Red Mesa Premiere “Route 666” Video; New Album Written

Posted in Bootleg Theater on January 14th, 2020 by JJ Koczan

red mesa

As announced last month, Albuquerque, New Mexico, heavy rockers  student tutors Ways To Help Disabled People Essay uva master thesis online dissertation scientific Red Mesa started writing material for their next album — they just finished this past weekend, by way of an update — as yet untitled, which will be out presumably later this year also-presumably through guitarist write my academic essay http://cheapessaywritings24.com/website-to-write-essays/ website to write essays june smith phd thesis professionalism and ethics in financial planning help on dissertation declaration Brad Frye‘s  business plan writer houstons Desert Records imprint. Well, that’s still neat news and all, but again, it was last month, which also makes it last year, which basically makes it ancient history even though the album in question hasn’t happened yet — behold the internet age! — and so it’s onward to the next thing, which also happens to be the last thing.

Yes, before  try here - Get started with essay writing and compose greatest dissertation ever get a 100% original, plagiarism-free essay you Red Mesa — the three-piece of guitarist/vocalist  link is the seasoned writing company which helps students for their requests to someone write my essay for me or pay to write my essay online in UK. Brad Frye, drummer/backing vocalist If you hesitate to A Level Essay Help projects online, you should get more information about the advantages that you can get this way. Roman Barham and bassist/vocalist  Dissertation Writing Ppt service from Canada is the smartest solution for academic coursework writing issues! Choose Ca.EduBirdie.com for greater success! Irish Cantwell — set themselves to the task of recording the band’s second LP, they’re giving the first one a proper sendoff. Thus arrives their new video for “Route 666,” the penultimate track from  "Edit my essay". Choose our online https://sdp2.com/?p=writing-a-masters-thesis-book service and do not waste your time on other websites! Red Mesa‘s 2018 debut,  Buy essay online at professional enter site service. Order custom research academic papers from the best trusted company. Just find a great help for The Devil and the Desert (review here), which you’ll recall was split into semi-acoustic and harder-hitting halves. As the immediate fuzz riff of “Route 666” tells you, the track comes from the heavy half of the record, and that’s just fine.

The secondary point the track raises in bidding farewell to  Searching for best list assignment? We are here to help. We will help you in learning the concept by solving assignments in simplest way. The Devil and the Desert is that  Writing Research Papper For Money - work with our writers to get the quality essay meeting the requirements Proofreading and editing aid from top professionals. Red Mesa are much more of a band now than they were when the debut was put together. Founded by  essay on my pet for class 5 Best source url best college admission essay yourself pattern of report writing Frye, the lineup at the time split just as  master thesis of diploma thesis phd thesis on paintings research proposal samples dissertation sur la solution finale Red Mesa was getting ready to hit the studio to record, so he and producer  Should Students Be Able To weblink? This is the key question that every college student wrestles with: should I use a writing service to buy Matthew Tobias went ahead and made the album anyway with studio collaborators. It was a bold play and it made sense in how the record came out, but with  do my homework they said go college admissions letter essay writing 2013 Frye Barham and Cantwell as a more established trio, it seems safe to me to expect a different dynamic from their follow-up. They’ve toured together and done shows both plugged and unplugged, and all that “makes a band” stuff is kind of a cliché at this point, but it’s also true. I’ll be interested to hear how the second record moves forward from the first.

We’ve got a while to go before we get there, though I hear details are forthcoming in a couple weeks or so. In the interim, get all desert-y with “Route 666” on the embed below. More info follows.

Enjoy:

Red Mesa, “Route 666” official video premiere

From Red Mesa’s “The Devil and The Desert” album, ‘Route 666’ is fast and full of heavy, desert rock riffs. Inspired by the old north-south U.S. highway in the Four Corners regions of the United States southwest, Route 666 was known as the “Devil’s Highway”. Due to the New Mexico portion being known as a dangerous highway with a long history of death and violence, and a growing superstition of the highway being “evil”, Route 666 was renumbered in 2003 to Route 491.

The band was also inspired by the gritty charm of Albuquerque, and the weird tales along old Route 66 that weaves through the city. Crime, poverty, and Breaking Bad lifestyles mix with artistic creativity and a hungry music scene that is growing quickly in New Mexico’s only metropolis.

The music video was filmed and edited entirely by Hunter Dawson of Desert Dwellers. This video features Red Mesa members Brad Frye (guitar/vocals), Roman Barham (drums), Alex Cantwell (bass/vocals).

The music video captures shots of the Sandia Mountains that loom over the city of Albuquerque.
The live performance was filmed at the Taos Mesa Brewing in Taos, NM on August 30th, 2019.
The street shots are in Downtown Albuquerque on Central Ave.
The music venues and businesses that Red Mesa frequent and/or partner with are featured in the video such as Desert Records, Launchpad, Sister Bar, Arise Music and Coffee, and Bar Uno, and Monolith on the Mesa.

Red Mesa is:
Brad Frye: guitar, vocals
Roman Barham: drums, backup vocals
Irish Cantwell: bass, vocals

Red Mesa, The Devil and the Desert (2018)

Red Mesa on Thee Facebooks

Red Mesa on Instagram

Red Mesa on Bandcamp

Desert Records on Thee Facebooks

Desert Records on Bandcamp

Desert Records BigCartel store

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Red Mesa Announce First-Ever Tour

Posted in Whathaveyou on October 30th, 2018 by JJ Koczan

red mesa

Despite a recent back injury to drummer Roman Barham — who I think I might’ve half-met earlier this year someplace; was it Maryland Doom Fest? — Albuquerque, New Mexico’s Red Mesa will head out on tour next month in support of their 2018 album, The Devil and the Desert (review here). This will be the band’s first-ever tour, and they’ll be out for 10 days beginning Nov. 8 suitably enough at the Launchpad in their hometown before covering a good swath of the sprawling and sandy Southwest, as well as into Los Angeles and San Diego, Las Vegas and so on. It’s a good run and they’re playing with good bands along the way — you can bet that Sierra Vista show is with Fuzz Evil — and there is a date still TBA in Tucson, so if you’re there and can help out, do that. Because it’s the right god damned thing to do, and you know it.

I’ve said as much before, but a first tour is a special time for a band that, like a first album, only comes once. Kudos to Red Mesa on getting out. I hope the shows are a blast.

Dates follow:

RED MESA TOUR POSTER

Red Mesa – First Tour

November 8th-November 17th.

Red Mesa will be heading out on the road this November for their first tour!

“The Devil In the Desert” tour will kick off in the band’s hometown of Albuquerque, NM on November 8th. From there, the band will do a SW/West Coast circuit.
This will tour will promote the band’s June 2018 release of “The Devil and The Desert” album.

The band’s ringleader, Brad Frye, will be doing vocals and playing guitar. Roman Barham, Albuquerque’s local favorite promoter, drummer, and music store owner will be playing drums. This tour will feature the band’s new bass player, Josh Vigil, an accomplished musician who plays bass and flamenco guitar.

The band has booked the tour themselves using the network of bands and venues they have worked with and hosted through the years. Salem’s Bend, King Chiefs, Nebula Drag, Big Mean, Fuzz Evil and many others will be hosting Red Mesa along the way.

“THE DEVIL IN THE DESERT TOUR 2018”
Thurs 11/8: Albuquerque, NM – Launchpad
Friday 11/9: El Paso, TX – Neon Rose
Sat 11/10: Sierra Vista, AZ – The Horned Toad
Sun 11/11: Los Angeles, CA – Characters Pomona
Mon 11/12: San Diego, CA – Space Bar
Tues 11/13: Los Angeles, CA – The BLVD
Wed 11/14: Las Vegas, NV – Sahara Events Center
Thurs 11/15: Flagstaff, AZ – House Party
Fri 11/16: Tempe, AZ – Cornish Pasty Co.
Sat 11/17: Tucson, AZ – TBA

Big News! This tour will coincide with the release of Red Mesa’s cover song of “Breathe” for Magnetic Eye’s The Best of Pink Floyd compilation on November 9th.

https://www.facebook.com/redmesaband/
https://redmesarock.bandcamp.com/

Red Mesa, The Devil and the Desert (2018)

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Red Mesa Premiere “Sacred Datura” from The Devil and the Desert

Posted in audiObelisk, Reviews on May 29th, 2018 by JJ Koczan

red mesa

Albuquerque, New Mexico-based heavy desert rockers Red Mesa release their second album, The Devil and the Desert via their own Desert Records imprint on June 1. The follow-up to the trio’s 2014 self-titled debut and their 2016 appearance alongside Blue Snaggletooth on Ripple Music‘s The Second Coming of Heavy – Chapter Four (review here), it’s a seven-track/38-minute outing the urgency of which seems to be affirmed through the sheer act of its creation.

To wit: Split into two vinyl sides and released on that format with money garnered via crowdfunding, the beginning of the recording process found guitarist/vocalist Bradley Frye without a band. Both bassist Shawn Wright and drummer Duane Gasper split after a gig last August (that must have been some show), and rather than call it a day and go home, Frye decided to hit the somewhat ironically named Empty House Studio with producer/engineer Matthew Tobias and press forward with making the record.

That decision in itself was pretty bold, and it pays dividends throughout The Devil and the Desert, the title of which refers to its dual themes. From front to back there would seem to be a narrative of hallucinogens, the arrival of the devil, the desert itself, and so on, and musically, the material becomes more severe the deeper into the record one goes, Frye starting out with a semi-acoustic swamp blues that touches on psychedelia in “The Devil’s Coming ‘Round” — which has a few heavy riffs of its own, like a Southwestern fuzz-proffering Monster Magnet with Frye cast in the Wyndorf role — and the ethereal sandy grunge of centerpiece “Desert Sol,” before tipping the balance to more weighted fare with “Sacred Datura,” the motor-chugging “Route 666” and the trippy desert heft and spaciousness of the 10-minute closing title-track.

red mesa the devil and the desertBy the time Frye gets around to “The Devil and the Desert,” he’s traveled a significant distance even from “The Devil’s Coming ‘Round” and other early cuts like opener “Devil Come out to Play” and the instrumental “Springtime in the Desert,” which opens psychedelic and fades out only to return with more grounded acoustics. That play between the real and unreal becomes central to The Devil and the Desert, and in order to better evoke it, Frye put Tobias to work on drums/percussion and brought in studio players Jon Mcmillian (bass) and lap steel/baritone guitarist Alex McMahon in order to better evoke the sense of a full-band playing. To be blunt, it works.

The danger with using session musicians especially on an independent release is that, while generally ultra-talented, they have little investment in the project at hand. They’ll play well, but won’t share the passion of those who hired them or who composed the material they’re playing. Frye and Tobias found the right people. To listen to the fleshed out arrangement of “Desert Sol” at the album’s center, McMahon‘s baritone and lead guitar melds easily with what Frye does on electric and acoustic guitar and vocals and with Tobias‘ percussion. And since the second, more generally weighted half of the record was made with the clearly self-aware Frye and Tobias working as a duo playing the parts of a full band — Frye taking up bass as well as guitars and vocals — there’s a shift in presentation as well as general mindset just where one is intended.

So again, it works. I don’t know if Frye — whose since brought on bassist Randy Martinez and drummer Roman Barham to play in the live incarnation of Red Mesa — would say losing two-thirds of his band prior to recording was an asset, but listening to the channels switch in the bouncing verse of “Sacred Datura,” or hearing the fuzzy rhythm part back the soaring lead, one would have a hard time arguing he didn’t make the most of it, and that The Devil and the Desert didn’t turn out as broad in sound as it is cohesive in its themes. It’s a mindful outing that rather than simply working within genre confines, uses the elements of desert rock, lost country and psychedelia in carefully set balances to suit its own needs and purposes. It is an album commanding aesthetic, rather than being led by the rules of it.

Below, you can hear the premiere of “Sacred Datura” and read more about the song specifically from Brad Frye. Once again, The Devil and the Desert is out June 1 via Desert Records. Preorders are up now through Red Mesa‘s Bandcamp page.

Please enjoy:

Brad Frye on “Sacred Datura”:

The song “Sacred Datura” was initially conceived from Carlos Castaneda’s book The Teachings of Don Juan: A Yaqui Way of Life. In the book Don Juan explains that Sacred Datura is also known as Devil’s Weed. Sacred Datura is meant to give human beings remarkable powers, such as being able to fly, uproot big trees, go into heat to become pregnant, very powerful stuff. In regards to the song, it’s more about having the power to confront your demons (or the Devil) head-on and be able to survive the encounter.

Most all the titles to songs on this record include the word ‘desert’ or ‘devil.’ I was originally going to name the song “Devil’s Weed” but I figured some hallucinogenic drug fans or plants geeks may appreciate the reference.

The other book that inspired the song was Edward Abbey’s Desert Solitaire. There’s a chapter in the book where a boy accidentally eats Sacred Datura and has quite a trip before he eventually dies from dehydration in the canyon lands of Utah. Although I’ve never taken Sacred Datura, I used my own experiences with psychedelic mushrooms to write the song.

It’s the first track I’ve ever recorded with me playing bass. The tracking session mostly consisted of Matthew Tobias telling me to “do it again.” The whirling sound that you hear at the very beginning of the song and continues throughout the first half of the song is from a homemade Leslie rotating speaker cabinet made from some hippie dude that I bought from in the trippy little New Mexico town of Madrid.

The riff in the second half of the song is most certainly an ode to Black Sabbath’s “Black Sabbath” riff. Seems like the kind of riff that would appear out of the cosmos on such a journey.
Plus, it being the devil’s triad (root note, with a octave up, and a flatted fifth), which was banned from the churches in Europe in centuries past, seemed fitting to have in this album.

The album was recorded at Empty House Studio in Albuquerque, NM. Matthew Tobias engineered, produced, and mixed the entire album. Doug Van Sloan Mastered the album. Side A was recorded in September and October of 2017. Side B was recorded in January and February of 2018.

Release date: 250 colored vinyl LP’s will be available for sale in early June 2018. Limited edition. Brad Frye’s new record label, DESERT RECORDS, will release the album. Look for more
releases in 2018 by DESERT RECORDS.

Red Mesa has a new rhythm section for 2018 for live shows.
Roman Barhan (Rezin Tree, Black Maria, Jagged Mouth,) will play drums.
Randy Martinez (Hounds Low, Jagged Mouth) will play bass.

Red Mesa is currently booking its first tour to play and promote the album.

Red Mesa on Thee Facebooks

Red Mesa on Bandcamp

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