Hexvessel, All Tree: A Wilderness Spirit

Posted in Reviews on March 1st, 2019 by JJ Koczan

hexvessel all tree

As side A plays out with its lush melodies and arrangements of flute and violin and cape-donned acoustic folk strum, past the pervasive sense of worship brought to “Son of the Sky” and “Old Tree,”  Think of Novel Pregnant Women And Cocaine like a book. The navigation links are like the chapters in this book. You’ll find a complete list of all pages on the site here. Follow them in order and you’ll be getting to grips with your novel in no time. Good luck on your novel writing adventure. Never be afraid to get in touch. And if you like what you find here, please give me a social shout-out wherever Hexvessel frontman  like it - Compose a timed custom research paper with our help and make your professors amazed professional writers, top-notch services Mat “Kvohst” McNerney intones in “Changeling” the repeated line, “Come back home.” And so it seems the band has done just that. From the harmonized chants opening If you are searching for exceptional Do My Essay Custom Writing, then don't just look anywhere: choose reliable writing services that will meet your need. All Tree in the brief introduction “Blessing” through the birdsong of “A Sylvan Sign,” the quiet but present and foreboding layer of distortion in “Otherworld Envoy,” and the crackling fire of “Liminal Night,” the Finnish outfit have gone to ground aesthetically, and returned to the spirit of their earlier recordings, 2011’s  http://www.naur-sir.dk/?marine-biology-phd-thesis offers outstanding research help for students all over the world! Only original papers Experienced writers ? 24/7 Customer Dawnbearer, 2012’s  Online https://byota.ca/roofing-company-business-plan Help in Auckland. New Zealand has always been one of the most preferred destinations for education. It is one of the most developed and stable economies in the world which has a lot to offer to students. One of the largest cities of New Zealand, Auckland has many institutions and universities where a large number of global students come for higher studies. It is quite No Holier Temple, and 2013’s  Your subscription . Faculty members can i Tips On How To Write A Business Plan from Harvard Business School and Harvard Graduate School of Education launched the Iron Marsh EP.

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Perhaps the songs themselves hold the key to understanding the motivation. Like that “Come back home” in “Changeling,” or the chorus, “You can’t change this wilderness spirit,” in “Wilderness Spirit,” there is something about All Tree that feels very much to the core of Hexvessel‘s project. It brings together elements of British folk with a pointed naturalism that presents an alternate view of the modern world in which hillsides might be the shoulders of some giant unseen to human eyes or ghosts seem to populate the landscape as much as any form of life. In minimalist stretches like the finale “Closing Circles” or pieces of “Old Tree” earlier on, McNerney‘s voice is given a showcase it’s more than up to handling, and as much as there’s an overarching theme to the band’s sound, they subtly work in a surprising amount of variety, tapping into weepy pedal steel on “Birthmark,” bringing in session violinist Daniel Pioro for “Old Tree,” or recalling 16 Horsepower-style swing in “Wilderness Spirit.”

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Be it the more severe strumming of “Ancient Astronaut” or the quiet brooding of the brief mostly-instrumental “Vision of A.O.S.” that follows, “Otherworld Envoy” with its build toward a resonant wash or the brief interplay of keys and guitar on “Journey to Carnac,” All Tree does not to away with the prior album’s fascination with alternate dimensional planes, but it is by reinterpreting the means of conveying these ideas that so much about All Tree feels different. Even in “A Sylvan Sign,” which is the longest inclusion here at 6:28 as well as the centerpiece of the tracklisting, there’s something ethereal about the proceedings and the hypnotic repetitions of the title amid the plucked strings of acoustic guitar. As dug into the earth as some of these songs seem, wandering aged forests with dirt under the fingernails, there is no lack of mystique or wonder to them. A decade on from their beginnings, Hexvessel seem to be returning to marvel at what surrounds them, telling stories of the place of one’s self in nature and nature’s place in one’s self. “Wilderness Spirit,” in that regard, is a declaration of freedom as much as anything.

So where does that leave Hexvessel? They’re not back where they started, by any means. The level of craft, the diversity of their arrangements and their ability to shift in mood has carried over from When We are Death to All Tree in a way that distinguishes the new work from anything they’ve done before, but at the same time, there’s no getting around the fact that Hexvessel have stepped back into a forest-folk style that, for the most part, they let go three years ago. Does that make All Tree a moment of reconciliation between who Hexvessel were and who they became? Does their fourth album negate the accomplishments of their third or invalidate them somehow? Did Hexvessel hear those songs and think it wasn’t working on some level? How did we get here? Maybe (almost certainly) I’m overthinking it, but what does the fact that Hexvessel returned at least to the general vibe of their earlier work say about who they are as a band?

I’m not sure, and I’m not sure we’re supposed to know. For a band who made so much of their statement stylistically, it was particularly bold when Hexvessel dropped (almost) everything and went in a different direction. Likewise, listening to All Tree, it feels no less bold for Hexvessel to be back under such open skies. I can’t answer the questions above and I’m not going to try, but it feels like much of the purpose in these songs is self-discovery as it is expression. In that regard, Hexvessel have never wavered at all. As a collection in its own right, All Tree has moments of pain, beauty and awe that come across as genuine and driven by an urgency in their creation. On a level of craft, Hexvessel have never sounded more sure of what they want to do or how they want to make that unreal real. As to the rest, their story clearly isn’t done being written, and the narrative has grown more complex with time. Something tells me they wouldn’t have it any other way.

Hexvessel, “Changeling” official video

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Hexvessel Release All Tree Feb. 15; “Old Tree” Video Posted

Posted in Whathaveyou on December 11th, 2018 by JJ Koczan

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How many clever-as-hell reviewers do you think are going to talk about how forest folkers Hexvessel are getting ‘back to their roots’ (nudge nudge) on their new album? All of them? All of them twice? If it’s anything less than an 80 percent number, I’ll be disappointed in the modern press.

Hexvessel‘s nonetheless brilliant 2016 outing, When We are Death (review here), was indeed a departure for the band into go-anywhere-do-anything-even-pop songcraft that showcased a host of influences, some less derived from the natural world than others. They still danced like mad pagans, though, and it seems that All Tree will bring back some of the nature worship of the collective’s earlier work. Preorders are up for the album now for those in Europe, and they’ve posted a video for “Old Tree” that you can see at the bottom of this post. It’s serene and sad and gorgeous, and if you’d expect less, you have some homework to do.

From the social medias:

hexvessel all tree

The first single and video “Old Tree” from our new album is out now!

From the ghostly notes of the dead tree branch, played with a violin bow by Antti Haapapuro, to Andrew McIvor’s haunting guitars, violin by Daniel Pioro and found forest sounds, our new song “Old Tree” sings of personal loss with a pagan heartbeat.

Mat McNerney says: “I wrote this song at a time of what should have been deep sadness, but as a way of finding solace in nature. We tend to think of life from such a short term perspective. Nature takes millions of years to develop some of the intricate life support systems we depend on to survive. I found my answers in the trees and what they tell me. As Hesse said, when we listen to trees, we learn the ‘ancient law of life’. This song ‘Old Tree’ is very much like the first song I ever wrote as HEXVESSEL and goes to the core of what our music is about. To quote Lord Byron, ‘I love not Man the less, but Nature more’.”

With visuals beautifully captured in the old growth rainforests of Vancouver Island by British Columbian filmmaker Mark Wyatt, our video is a reverential paean to the intrinsic and eternal divinity of nature.

https://Hexvessel.lnk.to/AllTreeID for digital and European preorders. This track is also available on Spotify etc. from today.

“We are happy to announce that our fourth album “All Tree” will be released on CD, LP and digitally on February 15th, 2019 worldwide. The album will be made available via our own label Secret Trees, in exclusive partnership with Century Media Records.

“All Tree is not just about going back to the heart of Hexvessel, with a slight return to our forest folk roots, it’s about drawing fresh inspiration from my own heritage too. The English pastoral folk influences are infused with Celtic mythology from my Anglo-Irish blood, with Finnish nature as our backdrop.

“From the Canterbury folk scene and early prog bands that soundtracked my youth in England, to the ghost stories I was told as a child on my uncles farm in Ireland, this album is a spiritual journey where the old myths are doorways to enlightenment. The dawn light across boggy fields, the wind blowing through the keyhole, the branches dragging their breath inwards as the seasons ignite a magic sense of mystery about the wilderness. That’s what we tried to bring out into the songs on this album. By bowing old dead tree branches with violin bows, by summoning the sounds of the fire and the birds in the field outside, we gave the music a life which, like the liminal spirits of Samhain drifts in and out of this world. That’s what folk means. It’s the countryside singing out from within me. It’s their story we sing. And no matter where I go or where I end up staying, it’s that folk countryside which is the seed from which I sprang. All Tree.” – Mat McNerney

Cover art photography by Bastian Kalous (who created the cover for No Holier Temple).

https://www.facebook.com/hexvessel
https://twitter.com/Hexvessel
http://instagram.com/hexvesselband
https://hexvessel.bandcamp.com/
https://www.hexvessel.com/
www.centurymedia.com

Hexvessel, “Old Tree” official video

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