Days of Rona: Sébastien Bismuth of Abrahma

Posted in Features on April 8th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

abrahma sebastien bismuth

Days of Rona: Sébastien Bismuth of Abrahma (Paris, France)

Writing thesis is a challenge even for the most attentive students. Professionals at the Rocketpaper.net http://www.wlpet.com.hk/?top-research-paper-topics service can deliver your How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Excepting the fact that we had lots of rehearsals to do for our coming gigs and festivals, nothing really serious for us as we do not had anything canceled for now. We all work the songs on our side and discusses via SLACK. We hope Hellfest will not be canceled, but nothing really serious has been announced for now.

I personally try to take all this positively, and see this situation as free time to write songs, and do many other projects i had in mind but never had the time to realize. I’m currently recording guitar tracks for our ex-drummer’s Death & Roll Project (Fred Quota), writing new songs from Abrahma and also work on a very personal project i have for years melding music, drawings…

This situation is something we’ve never seen before and can create a lot of anxiety, even more on people suffering of mental disease or depression, and I think it’s important to escape a bit all this anxiety on social media, without forgetting to follow the rules and stay home to end this situation ASAP.

Everybody’s good for now. Nicolas had the virus, but fortunately he does not had the need to go to hospital. We try to have news from him the more we can, but he seems now recovered.

We provide Geometry Help Homework Live to small and medium size companies for start-ups and businesses already operating. What are the quarantine/isolation rules where you are?

School, university, and all shops are closed except for food, tobacco. We are asked to say home, except to walk the dog, buy food, or make some exercise. You have one hour free per day and you have to take a special permission paper with you. If you do not have mentioned the correct reason why you are outside, or do not have this permission, you’ve got a fine.

Many other people who cannot work at home must work at their company, by taking trains or car… But we only have 30 percent of every traffic for now. I really give all my compassion to those people and even more to all the people currently working in hospitals, retirement homes. Our government has totally broken our medical system and now the situation is really hard for all nurses, doctors. They are the heroes for now and they do not even have masks. Here, tattooists have given their masks and gloves stocks to hospitals, because our government did not have anything to give them…

We also must have compassion to all those people bringing us food everyday. Cashiers, bakers. They are everyday taking the risk to have this fuckin’ virus to bring us food, and I see many people talking bad to them everyday. Do not forget that they are all working sometimes with fear, to bring you food during your quarantine.

This situation has revealed across the world the real weakness of our leaders. They all seem lost and to run after the clock. I see everyday in magazine, that this is the same bad joke in every country. I’m not into politics at all, but I’m really afraid of what will be going on after COVID-19.Many politicians will have to talk, and stop manipulating us all. This situation could have been a bit less catastrophic, but they all have chosen to work for profits, forgetting the people.

And now here we are. And how fun it is to watch them all trying to justify themselves…

If you are interested in hiring a dissertation writing service Best Business Operational Plan writing industry, then UK-Dissertation How have you seen the virus affecting the community around you and in music?

I personally work also as graphic designer for many music festivals, and bands. And it has really been hard to see the result of this virus on music industry. Many bands have lost a lot of money in tour cancellations, and many small venues here are afraid of the future. What will follow is gonna be hard for many promoters, small venues, festivals and artists.

And only us will have the power to help. Culture will need our help after this COVID-19, situation. We will have to support them all. I really hope it gonna ends soon, ’cause many festivals, labels and promoters already discusses of maybe ending here!

phd thesis proofreading uk http://orelvhnizde.cz/data-analysis-findings-dissertation/ consumer behavior term paper term paper about overpopulation What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

To keep calm. There’s a lot of anxiety and bad vibrations here. But stay focused on what is the more important for now! You and the ones you love.

We all want this to end really fast, but we also have to be patient and save life by respecting what scientists tell us to do, to stop this virus expansion ASAP.

Isolation can also be really hard for depressed people and even more if you stay alone beside your tablet, reading all those terrific news. So keep away from what puts you into negativity, and do not hesitate to call or Skype with good friends, or family. Take time for what you do not had the time before. Create, Sing, Play, Draw and think about you and yours.

Stay Safe and we’ll all see each other soon in many festivals!!

All the best!

www.abrahmamusic.net
www.facebook.com/ABRAHMAMUSIC
www.instagram.com/abrahmaofficial/
http://www.smallstone.com
http://www.facebook.com/smallstonerecords
https://smallstone.bandcamp.com

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Review & Full Album Stream: Abrahma, In Time for the Last Rays of Light

Posted in audiObelisk, Reviews on May 22nd, 2019 by JJ Koczan

abrahma in time for the last rays of light

[Click play above to stream Abrahma’s In Time for the Last Rays of Light in its entirety. Album is out Friday on Small Stone Records and Deadlight Entertainment.]

It has been an especially long four years since France’s click to read more - commit your dissertation to qualified writers working in the service Enjoy the benefits of expert writing help available here Abrahma released their second album, Writing thesis is a challenge even for the most attentive students. Professionals at the Rocketpaper.net Resources service can deliver your Reflections in the Bowels of a Bird (review here). As early as 2016, the topic of a new full-length had been broached, and they revealed recording plans in consecutive Junes across 2017 and 2018. The latter took. By the time they got there, guitarist/vocalist and principle songwriter Get in touch this us for Smoke Shop Business Plan. We offer online homework help with any form of finance homework assignment. Sébastien Bismuth was the lone remaining original member of the band, with a changing lineup around him that contributed in no small part to the delay. In the end, it was by absorbing the entirety of the band Dissertation Service Uk Layout.Order paper online 8 hours.Research Paper Xml.Phd dissertation writing and editing Splendor Solis that  Has Cour Supreme Des Etats Unis Dissertation - Secure Research Paper Writing Website - We Provide Top-Quality Paper Assignments At The Lowest Prices Top-Quality Essay .. .Has anyone used essay writing service - Custom Paper Writing and Editing Company - Get Professional Help With Original Essays, Term Papers, Reports and Theses ForMessage Us & Get a Personal Nerdy Tutor to Help You out. Bismuth was able to construct  Find freelance English Proofreading work on Upwork. 115 English my site jobs are available. Abrahma as a five-piece and enter  Welcome to leading platform of Paid Master Thesis In Germany services. We offering all kind of academic writing services like Best Paper Writing Service, Top Orgone Studios to record with MyCourseworkHelp.co.uk is a website where professional writers work for providing supreme UK source as well as Best custom writing service. Jaime Gomez Arellano, known for his work with The essence regarding the thesis therefore the attributes of writing its introduction. Objavljeno u http://republicasdobrasil.com/morar/phd-thesis-figures/. The essence regarding the thesis Paradise Lost, Term Paper Racism - commit your essay to us and we will do our best for you Essays & researches written by top quality writers. 100% non Ghost Given how important editing services are for students, If you are looking for a http://sovetsky.info/?buy-essays-papers, for instance, Dream Death Orange Goblin, etc., and the resulting LP, In Time for the Last Rays of Light, harvests cohesion from the tumult of its making.

With Bismuth joined by guitarist/synthesist/noisemaker Benoît Carel, guitarist/vocalist Florian Leguillon, bassist/vocalist Romain Hauduc and drummer/vocalist Baptiste Keriel, the eight tracks and 49 minutes of the record play out with a fullness and a patience that undercuts the basic idea that this is a completely new lineup — perhaps the fact that CarelLeguillonHauduc and Keriel were a band previously helps — and builds on the atmospheric impression Abrahma made on their second LP with a greater focus on songwriting patience and telling a story with the songs front to back. The operating theme is coping with mental illness, specifically depression, and whether it’s the wailing guitar of “Lost. Forever.” or the turns between massive chug and harmonized vocals of the penultimate “Eclipse of the Sane Pt. 2: Fiddler of the Bottle,” Bismuth and company hold firmly to that focus across the record’s span. Methodical pacing and tonal weight lend depth to the mood of the material, and while there’s certainly a creative range at play, the songs serve the purpose of conveying that theme regardless of arrangement or other factors.

Those who remember Abrahma‘s 2012 debut, Through the Dusty Paths of Our Lives (review here), might be surprised at just how metal some of the guitars sound throughout In Time for the Last Rays of Light, be it at the end of 8:41 third and longest cut “Eclipse of the Sane Pt. 1: Isolation Ghosts” or in the six-minute side B leadoff “Last Epistle,” which emerges from a short intro “Dusk Contemplation” with what would be the album’s most intense spirit — capping in some unabashedly death metal-style chugga-chug in the fadeout accompanied by double-kick drum that’s only too appropriate — were it not for the subsequent “Wander in Sedation,” which swirls in on a dark severity of tone and resolves its lumbering progression in a culminating stretch of blastbeats, echoing those earlier of “Lucidly Adrift” on side A, which takes hold from side A and marries together heavy post-rock with these more extreme impulses.

abrahma

What actually keeps Abrahma from being full-tilt metal is their melodic sensibility and the overarching groove of In Time for the Last Rays of Light. There are moments certainly where one might call out a doom-rooted sense of theatricality, as on closer “There Bears the Fruit of Deceit,” in which a complex arrangement of multiple vocalists — or at least multiple layers — brings mournful resolution to the turbulence preceding, going so far as to have some shouting behind Bismuth in a call-and-response in the pre-chorus, touching on a vibe that would nod to Arellano‘s work with Paradise Lost in its general atmosphere, but working from a foundation of heavy rock instead of classic doom. Still, Abrahma make the lines between styles blurrier on In Time for the Last Rays of Light than they ever have before, and that in itself is something of a victory when it comes to establishing their sound on their third record. They are their most progressive here and their most sonically bold, from the memorable lead line of “Lost. Forever.” setting the downer course for what follows through the last march of “There Bears the Fruit of Deceit” into its fading ringout.

In keeping with that, Bismuth‘s presence as a frontman has never been so palpable. His vocal melodies range further than they have before, and with the others surrounding him at various points throughout, it leads to a more complete and more engaging experience, contrasting the instrumental thrust at times, but finding a foothold in that contrast. And maybe that’s the idea of the record as a whole — exploring or at least trying to come to an understanding of that dynamic and finding a place within it from which to express the emotionality at the core of In Time for the Last Rays of Light. Depression is not an easy to talk about. If it were, it would probably be less pervasive. But Abrahma do not shy away from saying what they want to say about it, and while they don’t go so far as to offer some clichéd hopeful ending, they do manage to craft something beautiful out of the darkened foundations from which they work. The inevitable question, then, is what it will lead to, and how indicative In Time for the Last Rays of Light ultimately will be of where the band are headed, creatively as well as in the simple reality of the players involved.

I don’t know if Abrahma‘s lineup woes are done or not, but listening to “Last Epistle,” “Lucidly Adrift,” “Eclipse of the Sane Pt. 2: Fiddler of the Bottle” and each of the other tracks that make it, it’s clear In Time for the Last Rays of Light was an album that the band needed to make, almost to exorcise it from their collective system. It is a record of striking instrumental purpose and expressive intent. It not only moves their sound forward from where it was four years ago, but it changes the narrative of the group’s function and that of Bismuth as a bandleader and songwriter. What might come next, I won’t speculate, but for the way it lays bare the personal and pushes Abrahma to places they’ve never been, it is an achievement worthy of the obvious pains taken to make it.

Abrahma website

Abrahma on Thee Facebooks

Small Stone Records website

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Abrahma Post “Lost Forever” Video; In Time for the Last Rays of Light Available to Preorder

Posted in Bootleg Theater on April 23rd, 2019 by JJ Koczan

abrahma

It is exceedingly hard to discuss depression. The second one enters into the classification of a diagnosis, the conversation changes. You become less of a person than the manifestation of an idea. This is true of any diagnosis. Think of the simple language involved sometimes. Depressives. Schizophrenics. Cancer patients. Not “people with…” but a simple, easily-filed categorization that saps the individual of their humanity when, let’s face it, acknowledging one’s humanity could potentially go a long way as a first step to addressing the issue in question. It doesn’t always help — it’s not going to make tumors stop growing — but it never hurts.

Making their return after an even-longer-feeling four-year absence, French progressive heavy rockers Abrahma are tackling the issue of depression head on with their new album, In Time for the Last Rays of Light, which is out May 24 on Small Stone and Deadlight Entertainment. The follow-up to 2015’s Reflections in the Bowels of a Bird (review here) indeed puts a human face on depression and the effects thereof on oneself and those surrounding. The video for “Lost Forever” directly portrays the despondency and loneliness that one can feel, even when in the company of loved ones. It manifests in the clip directed by Michael Leclere as a grueling agony with a tragic end and is by no means easy to watch.

“Lost Forever” is the opening track on In Time for the Last Rays of Light. I’m hoping to set up a premiere with a review as we get closer to the release, so keep an eye out for that (or, you know, don’t, if it doesn’t happen), but in the meantime, you can see the clip for “Lost Forever” below, followed by more info from the PR wire. I’d normally say “enjoy” here, but it seems crass given the context. Maybe just understand?

Here goes:

Abrahma, “Lost Forever” official video

In Time For The Last Rays Of Light is the third full-length from French progressive heavy rock outfit ABRAHMA. Set for release next month via Small Stone, the record follows three tumultuous years of personal challenges and lineup changes and is a chronicle of the ravages of coping with loss and mental illness, brought to bear with heavy and progressive songwriting, melodic catharsis, and an impact that goes beyond the material itself.

In advance of its release, the band has unveiled the moving video clip for “Lost Forever.” Offers director Michael Leclere, “‘Lost Forever’ unequivocally deals with depression, so I wanted to evoke identity quest as a parry to nothingness; when you lose yourself into the wilderness and have to draw in your own resources, facing yourself and looking after your animus, finding the strength to fight for things that may seem meaningless. Moving slowly toward an inextricable death, whether you do it to get a little more time or to find epiphany as a last shield before the abyss. We keep scattering pieces of ourselves through our constant efforts to stay alive. It’s like dying a little more each time. And it’s what will get us in the end.”

ABRAHMA’s In Time For The Last Rays Of Light will be released May 24th on CD and digital formats worldwide via Small Stone Records and in France on Deadlight Entertainment. For preorders go to THIS LOCATION.

Abrahma is:
Sébastien Bismuth – Vocals, Guitars
Florian Leguillon – Guitars, Vocals
Benoît Carel – Guitars, Synths & Effects
Romain Hauduc – Bass, Vocals
Baptiste Keriel – Drums, Vocals

Abrahma website

Abrahma on Thee Facebooks

Abrahma on Twitter

Small Stone Records website

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Abrahma Announce May 24 Release for In Time for the Last Rays of Light

Posted in Whathaveyou on March 21st, 2019 by JJ Koczan

abrahma

As it happens, I wrote the bio for Abrahma‘s upcoming third album, In Time for the Last Rays of Light, which will be out May 24 through Small Stone Records everywhere else and Deadlight Entertainment in the band’s native France. So yes, I’ve heard it. It is a darker affair than either of Abrahma‘s other two albums, but still carries the weight and impact that so typified 2016’s Reflections in the Bowels of a Bird (review here). No question though that the context has shifted, and founding frontman Sébastien Bismuth talks about a bit of what that’s all about in the bio below, touching on inward and outward tumult of a kind that, hey, I get it. Like, a lot.

I’m going to try to get some coverage set up for this one, so I’ll say “more to come” and leave it at that. You’ll find the PR wire below, and the bio I wrote starts after the “–” in the second paragraph.

Dig:

abrahma in time for the last rays of light

ABRAHMA to release third album “In Time For The Last Rays Of Light” on May 24th through Small Stone Records

ABRAHMA’s third album “In Time for the Last Rays of Light” follows three tumultuous years of personal challenges and lineup changes. It is a chronicle of the ravages of coping with loss and mental illness, brought to bear with heavy and progressive songwriting, melodic catharsis and an impact that goes beyond the material itself.

— Produced and mixed at Orgone Studios by Jaime Gomez Arellano (Paradise Lost, Ghost, Candlemass), “In Time for the Last Rays of Light” follows 2015’s “Reflections in the Bowels of a Bird” and whether it is the stark chug and lumbering weight of “Eclipse of the Sane Pt. 1: Isolation Ghosts” or the furious blast-beating in the prior “Lucidly Adrift,” its songs produce a depth of atmosphere that speaks to the soul that birthed them. A split with the prior lineup of the band brought the Rouen, France-based founding vocalist/guitarist Sébastien Bismuth into contact with local outfit Splendor Solis, whose members would soon be folded into the new incarnation of ABRAHMA. After many false starts, the band hit the studio in July 2018 and set to work on what is unmistakably their greatest accomplishment to-date: an album that copes with the depression that birthed it and soars hopefully above while reminding that the darkness beneath is ever-present.

“People do not take mental illness seriously,” says Bismuth. “People suffering from depression generally feel rejected, and it is not only a feeling. People that never gone through it generally do not really understand how hard it can be to live every day with this weight on your shoulders, all those questions going through your head.” Spanning genres and decades of influence, from the Bowie-ism of “…Last Epistle” to the gothic unfolding of closer “There Bears the Fruit of Deceit,” “In Time for the Last Rays of Light” speaks with raw honesty and lush craft to its challenges and realizations. In keeping with the album’s theme, a portion of the merch proceeds from ABRAHMA’s next tours will go to help those suffering from mental illness. “I decided to use this album has a medication against this depression and maybe help other people in this situation,” Bismuth recounts. “Each song explains a different side of it: loss of confidence, other’s critical looks, the impression of not having a place in this world.”

With front and back covers by famed French artist Gustave Doré (1832-1883) and a greater expanse of sound than ABRAHMA has ever had before, “In Time for the Last Rays of Light” confronts its demons and offers a reminder that light exists in the first place. (Words by JJ Koczan for The Obelisk)

ABRAHMA “In Time For The Last Rays Of Light”
Out May 24th on Small Stone Records (world)
and Deadlight Entertainment (France)

TRACK LISTING :
1. Lost.Forever.
2. Lucidly Adrift
3. Eclipse of the Sane Pt.1: Isolation Ghosts
4. Dusk Contemplation…
5. …Last Epistle
6. Wander in Sedation
7. Eclipse of the Sane Pt. 2: Fiddler of the Bottle
8. There Bears the fruit of Deceit

Sébastien Bismuth – Vocals, Guitars
Florian Leguillon – Guitars, Vocals
Benoît Carel – Guitars, Synths & Effects
Romain Hauduc – Bass, Vocals
Baptiste Keriel – Drums, Vocals

www.abrahmamusic.net
www.facebook.com/ABRAHMAMUSIC
www.twitter.com/ABRAHMAMUSIC
http://www.smallstone.com
http://www.facebook.com/smallstonerecords
https://smallstone.bandcamp.com

Abrahma, In Time for the Last Rays of Light teaser

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Los Disidentes del Sucio Motel are Coming for You, Barbara

Posted in Bootleg Theater on October 1st, 2012 by JJ Koczan


I guess sometimes it’s a fine line betwixt “paying homage to” and “hijacking footage from,” but French stoner rockers Los Disidentes del Sucio Motel nonetheless show an affection for Night of the Living Dead in their new video for the song “Z.” The band recently released a split long-player called East Side Story that they shared with countrymen outfit Flashfalcon as a follow-up to their debut, Soundtrack from the Motion Picture (review here), and indeed, “Z” isn’t on it. And there you go.

Also, I’m not sure if you’re a crazy rocking rock and roll band that starting off your video with three solid minutes of a dude watching an old movie on tv is the way to convey it. I understand they’re making a George A. Romero connection, but still. Anyway, like I said in that review above, thinking about it can only detract from the enjoyment.

Here’s “Z”:

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Los Disidentes del Sucio Motel, Soundtrack From the Motion Picture: They Need Somewhere Else to Drive

Posted in Reviews on September 30th, 2011 by JJ Koczan

So they’re a French band with a Spanish name that sings in English – got it? Really, that’s just the start of the semi-confused/confusing elements at play with Strasbourg five-piece Los Disidentes del Sucio Motel. Their debut album, Soundtrack From the Motion Picture (released via Deadlight Entertainment), is to a movie that doesn’t exist, follows a context-less narrative structure and boasts numerous guest appearances throughout, culminating in a hidden bonus track cover of a remade “We are the World” – they turned it into “We Rock the World” (yes, really) – that has no fewer than 15 singers on it. The record is 12 tracks, 13 with the bonus, and 64 minutes of desert rock primarily derived from Queens of the Stone Age and Kyuss, and moves into and out of stoner ‘70s biker movie clichés with all the grace of an antelope.

It’s also a lot of fun.

Ultimately, that’s what saves Soundtrack From the Motion Picture. There are a few flubs as regards the tracks, but even those are upbeat, and when Los Disidentes del Sucio Motel hook into a catchy desert rock chorus, they do it right. Of course, they’re also pretty much doing it exactly how Josh Homme would – in addition to being one of the best songs on the album, “Chapter II: Revenge Is A Dish Best Served Cold” is also so much out of the Songs for the Deaf playbook that it could almost count as a cover – but I don’t think they’re trying to pass any of this material off as being completely original. Rather, the cumbersomely-nicknamed band – Francky “The Ice Screamer” Maverick on guitar/vocals, Bobby “The Big Bear” Maverick on bass/vocals, Johnny “The Devil” Maverick on guitar, Billy “The Mad Guy” Maverick on drums and Sonny “The Magic Finger” McCormick on keys/vocals – lightheartedly groove their way through opener “Sir Dany Jack,” the accented-English chorus of “You’ve gotta rock/You’ve gotta ride/You’ve gotta roll and do it all the time” being completely heartfelt and endearingly free of irony. The band members may be playing characters, but it’s pretty clear they put some time into the songwriting, silly though the results might be. “All Alone”’s second half is right off Welcome to Sky Valley, and “Not Folk” follows a quirky Homme-y start-stop pattern that’ll be familiar right from the guitar intro.

“Chapter II: Revenge Is A Dish Best Served Cold” is like-minded, but with a fuller sound and more interesting vocal interplay, that come out especially in some post-hardcore screams that show up again on “Oogie Boogie Drive in Burger” later on, and of course on “We Rock the World” as well. “Brotherhood” is the shortest of the bunch at 3:26 – nine of the 12 are between four and five minutes long – but one of the most effective riffy grooves – the guitars really dialed into the compressed Dave Catching production-style crunch – and it’s a catchy, unpretentious chorus that Los Disidentes del Sucio Motel do well with, taking a step back from some of the purported craziness on the other tracks to just ride the riff. “Beauty Among the Crowd” ends the first half of the album with guest lead vocals from Chrys Caridy, back-ups from Mary Schoenbock and another Queens of the Stone Age guitar line underscored by organ sounds from “The Magic Finger,” whose nom de guerre, if you didn’t notice before, is the best of them all.

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