Live Review: YOB, Voivod & Amenra in Brooklyn, 04.04.19

YOB (Photo by JJ Koczan)

I arrived at the Dissertation Or Treatise On Academic Subject - experienced writers, top-notch services, fast delivery and other advantages can be found in our custom writing Warsaw in Brooklyn early enough to go to the market across the street and buy gum, go inside the venue and use the restroom, come back out and meander a bit and still be first in line to get in the door to see http://www.sluncevdome.cz/?essay-writing-diary - Making a custom essay means go through many steps Dissertations, essays & research papers of top quality. Essays YOB, Purchasing poverty research paper online should not be overwhelming even though they are numerous custom writing services. Voivod and The Schatz Group offers professional http://meteo.geo.auth.gr/?phd-dissertation-rejected to individuals, businesses, nonprofit associations, law firms, marketing and public Amenra, so yes, I was eager to see the show. And I’ll confess that after seeing Our http://www.belgiangreetings.com/see-resumes/s deliver unique PhD thesis solutions that are written according to your requirements so that you may get your PhD degree Voivod in August at enter site is UK based Blog posts writing agencies offers high quality content for your blog. Hire professional blog content writers in UK. Psycho Las Vegas (review here) and Outsource Help With Writing A Dissertation Hypothesis to Outsource2india and get access to accurate and effective content written by a team of experienced technical writers. Amenra at college research papers for sales - where each expert freelance technical writer has demonstrated expertise in documentation, instructions or spec sheets. Høstsabbat (review here) in Oslo this past October, the band I was most overdue in seeing was Order top-notch Dissertation Francaise help online. Professional custom essay writing service from expert writers and editors. Fast turnaround guaranteed 24/7. YOB. It would be my first Looking for the best Best Graduate School Admission Essay Writing Work? Before you make the final choice, check out our independent reviews. Compare prices, quality & more! YOB gig since the release last year of Buy essays online safe homework answers.com enchanting . Sensitivity of the internet to where can normalize the customer testimonials and accessories Our Raw Heart (review here) on  Alpha do have write my social security number my check irs provides you the best in class, plagiarism free and value for money Custom Writing at your convenient time from experts. Relapse and going back even further than that to 2015. It’s been an adventurous couple of years, but still, that’s unacceptable.

Fortunately for me and everyone else in the venue — and perhaps, given the volume, everyone on the entire block —  best dissertation editing service service from Perfect Writer to satisfy the needs and writing requirements of students. Our online services provide all-exclusive and wide YOB were headlining.  writing a college application essay narrative Community Service Essay For Church Us service diary term papers how to write findings in a dissertation Amenra were soundchecking before doors opened and this would be my first time seeing them not in a festival setting. Being somewhat used to the Belgium-based forerunners of European post-metal with a high-grade production value in terms of lights, projections, strobe effects and so on, I was interested to find out how it would translate to a smaller stage. Perhaps unsurprisingly, they were blisteringly intense. The drastic contrast of their ambience and weighted sway seemed especially powerful as I stood by the low-end side of the stage for the lurching “Plus Près de Toi” from 2017’s check here - Instead of having trouble about research paper writing find the needed assistance here Leave your papers to the most talented Mass VI. They’ve been to Brooklyn at least once each year since that record came out, but in this context, they brought a headliner presence to the opening slot. There wasn’t one band of the three who wouldn’t readily headline their own tour.

Amenra probably aren’t a band I’d seek out on their own, but I’ve never regretted watching them play when I’ve had occasion to do so, and from where I sit there’s no denying the creative force behind cuts like “Razoreater” and “A Solitary Reign,” both of which were aired at the Warsaw ahead of the finale of “Diaken” from the last album. They’re maybe a bit tighter in their conception of what they do than I can fully appreciate, but they remain sonically devastating, and for the contrast with Canadian sci-fi metal legends Voivod alone, it was a fascinating experience. The sheer incongruity of the one into the other was a sight to behold, but once the switch was flipped and Voivod went on, the whole vibe in the room changed and went along with them, the Quebecois four-piece running through a set of classics and newer songs, smiling all the while.

They are a very, very specific kind of fun. It’s not everyone’s kind of fun, otherwise Voivod would’ve become Metallica, but their alien-rhythm punk-metal-proto-thrash-prog remains not so much ahead of its time, but from its own dimension. The opened with “Post Society” and vocalist Denis “Snake” Bélanger mentioned ahead of “Obsolete Beings” that they’d recently won the Juno award for metal with their latest album, The Wake, from whence that song comes, but if it was more recent stuff or “Into My Hypercube” from 1989’s Nothingface and “The Lost Machine” from 1993’s The Outer Limits, they were absolutely unmistakable, and as was the case last summer in the sweltering Las Vegas heat, theirs was among the most unabashedly joyful performances I’ve ever seen from a band that might be considered in any way. Voivod were having their very own kind of fun.

It was infectious, and I think if there was going to be a vaccine, it probably would’ve been developed sometime in the last 38 years. They ended the night with “Voivod” and a heartfelt shout to founding guitarist Denis “Piggy” D’Amour, who passed away in 2005, before the band got even that portion of “their due” that they’ve received up to now. I’m not sure I’d put a percentage to that, but I know it’s on the low side, and when they were done, Snake, founding drummer Michel “Away” Langevin, bassist Dominique “Rocky” Laroche and guitarist Daniel “Chewy” Mongrain took time to pass out their setlists and shake hands in the crowd. It sounds corny to say, but they were essentially sharing their love for what they do with the audience, both while they were playing and after. They’re one of the most admirable bands on the planet, for that as well as the decades of aesthetic innovation.

And then YOB played. Ha.

Let’s face it. YOB have been at it one way or another for the last 20-plus years, and they’ve only ever pushed themselves forward. I think every single seeing-YOB-is-a-spiritual-experience cliché has been exhausted at this point in their career — true though it otherwise might be — so I’ll spare you that, but I think it’s worth taking a minute to appreciate the relentless creativity that drives the three-piece of guitarist/vocalist Mike Scheidt, bassist Aaron Rieseberg and drummer Travis Foster. And that’s not just a question of longevity. YOB don’t put out records because, “okay, well, we gotta go get back on tour, so we need to make an album.” They do it because they have something to express emotionally or something to contemplate and process through music. Their work has never ceased growing, and as they opened their set by tearing a chasm through the universe with “Prepare the Ground,” I couldn’t help but think how incredibly special and rare a band they are. To wit, there is one YOB. Eight billion people walking around the planet or something like that. One YOB.

The set was “Prepare the Ground,” “Kosmos,” “The Lie that is Sin,” “Marrow,” “Grasping Air” and “Burning the Altar,” and if six songs doesn’t sound like much to you, I humbly invite you to go listen to any single one of those cuts somewhere on the internet and be bowled over by them. “Marrow” had eyes moistened throughout the venue, and they brought out bassist Levy Seynaeve from Amenra to do guest vocals on “Grasping Air,” which I have a hard time thinking of as anything other than a dream come true. Even before that though, “Kosmos” and “The Lie that is Sin” made for a particularly resonant pairing ahead of “Marrow,” building on the momentous nod of “Prepare the Ground” with methodical groove that is continually YOB‘s own. Like I said at the outset, it had been too long. I didn’t realize until I was standing there watching them just how much too long it had been. Much too long.

No encore, but none necessary after “Burning the Altar.” I was kind of in a daze after that, to be honest, but stayed a couple minutes to chat rather than darting back to the car. It was a scheduling glitch that got me to see this show in Brooklyn rather than Boston, but no regrets. Nights like this one don’t happen all the time, and to not take advantage when they do is to genuinely miss out.

Thanks for reading. More pics after the jump.

Amenra

Voivod

YOB

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One Response to “Live Review: YOB, Voivod & Amenra in Brooklyn, 04.04.19”

  1. Doug M. says:

    Great write up. I got to see this tour last weekend in Buffalo, and was thoroughly bowled over despite not feeling the best. First time seeing YOB, won’t be the last.

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