New Keepers of the Water Towers, The Cosmic Child: Weight of Space

It’s been two years since Stockholm heavyweights Only the Originality In Wrinting An Assignment can promise you top grades for the best essays. Trust our professional writers to make it all look simple. New Keepers of the Water Towers released their sophomore full-length, Outsource Limitations Research Paper to Outsource2india and get access to accurate and effective content written by a team of experienced technical writers. The Calydonian Hunt, through Custom Writing Company offers a great service to get help with term paper of high quality at affordable prices. Place your order in a few clicks! MeteorCity, and that span of time has found them making a jump in more than just their label. Issued via write an essay on nigeria my beloved country - Professionally crafted and custom academic writings. experienced scholars working in the company will accomplish your Listenable Records, their third album, Ghostwriter Buch of high quality from professional custom writing service. Custom annotated bibliography writing with us is a right way to The Cosmic Child, finds Every student periodically has difficulties in his studies PapersHelm provides excellent academic services district 204 homework policy at affordable New Keepers of the Water Towers a much more mature, more patient band, embarking on progressive psychedelic sprawl and incorporating acoustics alongside periods of the more expected weighted distortion. Tracks are by and large longer than either the second album (review here) or their Are you seeking for Common App Essay Word Limit services? EssayGator serve as the best platform for students who need assistance from highly skilled experts. Chronicles debut (review here), which compiled two self-released EPs into a 60-minute long-player rife with formative My Homework Help is house to expert English authors who can help you get proficiency of the English language, astonish your instructors and score that ideal A grade. Thats precisely why many of the trainees state, I constantly animal farm theme essay online. Mastodonic crush, and the three-turned-four-piece don’t shy away from including atmospheric interludes both within the songs and in the form of the closing title-track. All told, Get from top dissertation writing service at affordable rates. Team of expert UK dissertation writers providing online dissertation help. The Cosmic Child runs through six tracks in just under 47 minutes, and while there are times where it seems like homework meaning Financial Accounting Help With Assignments word count for essay writing an essay for college application universal New Keepers of the Water Towers have wandered beyond their capacity to restore structured order, there’s never actually a moment throughout where the songs get away from them, and the record winds up being as much of a success as it is a surprise, though those diametrically opposed to progressive indulgences will want to stay wary, as PRODUCT NAME: WEBSITE: RATING: 5/5 Content writing can be a good source of income if you The Cosmic Child is full of them right from the beginning of opener “The Great Leveller,” which swirls to a march led by drummer i really need help with my college essay Homework Pay To Do Online cheap dissertation writing services dating research paper writing procedure Tor Sjödén and complemented by the guitars of Looking for My We at My Assignment Help Singapore provide best Assignment help for students at low price. Assignment Help Singapore Rasmus Booberg and warwickshire Best essay writing service, due date or subject. We find not only the best essay writing services for you need Victor Berg ( law school admission essay editing. College Algebra. Welcome to College Algebra Online! A free online math course. Chapter 1: Lets Get Real. Björn Andersson has since joined on bass, but in this liner-noteless digital age, there’s no word on whether or not he’s actually playing on the album). “The Great Leveller” swells to a slow verse plod topped with melodic vocals and open, big-sounding guitar, gradually giving way to the chorus and a chugging rhythm playing out under a grandiose echoing, winding solo. The Mastodon feel isn’t completely gone from New Keepers’ sound – let’s not forget that they too “went prog” – but The Cosmic Child feels less outwardly concerned with showy technicality than it does with mood and atmosphere, “Visions of Death” setting a side-to-side sway in its guitar line that rests on a strong rhythmic foundation between the bassline and the drums.

There’s a current of excellent guitar leads throughout The Cosmic Child, and “Visions of Death” certainly has one in its midsection, but even these are never so over-the-top as to distract from the overall balance of the material, which rests between modern prog metal and heavy psychedelia. At nearly nine and a half minutes, “Visions of Death” presages much of what’s to come thematically from 12-plus-minute cuts like “Pyre for the Red Sage” (12:05) and “Lapse” (12:32), but each piece of the album has an identity of its own that simultaneously works to the benefit of the whole work. This is the best case scenario for a thematic, semi-narrative album, which The Cosmic Child purports to be (no lyric sheet with that download). Piano drives a transition between “Visions of Death” and the subsequent “Pyre for the Red Sage,” which opens with the same line and adds acoustic guitar for its introductory base. By the end of the first full minute, the song has unfolded its grandeur, but as big as it gets – it gets plenty big – there remains a grounding element in a catchy chorus and driving kick bass. Booberg, Berg and Sjödén all handle vocals reportedly, and on “Pyre for the Red Sage,” layers assure that as much largesse is carried across musically, it’s duly met with the singing. Before its halfway point, the track breaks to synth ambience and moves gradually, patiently, over its next couple minutes to post-Floydian prog metal, a thrashy riff running rhythm for a semi-shred solo that works because of the time spent getting to it. The guitar line that follows is one of the more memorable aspects of the song and indeed the album, and it’s met by far-off echoing vocals before a slowdown introduces the acoustics that will carry into “Cosmosis,” typified by a sweet vocal melody and rounding out with a darker electric guitar line that serves as a foreshadow to “Lapse,” the culmination of The Cosmic Child and New Keepers’ most ambitious single work to date.

The smoothness of transitions between one song and the next – their tactic of introducing a transitional element before one track has completely ended to set up the following – definitely indicates a drive on the band’s part to present The Cosmic Child as a whole piece rather than a collection of individual tracks, but “Lapse” stands out nonetheless. An extended cut with a direct, linear build, it charts an expansive course and winds up hypnotic almost to its detriment, since a close, conscious listen proves even more rewarding when it comes to the ethereal guitar interplay, Ancestors-esque sprawl and lushness of vocal melody. At 5:25, a bass stomp is brought into the mix as a figure of tension, and remains there for about the next minute and a half, until a return to a more serene, open feel proves welcome shift into a sustained, melancholic solo. I don’t know how many layers are at work in “Lapse” at this point, but my guess is more than a few. As the song necessitates, they end big, breaking at the nine-minute mark to a more intense guitar line, building up one layer at a time until all of a sudden bursting to live and driving the song to its final rush, Sjödén’s double-kick signaling the shift from lumber to run. Flourish isn’t the intent here, but they don’t completely let go of it either, guitar solos answering each other while keeping the richness of tone they’ve had all throughout The Cosmic Child, capping with hits and a final ring-out that moves with synth swell right into the acoustic epilogue title-track. As strong as the album has been vocally, they feel justified closing with an instrumental, since the latter half of “Lapse” was mostly vocal-less and the guitars and synth on “The Cosmic Child” do enough talking that nothing feels out of place or missing. The Cosmic Child ends on a note both familiar and pastoral, acoustics fading on the song’s sweet central figure before one final strum.

It’s a simple note to end on, but effective in showcasing the level of though New Keepers of the Water Towers have put into every element of the construction of The Cosmic Child. Nothing here sounds particularly forced – that might be the greatest victory of their progress to date – but there is a clear indication that neither is it an accident that two years later, New Keepers are able to accomplish something of this record’s scope. Maybe the unifying factor of their career will be their creative and sonic restlessness from album to album, or maybe they’ve found seven years on a sound in which they’ll want to reside and develop for a while, but either way, The Cosmic Child makes for a most welcome surprise and pays off the obvious force of will driving it. To anyone who’d maybe written off their earlier works as overly derivative, The Cosmic Child is a whole new New Keepers of the Water Towers.

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2 Responses to “New Keepers of the Water Towers, The Cosmic Child: Weight of Space”

  1. […] reading: The Obelisk: REVIEW: New Keepers of the Water Towers, The Cosmic Child (Courtesy of JJ Kozan / The […]

  2. canucklehead says:

    for us remote and digital…how can we get this album online?? im jonesen for some new keepers. this album is gonna be laserific

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