Live Review: Enslaved, YOB, Ecstatic Vision and Witch Mountain in NYC, 03.21.15

enslaved 1 (Photo by JJ Koczan)

Driving the four-plus hours from Massachusetts to NYC to see Paper Writing Services Best. Writing coach that really helps you get a high-quality custom-written plagiarism-free work done. Check what we have to offer! Enslaved, Do you want to complete your paper with http://skolahustopece.cz/cause-and-effect-of-computer-revolution/? Never be concernedí only hire our professionals for outstanding solutions. YOB, We understand the importance of deadlines. When you say, ďI need to admission paper for sale bba in 2 days,Ē we will be happy to. Urgency is not a problem, and the quality will not suffer as a result. However, the longer you give us to produce it, the cheaper it is for you. Witch Mountain and Media Analysis Essay - paper writing service Best writing paper in the world - custom writing service Ecstatic Vision on Saturday wasn’t the practical choice, but it was the only choice. True, three of the four would be much, much closer to me this week, but to catch them in a bigger room and with It wastes 15 hours of my time to mark up my students' flaccid theses and. Best write my paper website best write my. "Research Papers About Data Mining Witch Mountain wasn’t an opportunity I wanted to miss. I left¬†much earlier than I needed to, leaving as little as humanly possible to chance in terms of sitting in traffic, stressing out, etc. Turned out to be one of the easier rides south that I’ve had.

A positive omen? Maybe. I had time to hit  English editing and http://www.orizzontionlus.it/phd-dissertation-cnpc/s for ESL speakers - available 24/7 from the professionals at Scribendi. Academy Records before the the show, which was a rare pleasure, and plenty of opportunity to catch my breath before doors to  Pro Essay is always ready to answer requests phd comics thesis evolution or Do My Essay Cheap in UK, get Huge discount on all orders! Gramercy Theatre opened. Last time I was there was for The latest Tweets from http://futablog.com/who-can-do-my-assignment-for-me/ (@EssayExperts). Improving grades globally!. Santa Monica, CA Pentagram,  prompts for writing essays Executive Resume Writing Service Seattle admissions essay custom write kindergarten marketing masters thesis Kings Destroy,  Looking for professional dissertation writing help and don't know where to find it? The answer is simple: at http://www.clickmedia.gr/?pay-for-homework service, right here! Bang and  American Academy of Legal Writers (AALW) offer top quality follow url for law firms and websites. Blood Ceremony, and as ambivalent as I was at being back in Manhattan itself, it would prove to be a night surrounded by old friends, laughs and good vibes. More than anything, that made trip worthwhile.

But there was a show on as well, and a killer one at that. An early start for a packed night had¬† Trying to craft a good paper? Learn why it is beneficial to Writing The College Application Essay University Of Michigan from writing service and to follow it. Spend your time and money wisely. Witch Mountain¬†on at 7:30, and here’s how it went from there:

Witch Mountain

witch mountain 1 (Photo by JJ Koczan)

A couple new faces in Portland’s scene-preceding four-piece, help me with my math homework Ut Quest Homework college application writing job resume writing experts york Witch Mountain. Very new, as it happened. As in, this was their second show. Led by founding guitarist If you dream "enter site" - custom paper writing service's experts are there to lend a helping hand 24*7! Check out our pocket-friendly options to Rob Wrong and drummer http://www.igm-bei-vw.de/?cody-leary-dissertations from just .50 per page. 24/7 online proofreaders and native English editors with full money-back guarantee. Nate Carson, the band had played Pittsburgh the evening prior, and that was the first gig with newcomer vocalist Kayla Dixon and bassist Justin Brown (also of Lamprey). Night two of the band’s Mk. III lineup was a short set, but they made the most of it and showcased the potential for continued growth.¬†Dixon had a distinctly metallic presence as frontwoman, and the entire band,¬†Brown¬†included, seemed to relish the opportunity to have a bigger stage on which to unfurl their doom. Again, their time was brief, but “Psycho Animundi” from last year’s¬†Mobile of Angels¬†(review here) more than ably demonstrated¬†Dixon‘s vocal range, while “Veil of the Forgotten” and particularly the end of “Shelter” from 2012’s¬†Cauldron of the Wild¬†(review here) thrust into an almost power metal presentation, already edging up to the boundaries of a shifting¬†personality for the band. Especially for it being night two, it was an encouraging sight. I’d expect over time¬†Witch Mountain¬†will loosen up further in presence as they continue to tighten sonically, but I felt fortunate to see that process at¬†its beginning.

Ecstatic Vision

ecstatic vision 1 (Photo by JJ Koczan)

Of the four bands on the bill, I wondered most about how Ecstatic Vision‘s sound would translate to the spaciousness of Gramercy Theatre. The Philly three-piece would hardly be the first act in history to play space rock in a high-ceiling room, but for their being a newer band despite the experience of guitarist/vocalist Doug Sabolik and drummer Jordan Crouse in A Life Once Lost, it was a point of curiosity. Some of Sabolik‘s flourish, the chimes on his mic stand and melodica, weren’t as prevalent as they had been when I saw the band open for YOB at the Saint Vitus Bar in December (review here), but they did well all the same, and bassist¬†Michael Connor‘s tone came through the house clear and warm in kind. Their custom lighting, the rope lights around the drums, strobe, and so on, left¬†Connor¬†more or less out of the equation, and that seemed to create some imbalance on stage, but unless you happened to be the black metal purists positioned in front of me as I watched¬†Estatic Vision¬†space out on encompassing, fluid psychedelic jams, there was little to argue with as they warmed up and settled into their engaging vibe. They still don’t have much recorded but are expected to make a debut sometime later this year on¬†Relapse. Still worth keeping an eye on.

YOB

yob 1 (Photo by JJ Koczan)

Would YOB do “Marrow” in that room? Yes, they would. Three of the four cuts from last year’s Clearing the Path to Ascend (review here) — also my pick for the best album of 2014 — were aired, with opening duo “In Our Blood” and the scorching “Nothing to Win” leading to the aforementioned 19-minute record-closer, which was followed in turn by the title-track of their 2011 sixth album,¬†Atma (review here), the Eugene, Oregon, three-piece of guitarist/vocalist Mike Scheidt, bassist¬†Aaron Rieseberg¬†and drummer¬†Travis Foster¬†crisp in their delivery but not at all dead-eyed in the here’s-another-show way one might expect after their having spent the better part of the last three weeks on the road. The run with¬†Enslaved¬†ends this week, but¬†YOB¬†will continue to tour their way back west before returning in May to the East Coast for¬†Maryland Deathfest¬†in Baltimore. In New York, their response showed a considerable crossover response from the clearly-there-for-Enslaved¬†contingent, particularly as the culmination of “Marrow” hit and they followed it by the gallop-laden “Atma,” which seemed all the more furious in comparison. I’ve seen¬†YOB¬†at least five times in the last 12 months and have yet to come out of a set without any regrets.¬†Foster‘s snare was loud in the house mix, but so was everything else, so, you know, it kind of worked itself out. Every accolade¬†YOB¬†gets, they earn. I know they did that European stint last year with¬†Pallbearer, and that was a month-plus on the road, but it’s still a change to think of¬†YOB¬†as a touring band after their years of keeping shows limited. While I wonder what the rest of 2015 will hold for them, I also couldn’t help but notice how sustainable and decidedly un-worn they looked on stage, like they could just keep going. I doubt they’d have met any complaints if they had.

Enslaved

Enslaved (Photo by JJ Koczan)

Last time I saw Enslaved in New York was early 2013. They played the Bowery Ballroom (review here), which is a not-insignificant space in itself, but not as sizable as the Gramercy, and I think it says something about the long-running Norwegian outfit’s growing US fanbase that their return to Manhattan would be in a larger venue. They’re supporting the release of their 13th full-length, In Times (review forthcoming) on Nuclear Blast, but new material or old, they had the room on their side from the word go. Bassist/vocalist Grutle Kjellson joked with the crowd between songs, and by the time they got down to playing the title-track from In Times laughingly promised the crowd that it would be the last new song they played. For what it’s worth, I didn’t notice much of a change in reception for recent or older material. Sure, a song like “The Watcher” from 2008’s¬†Vertebrae, with its mega-chorus,¬†or¬†a by-now staple like “Ruun” from the 2006 LP of the same name is bound to get a response, but “Thurisaz Dreaming” and “Building with Fire” sat well alongside those and “Death in the Eyes of Dawn” from 2012’s¬†RIITIIR¬†(review here), and wherever the band headed, the crowd went along. Of course, their stage presentation was air-tight,¬†Kjellson¬†holding down a frontman role flanked on either side by guitarists¬†Ivar Bj√łrnson¬†and¬†Arve “Ice Dale” Isdal, while keyboardist/vocalist¬†Herbrand Larsen¬†made a case for up-front featuring of his own with stellar command of the clean-sung parts — I saw¬†Enslaved¬†for the first time eight years ago at¬†SXSW, and I’d mark¬†Larsen‘s growth as a vocalist among the foremost catalysts enabling their musical progression in that time; that growth¬†was, I’ll note, already underway for several years by then — and drummer¬†Cato Bekkevold¬†sat swallowed up by his expansive kit surrounding. They came out one at a time to start their set and for the encore, and each time¬†Bekkevold¬†sat down, he disappeared. Good for a laugh, but he also used that whole drumset, and flawlessly. Their encore was “As Fire Swept Clean the Earth” from 2003’s¬†Below the Lights, “Fenris” from 1994’s sophomore outing,¬†Frost, and the title-cut from 2004’s landmark¬†Isa, and when it was over, there was nothing left for the audience to do but leave, having so thoroughly been handed its ass on a platter by the five-piece, whose reach seems only to continue growing with time.

If you want the short version, the show was a win, but what made it even better was seeing old friends throughout the night and catching up, and that was something that continued even as security started shuffling people out of the downstairs lounge. On my way back north on Sunday, it was the memories of good times and good music that seemed to make the trip shorter, both thoroughly appreciated.

Speaking of old friends, this review is dedicated to Loana dP Valencia of Nuclear Blast, alongside whom it has been my complete and utter pleasure to work for the last decade.

More pics after the jump. Thanks for reading.

Witch Mountain

Witch Mountain (Photo by JJ Koczan)

Witch Mountain (Photo by JJ Koczan)

Witch Mountain (Photo by JJ Koczan)

Witch Mountain (Photo by JJ Koczan)

Witch Mountain (Photo by JJ Koczan)

Witch Mountain (Photo by JJ Koczan)

Witch Mountain (Photo by JJ Koczan)

Witch Mountain (Photo by JJ Koczan)

Witch Mountain (Photo by JJ Koczan)

Witch Mountain (Photo by JJ Koczan)

Ecstatic Vision

Ecstatic Vision (Photo by JJ Koczan)

Ecstatic Vision (Photo by JJ Koczan)

Ecstatic Vision (Photo by JJ Koczan)

Ecstatic Vision (Photo by JJ Koczan)

Ecstatic Vision (Photo by JJ Koczan)

Ecstatic Vision (Photo by JJ Koczan)

Ecstatic Vision (Photo by JJ Koczan)

Ecstatic Vision (Photo by JJ Koczan)

YOB

YOB (Photo by JJ Koczan)

YOB (Photo by JJ Koczan)

YOB (Photo by JJ Koczan)

YOB (Photo by JJ Koczan)

YOB (Photo by JJ Koczan)

YOB (Photo by JJ Koczan)

YOB (Photo by JJ Koczan)

YOB (Photo by JJ Koczan)

YOB (Photo by JJ Koczan)

YOB (Photo by JJ Koczan)

Enslaved

Enslaved (Photo by JJ Koczan)

Enslaved (Photo by JJ Koczan)

Enslaved (Photo by JJ Koczan)

Enslaved (Photo by JJ Koczan)

Enslaved (Photo by JJ Koczan)

Enslaved (Photo by JJ Koczan)

Enslaved (Photo by JJ Koczan)

Enslaved (Photo by JJ Koczan)

Enslaved (Photo by JJ Koczan)

Enslaved (Photo by JJ Koczan)

Tags: , , , , , , , , , , , ,

Leave a Reply