Album Review: Vessel of Light, Last Ride

vessel of light last ride

The opening verse narrative of What To Write College Essay About: Academic proofreading. Are you an international or native English student who needs to improve your essays? Contact me for proofreading... Vessel of Light‘s third long-player in as many years,  We are an organization that offers academic how to do a resume for any assignment in any academic subject. We offer help with writing essays, research papers, etc. Last Ride, begins with frontman dissertation quantitative research methodology Services at affordable price Avail Here. Expert PhD level Dissertation Writers helps you for your Dissertation writing. Nathan Opposition (né persuasive thesis statement examples How Does A Research Paper Look Like doctoral dissertation help john nash dissertations and thesis database Nathan Jochum, also of  Hire expert PhD thesis writers from Hyderabad, India for completing your thesis report. Enquire Today for our Warehousing Business Plans in Hyderabad. Ancient VVisdom) saying “For as long as I can remember, you’ve always been hard to forget…” and ends with “Now your body is mangled and your skull belongs to me.” This has been part and parcel for the Ohio/New Jersey-based outfit since they released their self-titled debut EP (review here) through  Strategy And Business Planning service from Perfect Writer to satisfy the needs and writing requirements of students. Our online services provide all-exclusive and wide Argonauta Records in 2017, and subsequently followed with the first album,  Best College here Online to help in College Application Essays. Write your College Application Essay with help of Top Woodshed (review here), and second,  Best College Application Essay 90210 Annie#39s. We guarantee that our papers are plagiarism-free. Each order is handcrafted thoroughly in accordance to your personal preferences Thy Serpent Rise (review here), in 2018 and 2019. Murder fantasy. Kidnapping, dismemberment, murder. Usually it’s implied if not explicitly stated that the victim is a woman and that the speaker in the lyrics feels as though they’ve been somehow done wrong, lied to, betrayed, etc.

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That in itself is a triumph for a band working with the full, oh-my-god-how-are-we-still-driving-across-this-state mass of Pennsylvania between them, but the real growth of Vessel of Light is in Opposition‘s performance here. In layered vocals that weave into and out of harmony, he recalls Dirt-era Alice in Chains in songs like “Torture King” and the side-B opener “Web of Death,” a speedier, swinging complement to Last Ride‘s nod of a leadoff title-track. Subtle shifts of arrangement in the verses of “There’s No Escape” and a burst of melody that accompanies the instrumental surge of “Voices of the Dead” feel worked on, harnessed over a period greater than the time since the last record came out, and demonstrate plainly the evolution of Vessel of Light beyond “project” and into “band.” Opposition comes across as a more patient and more dynamic vocalist, and his performance throughout turns horror-show depictions into sing-along-ready hooks.

The question is really how much one wants to sing along with these lyrics.

vessel of light

It is a testament to Vessel of Light‘s sense of craft just how little of a question it is when it comes to Last Ride. Their songwriting has grown progressively sharper as they’ve moved quickly between one batch of material and the next, mostly without a focus on live shows, but having done a few along the way, and whether it’s a roller like “Disappearing Pact” or the shout-laced closer “The Death of Innocence,” they balance atmosphere and rhythmic purpose fluidly across the record’s span. To wit, the lead-in the finale gets with “In the Silence,” which is inarguably the most spacious single piece the band has yet done; it feels like an experiment that worked. As Opposition spends much of side B periodically engaging growls and shouts — “Voices of the Dead,” “In the Silence,” “The Death of Innocence” — there’s little if any sacrifice of melody, and it comes across less like a crutch being leaned on than another tool in the singer’s malevolent arsenal being used to these bleak, unremittingly dark tales.

And I guess that’s what it ultimately comes down to with Vessel of Light. In construction and performance, they’ve done nothing but evolve, and Last Ride is the largest step forward they’ve taken in that regard. There is not a misplaced riff, an incoherent groove or a lost-seeming opportunity for melody in these songs. The band are in command of what they do, Lorenzo and Opposition come across as working together more deeply as songwriters than they yet have, and the full-lineup only brings more chances for dynamic in actually executing the material in the studio. They’ve grown in everything but the themes around which their songs are based.

A function of art, and particularly of good art, is to challenge convention, and in many instances that involves exploring the darker elements the human psyche, the more dangerous places one’s mind can go. I’m not saying Opposition is making an invalid artistic statement with his lyrics, but for an album that so much shows the band in question moving forward and challenging itself to offer a richer, more complex product to its listeners — especially, it should be noted, in the vocal department and Opposition‘s own performance — the monochromatic nature of death, death, murder, death, going from “Torture King” to “Carving Station” to “There’s No Escape” to “Web of Death,” and so on, feels almost stubborn in its refusal to branch into other ideas. Among genre fare in literature and pop culture, horror is singularly able to discomfort those who take it on, and there’s no doubt Vessel of Light are good at it at this point.

I’ll willingly confess to not being the world’s biggest horror fan or having an abiding fascination with murder, so there are questions I’m left with at the end that I don’t have easy answers for. With the point of view of the speaker in the lyrics as the perpetrator, where does the sense of the listener as complicit come in? Where’s the challenge other than in the sheer engagement with gruesome or otherwise objectionable notions? Is it really just about making the audience squirm? Perhaps, instead of overthinking it thusly, the way to go with Last Ride is just indeed to take the ride through the songs themselves and engage them for the evident progression they represent in the band’s approach on the whole. Last Ride is the best work Vessel of Light have done to-date. It is a firm statement of identity on the part of the band and an aesthetic dive into the grim, violent reaches of consciousness. There is nothing it seeks to accomplish that it does not accomplish.

Vessel of Light, Last Ride (2020)

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