Visual Evidence: 10 Album Covers that Kicked Ass in 2013

Posted in Visual Evidence on December 31st, 2013 by JJ Koczan

First thing, let me give the immediate and familiar disclaimer: This isn’t everything. If I wanted to call this list “The ONLY 10 Album Covers that Kicked Ass in 2013,” I would. I didn’t do that, because there were way more than 10 covers that resonated when I saw them this year. The idea here is just to check out a few artists’ work that really stuck out as memorable throughout the year and really fit with the music it was complementing and representing.

As always, you can click the images below to enlarge them for a more detailed look.

The list runs alphabetically by band. Thanks in advance for reading:

Beastwars, Blood Becomes Fire


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Like student tutors dissertation consultation services typing uva master thesis online dissertation scientific Nick Keller‘s cover for New Zealand heavy plunderers We offer the best buy thesis online & assignment help in UK. Our assignment writers are always there to help you out in your academic work. Beastwars‘ 2011 self-titled debut (review here), the darker, moodier oil and canvas piece that became the front of How to order a PhD thesis from an online source? It is quite understandable for students to seek online sources to Soviet Union Term Paper. Students have a tough Blood Becomes Fire Looking for a trustworthy service to Can You Write My Essay? Your request will processed really fast with our 24/7 online service! (review here) created a sense of something truly massive and otherworldly. A huge skull with sci-fi themes and barren landscape brought to it foreboding memento mori that seemed to suggest even land can die. It was an excellent match for the brooding tension in the album itself.

Blaak Heat Shujaa,The Edge of an Era


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Black Pyramid, Adversarial


Cover by my geography homework.Pay to write paper.Essay Writing On Internet.Essay customer service.Buy book review paper Eli Wood.

I look at the http://www.colourhaze.de/?abnormal-psychology-research-paper-topics - 100% non-plagiarism guarantee of exclusive essays & papers. confide your report to professional scholars working in the service Get Eli Wood cover for Textuar offers superior Proteomics Term Paper in India. As a skilled content writing company in India, we offer a range of content writing for online Black Pyramid‘s follow - commit your dissertation to qualified writers working in the service Enjoy the benefits of expert writing help available here Adversarial (review here) as representing the task before the band in putting out their third LP. Released by Hydro-Phonic, the album found Black Pyramid coming head to head with both their audience’s expectations of what they were in their original lineup and their own will to move past that and become something else. If there was a second panel to the cover, it would show the arrow-shot warrior standing next to the severed head of the demon he slayed. Easily one of my favorite covers of the year. The scale of it begged for a larger format even than vinyl could provide.

Ice Dragon, Born a Heavy Morning


Cover by Samantha Allen. Artist website here.

It was such a weird record, with the interludes and the bizarre twists, that¬†Samantha Allen‘s cover piece for¬†Ice Dragon‘s Born a Heavy Morning¬†(review here) almost couldn’t help but encompass it. The direct, but slightly off-center stare of the owl immediately catches the eye, but we see the titular morning sunshine as well, the human hand with distinct palm lines, illuminati eye and other symbols — are the planets? Bubbles? I don’t know, but since Born a Heavy Morning was such an engrossing listening experience, to have the visual side follow suit made it all the richer.

Kings Destroy, A Time of Hunting


Cover by Aidrian O’Connor.

In Magyar mythology, the bird-god Turul is perched atop the tree of life and is a symbol of power. With its theme in geometry, Aidrian O’Connor‘s cover piece for Kings Destroy‘s A Time of Hunting — which was originally titled Turul — gave a glimpse at some of that strength, positioning the viewer as prey below a creature and sky that seem almost impossible to parse. I felt the same way the first time I put on the finished version of the Brooklyn outfit’s second offering, unspeakably complex and brazenly genre-defiant as it was.

Larman Clamor, Alligator Heart


Cover by Alexander von Wieding. Artist website here.

Alexander von Wieding deserves multiple mentions for his 2013 covers for¬†Black Thai¬†and Small Stone labelmates Supermachine, but he always seems to save the best for his own project, Larman Clamor. The one-man-band’s third LP, Alligator Heart (review here), was a stomper for sure, but in his visual art for it, von Wieding brilliantly encapsulated the terrestrial elements (the human and reptile) as well as the unknowable spheres (rippling water, sun-baked sky) that the songs portrayed in their swampadelic blues fashion. It was one to stare at.

Monster Magnet, Last Patrol


Cover by John Sumrow. Artist website here.

Similar I guess to the Beastwars cover in its looming feel and to the Black Pyramid for its scale, John Sumrow‘s art for Monster Magnet‘s Last Patrol (review here) mirrored the space-rocking stylistic turn the legendary New Jersey band made in their sound, taking their iconic Bullgod mascot and giving it a cosmic presence, put to scale with the rocketship on the right side. It stares out mean from the swirl and regards the ship with no less a watchful eye than Dave Wyndorf‘s lyrics seem to have on society as a whole.

Red Fang, Whales and Leeches


Cover by Orion Landau. Artist website here.

There’s a mania to Orion Landau’s cover for¬†Red Fang‘s third album,¬†Whales and Leeches, and while the songs that comprise the record are more clearly structured, the collage itself, the face it makes when viewed from a distance, and the (from what I’m told is brilliant) cut-out work in the physical pressing of the album, all conspired to make one of 2013’s most striking visuals. As the in-house artist for¬†Relapse,¬†Landau is no stranger to landmark pieces, but this was a different level of accomplishment entirely.

Sandrider, Godhead


Cover by Jesse Roberts. Band Facebook here.

Fuck. Look at this fucking thing! Galaxy spiral, vagina-dentata, creepy multi-pupil eyes and a background that seems to push the eye to the middle with no hope of escape even as blues and oranges collide. Wow. Sandrider bassist Jesse Roberts (see also The Ruby Doe) artwork for Godhead (review here) is the only cover on this list done by a member of the band in question, and though I’m sure there are many awesome examples out there, I don’t know if any can top this kind of nightmarishness. Unreal. The sheer imagination of it.

Summoner, Atlantian


Cover by Alyssa Maucere. Artist website here.

When I put together a similar list last year, it had Summoner‘s first album under the moniker, Phoenix, on it, and with their second, they went more melodic, more progressive, and showed that heaviness was about atmosphere as much as tone, and that it was a thing to be moved around rather than leaned on. The Alyssa Maucere art, dark but deceptively colorful, rested comfortably alongside the songs, with a deeply personal feel and unflinchingly forward gaze, somewhat understated on the black background, but justifying the portrayal of depth.

As I said above, there’s a lot of stuff I could’ve easily included on this list, from The Flying Eyes to Sasquatch to Black Thai to Lumbar, Samsara Blues Experiment, Goatess, At Devil Dirt and others. Hopefully though, this gives a sampling of some people who are doing cool work in an under-represented aspect of underground creativity.

If I left anything out or there was a cover that really stuck with you that I didn’t mention, I’d love to hear about it in the comments.

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