Sweet Chariot Premiere “Miles Away” from Lean into the Breeze

Posted in audiObelisk on March 11th, 2019 by JJ Koczan

sweet chariot (photo by Charlie Karr)

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Records and available to preorder now, comes across with a vibe extracted from the smoother end of the heavy ’70s as shades of Southern rock are held over from the band’s 2014 self-released, self-titled debut in cuts like “Wicked Night” and the later, well-harmonized “Over and Over,” the affect bringing to my East Coast ears an echo of a decidedly more Californian, less regretful, April 23, 2019 dissertation proposal help, essays for sale, http://www.cndp.fr/uploads/tf/index.php?1334s, professional essay writers, write my assignment Comments Off on which line models the data points better and why The Brought Low, similarly unafraid to touch on twang when so inclined, as on “Let it Start” or “My Front Pages,” but less strictly heavy rock even in the decidedly guitar-led “Miles Away” or “Can’t You See the Wind.” Vocals are shared between guitarists Get top quality blog links at an affordable price for your blog, business website, or social media. Our expert copywriters have you covered. 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Analog production, sometimes used as an excuse for crappy sound, becomes part of the character throughout You can get Help In Writing Thesis service today. We offer the highest quality and lowest prices. Lean into the Breeze. The breeze, by the way, is warm. sweet chariot lean into the breezeAnd so are the melodies. There’s a switch in who’s singing lead between “Wicked Night” and “My Front Pages,” which follow opener “Best I Had” — notice the use of past tense; immediate call to something bygone and remembered fondly — that expands the scope of the album as a whole and brings a via-’90s-college-rock vibe to the established classic pattern, but the songs are and remain central as the 10-track/36-minute long-player stretches out into the start-stop swag of “Miles Away” and the genuinely sweet melodies of “Billy Bliss” and “Let it Start,” the move from side A to side B flowing easily like, well, the warm breeze, I guess. Organ shows up and finds welcome on “Can’t You See the Wind,” and “Over and Over” pushes into a more complex arrangement of vocals to preface the closer still to come, but before they get there, Sweet Chariot dip into the three-minute “Night Light,” ahead of “Nothing Seems to Matter,” pulling back on the (relatively) grander feel of the tracks surrounding for a stretch of minimalist sentimentality no less effectively conveyed than anything in either “Over and Over” or the closer still to come. They end with the line “Nothing seems to matter anymore,” which taken in kind with “Best I Had” gives a decent impression of the point of view from which at least a good portion of Lean into the Breeze is working.

Sentiment suits Sweet Chariot, however, and with Shea and Guthridge sharing vocals, the band are that much more able to bring forward a classic but not necessarily backward or reactionary feel. Ahead of the release, I’m happy to be able to host “Miles Away” as a track premiere, and you’ll find it on the player below, followed by the vinyl info from the label.

Please enjoy:

Taken from the SWEET CHARIOT – Lean Into The Breeze LP | WHO-38

Release Date: April 15th
(** Pre-orders shipping two weeks earlier **)

Pre-orders at: https://whocanyoutrustrec.bigcartel.com/product/sweet-chariot-lean-into-the-breeze-lp

Edition of 500 copies on black vinyl.
(The first 100 copies include a free Sweet Chariot logo sticker!)

Sweet Chariot comprises singer/guitarist Eric Shea (Hot Lunch, Mover) and Planes Of Satori drummer Chris Labreche – both from the bygone band Parchman Farm. They also landed bass player Doran Shelley, a former member of The Cramps and Nik Turner’s Hawkwind. Ride The Blinds’ frontman Chris Guthridge completes the band with shared singing duties and top-shelf lead guitar playing.

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Sweet Chariot to Release Lean into the Breeze April 15

Posted in Whathaveyou on March 4th, 2019 by JJ Koczan

sweet chariot (photo by Charlie Karr)

There’s still a bit of slide to be had on songs like “Billy Bliss” and the organ in closer “Nothing Seems to Matter” definitely gives a sense of revival, but it’s more of the Creedence Clearwater-type than anything in danger of being preachy, unless you count warm vintage tones and classic-styled rock and roll as proselytizing. Arguments to be made either way, I suppose, but Sweet Chariot make a convincing case for the glories of melodies past with their second album, Lean into the Breeze. Due out April 15 through Who Can You Trust? Records, which continues to know a thing or 10 about what to look for in vintage-minded acts, the 10-track/36-minute offering is a wholesome, grand funky good time, less about who can sound more like it’s 1972 than who can remember what made those bands want to sound like that in the first place. It’s a vibe you can’t screw with and one you probably won’t want to.

One track posted from it so far, and it’s streaming at the bottom of this post, so you might get some sense of where they’re coming from with it, so have fun. I hear they might have more audio coming next Monday. Swing low.

Info from the PR wire:

sweet chariot lean into the breeze

SWEET CHARIOT – Lean Into The Breeze LP (Out April 15th / 2019)

Sweet Chariot is a San Francisco and Oakland based band with members who prefer old gear and cold beer. Their timeless rock ‘n’ roll is a blend of pickled pub rock and greasy biker boogie trimmed in the smoky tones of West Coast canyon-twang.

Lean Into The Breeze is the band’s second album, but it’s their first for Who Can You Trust? Records. These songs were tracked and mixed on a vintage Tascam 388 analog eight track by producer and recording artist Walker Phillips. Though the band’s eponymous debut flirted with ‘70s inspired California country rock, this album finds the foursome dialing down the Gram Parsons and turning up Graham Parker. Lean Into The Breeze is still rooted in rustic tones, but the songwriting comes from a more modern take on British pub rock, jangly guitar pop and hard throttled boogie jams.

Influenced by such bygone bands as Creedence Clearwater Revival, The Grease Band, The Byrds and Big Star, Sweet Chariot also found themselves inspired by Teenage Fanclub, GospelbeacH, Shannon And The Clams, Endless Boogie, and Chris Robinson, who along with Isaiah Mitchell, jumped up onstage with the band last year. Sweet Chariot has also shared stages with NRBQ, Mother Hips, The Flamin’ Groovies, New Riders Of The Purple Sage, Jesse Dayton, Beachwood Sparks, Allah-Las and the late, great Pegi Young.

Sweet Chariot comprises singer/guitarist Eric Shea (Hot Lunch, Mover) and Planes Of Satori drummer Chris Labreche – both from the bygone band Parchman Farm. They also landed bass player Doran Shelley, a former member of The Cramps and Nik Turner’s Hawkwind. Ride The Blinds’ frontman Chris Guthridge completes the band with shared singing duties and top-shelf lead guitar playing.

https://www.facebook.com/SweetChariotRides/
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https://www.facebook.com/pages/Who-Can-You-Trust-Records/187406787966906
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