Album Review: Clutch, Weathermaker Vault Series Vol. 1

Posted in Reviews on November 25th, 2020 by JJ Koczan

Clutch Weathermaker Vault Series Vol 1

For those  Find the best http://www.iusetsocietas.cz/?where-to-buy-an-essay on our website and get the A for your dissertation! Qualified academic writers for every subject Clutch fans who’ve followed along over the last year-plus as the band has made their way toward building up their ‘Weathermaker Vault Series’ — the first one to be unveiled was Specialist Proofreading & Editing of essays, dissertations, theses and publishable papers by Oxbridge educated Proofreaders. see here now. Cactus-via- How To Write Proposal. 18 likes. This finance homework help page is meant to allow students to post finance homework questions for help. Willie We at Journals To Publish Research Paperss deploy a very scientific approach to help you learn how you can write perfect assignments. Dixon‘s “Evil” in June 2019 — through their own  see. Authentic. Plagiarism-free. Prices start at per page. Special October Discount. Weathermaker Music label, the collection  Order online and enjoy fast service, top Headings Mla quality and reasonable prices.net - Learn How to Write and Deliver a Memorable Weathermaker Vault Series Vol. 1, should be a welcome advent. At very least convenient. In addition to the singles themselves, it includes odds and ends like “Run, John Barleycorn, Run” from the Maryland lifer-rockers’ 2014 split with reggae-informed buddies help me do my statistics homework Get More Info How To Write what are employee final review architectural dissertation Lionize, and “Algo Ha Cambiado,” a cover of influential ’70s-era Argentinian outfit  Superhero Writing Paper - leave behind those sleepless nights working on your essay with our academic writing assistance Entrust your essay to qualified Pappo’s Blues that appeared in a jammier take as part of 2009’s Looking for a cheap blog writing services where you can buy blog or website content? We can help. Our How To Write A Community Service Essay service will assist you with Strange Cousins From the West (discussed here and here), as well as sundry other reduxes and covers.

It is, accordingly, a fan-piece.  Research Papers Done For You. The company Hot-Essay offers its services to all students who have problems while writing an argumentative essay. We can guarantee you the 100% success if you turn to us for help. We will provide you with all necessary options that are needed for the best essay. Weathermaker Vault Series Vol. 1 should probably not be anyone’s starting point with  my homework is or are Close. Provides custom writing, ebook writers for a ghost writer services - best essay. When they seams to browse these Clutch. The band have a wide catalog of full-lengths to choose from, and which one makes the best entry to their work is an argument — a fun argument! — for another time. These 10 songs put together as a respectable 38-minute LP are best approached for what they are, and that’s a niche offering for the previously-indoctrinated.

There’s nothing wrong with that, of course. As they approach 30 years since first getting together, the four-piece of vocalist  Show My Homework Ramsey Academy - Quick and trustworthy services from industry leading agency. No Fs with our reliable writing services. Entrust your assignment to us and Neil Fallon, guitarist Get absolutely astonishing results - order a dissertation with Creative Writing Class Nyc! Professional PhD writers, affordable prices, money back and free Tim Sult, bassist  help with writing college essay - Let us help with your Bachelor thesis. All kinds of writing services & research papers. Dissertations and resumes at most Dan Maines and drummer  Good Quality Writing Paper UK becomes the first choice of students to get help for custom academic paper writing services. Buy assignment paper is discount rates. Jean-Paul Gaster are no strangers when it comes to this kind of thing. Various limited live offerings through the years have surfaced, as well as countless promo discs and collections like 2003’s  Slow Hole to China: Rare and Unreleased, 2005’s Pitchfork & Lost Needles, 2015’s La Curandera and of course the massive 2020 limited box set, The Obelisk, that brought together all their Weathermaker material — this compilation aside — under one banner. It may be the first of its kind — and it may not be the last; hence ‘vol. 1’ — but even though the method of releasing singles and David Brodsky-directed videos over the course of a year and a half is new to the band, it’s an engagement with multimedia-focused attention spans in a way that fits with what they’ve done before.

Beginning with the recently-unveiled revisit to “Passive Restraints” from the 1992 Earache Records EP of the same name that features a guest appearance from vocalist Randy Blythe of Lamb of GodWeathermaker Vault Series Vol. 1 wants nothing for an initial kick of energy. The nature of an outing like this is to be somewhat disjointed as tracks from various sessions are cobbled together, and Clutch have always been a band who bring out different sounds and vibes working with different producers, and while J. Robbins might be the unifying factor here in having helmed several of the songs, there are still shifts both in sound and style as the band spans their long career arc. Clutch don’t hide from them.

Clutch (Photo by JJ Koczan)

Instead, they back “Passive Restraints” with a newer take on one of their most successful singles, “Electric Worry.” The song that originally appeared on 2007’s From Beale Street to Oblivion (reissue reviewed here) is among Clutch‘s most landmark hooks, and while the single version had the unfortunate timing of being roughly concurrent with the death of former organist Mick Schauer, who played on that album and that track, the Weathermaker Vault “Electric Worry” does well in capturing a sense of the band’s live performance of it. Likewise that the later, speeded up redo for “Spacegrass.” It’s almost painful to hear Maines‘ holy-of-holies bassline played at anything other than a glacial pace, and the total presentation throughout is almost too clean for its own good in comparison to the danker edge with which that “Whenever it feels right” hook was delivered some 25 years ago, but again, that was 25 years ago, and Clutch take nothing away from what was by giving a reinterpretation to their own material.

The only other album track on Weathermaker Vault Series Vol. 1 is “Smoke Banshee,” originally on 2001’s Pure Rock Fury and it’s the best of the three. That LP has been maligned by some for its rougher-edged production — I’ll argue the “noise factor” is part of its appeal — but there’s no debating the success they bring in terms of fullness of sound in this version of “Smoke Banshee.” If they’re testing the waters for a full-re-recording or full-album live runthrough to mark the record’s 20th anniversary next year, “Smoke Banshee” shows that material might indeed be ripe for a revamp. And I like Pure Rock Fury. A lot.

ZZ Top‘s “Precious and Grace” feels like it might be included to let anyone who didn’t know know that Fallon cribbed the “Good god almighty…” lyric on Elephant Riders‘ “Eight Times Over Miss October” from the Texan outfit, and fair enough, and the Creedence Clearwater Revival cut “Fortunate Son” that presumably closes side A could hardly be a more fitting Clutch song if they wrote it. “Run, John Barleycorn, Run” is another among the slew of quality hooks early on, sat comfortably between “Electric Worry” and “Evil,” and quite possibly the best choice Clutch made as regards Weathermaker Vault Series Vol. 1 was to put “Willie Nelson” last, since invariably that’s the song that would be stuck in the listener’s head when the LP is over anyway. There’s just no escape from that chorus, and the re-recording — it originally appeared on Slow Hole to China and in a different version on the 2004 High Times compilation, High Volume — absolutely nails it.

That, obviously, is spoken as a fan of the band, but if the point hasn’t yet be made, that’s who inevitably will be most concerned with Weathermaker Vault Series Vol. 1 anyhow. It’s for the kind of Clutch listener who’s hoping they announce a holiday-timed ‘Doom Saloon’ live stream to take the place of the usual tour. Clutch have discussed the possibility of recording a new album this winter, but since they they can’t play live as they otherwise invariably would, Weathermaker Vault Series Vol. 1 is an opportunity in the meantime for followers to step forward and show support to the band and the work they’ve put in not only across this year, but for nearly three decades. If you made it this far reading, you probably know that already.

Clutch, “Willie Nelson” official video

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Clutch Releasing Weathermaker Vault Series Vol. 1 Nov. 27

Posted in Whathaveyou on November 19th, 2020 by JJ Koczan

Clutch fans, you know what this is. Slow Hole to China. Lost Needles. That La Curandera vinyl. The sundry live records from the earlier ’10s. This is the kind of Clutch offering that comes out as a fan-piece, and if you don’t pick it up, you only get pissed off later at not having done so. You know exactly how it is. You see it at the merch table and you’re like, “Eh, I already bought five shirts, I’ll get it next time,” and then it’s gone and out of print and you feel like a sap. It’s why you bought that deluxe Earth Rocker even though you had the regular one. And you were right to do that.

So, after watching Clutch produce kickass videos for the ‘Weathermaker Vault Series’ over the last year-plus, you know what to do with Weathermaker Vault Series Vol. 1. They’ve even put that Pappo’s Blues cover on there.

You can’t lose:

clutch weathermaker vault series vol 1

CLUTCH SET TO RELEASE “THE WEATHERMAKER VAULT SERIES VOL. I” NOVEMBER 27TH

Clutch will be releasing The Weathermaker Vault Series Vol. I November 27th.

In the summer of 2019, Weathermaker Music began to release digital-only Clutch covers and re-recorded songs from their vast catalog as a way to stay active and give fans a regular dose of Clutch every six or so weeks. The campaign is called The Weathermaker Vault Series, and it has been successful so far with the digital release of 9 singles. Weathermaker Music is now releasing a ten-track physical album on CD and 12″ vinyl as The Weathermaker Vault Series Vol. I. The album will contain one unreleased track, a Spanish language cover version of “Algo Ha Cambiado,” a hard-rocking shuffle written by the legendary blues-rock guitarist Norberto Napolitano affectionately known as Pappo of the pioneering Argentinean blues metal band Pappos Blues. The CD and the digital album version will be released on November 27th. A 12″ colored vinyl (Opaque White) LP version will be available in the new year.

“This Clutch release is unique in that we chose to record some of our favorite songs by artists that have provided us with inspiration over the years as well as re-record some Clutch Classics,” states drummer Jean-Paul Gaster. “Hitting the studio this way was great to keep our recording chops up as well as celebrate some music that has meant so much to us as fans and musicians.”

The Weathermaker Vault Series Vol.I Track Listing:

01. Passive Restraints
02. Electric Worry
03. Run, John Barleycorn, Run
04. Evil
05. Fortunate Son
06. Algo Ha Cambiado
07. Spacegrass
08. Precious And Grace
09. Smoke Banshee
10. Willie Nelson

CLUTCH:
Neil Fallon – Vocals/Guitar
Tim Sult – Guitar
Dan Maines – Bass
Jean-Paul Gaster – Drums/Percussion

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Clutch, “Willie Nelson” official video

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Clutch Revisit “Passive Restraints” for Weathermaker Vault Series

Posted in Bootleg Theater on November 16th, 2020 by JJ Koczan

clutch passive restraints

Look, I’m perfectly willing to go on record and say I’ve never been a Lamb of God fan. My first real exposure to the band was seeing them live in 2000 at an event hosted by my college radio station, selling their merch and when Randy Blythe came up and couldn’t find a box of CDs, accusing me of stealing it — I told him, “dude I haven’t sold one of your records, I don’t know what you think I’d do with a whole box of them,” which is not a line I regret — and trying to get me fired.

Well, I’d get myself fired without his help eventually and for something entirely unrelated, but the sour taste left in my mouth from that incident hardly dissipated as the band went on to inherit Pantera‘s fanbase and emerge as one of their generation’s leading metal bands. Was it the worst thing Blythe ever did? Well, there was that time a guy died. Did my lack of on-boardness hold Lamb of God back or cause them to lose sleep? Likely not.

So here come Clutch with a redux of “Passive Restraints,” taken from the 1992 EP of the same name, and they brought Blythe into the studio to guest on vocals as he’s apparently done a couple times on stage. Fine.

I’ll look forward to when the entire Weathermaker Vault Series comes out later this month and furrowing my brow when this song comes on. You care? Nah.

Here’s the video:

Clutch, “Passive Restraints” official video

Clutch has released its new single “Passive Restraints” today. “Passive Restraints” originally appeared as the title track to the bands 2nd EP released in 1992. This newly recorded version is part of the Weathermaker Vault Series and features guest vocals by Randy Blythe from Lamb of God. Clutch and Blythe have collaborated on this track live for several years now, the last time at European festival appearances in the summer of 2019. The song can be streamed on Spotify at this location: https://orcd.co/passiverestraints and on the band’s official YouTube Channel: https://tinyurl.com/yy2575t7

The upcoming official video for the song was directed by David Brodsky (The Black Dahlia Murder, Papa Roach).

“Passive Restraints’ was one of the first Clutch songs I wrote lyrics to,” states frontman Neil Fallon. “It was a staple of Clutch sets for years but fell by the wayside as we wrote more and more songs over the years. When we toured with Lamb of God a few years back, Randy would often ask us to bring it back into rotation. We dragged our feet, and finally, we caved. And we were glad we did. The last time Clutch played Copenhell, Randy joined us on stage to perform the song. We decided to re-record it for the WM Vault Series and thought it was only fitting to have Randy join us.”

The single “Passive Restraints” comes from the upcoming album “WeatherMaker Vault Series Vol. I” out on Friday November 27th.

CLUTCH:
Neil Fallon – Vocals/Guitar
Tim Sult – Guitar
Dan Maines – Bass
Jean-Paul Gaster – Drums/Percussion

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Clutch’s The Obelisk Box Set Out This Week

Posted in Whathaveyou on October 20th, 2020 by JJ Koczan

Yeah, I know. Snicker snicker. If I believed in fun, the title of this box set would tickle me pink. In any case, Clutch originally announced their humongous 18LP The Obelisk box set would be out for Record Store Day in April. They had a bunch of tour dates to coincide. Well, neither the tour dates nor the box set nor anyone’s anything happened as scheduled. The box set is happening this weekend. The tour? Well, we’ll just see about that. Don’t forget to wear your mask to your favorite participating record store.

Speaking of. I made the trek to one of New Jersey’s premier indie spots the other day. It was early in the day and I took The Pecan since he says the words “record store” I think because he knows he’ll get a positive response for doing so. Whatever. I looked around at CDs I don’t have room for and LPs that were cool looking but that I also don’t have room for and are more expensive and it was just kind of a bummer. I didn’t end up getting anything. It was cool to go with the kid and all, but I felt like I was kind of missing out. Time was I’d go drop $150 easy at this place without looking back. Now I just suck I guess.

But this’d be a reason to go back:

clutch the obelisk

CLUTCH’S LP BOX SET “THE OBELISK” IS FINALLY HERE

After many delays due to the ongoing pandemic The Obelisk is finally scheduled to hit stores on Saturday, Oct. 24th for the third drop of Record Store Day. The box set is comprised of all of Clutch’s Weathermaker Music vinyl releases. There are six double LP’s, three 12″ LPs, and three 12″ picture discs all together in a beautifully designed box set. In addition, the box contains a turntable mat and a square, artist signed lithograph. The rigid box has a magnetic closure and the silver foil is stamped on black Sierra cloth. This is a unique collector’s item and only 2,000 boxes were made for worldwide sales.

Says Neil Fallon: “In 2008 Clutch launched Weathermaker Music. Starting our own record label has proven to be one of the better decisions we made and The Obelisk box set is evidence. The Obelisk is comprised of all the Clutch vinyl LPs released on Weathermaker Music. It has been a long time coming, but we think it has been worth the wait.”

You can finally find this LP box set at participating Record Store Day retailers everywhere around the country on Saturday, October 24th.”

The individual 12” vinyl releases are Full Fathom Five (2xLP), Live at The Googolplex (Picture Disc), Jam Room (Picture Disc). Pitchfork & Lost Needles (Picture Disc), La Curandera, Strange Cousins From The West (2xLP),Blast Tyrant (2xLP), Robot Hive/Exodus (2xLP), From Beale Street To Oblivion (2xLP) Earth Rocker, Psychic Warfare, and Book Of bad Decisions (2xLP).

CLUTCH:
Neil Fallon – Vocals/Guitar
Tim Sult – Guitar
Dan Maines – Bass
Jean-Paul Gaster – Drums/Percussion

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Clutch, Live somewhere in 2020

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Stream Review: Clutch, Live at the Doom Saloon II, 08.07.20

Posted in Reviews on August 10th, 2020 by JJ Koczan

clutch doom saloon 1

Clutch clearly learned a few lessons from the first Live at the Doom Saloon streamed concert they performed at the end of May. Lighting, multiple cameras operated by video collaborators David Brodsky and Robb Brown, and even a fog machine saved for the end of the show, which ran an hour long and boasted a fan-picked set. The guy’s name was Marshall, he won — among other things — an Orange amp. Go figure. Marshall got numerous shout outs from Clutch vocalist Neil Fallon between songs — “another awkward guitar change, thanks Marshall,” etc. — but it was a righteous set and clearly the work of an established fan, running as it did from Clutch‘s earliest days to 2018’s Book of Bad Decisions (review here), their latest album, and “Smoke Banshee” from 2001’s Pure Rock Fury, which was recently re-recorded for their ‘Weathermaker Vault Series.’

That series seems to be an ongoing project awaiting handy compilation, but in the meantime, Live at the Doom Saloon II will be released on limited vinyl, and as part of the proceeds from merch was going directly to the band’s crew — obviously out of work with no touring happening; Clutch are an American small business enterprise as well as a band; pro-rock and all that — there’s little doubt the LPs will go if they’re not already gone. Those as well as commemorative t-shirts featuring art with the “king of the dragon men” — a reference to the song “Oregon,” which closed the set; nicely done, Marshall — were available to coincide with the stream, and though of course seeing Clutch on a screen isn’t the same as seeing them in person, at least they were playing live. Fallon changed the lyrics of set-opener “How to Shake Hands” from “I know how to work a room” to “I know how to work a Zoom,” both holding the rhyme and winking at the horrific absurdity of this new version of real-life.

Here’s the full set, as the band handily posted afterward:

How to Shake Hands
Power Player
Rock ‘n’ Roll Outlaw
Far Country
Smoke Banshee
What Would a Wookie Do?
Mice and Gods
Profits of Doom
Ghoul Wrangler
King of Arizona
(In The Wake Of) The Swollen Goat
Your Love Is Incarceration
Brazenhead
Oregon

clutch doom saloon logoIs it the bunch of songs I would’ve chosen? No, but it was probably more interesting. I’ve seen Clutch on stage any number of times — most recently last December — and I can’t ever remember them breaking out “Far Country” from the 1991 debut EP, Pitchfork, or the 2009 digital single “King of Arizona.” And putting “How to Shake Hands” next to “Power Player” and “Rock ‘n’ Roll Outlaw” at the start of the gig was clever in terms of drawing a theme back across a span of records from the four-piece’s catalog. “What Would a Wookie Do?” and “King of Arizona” were specifically designated as “deep cuts” by Fallon, but he, bassist Dan Maines, drummer Jean-Paul Gaster and guitarist Tim Sult handled them with aplomb, perhaps missing the crowd energy of having people in the room, but still putting on what felt very much like a Clutch show, if a somewhat one-sided version of one.

The multiple cameras worked well in giving each member of the band screen-time, and Fallon had one to meet head on to deliver lyrics into, which was an added touch of fun. Sadly, Maines did not have the wingback chair that featured in the video for the re-recorded single “Willie Nelson” (posted here) earlier this year, but he as ever was the secret weapon behind Clutch‘s groove. Everyone knows Tim Sult is a wah-master. Dude could teach college classes on the subject. And Gaster is so bop on drums he’s literally bouncing up and down while he plays, funking out the beats as he hits the kit. It’s wild, and Neil Fallon has an entire generation of beardo frontmen following in his wake, none of whom are a match for him in lyrical wit, vocal talent, or on-stage charisma. But Dan Maines, with his wingback chair-worthy subdued presence, is a walking, not really talking, kind-of-grooving-out lesson in how heavy rock bass can be played at its absolute best. In the parlance of our times, he is an essential worker. #achairfordan

I couldn’t help but wonder what the process was for picking a set from among the 4,000 they reportedly received when they put the ask out to their fans and started the contest. If they were looking from something different from the “usual,” they got it. Live staples like “Electric Worry” and “Firebirds!” featured in the first Live at the Doom Saloon, so that ground had been covered. Maybe they were looking for a challenge to themselves; breaking out material they hadn’t played in however long and airing it to fans who, like me, had never seen it live before. Songs like “Mice and Gods” and “(In the Wake Of) The Swollen Goat” were certainly familiar enough, and “Your Love is Incarceration,” more recent, has been a regular in sets supporting Book of Bad Decisions, but “Brazenhead” and “Oregon” both come from 2003’s Slow Hole to China: Rare and Unreleased from Weathermaker Music precursor River Road Records, and I’m going to guess they’ve never closed out a show back to back on their own.

So yeah. Good job, Marshall, I guess.

And for the Doom Saloon III: full album performance?

In my ongoing effort at honest pandemic-era-livestream reportage, I’ll note that I watched the entirety of Live at the Doom Saloon II on my phone sitting on the edge of my son’s favorite sandbox while he played with digger trucks. The morning rebroadcast. Yup, the full hour. Kid really likes trucks. He’d check in periodically, say, “Watching Clutch,” then go back to the excavator or the front-end loader. There you go. Real life.

Thanks to Suze Wright for making this one happen for me, and thanks to you for reading.

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Clutch Release “Willie Nelson” Weathermaker Vault Single; Video Posted

Posted in Whathaveyou on March 23rd, 2020 by JJ Koczan

Clearly, Clutch have found a kindred soul in video director David Brodsky. I don’t know how many clips the two parties have worked on together at this point, but the latest, for the Weathermaker Vault Series redux of if-a-single-could-have-a-cult-following-this-one-does “Willie Nelson” — which also brings the band back together with producer/engineer J. Robbins; a sort of homecoming bound to be welcomed to longtime fans and which indeed works well in the track — is perhaps the best of them. Neil Fallon shaves his beard, hell breaks loose. It’s genius.

Also, I don’t think I’ve ever seen Dan Maines in a more fitting scenario than playing bass in a wingback chair. Dude looks like he was born to be there. I’m 100 percent serious. He should bring one on stage.

My prior favorite version of “Willie Nelson” was on the 2004 High Volume compilation from High Times Magazine, but I’m digging the harmonies here pretty hard. Might have a contender.

But either way, yeah, watch the video. Right now:

clutch willie nelson

CLUTCH RELEASE BRAND NEW STUDIO RECORDING OF “WILLIE NELSON” AS PART OF THE “WEATHERMAKER VAULT SERIES”

Clutch announce the release of the new studio recording of the track “Willie Nelson.” The single is the sixth in a series of new studio recordings that comprise the Weathermaker Vault Series.

“Willie Nelson is a song we wrote close to 20 years ago,” says Neil Fallon. “It started making appearances in our sets recently, so we figured now was a good time to re-record it. This time around Shawna Potter (War On Women) added back up vocals and is in the video as well. And for what it’s worth, ‘Red Headed Stranger’ gets regular play on our tour bus.” The single was recently re-recorded and remixed by J. Robbins (Jawbox, Jawbreaker, The Sword, Against Me!), and the track comes in at 3:21. “Willie Nelson” was originally released in 2003 on Clutch’s album Slow Hole To China: Rare and Unreleased “Willie Nelson.”

Available on all digital outlets here: https://orcd.co/x0y2pbw.

Director: David Brodsky for MyGoodEye (www.facebook.com/mygoodeye)
Producer: Allison Woest
Editor: David Brodsky and Allison Woest
Cameras: David Brodsky and Allison Woest
Lighting Design: Adam Pernick
Grip: Eddie Collins
Personal Assistant to Lead Canine (Hades): Amber Hoffman

CLUTCH:
Neil Fallon – Vocals/Guitar
Tim Sult – Guitar
Dan Maines – Bass
Jean-Paul Gaster – Drums/Percussion

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Clutch, “Willie Nelson” official video

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Clutch to Release 18LP The Obelisk Box Set for Record Store Day April 18

Posted in Whathaveyou on March 3rd, 2020 by JJ Koczan

Look, I’m not even going to pretend to flatter myself here in thinking either I or this site would ever be on this band’s radar whatsoever. Clutch might’ve known who I was when I worked in print media due to the fact that basically I stalked them and their poor publicist, but I cut a different profile these days — literally and figuratively — so yeah. It’s a cute coincidence.

The reference Clutch are obviously making in titling their 12-album/18LP box set The Obelisk comes from their 1995 self-titled second album, the line from the song “Escape from the Prison Planet” that goes, “Rebuild the remnants of the obelisk, one mile from the pyramids” (which actually isn’t where I got the name of this site from, but again, that’s not relevant and neither am I; see above). And certainly that’s what they’re doing here. They’re rebuilding the remnants. clutch-the-obelisk-boxPutting 12 albums in the same place definitely counts. I guess that’s everything they’ve done through Weathermaker at any point — I’m not sure as to what is actually going to be in this thing, whether it’s all their studio albums, or some of those minus the major-label stuff that Weathermaker never reissued, but with live recordings, or maybe something new like a comp of the Weathermaker Singles Series or what. I have no idea. None. Don’t ask.

All I know is it’s out April 18 for Record Store Day 2020 as part of an ongoing tradition Clutch have, and that someone sent me the link to a preorder page through Season of Mist in Europe. Apparently Europe is getting 200 of them. No clue as to how many North America might end up with, but I wouldn’t think it’ll be nearly enough.

Clutch US dates for April and May — they’ll also be in South America in April — and they’re in Australia this month and UK/Europe later in the summer. You know how they do. I reformatted everything listed on their site, so here’s that, along with the info for The Obelisk, which I cut and pasted right off the Season of Mist page.

Here it is [UPDATE MARCH 6: New details came down the PR wire. I’ve included them here in place of the info from the preorder page]:

clutch the obelisk

Clutch – The Obelisk

“The Obelisk” is a box set that is comprised of all of Clutch’s Weathermaker Music vinyl releases. There are six double LP’s, three 12″ LPs, and three 12″ picture discs all together in a beautifully designed box set. In addition, the box contains a turntable mat and a square, artist signed lithograph. The rigid box has a magnetic closure and the silver foil is stamped on black Sierra cloth. This is a unique collector’s item and only 1,000 boxes were made for worldwide sales.

The individual 12” vinyl releases are Full Fathom Five (2xLP), Live At The Googolplex (Picture Disc), Jam Room (Picture Disc). Pitchfork & Lost Needles (Picture Disc), La Curandera, Strange Cousins From The West (2xLP),Blast Tyrant (2xLP), Robot Hive/Exodus (2xLP), From Beale Street To Oblivion (2xLP) Earth Rocker, Psychic Warfare, and Book Of bad Decisions (2xLP).

Clutch Live 2020:
Fri, MAR 20 Download Festival 2020 Melbourne Ascot Vale, Australia
Sat, MAR 21 Download Festival 2020 Sydney Sydney, Australia
Sat, APR 4 Big Surf Tempe, AZ
Sun, APR 5 Palms Casino Resort Las Vegas, NV
Tue, APR 7 Mission Ballroom Denver, CO
Wed, APR 8 Silverstein Eye Centers Arena Independence, MO
Fri, APR 10 Irving Music Factory Irving, TX
Sat, APR 11 Ford Park Entertainment Complex Beaumont, TX
Mon, APR 13 Nashville Municipal Auditorium Nashville, TN
Tue, APR 14 Knoxville Civic Auditorium and Coliseum Knoxville, TN
Wed, APR 15 Coca-Cola Roxy Atlanta, GA
Thu, APR 16 Blind Tiger Greensboro, NC
Sun, APR 26 Fabrique Club São Paulo, Brazil
Tue, APR 28 UNICLUB Abasto, Argentina
Thu, APR 30 Club Chocolate Recoleta, Chile
Sat, MAY 2 Autodromo Hermanos Rodriguez Mexico, Mexico
Tue, MAY 5 Covelli Centre Youngstown, OH
Wed, MAY 6 Schottenstein Center Columbus, OH
Thu, MAY 7 The Machine Shop Flint, MI
Fri, MAY 8 The Machine Shop Flint, MI
Sat, MAY 9 The Rave / Eagles Club Milwaukee, WI
Sun, MAY 10 DeltaPlex Arena & Conference Center Grand Rapids, MI
Tue, MAY 12 UMBC Event Center Baltimore, MD
Wed, MAY 13 The Rooftop at Pier 17 New York City, NY
Fri, JUL 17 Ramblin’ Man Fair Maidstone, United Kingdom
Sat, JUL 18 Ramblin’ Man Fair Maidstone, United Kingdom
Sun, JUL 19 Ramblin’ Man Fair Maidstone, United Kingdom
Tue, JUL 21 Limelight Belfast, United Kingdom
Wed, JUL 22 The Academy Dublin 1, Ireland
Thu, JUL 23 O2 Academy Glasgow Glasgow, United Kingdom
Mon, JUL 27 ARTmania Festival Sibiu, Romania
Tue, JUL 28 MetalDays Tolmin, Slovenia
Thu, JUL 30 Kostrzy?skie Centrum Kultury Kostrzyn Nad Odr?, Poland
Sat, AUG 1 Gijon Gijón, Spain
Mon, AUG 3 Hard Club Porto, Portugal
Tue, AUG 4 CINETEATRO CAPITÓLIO Lisbon, Portugal
Wed, AUG 5 Open Flair Festival Eschwege, Germany
Thu, AUG 6 Rocco del Schlacko 2020 Püttlingen, Germany
Thu, AUG 6 Eiswiese Rothenburg Ob Der Tauber, Germany
Fri, AUG 7 Into The Grave Leeuwarden, Netherlands
Sat, AUG 8 Rocco Del Schlakko Saarbrücken, Germany
Sun, AUG 9 Taubertal Festival Rothenburg Ob Der Tauber, Germany
Tue, AUG 11 Sziget Festival Budapest, Hungary
Fri, AUG 14 Summer Breeze Open Air Dinkelsbühl, Germany
Sun, AUG 16 Kulturbolaget Malmö, Sweden
Tue, AUG 18 Gröna Lund Stockholm, Sweden
Wed, AUG 19 Sentrum Scene Oslo, Norway
Thu, AUG 20 Liseberg Göteborg, Sweden
Tue, SEP 22 Pukkelpop Festival Hasselt, Belgium

CLUTCH:
Neil Fallon – Vocals/Guitar
Tim Sult – Guitar
Dan Maines – Bass
Jean-Paul Gaster – Drums/Percussion

www.facebook.com/clutchband
www.instagram.com/clutchofficial
www.pro-rock.com
www.youtube.com/user/officialclutch

Clutch, “Evil” Live at Download Fest, UK, June 2019

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Clutch Re-Record “Spacegrass” for Weathermaker Vault Series

Posted in Whathaveyou on February 10th, 2020 by JJ Koczan

I’m of two minds on this one. Maybe three? First off, the new version of Clutch‘s ‘Spacegrass’ that they’ve recorded for their ongoing Weathermaker Vault Series — a CD comp whenever the series is done would be appreciated, guys — sounds great. Neil adds to the root melody and changes up the cadence, Tim adds swells of noise to the guitar that are awesome, and of course Dan and JP nail the groove as only they could. It’s a little faster, but they play it faster live, so I get it. So on the one hand, cool. On the other hand, isn’t this kind of sacred ground? Even more than when they redid “Electric Worry” last time out? And you’ll notice nobody’s calling this the “purest form” of “Spacegrass” like they were with that one. Because the purest form of “Spacegrass” is always going to be on the 1995 self-titled Clutch album. It’s a landmark — that record and this song on that record. Did it really need a revisit? They nailed it the first time.

On the third hand, who cares? They’re Clutch. They’ve proven time and again they can do whatever the hell they want and pull it off, and they basically do so again with “Spacegrass.” It’s a song about a car in space, not a statue of Buddha carved into a mountain. Maybe it’s not meant to be taken so ultra-seriously as all that. Let it be what it is.

I think that’s where I ultimately come down on it. Will the new “Spacegrass” replace the old? Nope. Is it trying to? Nope. Just Clutch doing a thing. So let them do the thing.

Here’s a rare Clutch press release without any included tour dates:

clutch spacegrass weathermaker vault

CLUTCH RELEASE BRAND NEW STUDIO RECORDING OF “SPACEGRASS” AS PART OF THE “WEATHERMAKER VAULT SERIES”

Clutch announce the release of the new studio recording of the track “Spacegrass.” The single is the fifth in a series of new studio recordings that comprise the Weathermaker Vault Series. “Spacegrass” was first released on Clutch’s self-titled album in 1995, and it stands as one of the key tracks in Clutch’s catalog of songs.

“The lyrics got their start originally from something Tim wrote, “ says Neil Fallon. “It involved a Dodge Swinger and Jesus. I added some words, and one of them was ‘AstroTurf,’ but that had one too many syllables. So I changed it to ‘Spacegrass’ – and the rest is history. “

Available on all digital outlets here: https://orcd.co/pjl43eo.

“Spacegrass” was mixed by 6X Grammy Award winner and Clutch collaborator, Vance Powell (Wolfmother, The Raconteurs, Arctic Monkeys).

CLUTCH:
Neil Fallon – Vocals/Guitar
Tim Sult – Guitar
Dan Maines – Bass
Jean-Paul Gaster – Drums/Percussion

www.facebook.com/clutchband
www.instagram.com/clutchofficial
www.pro-rock.com
www.youtube.com/user/officialclutch

Clutch, “Spacegrass” (2020)

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