The Obelisk Questionnaire: Scott O’Dowd from Cortez

Scott ODowd from Cortez

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Scott O’Dowd from Cortez

How do you define what you do and how did you come to do it?

First and foremost, I’m a music fan. I have a voracious appetite when it comes to music, I can never get enough. Ever since I was a little kid, I have been fascinated by music. I think that it has to do with how it makes me feel. I associate songs with different memories and feelings that I have experienced. Somewhere along the way, this love of music led me to want to play an instrument, which ended up being the guitar. Playing guitar sort of naturally led to writing songs. 35-40 years later, I’m still at it.

Describe your first musical memory.

I don’t have one specific memory per se. I have lots of memories of being, like four years old and hearing The Beatles and Beach Boys around the house. Also, lots of FM radio hits of the day. A few songs that I really remember being drawn to for whatever reason were “Dream Weaver” by Gary Wright, “Evil Woman” by ELO, and “Miracles” by Jefferson Starship.

Describe your best musical memory to date.

I don’t know if there is a ‘best’ musical memory, but a fun one is being on tour with our Belgian friends Solenoid, and our brothers in We’re All Gonna Die. We were pulling into a rest stop somewhere, we had all of the van windows open and were blasting ‘Balls To The Wall’ by Accept. It got to the part where it breaks down to just drums and bass, everyone spontaneously started singing the ‘Ah-ah- ah-ah-ah-ah-ah-ah-ah’ chanting part at the top of their lungs. We all burst out into hysterical laughter afterwards.

When was a time when a firmly held belief was tested?

The belief that anything is guaranteed. Over the last year, I have been dealing with serious back issues, which at times have made it almost impossible for me to walk. Sometimes I wonder if the physical limits of my own body may force me to stop playing music. Which is an absolutely unbearable thought.

Where do you feel artistic progression leads?

True artistic progression will ultimately lead to the next set of challenges. Whether they be external or internal. I’d like to think that the ultimate end would be a sense of satisfaction and accomplishment, but I think there is always the drive to eclipse, or expand on the previous song, album, or performance.

How do you define success?

I define success as doing what you want, and being happy.

What is something you have seen that you wish you hadn’t?

My mother’s battle with Alzheimer’s disease. It is the most horrific thing I have ever had to endure.

Describe something you haven’t created yet that you’d like to create.

The next song.

What do you believe is the most essential function of art?

I think that the most essential function of art is to make you think. Whether it’s just getting your synapses firing, and experiencing different emotions, or really making you question things on a deeper level.

Something non-musical that you’re looking forward to?

Traveling, spending time with friends and family.

https://www.facebook.com/cortezboston
http://www.instagram.com/cortezboston/
http://cortezboston.bandcamp.com/
https://www.cortezboston.com/

https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Cortez, Sell the Future (2020)

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