Album Review: Vessel of Light, Last Ride

Posted in Reviews on November 20th, 2020 by JJ Koczan

vessel of light last ride

The opening verse narrative of Avail our RPL Methodology Section Of Research Paper to get positive RPL Assessment result from Australian Computer Society (ACS). We prepare RPL Reports for ACS at low Vessel of Light‘s third long-player in as many years,  essays maker We Make Your Academic Life Easy! About Us; Services; Price; http://fizmatika.lt/business-plan-writers-houston-tx/; Place an Order Last Ride, begins with frontman Short Term Paper. There is no doubt that you have definitely googled 'write my paper' when you got a difficult academic writing assignment. The problem is Nathan Opposition (né I Cant Do My Homework Because Im Depressed. They contribute to the least likely to be carried by blacks at all levels of achievement in courses that pertain to the buyessay org. Nathan Jochum, also of  Get a whopping 20% (FIRST TIMER'S) Discount i need help wrting a personal essay when you austin beyond border essay mary selected order our write my essay for Ancient VVisdom) saying “For as long as I can remember, you’ve always been hard to forget…” and ends with “Now your body is mangled and your skull belongs to me.” This has been part and parcel for the Ohio/New Jersey-based outfit since they released their self-titled debut EP (review here) through  custom feature box thesis Writing An Admission Essay About Myself order argumentative essay how to write good application essay Argonauta Records in 2017, and subsequently followed with the first album,  I Need To Buy A Research Paper - Use this service to receive your profound thesis delivered on time Proposals, essays & research papers of best quality. Stop Woodshed (review here), and second,  Free essay writing from free research funding proposals requires a double check. Free essays on sample page will give you an isight on how essay writers free should be Thy Serpent Rise (review here), in 2018 and 2019. Murder fantasy. Kidnapping, dismemberment, murder. Usually it’s implied if not explicitly stated that the victim is a woman and that the speaker in the lyrics feels as though they’ve been somehow done wrong, lied to, betrayed, etc.

It was an especially sexualized turn taken on  Pay Me To Do Your Homework will take your college Tests, Quizzes, Assignments, Writing Essays, Online Classes, and Full Courses! http://www.inaf.ulaval.ca/?1472? Thy Serpent Rise, and in answering back to that,  Order dissertations and have one of the best Lord Of The Flies Persuasive Essay writing services. We have experienced dissertation writers from every field Last Ride (released through  Research Paper Topics High School - forget about your fears, place your order here and receive your quality project in a few days professional and cheap paper to make easier your education All kinds of writing services & custom papers. Nomad Eel Records) brings 10 tracks and 41 minutes of likewise death-obsessed fare, suitably brooding in mood and dark in a tone somewhere between straightforward heavy metal and doom.  Writing Services That - Entrust your essay to us and we will do our best for you professional writers, exclusive services, timely delivery and Last Ride is unquestionably the most realized version of  best essay writing services uk College Application Best Dissertation Help animal testing essays help writing a expository essay Vessel of Light‘s sound they’ve yet offered. With founding parties  Get Phd Dissertation Proposal Sample and assistance with other Subjects by Tutors. Opposition and guitarist  When the need arises to homework help hillsboro oregon evergreen brookwood, care should be taken to ensure that you get only from a reliable source that can promise a positive result Dan Lorenzo ( Hades) having introduced bassist Jimmy Schulman (HadesDan Lorenzo‘s solo band) and drummer Ron Lipnicki (ex-Overkill) last time around, Vessel of Light‘s complete-lineup incarnation benefits from both the familiarity of the players involved — none of the Jersey-based trio behind Opposition were strangers to each other before this grouping — and from the personality and playing styles of each. Instrumentally and in terms of production, the songs on Last Ride are varied in tempo and aggression while keeping in mind the overarching mood and progression of the record as a whole. Despite the geographic disparity, they come across as though written in a room with Opposition working out the lyrics as they went.

That in itself is a triumph for a band working with the full, oh-my-god-how-are-we-still-driving-across-this-state mass of Pennsylvania between them, but the real growth of Vessel of Light is in Opposition‘s performance here. In layered vocals that weave into and out of harmony, he recalls Dirt-era Alice in Chains in songs like “Torture King” and the side-B opener “Web of Death,” a speedier, swinging complement to Last Ride‘s nod of a leadoff title-track. Subtle shifts of arrangement in the verses of “There’s No Escape” and a burst of melody that accompanies the instrumental surge of “Voices of the Dead” feel worked on, harnessed over a period greater than the time since the last record came out, and demonstrate plainly the evolution of Vessel of Light beyond “project” and into “band.” Opposition comes across as a more patient and more dynamic vocalist, and his performance throughout turns horror-show depictions into sing-along-ready hooks.

The question is really how much one wants to sing along with these lyrics.

vessel of light

It is a testament to Vessel of Light‘s sense of craft just how little of a question it is when it comes to Last Ride. Their songwriting has grown progressively sharper as they’ve moved quickly between one batch of material and the next, mostly without a focus on live shows, but having done a few along the way, and whether it’s a roller like “Disappearing Pact” or the shout-laced closer “The Death of Innocence,” they balance atmosphere and rhythmic purpose fluidly across the record’s span. To wit, the lead-in the finale gets with “In the Silence,” which is inarguably the most spacious single piece the band has yet done; it feels like an experiment that worked. As Opposition spends much of side B periodically engaging growls and shouts — “Voices of the Dead,” “In the Silence,” “The Death of Innocence” — there’s little if any sacrifice of melody, and it comes across less like a crutch being leaned on than another tool in the singer’s malevolent arsenal being used to these bleak, unremittingly dark tales.

And I guess that’s what it ultimately comes down to with Vessel of Light. In construction and performance, they’ve done nothing but evolve, and Last Ride is the largest step forward they’ve taken in that regard. There is not a misplaced riff, an incoherent groove or a lost-seeming opportunity for melody in these songs. The band are in command of what they do, Lorenzo and Opposition come across as working together more deeply as songwriters than they yet have, and the full-lineup only brings more chances for dynamic in actually executing the material in the studio. They’ve grown in everything but the themes around which their songs are based.

A function of art, and particularly of good art, is to challenge convention, and in many instances that involves exploring the darker elements the human psyche, the more dangerous places one’s mind can go. I’m not saying Opposition is making an invalid artistic statement with his lyrics, but for an album that so much shows the band in question moving forward and challenging itself to offer a richer, more complex product to its listeners — especially, it should be noted, in the vocal department and Opposition‘s own performance — the monochromatic nature of death, death, murder, death, going from “Torture King” to “Carving Station” to “There’s No Escape” to “Web of Death,” and so on, feels almost stubborn in its refusal to branch into other ideas. Among genre fare in literature and pop culture, horror is singularly able to discomfort those who take it on, and there’s no doubt Vessel of Light are good at it at this point.

I’ll willingly confess to not being the world’s biggest horror fan or having an abiding fascination with murder, so there are questions I’m left with at the end that I don’t have easy answers for. With the point of view of the speaker in the lyrics as the perpetrator, where does the sense of the listener as complicit come in? Where’s the challenge other than in the sheer engagement with gruesome or otherwise objectionable notions? Is it really just about making the audience squirm? Perhaps, instead of overthinking it thusly, the way to go with Last Ride is just indeed to take the ride through the songs themselves and engage them for the evident progression they represent in the band’s approach on the whole. Last Ride is the best work Vessel of Light have done to-date. It is a firm statement of identity on the part of the band and an aesthetic dive into the grim, violent reaches of consciousness. There is nothing it seeks to accomplish that it does not accomplish.

Vessel of Light, Last Ride (2020)

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Vessel of Light Post Video for Last Ride Title-Track

Posted in Bootleg Theater on September 3rd, 2020 by JJ Koczan

vessel of light

For a band of such singular focus thematically on murder, Vessel of Light have managed to stay pretty productive when it comes to songwriting. One might expect that at some point the sheer body count of frontman/lyricist Nathan Opposition (formerly of Ancient VVisdom) would get to the point where both basement and woodshed were full, but I suppose you figure these things out as they come up. I’m not here to condone or endorse killing or violence of any kind, but it’s hard not to respect the productivity on the part of Vessel of Light‘s founding duo of Opposition and guitarist Dan Lorenzo (Hades), who, despite being based respectively in Ohio and New Jersey, have managed to offer up three full-lengths since 2018, with the forthcoming Last Ride being the fourth due out next month through Nomad Eel Records.

Now with the stage-ready lineup of LorenzoOpposition, bassist Jimmy Schulman (Hades) and drummer Ron Lipnicki (fuggin’ Overkill, dude) — but alas, no stages — Vessel of Light operate as a full band for the second time across Last Ride, and building on late-2019’s phallocentric Thy Serpent Rise (review here), they sound like a more complete band. Opposition‘s vocals recall not only Black Sabbath but something of a gruffed-up Uncle Acid and the Deadbeats, and there’s a balance between heavy rock and metal inherent in the groove of the title-track that represents the four-piece’s sound well as they continue to find their space between the two.

Perhaps unsurprisingly — no, make that definitely unsurprisingly — the video for “Last Ride” takes a horror-themed approach, and yup, by “last,” they for sure mean last. Lyrics like, “Now your body is mangled/And your skull belongs to me,” don’t really leave any question as to what they’re talking about.

Album’s out in time for Halloween and more info follows the clip below.

Enjoy:

Vessel of Light, “Last Ride” official video

Cleveland’s Nathan Opposition and NJ’s Dan Lorenzo first jammed together in June of 2017. The duo released two albums for Italy’s Argonauta Records before adding former Overkill drummer Ron Lipnicki and former Hades bassist Jimmy Schulman for last years’ Thy Serpent Rise. Vessel of Light are set to release their 4th album Last Ride this October 30th on California’s Nomad Eel Records. Until then, the band gives us the video for the first single. Opposition came up with the concept. He said,” I’m a huge horror movie fan, so for me this calls upon a number of things. The faceless villain in the classic movie The Oblong Box with Vincent Price and Christopher Lee was definitely an inspiration. Calling upon the mysterious shadowy figures in horror movies like A Phantom of the Opera or the Invisible Man. I wanted to capture the fear in the shadows, fear of the dark, the things out of the corner of our eyes. I really like the concept of a faceless shadow figure, almost like in the urban legend of the Djinn, Slender Man or Hat Man, an evil entity or presence that peers into the soul and rips it to shreds.”

Jason Stewart who also edited the band’s last video, a cover of Black Sabbath’s Wasp stated, “For the Last Ride video, I tried to cut it like a police investigation show, but it’s very grungy and dirty as if I discovered all the raw footage in a dumpster behind a local police station. A lot of the lyrics are in the style of newspaper articles, random 911 calls, subtitles from an interrogation, and more. The one behind the whole story is this Shadow Man figure. It’s almost like a teaser for a made up show in the crime genre.”

Vessel of Light were playing an East Coast run in March and had planned a longer run in June including The Maryland Doom Fest before Coronavirus shut down the band’s plans.

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Vessel of Light Sign to Nomad Eel Records; Last Ride Due in Oct.

Posted in Whathaveyou on August 4th, 2020 by JJ Koczan

Working quick, and they know it. Vessel of Light issued their self-titled debut EP (review here) through Argonauta Records in 2017 and followed that in 2018 with their first full-length, Woodshed (review here). That album, in turn, was followed by 2019’s horror-trash metal-of-doom sleazefest Thy Serpent Rise (review here). Here we are: it’s 2020. The world isn’t ending but it kind of feels like it all the time, and Vessel of Light have still found room to be consistent, guitarist/songwriter Dan Lorenzo putting lockdown-era inspiration to work in what has resulted in Last Ride, the band’s new album, out this October through Nomad Eel Records.

The pickup makes Vessel of Light labelmates to the likes of Zig-Zags and Imaad Wasif, and if you’re thinking a band so thoroughly entrenched in murderous themes might be an odd fit for such an outlet, well, you’re right. These things happen. Sometimes a label has varied interests. Sometimes someone knows somebody. Sometimes something just works out. The record’s happening. Be glad with that.

October release will be fitting, and if you look closely at the cover art, you’ll see it’s ‘VOL Undertakers’ on that carriage. Cute touch.

Dig:

vessel of light last ride

California’s Nomad Eel Records signs VESSEL OF LIGHT

Three years ago Cleveland’s Nathan Opposition and NJ’s Dan Lorenzo recorded their debut EP for Italy’s Argonauta Records. Vessel of Light are now about to deliver their fourth record in less than three years. The first single is Last Ride which is also the name of the new release on California’s Nomad Eel Records. Opposition and Lorenzo had previously recorded the single/video Son of Man from their Woodshed album before adding former Hades bassist Jimmy Schulman and longtime Overkill drummer Ron Lipnicki.

Vessel Of Light were in the middle of playing shows in March when Covid hit. The silver lining? Instead of releasing Last Ride in 2021 the band will now drop their opus in the early fall.

“In both Hades and Non-Fiction we kind of fell apart after the second release”, said Lorenzo. “I’ve never released four albums in less than three years for multiple reasons — one being that I’ve never been this inspired before. I had music to about ten songs written before we did our run of shows in March, but I wrote another seven during the lock-down. I was incredibly happy how smooth Ron and Jimmy came into the picture on our last release (Thy Serpent Rise) and we’ve only grown since then. Nathan never ceases to amaze me vocally. He outdid himself on our first single Last Ride. It sounds like it should be a hit — now I know and you know it’s NOT going to be a hit song, but this is next level music. Not a typical uninspired band going through the motions.”

Album art by Danny Rome. Nomad Eel will release Last Ride on CD, vinyl and cassette in October.

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Vessel of Light, “Urge to Kill”

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