This is me feeling like I can’t keep up, I suppose. Even in like the week, two weeks?, since the Quarterly Review ended, I’ve basically got another one full, and I’ve been feeling suitably overwhelmed as we move into Fall. The releases keep coming, keep being announced, and it’s just so much. I’m doing my best, and a lot of this stuff will be covered hopefully before December comes around, but I can’t promise that at this point. It would matter way less if records like Sky Pig, Smokes of Krakatau, Teverts, Deadly Vipers, Tons and Witchfinder, Grin, Grandier, Giant Mammoth weren’t as cool as they are.

I should’ve called the show ‘Punk Rock Guilt,’ but no one would get it anyway. I’m not sure anyone gets it now. I’m not sure why Gimme Metal continues to let me do this, but I’m happy they do. Anyway, for me personally this one’s all about the moment when it hits into Caustic Casanova’s “Bull Moose Against the Sky” from their just-released Glass Enclosed Nerve Center (review here) album, but I’m also reminding myself how much I dug that Ufomammut album and how just because Scott Kelly turned out to be a phony and a shit it doesn’t mean everything Neurot Recordings ever put out should be shunned like a mouthy Amish person. Also threw in some Kyuss, to remind myself I like them. Like, oh yeah, Kyuss. That’s a thing the internet and I agree on.

Bottom line is it’s a show with music I think will help your day, from All Souls and Sasquatch to Faith in Jane and the new Papir/Causa Sui collaboration Edena Gardens. If I’m going to take up two hours of Gimme Metal’s precious airtime — space on the internet may be unlimited and ever expanding, but time is still time — the least I can do is play good shit. So that’s what I’m doing.

Thanks if you listen and thanks for reading.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at: http://gimmemetal.com.

Full playlist:

The Obelisk Show – 10.14.22 (VT = voice track)

The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is Oct. 28 (subject to change). Thanks for listening if you do.

Gimme Metal website

The Obelisk on Facebook

I just put this on for the first time. Right now. And I’m about 30 seconds into the opening track, which is called “Aether” and is also the longest (immediate points) of the seven inclusions at 10 minutes and two seconds, and I already feel compelled to note the occasion. If you’d ask why, just look at the lineup here. Edena Gardens is bassist Martin Rude (who plays bass and guitar here) and drummer-and-then-some Jakob Skøtt of Causa Sui and Nicklas Sørensen collaborating for the first time on a release together, and from the languid but voluminous heavy psychedelia that manifests in “Aether” and through the synth-inclusive reaches of first streaming single “Hidebound,” there’s breadth and breath alike in this material (so far), pulling in part from Causa Sui and El Paraiso Records‘ psych-jazz fusion and topping those rhythms with the dream tone of Sørensen, who every bit earns the forward position of his guitar here.

Oh I’m stoked on this one. The release date is Oct. 28. There’s so much to live for.

From the PR wire:

Edena Gardens – Edena Gardens – Oct. 28

Listen here: https://song.link/edena-gardens-hidebound

Three musicians with their own compass: Martin Rude & Jakob Skøtt have shared a wide range of musical quests: from Causa Sui’s “Bitches Brew of Stoner Rock” crossing the folk meditations of Sun River and arriving most recently as members of the pre-fusion electric dealings of the London Odense Ensemble.

Papir guitarist Nicklas Sørensen is not merely adding a new layer to an established duo, but his presence to the party have brought it into more meditative dwellings. These pieces move slowly, evolving like the slow growth underneath the ground. Whereas Causa Sui & Papir have always excelled at blistering panoramic and often sundrenched sounds, Edena Gardens take a dive inwards and downwards rather than outwards. But there’s also an electrically charged ecstatic rawness to the dealings. Like Æther, the 10 minute opener’s 2 guitars-and-a-drum kit improv, finding it’s way from tumbling drones into monolithic slow riffage. Elsewhere, we find trails of electronic vapors, misfiring bursts of noise and slow drones stretched out.

Edena Gardens is a thing to be experienced first hand – it’s not for everyone, but those who decide to stay are greatly rewarded. It’s a debut unlike any other record on El Paraiso, perhaps unlike any you’ve ever heard.

Welcome to Edena Gardens

Preorder soon: Album out on LP and CD, run of 500 copies each. Release date October 28th! On El Paraiso Records.

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