Circle of Sighs to Release …Performs an Invocation April 21
Part live album, part concert film, part avant-garde ceremonialism, it should come as no great shock that Circle of Sighs‘ forthcoming release, Circle of Sighs Performs an Invocation would be a challenge to classify since, you know, that’s kind of the L.A.-based unit’s whole thing. Last year, the e’er experimentalist troupe founded by bassist/conceptualist Collyn McCoy (who now doubles in the revamped Unida) anyone offered the full-length Alabaster (review here), not so much blurring as readily crossing genre lines as though to underscore the absurdity of categorizing creativity in the first place. That they’d follow it with a mime-inclusive captured live performance makes sense in a way that is very much their own.
And while you’re perusing the various artsy namedrops in the PR wire info below, I’ll add the undervalued Sleepytime Gorilla Museum as partial aesthetic kin, less electronic, but with a similarly dark mystique behind material able to go anywhere it wants because that’s all it does. Active defiance of the laws of genre. Good for them, getting weird in Dolby Atmos.
The teaser on YouTube, so they’re not exactly keeping secrets ahead of the release, and if you’re feeling bold you can take it on at the bottom of this post. I would think that at some point, Circle of Sighs will have something captured at their Suspirium space as well, but it should be noted that Circle of Sighs Performs an Invocation was recorded at Transplants Brewing, and the stunning cover art is by Sean “Skillit” McEleny, who also did the first not-by-me banner for this site and drew the only tattoo currently on my body.
The pertinents:
Circle of Sighs Performs an Invocation – April 21 – Pillars of Creation Rkds
Since the group’s inception in 2018, Circle of Sighs has never been bound to tradition, least of all their own. From the synth-laden doom of their debut release Salo, to the epic prog rock of its successor, Narci, to the Aphex-Twin-on-dälek electronic adventurism of 2022’s Alabaster – stylistic shifts have always been the point.
Some bands do well by giving the fans what they want. Circle of Sighs is not that band. Technically, it’s not even a band at all, but rather a “kollectiv” (in the Bukaninian sense) wherein every participant contributes what they can, when they can, according to their creative need. The result is an ever-evolving oeuvre that transmogrifies and mutates like a virus.
And speaking of viruses, one should not discount the effect Covid-19 had on the group’s process. Those aforementioned records were very much “pandemic projects” with contributors exchanging ideas and performances remotely. However with …Performs an Invocation we find Circle of Sighs taking the diametric approach. Composed with all participants in the room, performed and recorded live in just one take, with sections of free improvisation, randomization and reactive composition, it is simultaneously their most human and most alien record to date.
But what’s the sound? The elevator pitch is Sun Ra meets SunnO))). You’ll also find traces of Amon Duul II, Fela Kuti, Dark Magus-era Miles Davis and, esoterically enough, Ya Ho Wha 13 (aka The Source Family house band). And yet, despite such disparately groovy, psychedelic and jazzy influences, …Performs an Invocation is still a metal record at its heart, albeit bereft of the toxic masculinity of a Hellfest slam pit. But when it dooms, it DOOMS.
Did we mention the mimes? We should probably mention the mimes.
No, we do not mean Third Street Promenade Buskers in horizontal stripes trying to free themselves from invisible boxes. We mean the corporeal mime of Étienne Decroux and Jean-Louis Barrault. We mean the surrealist mask theater of Mummenschanz. We mean Butoh. We mean the “happenings” of the Fluxus Movement. And while mime is usually considered a visual experience – and you certainly will catch an eyeful when partaking in the …Performs an Invocation BluRay release – the mimes’ compositional contributions were significant enough that they are credited alongside the musicians in the album’s liner notes. The human body is, after all, the primordial musical instrument. In fact movement art is so integral to Circle of Sighs’ compositional process, that – along with the group’s ever-expanding headcount which also includes jugglers, dancers, and contortionists – it inspired them to open Suspirium, a 3000-square-foot idea workshop and performance space in a still-not-quite-gentrified corner of Downtown Los Angeles. Therein the kollectiv can be found workshopping new musical and visual concepts as well as building props, painting sets, mapping projections, and hosting performances, events, and exhibitions. Think Warhol’s Factory gone kvlt.
Circle of Sighs Performs an Invocation releases April 21, 2023 care of the group’s own Pillars of Creation Rekords on vinyl LP, streaming, and BluRay (which contains the full konsertfilm and boasts a Dolby Atmos mix). To celebrate this event, there will be a record release performance and art show on April 22nd at Suspirium in downtown Los Angeles, CA, with further tour dates to follow.
Circle of Sighs Performs an Invocation
ACT I: HARVESTER OF BONES
ACT II: METRIC TIME
ACT III: INVOCATION OF JARRÖD
album credits
Ekaterina Gorbacheva – vocals
Aguste Sharma – guitar
Colin Kupka – saxophones
Ryan Thomas Johnson – keyboards
Collyn McCoy – electric upright bass
Ian Schweer – drumkit
Chris Soohoo – Mime 1 (Horus)
Mavis Figuls – Mime 2 (Hathor)
Recorded live at Transplants Brewing – Palmdale, CA
Mixed and Mastered by Matt Lynch at Mysterious Mammal – Venice, CA
Atmos mix by Rob Wrong at Wrong Way Recording – Portland, OR
BluRay authored by Asaf Blasberg – Brooklyn, NY
Artwork by Skillit
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