10 Album Covers that Kicked Ass in 2012

Whatever medium you enjoy music through, LPs, CDs, digital, tapes, reel-to-reel, Edison cylinders, the fact of the matter is that artwork — the visual representation of the album — makes a huge difference in the overall impression a record makes. There are bands who slave away for months negotiating fine details with artists and there are bands who snap a picture of themselves and throw it out front on their way to grab their next beer. Both methods have yielded classic results.

As 2012 winds down, I thought it might be fun to go back to the start of the year and take a look at some of the best album art that accompanied some killer albums. This isn’t the Best Albums list, just some of what I think is the Best Art. I’ll try my best to keep my reasons short as we go along alphabetically:

Alcest, Les Voyages de l’Âme

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Conan, Monnos

The sentinel that has now graced the cover of the last couple We provide excellent essay writing service 24/7. Enjoy proficient essay writing and Literacy Homework Year 4s provided by professional academic writers. Conan releases has mirrored the British act’s ascent in joining the ranks of great heavy metal mascots. http://bola-bicycle.com/?college-math-homework-help online from us because our writers ensure that whatever essay work leave their desks guarantee high benefits to the clients for the smallest Tony Roberts, who drew the piece on the cover of Best http://www.kioostudio.it/best-resume-writing-service-chicago-sales/ - Buy Research Papers From Professionals Monnos, has become an essential part of the band’s mythology, meeting their ultra-crushing tonality with visuals that seem to work in atmospheres no less oppressively brutal. If art was ever heavy, it was heavy here.

Doomsower, 1974

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Electric Moon, The Doomsday Machine

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Groan, The Divine Right of Kings

Having also handled Groan‘s split with Finnish trad doomers Vinum Sabbatum, W. Ralph Walters outdid himself with Groan‘s full-length follow-up, The Divine Right of Kings. With strong References to Hieronymus Bosch‘s vision of hell, Walters visualized the band’s move into classic metal and mixed it with manic get-stoned-and-stare kitchen-sinkery much as Groan continued to consort with brash heavy rock and doom. Walters‘ work on Blue Aside‘s The Moles of a Dying Race was no less distinct an achievement.

Larman Clamor, Frogs

Aside from thinking frogs are awesome in general, I was stoked to see how incredibly well Alexander von Wieding‘s art for his band Larman Clamor‘s 2012 offering fit the music. Otherworldly, darkly psychedelic and caked in haze, the dead stare of the frankenfrog on the front of Frogs perfectly matched von Wieding‘s swampy, bluesy style and looked even better on vinyl. Having also contributed to records by Lord Fowl, Wo Fat, Cortez and others this year, von Wieding has made himself one of the most essential heavy rock artists the world over.

Neurosis, Honor Found in Decay

Were it not for the discussion about the process of putting it together in the interview I did with Neurosis guitarist/vocalist Steve Von Till at the end of October, Josh Graham‘s cover for Honor Found in Decay — especially being so similar in idea to his work on Soundgarden‘s King Animal — probably wouldn’t have made this list, but knowing the level of construction that went into making the piece, from painting the jawbones to using artifact arrowheads from Slovakia, I couldn’t help but see it in a different light. Graham‘s ended his association with Neurosis, but if this is how he went out, they couldn’t have asked for more.

Summoner, Phoenix

I had spent some serious time with Summoner‘s Phoenix by then, had been in talks with the band about releasing it on The Maple Forum, but it wasn’t until I held the LP in my hands at SHoD and really saw the Alyssa Maucere cover in-person that I realized what I was looking at. And once you see it, it’s not really subtle at all. Get it yet? There’s a cock and balls on the right side. I gotta give it to the Boston outfit and to Maucere for sneaking and yet not at all sneaking that one in there. Hey, if you don’t appreciate some phallic humor every now and again, you’re probably not going to start a website called The Obelisk.

Ufomammut, Oro: Opus Primum & Oro: Opus Alter

Is it cheating to include both covers from Ufomammut‘s Oro two-album series? Probably. Do I give a shit? Not in the slightest, because the Italian collective — who for visual purposes go by the name Malleus — tapped into new territory of psych art with the pieces for Oro: Opus Primum and Oro: Opus Alter, manifesting the idea of “psychedelic metal” in the actual style and inks used, while also contrasting dark and light and conveying the permanent nature of gold itself and the notions of hypnotic ritual that show up in their music. These covers were proof that Ufomammut are more than just the masters of their sound.

Undersmile, Narwhal

Another Tony Roberts creation, but in a completely different style from Conan‘s Monnos above, the bleak cover of UK nautical doomers Undersmile‘s 80-minute debut LP Narwhal seemed to embody everything the band had to offer on the album. It was dark, with hard drawn structural lines, but also sprawling, encompassing every panel of the digipak and running into the liner much as Undersmile‘s oceanic themes ran into every minute of the music, crushingly heavy or minimalist and ambient. Less about the titular creature within and more about the sea itself, it conveyed an utter hopelessness and the smallness of humanity when set against something so massive as the sea.

There were plenty more I could’ve included here — records from High on Fire, Om, Graveyard, Wight, Caltrop, Ancestors, Samothrace, Vulture and several others all are worthy of honorable mention, but for one reason or another, these were the standouts to me and I hope you agree that even in this go-ahead-and-download-it age of immediate convenience, the visual art remains pivotal to an album experience.

Someone you think got left out? If you’ve got any suggestions to add, agreements or disagreements, I’d love to get a discussion going in the comments, so please, have at it.

 

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3 Responses to “10 Album Covers that Kicked Ass in 2012”

  1. Rickard says:

    To bad you didn’t get Indigo with Propane Propane in time for this, cause it would definitely qualify.

  2. canucklehead says:

    i think the cover for king animal is somewhat more arresting than the neurosis cover, albeit the latter seems more brooding and gloomy.
    the cover for the beastwars self titled needed to be mentioned; the fold out lp detail of cataclysmic doom via chthulu cannot be topped. i find myself just staring at it mesmerized. the art work duplicates the music so well. doom and destruction and nice use of colour.

  3. NiLe says:

    One of my favorite cover art works this year:

    The Graviators – Evil Deeds

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