The Obelisk Questionnaire: Matt Weed of Rosetta

Posted in Questionnaire on May 22nd, 2015 by JJ Koczan

rosetta matt weed

One decade after the release of their WriteMyThesis.net offers you great http://shikishima-reform.com/blog/her-essay-was-posted-online along with thesis writing one. We guarantee high quality and originality, so don't waste a second to Translation Loss debut, the rocking horse winner essay 500 Word Essay On Importance Of Following Orders love exists essay formatting a mid term paper help The Galilean Satellites, Philadelphia’s https://sdp2.com/?p=undergraduate-research-proposal-sample - Making a custom dissertation means work through lots of stages Entrust your task to us and we will do our best for you Rosetta stand on the cusp of their fifth long-player, WriteMyThesis.net offers you great http://m2online.at/research-papers-on-linguistics/ along with thesis writing one. We guarantee high quality and originality, so don't waste a second to Quintessential Ephemera. Released in association with Order http://www.maps.upc.edu/macroeconomics-homework-help/ & Secure Highest Grades at a lowest price of (/page). Assignment writing service provided by MyAssignmenthelp. 4500+ PhD writers Golden Antenna Records, the new album follows 2013’s independently-released Affordable and professional Online Tutoring or Online College Homework Help, Homework Helper Science from Our Experienced Tutors. Get Quick Homework answers The Anaesthete and the 2014 Picking a professional official site is the most challenging task for students who have decided to seek writing assistance, hence the need for Flies to Flame EP, as well as an original score produced earlier this year for a film about the band, boys state essay help How To Structure A Dissertation works cited essay cv writing service huddersfield Rosetta: Audio/Visual, and is the latest in a line of deeply creative outings furthering the band’s stylstic meld of atmospheric metal, sludge, post-rock and ambience. Noteworthy also for being their first full-length with the lineup of vocalist/noisemaker  Can I pay someone to purchase a dissertation literature review? Yes, hire us to earn good grades and submit your homework on time Mike Armine, guitarist plagiarized custom essay I Need http://tischlerei-goedecke.de/growing-plants-homework-help/ custom writing agents phd thesis in strategic management Matt Weed, bassist http://www.geht-auch-anders.de/a-quelque-chose-malheur-est-bon-dissertation/ for you free - professional and affordable essay to ease your life Get started with essay writing and craft finest essay ever Dave Grossman, drummer college entrance letters today, I am searching for a tutor who can do my physics homework in less than 2 hours. I need to do my physics homework. Do My BJ McMurtrie and guitarist Literature Review For Project Example. A personal statement is usually developed for purposes of entrance into degree programs. They are used for applying for a course Eric Jernigan after having brought the latter on board in 2014 (he doubles in  http://ireon.ru/?business-studies-assignment-help that makes that perplexing technical content sound coherent and free from technical jargons. Professional Copywriting Services. City of Ships),  http://moroz-spb.ru/?vision-homework-helper is a great solution to avoid writing a research papers. And our writing service is the best from others, due to team of Quintessential Ephemera continues  Rosetta‘s workman-style approach to progressive, fluid and exploratory songwriting, their commitment more to going places they’ve never gone than to any particular genre or other.

Weed took some time out recently to respond to The Obelisk Questionnaire and you’ll find his answers below. Please enjoy:

The Obelisk Questionnaire: Matt Weed

How did you come to do what you do?

Hard to say, since I’ve been in one band or another with our drummer BJ for over half my life. I picked up a guitar when I was 14 and it has always been a kind of territory that I explored, rather than an object I tried to master. So I’ve always written music by default – it was much harder to learn music written by other people. I went to school for totally unrelated stuff and that was probably a good thing, since academic study tends to destroy one’s enjoyment of a thing. I’m a bit of a robot in personality anyway, and music was one of the only ways I could ever access, understand, and communicate about emotion. The verbal language of emotion is either mystifying or outright off-putting to me, but playing an instrument I always felt like I had access to a more truthful way of communicating with people.

Describe your first musical memory.

My parents played a lot of classical LPs on a really crappy integrated turntable/amp system from the ’70s when I was a kid. My dad liked Romantic composers like Brahms and Tchaikovsky a lot, and my mom played the piano in the house, often old hymns. I would sit at the piano and play individual notes to see which I liked. I liked the A two octaves below middle-C the best. I would wail on that note for long periods, sometimes chanting over it (I was about four or five), but my family never complained about it. I guess that was my first foray into drone music.

Describe your best musical memory to date.

In high school, when I was still training on violin, I did a program where high school kids got to sit with members of the Philadelphia Orchestra and play together. Each pair of stand partners was one PO member and one high school student. It was remarkable mainly because I was a “just-okay” student of the violin, but while I was on-stage with such serious players, my technique just seemed like it magically improved, instantly. I had no idea I could play like that. It wasn’t objectively great but it was an order of magnitude better than I was normally capable of. I never forgot it, because it was proof to me that everyone does their best work in collaboration; one person who develops skill and takes risks has a beneficial effect on everyone he or she plays with. Likewise, being lazy or self-satisfied drags down everyone around you.

When was a time when a firmly held belief was tested?

There have been several extended periods where I really struggled with the idea that having integrity and good character is more important than success. I was brought up believing that (my parents were neither achievement-oriented nor overly accommodating), and I still do. But it’s easy to make that statement when you have enough to eat and can make rent and people are regularly affirming the work you do. Society says that integrity matters, but then turns around and judges you exclusively on indicators of wealth, prestige, or social significance. That would probably explain why so many truly awful people are among the most successful. Especially in the world of art, you need to be profitable, popular, or critically acclaimed. If you’re none of the three, you must not be very good at what you do. Then you feel pressure either to adapt your work to the market or to quit entirely. But neither of those options demonstrates integrity. I’m not sure it’s possible to resolve that conflict, ultimately.

Where do you feel artistic progression leads?

Laying aside questions about marketability, it seems like it’s a progression of greater risk-taking. You try something new and then ask, did it communicate what I wanted to say? Was it satisfying? Did I learn something in the process? If it didn’t work, then you go back and try again. If it worked, then you jump off from there and take more risks. If you’re not taking risks, then you’re not making art, you’re producing a commodity. But taking risks necessarily means failing sometimes.

How do you define success?

Sustainability. I don’t just mean that in the financial sense. I’ve never made any money from the band and I probably never will, but I’m happy for the band to support itself. Money hasn’t ever been a goal, it’s just one means to the end of being able to keep going for as long as there is music we want to make. But there are other dimensions to sustainability, like avoiding personal burnout and cultivating new audiences, not getting stuck in unproductive habits, becoming more disciplined people as time goes on. During periods where Rosetta was broke and almost unable to continue, money always loomed as the largest dimension. But once we went independent and the band more or less began to pay for itself, I started to see a lot of different ways it could be derailed that had nothing to do with money. I think success would be a situation where we had what we needed and were spending more time creating than problem-solving.

What is something you have seen that you wish you hadn’t?

A No Doubt show at the Electric Factory in Philadelphia in 2002. Yes, it was for a girlfriend. Someone puked on my shoes.

Describe something you haven’t created yet that you’d like to create.

A drone record made with a guitar and found sounds from my house to a four-track tape recorder.

Something non-musical that you’re looking forward to?

Every year my wife and I try to go on a wilderness backpacking trip to some weird remote location. I always look forward to that. I feel most human in situations where I have to submit to the law of nature, rather than using technology to bend nature to my wishes. Real life seems totally unreal by comparison.

Rosetta, Rosetta: Audio/Visual Original Score (2015)

Rosetta’s website

Rosetta on Thee Facebooks

Rosetta on Twitter

Rosetta on Bandcamp

Golden Antenna Records

 

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Rosetta to Release Quintessential Ephemera on July 3

Posted in Whathaveyou on May 14th, 2015 by JJ Koczan

rosetta

By now, Philly five-piece Rosetta are pretty much self-sustaining. What I mean is, the band, who picked up guitarist/vocalist Eric Jernigan from City of Ships in 2014 as their fifth member, seem to be able to just keep going. They tour hard consistently and do well, and they put out records that usually reap some measure of positive response, but more than anything else, what they’ve become in the decade since they issued their The Galilean Satellites debut on Translation Loss in 2005 is steady. Sustainable. They’ve built a loyal following and can probably keep Rosetta going until they decide it’s time to stop. Not saying it’ll make them rich, not saying it’s not work, but the band has a life of its own without being propped up by hype.

Rosetta‘s new album, Quintessential Ephemera, will be released on CD and LP this summer via Golden Antenna Records and follows a score the band put together for a documentary about them called Rosetta: Audio/Visual that can be name-your-price downloaded from their Bandcamp. They’ll head back to Europe following the upcoming full-length’s arrival, and you can find the dates below for that tour, courtesy of the PR wire:

rosetta quintessential ephemera

Golden Antenna Records: ROSETTA “Quintessential Ephemera” (Members of CITY OF SHIPS, Post Metal/ Rock)

Artist: Rosetta
Title: Quintessential Ephemera
Format: CD, 2xLP
Label: Golden Antenna Records
Distribution: Broken Silence
Release Date: 03/07/2015

With four albums under their belt, and over a thousand shows across a decade of touring, the four people behind Rosetta have branched out.

In 2014, Rosetta made their first-ever lineup change, adding Eric Jernigan of longtime tourmates City of Ships on guitar and vocals. As a five-piece, they recorded 2015’s Quintessential Ephemera, a many-layered collection of songs at once existential and deeply hopeful. Containing some of the band’s most moody and yet accessible work to date, it still has an upward force to it that delivers an appropriate counterpoint to the darkness and disintegration ofThe Anaesthete. After a 12-year journey, Quintessential Ephemera is a rebirth.

On their fifth full length album, Rosetta continues to broaden their harmonic and sonic experiments. Carrying the torch of 90s experimental rock with , they merge a deep melodic sobriety with progressive and confrontational heaviness. Quintessential Ephemera is both existential and deeply hopeful. It has some of the bands most moody work to date, but has an upward force to it that delivers an appropriate counterpoint to the darkness and nihilism of their previous record.

Quintessential Ephemera was recorded and mixed at Machines With Magnets (Battles, The Body, Braveyoung) in Providence, USA and mastered by Colin Marston (of Gorguts, Krallice, Dysrhythmia) at The Thousand Caves in New York. Artwork was designed by american artist called Mark Price.

Pre-order: http://www.goldenantenna.com/shop/advanced_search_result.php?keywords=rosetta
150 copies available on limited green vinyl!

http://warcrimerecordings.bigcartel.com/product/rosetta-quintessential-ephemera-2xlp-preorder-to-ship-end-of-june
2xLP green splatter on transparent vinyl

European Tour
28.07 BEL – Knokke Heist @ Korenbloem
29.07 NL – Utrecht @ dB’s
30.07 GER – Würzburg @ Immerhin
31.07 GER – Bad Kötzting @ VOID FEST
01.08 SK – Trnava @ Art Klub
02.08 HUN – Budapest @ Dürer Kert
03.08 SRB – Belgrade @ KC Grad
04.08 BIH – Sarajevo @ Club Underground
05.08 CRO – Sibenik @ SUPERUHO FEST
06.08 CRO – Cakovec @ Prostor Cezam
07.08 AUT – Vienna @ Chelsea
08.08 CZ – Jaromer @ BRUTAL ASSAULT FEST
09.08 POL – Warsaw @ Klub Hydrozagadka
10.08 GER – Dresden @ Chemiefabrik
11.08 GER – Essen @ Panic Room
12.08 DK – Copenhagen @ Underwerket
13.08 GER – Berlin @ Tiefgrund (Theatersaal)
14.08 GER – Wiesbaden @ Schlachthof
15.08 FRA – Paris @ Le Point Ephémère
16.08 BEL – Ieper @ IEPER SUMMER FEST

http://www.rosettaband.com
http://www.facebook.com/rosettaband
http://www.goldenantenna.com
https://theanaesthete.bandcamp.com/

Rosetta, Rosetta: Audio/Visual (2015)

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