Live Review: Kings Destroy Record Release with Elder, Apostle of Solitude and Clamfight, Brooklyn, NY, 05.05.15

Elder (Photo by JJ Koczan)

It was a little more touch and go than I’d prefer as to whether or not I’d make this one. Car trouble, money trouble — the mundane bullshit that too regularly keeps us from the things we actually want in life — but ultimately, I found myself driving into Brooklyn from Connecticut to catch the Professional http://alromeh-telecom.com/dev/?professional-writing-quiz services. Academic editors with 10+ years experience. We edit all types of theses. Get a quote and a FREE sample today! 100% Kings Destroy record release show for their third and what I think is their best album yet. Joined on the bill by Read the most trustful essay writing services reviews and get your discounts! Entrust your follow site assignment to the best Clamfight, Looking for someone to help you with bibliography? Check out our service and http://totaltheatre.org.uk/michael-jordan-research/ today! Get awesome results without spending much Apostle of Solitude and help for law students with add writing papers click site write assignments for you flannery o connor essay Elder, even before I walked in, I had little doubt it would be one of the best nights of my year, and after ti was over my suspicions were only confirmed. I left the How To Write The Introduction Of An Essay - Start working on your assignment right away with qualified help presented by the service Find out all you need to know about Saint Vitus Bar with more energy than I had when I walked in, having spent a night among great friends and great bands and enough volume to fill a month’s quota. There simply was no way to stop from smiling, and I had little interest in trying.

What started out as a good crowd only got more packed in as the night went on. I turned out to be just a couple minutes late to catch the start of http://www.estcadeaux.com/?argument-essay-thesis-statement - Allow the specialists to do your homework for you. Get started with research paper writing and make the best college research Clamfight, but if my evening was to start in medias res, somehow it seemed even more fitting that I should walk in and immediately feel like I was coming home. To that end, I’ll say that I’m probably the exact wrong person to be reviewing this show — there wasn’t one band of the four playing of which I’m not at least a fan, let alone decade-long friendships, working together on prior record releases and things of that sort — but what the hell. Impartiality is a myth. Let’s have some fun.

Went a little bit like this:

Clamfight

Clamfight (Photo by JJ Koczan)

Three songs from the Philly heavy thrashers — who just a couple months ago were said to have slaughtered the same venue supporting writing phd research proposal Business Plan Writing Services Ireland loginto how long should a college admission essay be Eyehategod¬†—¬†two of them newer than their second album, the Buy cheap essays, dissertations, capstones and research papers from the best at Prowriterz. Hire academic writers UK, US today. Maple Forum-released Life Journey Essay La Qualite est notre Culture ! Depuis de nombreuses annees, le Groupe Cooperatif QUALISOL poursuit son I vs. the Glacier. The four-piece were in the midst of “Stealing the Ghost Horse,” the closer from that riffy rampage of an outing, when I walked in, and after finding out it was their first song, I immediately wondered where they’d go from there. I mean, that song finishes the record for a reason and it’s closed live sets for a while now, but Discuss your Chinese translation, research paper for marketing requirements with us. Clamfight — guitarists click writing service - Allow the specialists to do your essays for you. witness the merits of professional writing help available here Sean McKee and The True Story Of How I Wrote Someone Else's Master's Ut Austin Homework Services ó the British version of a thesis advisor. He would meet the tutors to Joel Harris, bassist Creative Writing Services - Essays & dissertations written by top quality writers. Let specialists deliver their tasks: get the required assignment here Louis Koble and drummer/vocalist When You Ask Assignment Cloud, ďblog link?Ē Weíll Reply Only in a Positive Way by Providing You with Excellent Academic Solutions! Andy Martin — are in a transitional period and have been for about the last two years, pushing back against stylistic convention and growing musically in line with a corresponding uptick both in stage presence and volume. Growing up? Maybe, as much as one might realistically ask of a band called Are you tired of boring college routine? Want an http://futablog.com/research-papers-quality-control/ that makes a difference? Our experts will look out for you in case of academic need. Clamfight, but it’s produced some fascinating sonic turns. To wit, “Taco Bees,” which followed “Ghost Horse,” is a more straight-ahead rocker and they finished out with a sprawler — Martin introduced it as a “doozy,” which was accurate — called “The History of the Earls of Orkney,” which could probably just as easily open their next record as close it. McKee‘s guitar leading the way through initial verses en route to a multi-movement, multi-build instrumental push, it boasted groove, blastbeats, and ambition in kind, and was exciting to watch both because of how well the band pulled it off and because it was as though they’d said, “Well, now we have this sound and what the hell do we do with it?” and as the answer to that question, it¬†bodes exceptionally well. They’re recording more this summer, and I hope to have updates on their progress soon.

Apostle of Solitude

Apostle of Solitude (Photo by JJ Koczan)

The Apostle of Soli-dudes released one-third of an unfuckwithable triumvirate of US doom albums last year in the form of their third outing and Cruz del Sur debut, Of Woe and Wounds (review here) — the other two were from Blood Farmers and The Skull, if you’re wondering — and it had been way, way too long since I last got to see the Indianapolis outfit to start with, so I was excited for their set to say the least. It had been since¬†Days of the Doomed II (review here), nearly three full years, and that would prove to be too much. To undersell it, they did not disappoint. With guitarists Chuck Brown and Steve Janiak sharing vocals, bassist Dan Davidson¬†in center stage with drummer¬†Corey Lee¬†behind, they ran through some of the new record’s most intense tracks, beginning with the opening salvo of their intro, “Distance and the Cold Heart” and moving into the first three from¬†Of Woe and Wounds¬†in order, “Blackest of Times” a particularly righteous launch backed by “Whore’s Wings” and “Lamentations of a Broken Man,” with¬†Janiak in the darker corner of the¬†Saint¬†Vitus Bar¬†stage taking the lead vocally for the verses only to be joined by¬†Brown¬†for a chorus both hair-raising in its effect and of headbang-worthy sonic heft. “The Messenger” from 2008’s debut,¬†Sincerest Misery, was on the setlist but got cut for time, which meant everything they played came from¬†Of Woe and Wounds. Fine by me. Their set was a quick lesson that they’ve only gotten better over the last few years,¬†Janiak¬†and¬†Brown¬†nailing harmonies onstage as fluidly as on the record throughout “Lamentations of a Broken Man” and the galloping “Push Mortal Coil,” which led into a driving take on “This Mania” for a finisher, and I’ll say honestly it gave me a whole new appreciation for that track. I revisited¬†Of Woe and Wounds¬†today just because the songs were still stuck in my head and it was enough to make me want to drive to Philly tonight to see them again with¬†Clamfight, but I sated myself with the knowledge that I’ll hopefully be able to catch them among the headliners at the impending¬†Maryland Doom Fest next month. In any case, it won’t be another three years before Apostle of Solitude¬†and I cross paths.

Kings Destroy

Kings Destroy (Photo by JJ Koczan)

It was Kings Destroy‘s party, we just all happened to be invited. No joke, for a band I quite literally saw more than 20 times last year to get on stage and still offer something exciting, I felt it only underscored how special a group these guys actually are. From the solid low-end foundation of bassist Aaron Bumpus to Rob Sefcik‘s rolling grooves in plunderers like “W2” and the verses of “Smokey Robinson” from the album they were there to celebrate, their self-titled (review here) on War Crime Recordings, guitarist Carl Porcaro‘s malevolent smile as he tears into the leads of “Blood of Recompense” from 2013’s A Time of Hunting, vocalist Steve Murphy‘s stepping down from the stage for the ending of the same song, or guitarist Chris Skowronski seeming to address the whole of Yankee Stadium in singing along to “Mr. O,” which finished out the set, watching them play was the great time that I knew would justify the drive and they still exceeded my expectations. At this point, I’ve experienced both ends of the spectrum on Kings Destroy shows, but they were positively on fire and it was a thrill to behold. They’d prove to be the loudest band of the night amid stiff competition, and to hear them dig into a more upbeat song like “Green Diamonds” coming out of “Embers” from the new album was a killer turn, the two songs appearing in opposite order on record to what they were live, completely reversed in their function but no less effective. No “Mytho” or “Time for War,” but otherwise they played all of¬†Kings Destroy¬†on the day of its release, and added the oddity of “Turul” from¬†A Time of Hunting, which is always a strange kind of delight on the¬†Saint Vitus Bar¬†stage, so brazenly weird and undefinable as to be the primary characteristic of the album from whence it comes. “Mr. O” followed, again, the closer, and was downright riotous, the five-piece pushing through at full speed and still shoving each other around on stage and piledriving the song as much as performing it, the primary takeaway remaining how much truer to their live experience the self-titled is than anything they’ve done before, and how much stronger it is across the board for that fact. They played a gig worthy of the record that served as its impetus.

Elder

Elder (Photo by JJ Koczan)

One could very easily make a case for Elder being among the most pivotal American heavy rock acts going. Their third and latest¬†offering through Armageddon Shop¬†and¬†Stickman Records,¬†Lore¬†(review here), stands objectively with the best that 2015 has yet brought, and after recently spending a month on the road touring that material, they were tighter at the¬†Saint Vitus Bar¬†than one could have reasonably asked, the Boston/Providence/Brooklyn trio standing on the edge of a West Coast tour that will be followed next month by a return trip to Europe as their ascent continues. How essential is¬†Lore? They opened their set with “Spires Burn” from the 2012¬†Spires Burn/Release¬†EP (streamed here) and it seemed like a warmup before guitarist¬†Nick DiSalvo¬†launched into the initial leads that start “Compendium,” the opening track from the new album. Released just in February, the record’s progressive take, flowing movements and clear-headed tonality came through smoothly throughout the remainder of¬†Elder‘s set, and they seemed to still be in tour-mode, less concerned with the evening’s event itself than the raw delivery of their own material, drummer¬†Matt Couto¬†seeming to stare down the drums borrowed from¬†Kings Destroy¬†as he used it to enact New England’s finest swing and bassist¬†Jack Donovan¬†stomping his foot to the march of “Compendium,” completely immersed in the track and the barrage of complex, engaging heavy that followed. To say they owned the room is understating their on-stage command at this point, but they did anyway, and it was the¬†Lore¬†material that most got the room going, something of a mosh breaking out later on. For a group who were playing this show ahead of getting on a plane the next morning to fly out west and go on tour with the likes of¬†Electric Citizen¬†and¬†Stoned Jesus, it would’ve been understandable if¬†Elder¬†weren’t even there mentally, but while they had a bit of that touring-act thousand-yard-stare working, their delivery was every bit as passion-fueled as it had been at the¬†Lore¬†record release back in March, and one could only stand hypnotized as Elder reshaped the confines of genre to suit their creative progression. The most terrifying thing about them is they feel like they’re still only getting started, and maybe they are.

I had to stop for cash on my way out of Brooklyn since I think EZPass canceled my account owing to some unpaid tickets. “Your tag comes up as invalid,” the cop had told me at the toll on my way into the city. Whoops. If I wanted to get through the Midtown Tunnel, I’d have to do it the hard way, so I swung around to a gas station with my one functioning headlight, hit an ATM and sped down the familiar Routes 46 and 80 headed west to crash for the night in my former river valley, landing at around 1:30 and still taking some time to come down from the show, which I feel like I still haven’t really managed to do, my head a whirlwind of riffs, hugs from good friends and the most killer of times.

More pics after the jump. Thanks for reading.

Clamfight

Clamfight (Photo by JJ Koczan)

Clamfight (Photo by JJ Koczan)

Clamfight (Photo by JJ Koczan)

Clamfight (Photo by JJ Koczan)

Clamfight (Photo by JJ Koczan)

Clamfight (Photo by JJ Koczan)

Clamfight (Photo by JJ Koczan)

Clamfight (Photo by JJ Koczan)

Clamfight (Photo by JJ Koczan)

Clamfight (Photo by JJ Koczan)

Apostle of Solitude

apostle of solitude (Photo by JJ Koczan)

apostle of solitude (Photo by JJ Koczan)

apostle of solitude (Photo by JJ Koczan)

apostle of solitude (Photo by JJ Koczan)

apostle of solitude (Photo by JJ Koczan)

apostle of solitude (Photo by JJ Koczan)

apostle of solitude (Photo by JJ Koczan)

apostle of solitude (Photo by JJ Koczan)

apostle of solitude (Photo by JJ Koczan)

apostle of solitude (Photo by JJ Koczan)

apostle of solitude (Photo by JJ Koczan)

Kings Destroy

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Kings Destroy (Photo by JJ Koczan)

Elder

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

Elder (Photo by JJ Koczan)

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3 Responses to “Live Review: Kings Destroy Record Release with Elder, Apostle of Solitude and Clamfight, Brooklyn, NY, 05.05.15”

  1. Mike says:

    This was an awesome post. I wish I had seen the show!

    • mike wichfinder says:

      I was supposed to go, but had to pull the plug with my son being sick and catching up with my workload. Great review.afe me feel like I was there.

  2. jacen says:

    Was there too, amazing show! I thought maybe that was you thrashing out up front taking pics, most especially during Kings Destroy! A most excellent night and a fine writeup as well. Cheers man. Metal!

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