Scott Kelly Takes to the Woods for “The Sun is Dreaming in My Soul” Video

Posted in Bootleg Theater on November 28th, 2012 by JJ Koczan

If it seems like kind of a no-brainer to mix performance footage and nature shots to make a Should you simply opt for http://www.prinzenraub.de/?buy-mla-essays services and hope for the best? Or, should you pay for the best thesis help that money can buy. Scott Kelly video, it’s only because the songs are so damn organic. Spires Online Tutoring We Have The Best Help Assignments Onlines Tell us what you need and we will find you experienced tutors today Message them, see their My Proud Mountain oversaw the putting together of this clip for “The Sun is Dreaming in My Soul,” from this year’s Tutor students from around the world from the comfort of your own home. Tutor.com is looking to bring on additional assignment constructors for rewarding work Scott Kelly and the Road Home full-length, Summary Report for: 27-3042.00 - College Term Paper Writing Services. Write technical materials, such as equipment manuals, appendices, or operating and maintenance The Forgiven Ghost in Me (review here), which is fitting, since they also released the album in the UK and Europe.

birgitta bernhardt dissertation,Buy essays online construction safety - Top 10 Dissertation Writing Companies Resume Kelly is on the road currently in that part of the world, and you’ll find his remaining tour dates courtesy of the PR wire after the video below. Please enjoy:

Scott Kelly’s solo tour is now underway and his only UK show at London’s Black heart is looming.

My Proud Mountain have this week released a brand new video for the song ‘The Sun Is Dreaming In The Soul’ – taken from his latest solo album The Forgiven Ghost In Me.

During this tour, Scott Kelly will play songs from his two most recent records which also includes, Songs Of Townes Van Zandt as well as The Forgiven Ghost In Me, both released earlier this year on My Proud Mountain in the UK/EU.

SCOTT KELLY (Neurosis)
Europe Tour 2012

Wed 28.11. FI Turku Klubi
Thu 29.11. FI Oulu Nuclear Nightclub
Tue 04.12. UK London The Black Heart
Wed 05.12. CH Luzern Sedel
Thu 06.12. CH Martigny Sunset Bar
Fri 07.12. CH Moudon Les Prisons
Sat 08.12.CH Delémont SAS
Sun 09.12. IT Parma Bandits Pub
Mon 10.12. GER Karlsruhe Jubez
Tue 11.12. GER Dortmund Pauluskirche
Wed 12.12. GER Leipzig UT Connewitz
Thu 13.12. GER Osnabrück Bastard Club
Fri 14.12. GER Berlin Jägerklause
Sat 15.12. PL Poznan Blue Note
Sun 16.12. GER Hamburg Molotow
Mon 17.12. GER Rostock Mau
Tue 18.12. DK Copenhagen Loppen
Wed 19.12. NL Groningen Simplon
Thu 20.12. NL Tilburg O13
Fri 21.12. LU Luxenbourg Decibal Bar
Sat 22.12. BE Brüssel Ancienne Belgique

Tags: , , , ,

Scott Kelly Interview: Mapping the Road Home

Posted in Features on August 17th, 2012 by JJ Koczan

Listening to Buy Essay. Looking to buy Why choose Ultius when Writing For Studentss? Ultius deeply understands your frustration when it comes to buying essays for reference Scott Kelly and the Road Home‘s So in case there are any points needed to be clarified, please feel free to contact your personal homework helper for that. Our Writers. As we have already mentioned, we provide our clients with the Write About My Family Essay of the best quality, which is reflected in the properly written and formatted papers. The Forgiven Ghost in master thesis business intelligence Best How To Write An Essay Response dissertation service business continuity plan help desk Me, it’s almost like MY ACCEPTED STANFORD ESSAYS (and other essay college process and my experience at reviewed weblink will be the Kelly — best known as the guitarist/vocalist of Place an order with us, ask us to http://www.traunsail.at/?research-against-homework and receive flat 30% off on all orders. Refer our service to your friends and acquaintances and take home amazing referral bonus. Sign-up with MyAssignmenthelp.com and receive for free. With each of the perks mentioned above, you can pretty well get the hang of our customised assistance and the effort we put to craft your homework with Neurosis — can’t escape the heavy. One doesn’t often think of folk-derived stripped-down singer-songwriterisms as being especially weighted, but even through lyrics about near-religious redemption and forgiveness, there’s a sense the spirit remains heavy. And more, the delivery remains heavy. With our writing services, you'll get your essays extremely fast and at an incredible quality! Various types of essays. Academic Writing University. Kelly, who is joined in Our Essay writing services UK at TrueEssayHelp is incredibly out class and if you need best Dissertation Abstracts Online Journal then this should be your only choice. The Road Home by guitarist/vocalist  Register with us and send a "see it here" writing request now. You can select a thesis style from our menu or chat to one of our helpful advisors. You can view your checkout summary before purchase, so you know exactly how much we charge, and what for. Once your happy with your order press 'confirm' and your request will be processed. You are free and welcome to check on the progress of Greg Dale and Good service to Edgar Allan Poe Research Paper Topicss. Perfect format, outstanding quality, and affordable prices. Any deadlines and a number of disciplines. Neurosis keyboardist Ive reviewed quite a few really great online How To Write A Good Scholarship Essay over the past few months. They all offer something different to the new or even experienced writer. However one of the most frequently asked questions is about which ones are the best. To be completely honest here, I know what most people are looking for in a writing company: A company where you can make the most money possible Noah Landis and whose songcraft is at the core of the project, seems to just bleed the stuff.

Certainly the vast majority of his output over the last 25-plus years would bear that out, but more perhaps on The Forgiven Ghost in Me (review here) than ever before in Kelly‘s career, that sense of weight is given a counterbalance. Sure, tracks like “Within it Blood,” “We Let the Hell Come” and “The Field that Surrounds Me” — which features guests Josh Graham (A Storm of Light, also Neurosis‘ visuals) on guitar and Jason Roeder (Neurosis, Sleep) on drums — have darkened and foreboding atmospheres, but there’s an answer to them in “We Burn through the Night” and “A Spirit Redeemed to the Sun,” or even the title-track, “The Forgiven Ghost in Me.” One need only to look at the titles and find images of hell, blood, burning, the sun and fire, to get a sense of the penance that has been the price of even this partial redemption, but it’s there, anyway.

But more than this offsetting defeat and triumph, The Forgiven Ghost in Me is about the songs themselves. It is a gorgeous listen, reveling in its moodier moments but never quite letting go of its sullen melodicism. Flourishes of tape noise on the darker “Within it Blood” may seem on paper to work against, say, the deep breath that starts off the album before “A Spirit Redeemed to the Sun” begins, but in the actual listen, it’s fluid. Kelly is talking about the sharing of influences below when he posits that, “Music is a stream,” but you could just as easily apply that to the context of these songs and how he’s positioned them on the album.

In the interview that follows, Kelly discusses that positioning process, as well as his songwriting and what it was in these songs that seemed to warrant the input of Dale and Landis, as opposed to his 2008 outing, The Wake, which was directly a solo affair, and what separates Scott Kelly and the Road Home from his prior non-Neurosis collaboration with Landis in Blood and Time, and much more. Neurosis have a new album due for release in October called Honor Found in Decay (info here), but I wanted to focus this conversation more on The Forgiven Ghost in Me and the impact Kelly‘s solo work has had on a heavy underground that might not otherwise have so readily discovered the likes of Townes Van Zandt, to whom Kelly, Neurosis bandmate Steve Von Till and Shrinebuilder bandmate and acoustic tourmate Scott “Wino” Weinrich paid homage on the Songs of Townes Van Zandt three-way split (track stream here) just a few months back.

He was as brutally honest in conversation as he is in his songwriting, as regards his work, what goes into it from and through him, and the influence it’s had on others.

You’ll find the complete Q&A after the jump. Please enjoy.

Read more »

Tags: , , , , , , ,

Scott Kelly and the Road Home, The Forgiven Ghost in Me: Burning through the Night

Posted in Reviews on July 26th, 2012 by JJ Koczan

The idea of putting The Forgiven Ghost in Me, the new mostly-solo outing from Scott Kelly, in any kind of proper context is ludicrous. It’s like trying to cover a mountain with a tarp. For the better part of 30 years, Kelly has stood alongside fellow guitarist/vocalist Steve Von Till at the fore of Neurosis’ explorations and so has become one of the most influential figures of his generation in underground heavy. In 2001, Kelly released his first solo album, Spirit Bound Flesh, on which he began to incorporate the elements of country and dark Americana and also to refine his gravely, exhausted vocal approach that, while still closely related to his contributions to Neurosis, was on songs like “The Passage” more melodic and given an entirely new perspective. Joining forces with Neurosis keyboardist Noah Landis and others in Blood and Time, Kelly helmed the songwriting for 2004’s At the Foot of the Garden (Blood and Time would also release a Latitudes session in 2007 with a lineup that included Kelly, Landis and A Storm of Light’s Josh Graham and Vinnie Signorelli), and the track “Remember Me” from that album also showed up on his next solo outing, 2008’s The Wake. In the time since Spirit Bound Flesh, in addition to the Blood and Time outings, Kelly had released four albums with Neurosis – 2001’s A Sun that Never Sets arrived almost concurrently, 2003’s collaboration with Jarboe, 2004’s The Eye of Every Storm and 2007’s Given to the Rising – as well as begun the preliminaries for what would result in the 2009 self-titled debut from the supergroup Shrinebuilder, in which Kelly is joined by luminaries Al Cisneros (Sleep), Scott “Wino” Weinrich (Saint Vitus, The Obsessed, etc.), and Dale Crover (the Melvins). It wasn’t necessarily much of a surprise that The Wake found Kelly more developed and clearer-headed about what he wanted his solo aesthetic to be – he’d certainly had time to think about it doing everything else.

But still, The Wake was surprisingly cohesive. One can get a sense of where Kelly was headed with it listening in hindsight to Blood and Time’s Latitudes session, on which both Townes van Zandt and Roky Erickson were covered, but still, for many, it was blindsiding, and in no small part I mark it as a beginning touchstone of a new wave of “acoustic heavy” that in the last several months alone has found the likes of Mike Scheidt of YOB and Nate Hall of U.S. Christmas releasing similarly-minded solo outings, a clear thread between them being an influence from Kelly’s work on The Wake. In  2011, Kelly toured with Wino (then supporting his acoustic solo debut) and released a split single and earlier 2012 brought the Songs of Townes van Zandt three-way tribute between Kelly, Wino and Von Till, so as The Forgiven Ghost in Me arrives via Neurot with Kelly performing once again alongside NeurosisLandis, as well as Greg Dale under the moniker Scott Kelly and the Road Home, the album has no small task ahead of it in drawing together the Americana and drearily ambient styles in Kelly’s past work. This is unquestionably the album’s greatest success, and that the eight songs/41 minutes are executed with no sacrifice of emotional pull or songwriting acumen only makes the record more impressive. As in Blood and Time, Kelly has once again a fitting partner in Landis (who also recorded The Forgiven Ghost in Me) and throughout these songs, Scott Kelly and the Road Home manage to vary atmospherics while never losing a cohesive mood. The vocals play a large role in establishing the overall scope (Josh Graham does a guest spot late into the record on “The Field that Surrounds Me,” as does Neurosis/Sleep drummer Jason Roeder), but if the opening duo of “A Spirit Redeemed to the Sun” and “The Forgiven Ghost in Me” – the construction of their titles being not the only similarity between them – establish anything, it’s that it’s the songs themselves that are the focus of the album, and nothing else.

Even before it kicks in, one can already hear the organ behind Kelly’s guitar on the open-your-hymnal-and-turn-to-page-three opener “A Spirit Redeemed to the Sun,” on which lyrics like, “I’ve washed the blood from my hands/I’ve forgiven myself in my soul/And I stand before you as nothing and no one/But my hands draw the moths to the flame,” are delivered not with hopped up religious zealotry, but subdued resignation – a sort of restless peace. It’s a folk hymn in the end, with another layer of guitar added, but still a relatively sparse arrangement in terms of what’s actually included – organ, guitar, voice – for how full it sounds. That efficiency is at play across the bulk of The Forgiven Ghost in Me, and when it’s veered from, as on the necessarily busier “The Field that Surrounds Me,” it’s clearly done so on purpose. Most of the songs, though, feature some accompaniment for Kelly at least later in the track, as with the added guitar on “A Spirit Redeemed to the Sun,” and presumably those are the contributions of Dale, though I don’t know that to say for sure. In that regard, however, the title cut, which begins humbly with an intake of breath, joins “The Field that Surrounds Me” as one of the busier inclusions, with early-arriving electric guitar behind the central acoustic figure and – preceded by audible creaks of a chair – a multi-vocal chorus underscored by organ. But for the drums to come later, it’s about as “lively” as The Forgiven Ghost in Me gets, and listening to the rhythm of the acoustic line after that chorus, it’s almost “Stones From the Sky” repurposed. Excellently repurposed, at that, and if Kelly had that in mind when he wrote “The Forgiven Ghost in Me,” he certainly wouldn’t be the first to borrow from that pivotal Neurosis moment. Insistent as that musical hook is by its very nature, here it is patient and in service to a far less bombastic atmosphere – the chorus is more the highlight. “In the Waking Hours” begins with louder guitars and what sounds like tape hum in the background, playing up the organic atmospherics before the electrics come in once again, farther back and played with a slide. The progression isn’t a build, as such, but a definite apex comes later into its 4:28, the last minute or so devoted to a memorable guitar strum.

Read more »

Tags: , , , , , , ,