’d already heard the new album which was the focus of their set: The Assassination of Julius Caesar (review here). Otherwise all that dark post-New Wave moodiness and nighttime ambienceUlver (Photo by JJ Koczan) might’ve thrown me for a loop. It’s usually safe to assume two things about Roadburn attendees. One, they’re open-minded. Two, they’re pretty well informed. Still, of all the men and women assembled at the 013 to watch Ulver play, I have to imagine there was at least one person who had no idea what they were in for, and so when the band broke out the laser light show and the electronica beats and the Depeche Mode gone prog sexytime vibes they were completely taken aback by all of it. Now that I think about it, it might’ve been fun to be surprised like that.

But when it comes to Ulver, part of the appeal is the band’s willingness to dismantle their own formula, or more precisely, to not have a formula in the first place, so it’s safe to assume that whether this hypothetical Roadburner knew or not what they were getting with the songs featured from The Assassination of Julius Caesar, they were still able to get on board. Still, one day someone’s going to trick Ulver into playing 2007’s Shadows of the Sun front to back — or at least doing live variations based thereupon — and that’s going to be incredible. One for Roadburn 2022, maybe?

I didn’t stay for all of Ulver either. Not for lack of patience or anything, but I could feel my Roadburn 2017 crunch winding down and knew I had to try to pack as much in as I could. That meant getting my ass to Het Patronaat to see The Doomsday Kingdom. Every year I’m lucky enough to be at Roadburn I let myself buy one piece of vinyl. This year it was the special edition 12″ The Doomsday Kingdom were selling at the merch stand. Why? Because Leif Edling, god damn it. The founding Candlemass The Doomsday Kingdom (Photo by JJ Koczan)bassist and crucial architect of what we know to be true and traditional doom metal — yes, I mean that — was making a live debut with this new four-piece at the church, and I knew I didn’t want to regret later not getting that record when I had the chance. It’ll probably get damaged in my luggage on the trip home. Still worth it.

Their set was likewise. Songs like “Never Machine” and “The Silence” offered classic doom very much of the style one might expect from Edling‘s long-established craft and methodology, but hell, I’ve got no problem with that whatsoever. It hasn’t been that long since Candlemass put out their 2016 EP, Death Thy Lover (review here), and they’re still doing shows as well, but before he took over lead vocals from mesh-shirt-clad frontman Niklas Stålvind — who’d been righteously belting out the material up to that point — for the set finale “God Particle,” Edling called The Doomsday Machine his “therapy band.” I wasn’t sure what he meant, but I sure was glad I stayed to watch their full set, because they were awesome. A couple first-show-type hiccups, but nothing major by any stretch, and after “God Particle,” they even came back out in made an encore of the metallic-galloping “Hand of Hell,” with Stålvind back on vocals, guitarist Marcus Jidell tearing into solo after solo and drummer Andreas Johansson fueling the big rock finish before coming out from behind the kit to take a bow with the band. If that was therapy, sign me up.

From Sweden to Boston. Come to Grief were on next at the church, and if I’d tried, I don’t think I’d have been able to come up with a more appropriate ending to my Roadburn 2017 than to watch the native Beantowner offshoot of Grief play a set of ultra-misanthropic extreme sludge. Tones of home. You Come to Grief (Photo by JJ Koczan)have no idea how hard it was not to shout out “Go Sox!” in a Boston accent before they played. You cannot possibly know. Fortunately, before I could muster the gumption to do same, guitarist Terry Savastano began to unleash maddening floor-shaking undulations of feedback. He, fellow guitarist/vocalist Jonathan Hébert, bassist Justin Christian and drummer Chuck Conlon would soon loose a set that spanned all the way back to the title-track from Grief‘s 1992 debut EP, Depression — which Savastano noted was the first song that band ever wrote — all the way forward to Come to Grief‘s new four-tracker compact disc, The Worst of Times.

“No Savior” and “JunkLove” from the latter (and later) release were featured, but at their core, wherever they were drawing material from, Come to Grief were a mainline shot of visceral abrasiveness. Intense, pummeling and straight from the gut, they crashed each riff with maximum intensity and left no mystery about the sincerity of their intent to kill. It was impressive the way one thinks of primitive humanoids bashing in each other’s heads as a sign of evolution at work. Like I said, the perfect finale to my Roadburn 2017 — one last raw scrub to get the unwanted pieces of myself gone before I get on that plane and go home tomorrow morning.

Did I just say tomorrow morning? Yuppers. It’s 01.40. Shuttle comes to take me to the airport in about five hours, as it happens. When I left Het Patronaat, in addition to looping through the merch area to pick up the aforementioned Come to Grief CD, I made one last run through the 013 hoping to find Walter and say goodnight and thanks, but no such luck. Tired, beaten, missing my wife and with my earplugs still in, I trod past the assembled throngs in Weirdo Canyon and back to the hotel, where packing still awaits and pictures want sorting.

So yeah, I’m going to go get on that.

I’ll have another post up at some point tomorrow, but in the meantime, thank you so much for reading and please find the rest of those pics after the jump here:

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ROADBURN 2017 Day Three: And Yet it Moves

Posted in Features, Reviews on April 22nd, 2017 by JJ Koczan

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04.22.17 — 22.23 — Sat. night — Hotel room

I don’t mind telling you I was a total wreck this morning. There we were, finishing up the third issue of Weirdo Canyon Dispatch (get the PDF here), and holy macaroni, I just couldn’t hack it. I’d gone to sleep at a semi-reasonable time, circa 2AM — which is pretty good, considering — but woke up at around three and was up past 4:30. Just up. Weirdo Canyon Dispatch Saturday issue.Brutally, brutally awake. I could’ve cried.

Instead, I put my head down on the desk in the 013 office while we waited for the test-print of today’s ‘zine and was granted a generous reprieve from the folding process that followed. I folded three copies of today’s WCD: my own. After that, I made the most of my special dispensation and high-tailed it back to the hotel to sleep for another two and a half hours, at the end of which time I pounded water, a protein bar and ibuprofen and it was enough to temporarily trick my body into believing it was human. This weekend has been pure madness, and there’s one day yet to go.

By the time I got back to the 013, I knew I’d missed my chance to hit the photo pit for day-openers The Bug vs. Dylan Carlson of Earth, the somewhat cumbersomely-named collaboration between, well, The Bug and Dylan Carlson, but I still had plenty of opportunity to be assaulted by their combined volume of drone and beats, soundscapes thick enough to swim through and handed out with enough force to vibrate the plugs in my ears and the teeth in my skull. Really. I think I lost a filling. They were very, very loud.

Two experimentalists like that working together, even as a one-off, carried an air of being something special to start the day, and so it was. The Bug‘s rig, flanked on either side by bass cabinets with two more laid down in front in such a manner as to make Carlson half-stack look positively minimalist in comparison, shook the upstairs The Bug vs. Dylan Carlson (Photo by JJ Koczan)balcony where I set up shop for the duration, and the clear impression that came through was that although they used different means of expression — Carlson with his guitar, The Bug with his laptop and mixing board — their work together was way less of a “vs.”-type situation than the name led one to believe. They were very definitely on the same side, but while they played, spotlights slowly hovered over Main Stage crowd, feeding the air of suspicion and paranoia in such a way that was eerily appropriate for what they were doing.

Speaking of collaborations, over at the PatronaatRazors in the Night — AKA John Dyer Baizley of Baroness and Scott Kelly of Neurosis playing oldschool punk and hardcore covers — were just getting started. I stayed put in the big room, however, because I knew I didn’t want to miss a second of Oranssi Pazuzu. The Finnish progressive/psychedelic black metallers have been an increasingly steady presence at Roadburn over the last five years, and after their own slots at the church, they managed to pack out the Main Stage to an admirable degree. People stood outside the open doors for not the last time today in order to catch a glimpse of their malevolent, ultra-deep swirl.

As immersive as it was dark, I couldn’t argue. Oranssi Pazuzu, who released their fourth album, Värähtelijä (review here), in 2016, may have conjured the finest blackened psychedelia I’ve ever seen. It was so much of both, so chaotic and yet purposeful, that to Oranssi Pazuzu (Photo by JJ Koczan)consider it anything less than the work of masters would be completely underselling it. When I was done taking photos, I went out into the hallway to walk around to the other side of the room and I couldn’t believe it was still daytime. And more over, the sun had come out! Something so cosmically abysmal just seemed like it should be swallowing any and all light around it, but so it goes. Stately and ferocious, they cast their waves of of bleakness over a sea of nodding heads, and after years of missing them here, I was finally glad to have been clued in, even if I seemed to be the last one in the entire Main Stage space to have caught on. Which I probably was, because that’s the kind of hip I am. Which is to say, not at all.

Maybe it was partially a case of going easy on myself, but I once again didn’t budge from the Main Stage following the conclusion of Oranssi Pazuzu. Today was minimal back and forth, actually, which suited me just fine after two busy days of Roadburn 2017 bouncing from this venue to that one. I’d hit the Green Room twice before my evening was over, but was at the 013 the whole day, which after all the Extase and Het Patronaat yesterday almost made me feel insecure and restless — “Don’t you have somewhere you need to be, sir? Oh yeah, here,” and so on. Sometimes this festival plays tricks on your mind.

My reasoning in staying put was more than justified, though, with Warning coming on to play 2006’s Watching from a Distance in its entirety. I knew some of what to expect from a Patrick Walker performance after seeing him front 40 Watt Sun here in 2012, but of course Warning brought a presence all their own in addition to his melancholic emotionalism. They struck a hard balance between sonic weight and sheer heft-of-sadness, and yet as morose as they were, and as understated as their aura was on stage, they were never anything but engaging. Rare band, rare album, rare set. Warning (Photo by JJ Koczan)This Roadburn has had its share of special moments, and Warning fit that bill as well. There was something empowering about them, or at least validating, and as deep into their own headspace as they went, they never seemed to get lost there.

It’s not often you see a band play a full album and then want to go and put on that album directly afterward, but Warning doing Watching from a Distance had that effect. I can’t claim to know the record inside and out, but I felt fortunate to have had the chance to see the band bring it to life, which much to their credit, they did without losing the heart-wrenching resonance of the studio versions of the material.

Next door in the Green Room, the focus would soon be about an entirely different kind of crushing execution, as Belfast dual-guitar three-piece Slomatics made ready to take the stage. I got there about 20 minutes before they went on and was still too late to get a spot right up front. Should’ve figured. I’d heard people talking about how stoked they were to see them, and after being lucky enough to see them in Norway last September at Høstsabbat (review here), I also knew they weren’t to be missed. My timing being what it was, I still got there to see Jon Davis from Conan soundcheck the guest vocals he’d provide for closer “March of the 1,000 Volt Ghost,” and it was good to know that was coming.

Davis also released Slomatics‘ fucking excellent 2016 album, Future Echo Returns (review here), on Slomatics (Photo by JJ Koczan)his Black Bow Records imprint, so all the better to have him there alongside guitarists Chris Couzens and David Majury as well as drummer/vocalist Marty Harvey, who even before Davis showed up stomped out the most pummeling tones I’ve heard over the course of the last three days. “Electric Breath,” “Return to Kraken,” “And Yet it Moves,” “Supernothing” — this is the stuff of lumbering, rolling, molten doom supremacy, and as they’re five records deep into a tenure that one hopes continues into perpetuity, Slomatics know how to wield these weapons to glorious effect. I felt like I was going to pass out and ran downstairs to hammer down a quick dinner — chicken in some kind of tomato-based sauce with green and red peppers, jalapenos and cheese over lettuce; two plates in about five minutes — and was back in the Green Room in time to catch Davis‘ guest spot from the side of the stage and jump up to take a picture of the band when they were done playing. I never do that kind of thing, but Slomatics were nothing if not an occasion worth savoring.

Shit would only get more doomed from there. Like I said yesterday, everyone here makes their own Roadburn, and I knew how I wanted my night to go. I wanted it to go doom. That meant hanging out in the Green Room more for Ahab, which I was more than happy to do. The nautically-themed German funeral doomers were not a band I ever really expected to be able to see, and knowing how packed it got for Slomatics, I assumed much the same would ensue. I was right. Ahab probably Ahab (Photo by JJ Koczan)could’ve filled the Patronaat if the press of the crowd behind me half an hour before they even went on was anything to go by, but as it was they beat the Green Room into submission with their guttural, ultra-slow lurch and churning devastation.

It was by no means the same kind of grind that Memoriam were doling out on the Main Stage, but watching Ahab play was like witnessing the giant, five-foot-thick gears of some industrial revolution shipyard turning the assembled audience into powder. The very means of production brought to bear on all of our caved-in skulls. Yes, they were hyperbole-level heavy. Unremittingly so, and to a claustrophobic degree. I don’t know if it was during “Old Thunder” or “To Mourn Job,” but there was a point at which I had to remind myself that I’d actively wanted to be so brutally overwhelmed and so overwhelmed by brutality. Did that make the effect any less punishing? Not in the slightest, but thanks for asking.

There was only one place left to go to continue my downer trajectory: back to the Main Stage for My Dying Bride. Having the UK doom legends play 1993’s Turn Loose the Swans in full made an awful lot of sense after special sets in 2016 from Paradise Lost and in 2015 from Anathema and Fields of the Nephilim — I’m keeping my fingers crossed for Katatonia in 2018; never seen them and they’d seem to be next in line, despite not being British — and the drama unfolded early as frontman Aaron Stainthorpe hit the stage with violinist/keyboardist Shaun Macgowan for “Sear Me MCMXCIII.” Soon enough, founding guitarists Andrew Craighan and Calvin Robertshaw, bassist Lena Abé and drummer Shaun Taylor-Steels would join, and the full fray would be unleashed. Chances are I don’t need to tell you how influential My Dying Bride have been on the trajectory of the last two decades of doom, but suffice it to say I’m not sure I could’ve found a darker way to round out myMy Dying Bride (Photo by JJ Koczan) Roadburn 2017 Saturday night than to watch them deliver that level of scathe with that level of professionalism.

And no, I’m not just saying that because Stainthorpe wore a tie. With animation by Costin Chioreanu behind them, My Dying Bride were the consummate headliners. Mysticum were still to follow on the Main Stage with a production I’d caught in soundcheck earlier in the day that was probably the most elaborate I’ve ever seen in the 013 venue, but for me, My Dying Bride marked a culmination of what I wanted the evening to be, and so I knew my night was done. There’s always more to see at Roadburn. Always something you don’t get to. Always someone who, years down the road, you wonder, “What the hell was I doing that I missed that?” but sometimes when you’re in Tilburg, you’ve crafted your experience in such a way that makes sense at the time, and that was me tonight. Would’ve been hard pressed to find anything to top My Dying Bride anyway.

One day left in Roadburn 2017, which is something I know to be true because I only have two protein bars remaining — one for before the show, one for after. Tomorrow’s another early start to fold Weirdo Canyon Dispatch issues, so I’ll leave it there once again and say thank you for reading and if you’re so inclined, you can check out more pics after the jump.

Which is right frickin’ here:

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