At this point, between the review, the interview, live review, tour posts (there’s a couple), and sundry other rants, I’m not sure how many other ways there are for me to say it. I fucking love this album. Ohio rockers Lo-Pan‘s third full-length, Salvador, is the best record I’ve heard in the first half of this year, and listening to it now to write this post, I’m just as excited to hear it as I was the first time I did.
The only difference? Now I know the songs. I can follow Brian Fristoe‘s riffs, Skot Thompson and Jesse Bartz‘s bass and drums. I can ape singing along (having neither the range nor the capability to actually keep up with him) to Jeff Martin‘s vocals. These tracks, from “El Dorado” on down through “Seed,” “Chichen Itza,” and “Struck Match,” are amped-up stoner rock classics, and even when Lo-Pan hit the brakes and deliver moodier pieces like “Bird of Prey” or “Solo,” they seem to lose none of the immediacy or directness in the material.
The thing about it, really, is you can just hear the time these guys have put in on the road. It bleeds through the songs — all of the songs — in how tight they are, how together, and of all the albums I’ve heard so far into 2011, Salvador is the one I feel I’m most likely to keep with me long after this year is over. It’s the one record I can put on at any time, regardless of mood or any external factors, and enjoy. If that’s not a number one album, I don’t know what is.
Whatever Lo-Pan does from here, between Salvador and 2009’s Sasquanaut — the reissue of which was their first release on Small Stone — they have two excellent albums under their belt (the preceding self-titled isn’t half bad either, but I think even the band will tell you they hit a different level with the second and third offerings), and have emerged as one of this generation’s most essential American heavy rock bands. All you have to do is hear it and you know.Tags: Columbus, Lo-Pan, Ohio, Small Stone, TFFH11