No better way to start the week than this:

NEUROSIS: Title Of Eleventh Full-Length From Musical Pioneers Revealed

It is said that great art has the power to take us outside of ourselves and bring us closer to ourselves simultaneously. Few bands have accomplished this rare feat on a more profound and consistent basis than NEUROSIS. For nearly three decades, their music has touched the hearts and minds of young men and women seeking contact with something beyond the physical world, something intangible, something that expresses the inner tumult of the human condition in a way that transcends time and space. Something that not only provokes questions but maybe even hints at answers.

Since 1985 this matchless force has surpassed the boundaries of any genre, never ceasing to mutate and progress their songwriting and sonic delivery, and never failing to mesmerize audiences both in the studio and onstage. And as the anticipation from their diehard fanbase reaches a boiling point, this week NEUROSIS unveil the title of their eleventh full-length studio creation, which will manifest itself as Honor Found In Decay.

The follow-up to their acclaimed 2007-released Given To The Rising album, the music on Honor Found In Decay is both torturous and transcendent. It is the ongoing exposition of a vast internal dialogue that seems to carry the weight of eons. With the right kind of ears and eyes, it can seem like the trials and tribulations of mankind are being channeled through five individuals: Steve Von Till, Scott Kelly, Noah Landis, Jason Roeder and Dave Edwardson. And yet? They will be the first ones to tell you that they are just regular people trying to make sense of the world around them. Aided by Josh Graham, their resident visual guru, they transmit their interpretations through multiple sensory planes. The degree to which Neurosis allows them to step out of their everyday lives is the distance between one and zero, the distance between thinking and doing, the distance between this minute and the one that may or may not follow. Which is to say: NEUROSIS takes them outside of themselves and brings them closer to themselves. Simultaneously.

This next chapter in the evolution of NEUROSIS will see worldwide release through the band’s own Neurot Recordings this Autumn, in Germany October 26th, in the UK October 29th, and in North America on October 30th.

Further details on Honor Found In Decay will be made available over the coming weeks.

NEUROSIS:
Scott Kelly – vocals/guitars
Steve Von Till – vocals/guitars
Dave Edwardson – bass
Jason Roeder – drums
Noah Landis – keyboards
Josh Graham – visual effects, art

Neurosis continue their process of mysteriously teasing their upcoming, yet-untitled new album. You know what would be awesome? If they just put out the record, like, next week. If they pressed the whole thing in secret, got it out to stores on the sly, no advance notice, no track premieres, no advance press. Nothing. Just an album that came out and no one even knew the name of it or any of the songs until it dropped. Not bloody likely. Either way, these clips continue to pique the already-there interest in the first Neurosis release in half a decade.

Behold “Electrical Transmission IV”:

Apparently diligent YouTuber NeurotRecordings has posted a third promo clip for the still untitled new Neurosis album. If you missed it, two prior clips came out last week and were posted here on Friday. Presumably they’re titled “Electrical Transmission” because “vague new album teaser video” was both cumbersome and crass. Neurosis keep it classy.

Anyone else but me also notice how these clips seem to be getting progressively clearer as they go on? You can see people playing instruments in this one. Maybe eventually one will come that’s just completely lucid and it’ll be like we all woke up from a dream and there was brand new Neurosis — which, I can only assume, is how I’ll probably feel when I finally get to hear the album in its finished form.

Dig it and let our anticipations seethe together in nerdly excitement:

I wasn’t sure about these two clips above. Earlier this week, I saw the first one embedded somewhere and it being listed as new Neurosis I just thought seemed a little too vague to be true. No song title, no release date announced, nothing really to solidify it. Today a second clip came out, and as the YouTube user putting it up is NeurotRecordings, I guess I thought it was interesting enough either way. Seems a long way to go for a hoax, and in any case, the guitar in the second clip sounds pretty badass.

Before I say anything else, this:

There will be a new podcast this weekend.

It’s been a while, I know. With all the track/album streams I’ve been doing, and the playlist that Jon Davis from Conan curated, I guess I didn’t want to take away from that — also having no time was probably part of it — but things have settled down a little bit, and while I don’t know about next weekend, at least this one I’ll have time to put something together. Should be pretty good.

Tomorrow I’m also going to look at a small house to rent. Unlike the last one I don’t think this one’s in a flood zone, but you never quite know until you get there and you see the cheaply redone kitchen and the freshly painted walls. Also the river’s usually a solid tell, but sometimes it’s just water out of nowhere. Like it falls from the sky or something.

We’ll see how that goes, and I’ll get that podcast brewing, so I guess I’m not really signing off for the weekend, but just letting you know what was up. This week I had two five-post days, and that’s the first time I can remember that happening in a while. There wasn’t an interview posted, but I’ve been working news back onto the blog side as well as keeping it still on the forum, and I like that. The secret is I’m being less anal about things like formatting tour dates and bolding album titles and stuff like that. You’d be amazed how much time it can take to take band names out of all-caps and change the days to some arbitrary format I decided on the second week after I put the site up that nobody but me cares about. Sometimes it takes me a while to figure these things out. Three and a half years is a while.

Next week, aside from the aforementioned podcast, I’ll have reviews of Telestrion, Corsair and Om. I was thinking maybe I’d do another reviewsplosion, but we’ll see if I have time. Tuesday I’m slated to interview Scott Kelly and I hope before the week is out to get on the horn with Samothrace as well. Monday, with the acknowledgement that the album’s been out in Europe forever already, I’ll be hosting a stream of the opening track from the new Swallow the Sun album, just to feature it, and there may be a few more surprises to come. Should be good times.

As always, I hope you have a great and safe weekend. I’ll be checking back in probably Sunday with that podcast post, and I’ll be on spambot patrol on the forum as well. Hope to see you there and back here shortly.

We’re more than halfway through 2012, and we’ve already seen great releases from the likes of Orange Goblin, Pallbearer, Conan, C.O.C., Saint Vitus and many others, but there’s still a long way to go. The forecast for the next five months? Busy.

In my eternal and inevitably doomed quest to keep up, I’ve compiled a list of 13 still-to-come releases not to miss before the year ends. Some of this information is confirmed — as confirmed as these things ever are, anyway — either by label or band announcements, and some of it is a little bit vaguer in terms of the actual dates, but all this stuff is slated to be out before 2013 hits. That was basically my only criteria for inclusion.

And of course before I start the list, you should know two things: The ordering is dubious, since it’s not like I can judge the quality of an album before I’ve heard it, just my anticipation, and that this is barely the beginning of everything that will be released before the end of 2012. The tip of the fastly-melting iceberg, as it were. If past is prologue, there’s a ton of shit I don’t even know about that (hopefully) you’ll clue me into in the comments.

Nonetheless, let’s have some fun:

1. Colour Haze, She Said (Sept./Oct.)

I know, I know, this one’s been a really, really long time coming. Like two years. Like so long that Colour Haze had to go back and remake the album because of some terrible technical thing that I don’t even know what happened but it doesn’t matter anymore. Notice came down yesterday from guitarist/vocalist Stefan Koglek that the recording is done and the long-awaited She Said is on the way to be pressed on vinyl and CD. Got my fingers crossed for no more snags.

2. Enslaved, RIITIIR (Sept. 28)

The progressive Norwegian black metallers have put out 10 albums before it, and would you believe RIITIIR is the first Enslaved album that’s a palindrome? Kind of cheating to include it on this list, because I’ve heard it, but I’ve been through the record 10-plus times and I still feel like I just barely have a grasp on where they’re headed with it, so I think it’ll be really interesting to see what kind of response it gets upon release. Herbrand Larsen kills it all over these songs though, I will say that.

3. Mos Generator, Nomads (Oct. 23)

Hard for me not to be stoked on the prospect of the first new Mos Generator album since 2007, especially looking at that cover, which Ripple Music unveiled on Tuesday when it announced the Oct. 23 release date. It’s pretty grim looking, and even though Mos once put out a record called The Late Great Planet Earth, I’ve never thought of them as being particularly dark or doomed. I look forward to hearing what Tony Reed (Stone Axe, HeavyPink) has up his sleeve for this collection, and if he’s looking to slow down and doom out a bit here, that’s cool too. I’ll take it either way.

4. Ufomammut, Oro – Opus Alter (Sept.)

No, that’s not the cover of Oro – Opus Alter, the second half of Italian space doom grand masters Ufomammut‘s Oro collection — the first being Opus Primum (review here), which served as their Neurot Recordings debut earlier this year. That cover hasn’t been released yet, so I grabbed a promo pic to stand in. I’m really looking forward to this album, though I hope they don’t go the Earth, Angels of Darkness Demons of Light route and wind up with two records that, while really good, essentially serve the same purpose. I’ve got my hopes high they can outdo themselves once again.

5. Witchcraft, Legend (Sept. 21)

I guess after their success with Graveyard, Nuclear Blast decided to binge a bit on ’70s loyalist doom, signing Witchcraft and even more recently, Orchid. Can’t fault them that. It’s been half a decade since Witchcraft released The Alchemist and in their absence, doom has caught on in a big way to their methods. With a new lineup around him, will Magnus Pelander continue his divergence into classic progressive rock, or return to the Pentagram-style roots of Witchcraft‘s earliest work? Should be exciting to find out.

6. Wo Fat, The Black Code (Nov.)

After having the chance to hear some rough mixes of Texas fuzzers Wo Fat‘s Small Stone debut, The Black Code, I’m all the more stoked to encounter the finished product, and glad to see the band join the ranks of Lo-Pan, Freedom Hawk and Gozu in heralding the next wave of American fuzz. Wo Fat‘s 2011 third outing, Noche del Chupacabra (review here), greatly expanded the jammed feel in their approach, and I get the sense they’re just beginning to find where they want to end up within that balance.

7. Blood of the Sun, Burning on the Wings of Desire (Late 2012)

As if the glittering logo and booby-lady cover art weren’t enough to grab attention, Blood of the Sun‘s first album for Listenable Records (fourth overall) is sure to garner some extra notice because the band is led by drummer/vocalist Henry Vasquez, better known over the past couple years as the basher for Saint Vitus. Whatever pedigree the band has assumed through that, though, their modern take on classic ’70s heavy has a charm all its own and I can’t wait to hear how Burning on the Wings of Desire pushes that forward. Or backward. Whatever. Rock and roll.

8. Swans, The Seer (Aug. 28)

This one came in the mail last week and I’ve had the chance to make my way through it only once. It’s two discs — and not by a little — and as was the case with Swans‘ 2010 comebacker, My Father Will Guide Me up a Rope to the Sky (review here), the far less cumbersomely titled The Seer is loaded with guest contributions. Even Jarboe shows up this time around, doing that breathy panting thing she does. Unnerving and challenging as ever, Swans continue to be a litmus for how far experimentalism can go. 3o years on, that’s pretty impressive in itself.

9. Swallow the Sun, Emerald Forest and the Blackbird (Sept. 4)

Apparently the Finnish melo-doom collective’s fifth album, Emerald Forest and the Blackbird, came out earlier this year in Europe, but it’s finally getting an American release in September, and as I’ve always dug the band’s blend of death metal and mournful melodicism, I thought I’d include it here. Like Swans, I’ve heard the Swallow the Sun once through, and it seems to play up more of the quiet, weepy side of their sound, but I look forward to getting to know it better over the coming months.

10. My Sleeping Karma, Soma (Oct. 9)

Just signed to Napalm Records and tapped to open for labelmates Monster Magnet as they tour Europe performing Spine of God in its entirety this fall, the German four-piece are set to follow-up 2010’s Tri (review here) with Soma. Details were sketchy, of course, until about five minutes after this post initially went up, then the worldwide release dates, cover art and tracklist were revealed, so I updated. Find all that info on the forum.

11.Eagle Twin, The Feather Tipped the Serpent’s Scale (Aug. 28)

Way back in 2009 when I interviewed Eagle Twin guitarist/vocalist Gentry Densley about the band’s Southern Lord debut, he said the band’s next outing would relate to snakes, and if the cover is anything to go by, that seems to have come to fruition on The Feather Tipped the Serpent’s Scale, which is set to release at the end of next month. As the first album was kind of a mash of influences turned into cohesive and contemplative heavy drone, I can’t help but wonder what’s in store this time around.

12. Hooded Menace, Effigies of Evil (Sept. 11)

You know how sometimes you listen to a band and that band turns you on in their liner notes to a ton of other cool bands? I had that experience with Finnish extreme doomers Hooded Menace‘s 2010 second album, Never Cross the Dead (review here), except instead of bands it was hotties of ’70s horror cinema. Needless to say, I anxiously await the arrival of their third record and Relapse debut, Effigies of Evil. Someone needs to start a label and call it Hammer Productions just to sign this band.

13. Yawning Man, New Album (Soon)

Make no mistake. The prospect of a new Yawning Man album would arrive much higher on this list if I was more convinced it was going to come together in time for a 2012 release. As it is, Scrit on the forum has had a steady stream of updates since May about the record — the latest news being that it’s going to be a double album — and Scrit‘s in the know, so I’ll take his word. One thing we do know for sure is that the band in the picture above is not the current Yawning Man lineup. Alfredo Hernandez and Mario Lalli out, Greg Saenz and Billy Cordell in. Bummer about the tumult, but as long as it’s Gary Arce‘s ethereal guitar noodling, I’m hooked one way or another.

Since we closed with rampant speculation, let me not forget that somewhere out there is the looming specter of a new Neurosis album, which the sooner it gets here, the better. Perhaps also a new Clutch full-length, though I doubt that’ll materialize before 2013. And that’s a different list entirely.

Thanks for reading. Anything I forgot or anything you’d like to add to the list, leave a comment.