Roadburn 2022, after two years absent as an in-person gathering, set a significant goal for itself to ‘redefine heaviness.’ How do you do that? What does it look like? It’s inclusionary, first off. You can’t shift a paradigm without as broad and diverse a range of perspectives as possible. You can’t repeat yourself. You can’t live the same moment over and over again. You have to move forward. Maybe that’s adding an avant-jazz venue, as they did last week. Maybe it’s reinforcing your message with panels and talks on the side-programme, some new, some old — to be fair, if you’ve never heard Exile on Mainstream‘s Andreas Kohl talk about making vinyl, it’s something you won’t mind repeating; trust me — and exposing your audience as much as possible to as much as possible.

Roadburn‘s side programme has always been a party I’ve never felt quite cool enough for, but that’s on me, not the festival, which consistently has been working to reshape parameters and live up to its mission statement.

This is the final lineup announcement, reportedly. I’ll say here once and for all that it breaks my heart not to be in Tilburg this year, to see friends and to have that special feeling of coming home to Roadburn after missing it so much since 2019. Really. Hurts.

Here’s info:

Roadburn announces side programme, final bands and art exhibitions

Roadburn has this week added the final bands to the 2022 line up, as well as announcing the festival’s side programme and art exhibits.

Roadburn’s side programme co-ordinator, Becky Laverty comments: “The side programme has become a cornerstone of each Roadburn edition, and we’re delighted to be bringing together this great selection of Q&A’s and panel discussions that reflect what’s going on in the main musical programme. A huge thanks to everyone who will participate in bringing together the Roadburn community in this special way.”

Earlier this week exhibitions by Roadburn’s official 2022 artists Valreza Collective, renowned photographer William Lacalmontie, and a career retrospective of multi-disciplinary artist Manuel Tinnemans were all announced:

Manuel Tinnemans
William Lacalmontie
Valreza Collective

The final bands were added to the line up yesterday with our curators Milena Eva and Thomas Sciarone inviting WIEGEDOOD to perform their latest album, There’s Always Blood At The End Of The Road in full. SVALBARD will make their return to the mainland, and elsewhere MOTOR!K, SEVERANT and ORDIGORT were added:

Wiegedood
Svalbard
Motor!k
Severant
Ordigort

The Roadburn side programme returns for 2022 – reflecting elements of the musical programme in a series of Q&A’s and panel discussions taking place over the weekend.

Roadburn has teamed up with the Hell Bent for Metal podcast to host a panel exploring the overlap between the heavy music and queer communities. Joining host Tom Dare will be Liturgy’s Hunter Hunt-Hendrix, K.W Campol of Vile Creature and Meredith Graves (ex-Perfect Pussy).

Hosted by Metal Injection’s Frank Godla, the second panel featuring Hunter Hunt-Hendrix will take a deep dive into the relationship between classical and contemporary heavy music. Joining them will be Kristin Hayter (aka Lingua Ignota) and cellist Jo Quail.

As is tradition, Optimal Media’s Andreas Kohl will be holding court and getting stuck into the thorny issue of vinyl manufacture. However, this time around the Vinyl Veda Vault will kick off with a panel discussion looking into the impact of the current vinyl situation and what the future holds. Joining Andreas will be band manager Erin Lynch and label owner Ansgar Glade.

Roadburn 2022 has been an unusual event to put together (for some obvious reasons and some not so obvious reasons!) – the side programme will host a Q&A with Roadburn’s artistic director, Walter Hoeijmakers alongside curators Milena Eva and Thomas Sciarone to find out more about putting together the festival.

The final event of the side programme will focus on two tenets that have helped shaped Roadburn: community and collaboration. Host Cody F. Davis will be joined by A.L.N of Mizmor, Dylan Walker of Full of Hell, Emma Ruth Rundle, and Primitive Man’s Ethan Lee McCarthy to explore how these things impact on their lives and work.

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