Heavy Ripples Vol. 1: Double Vinyl That Rings Out From the Center
Posted in Reviews on April 25th, 2011 by JJ KoczanHard to know where a split ends and a compilation begins, but in the case of Heavy Ripples Vol. 1 (Ripple Music), I’m inclined towards the former, if only because the release’s format makes you pay specific attention to each of the bands involved, rather than bludgeoning you with track after track from disparate acts. Everyone here is pretty like-minded, and there’s only four of them, so it’s not too much to handle, and the double-7” release ensures that you’re going to be really working to listen – the longest side is just about seven minutes – so Heavy Ripples isn’t something you can put on and forget about. Not that you’d want to with the likes of Stone Axe, Sun Gods in Exile, Grifter and Mighty High around anyway, but at just under 20 minutes total runtime, Heavy Ripples is an efficiently drawn beeline to the rock. Each of the bands contributes something unique to the whole, and for something you could feasibly listen to three times in an hour, Ripple’s latest split packs more memorable songs than most full-length albums. Like I say, efficient.
Stone Axe open with “Nightwolf.” The track finds the Port Orchard, Washington, revivalists in their core duo form of vocalist Dru Brinkerhoff and multi-instrumentalist/vocalist/producer T. Dallas Reed, but as usual with them, nothing in personality is lost for the lack of personnel. Brinkerhoff has enough swagger in his delivery for three bands, and I can’t think of any more appropriate way to kickoff Heavy Ripples than a non-ironic song with “night” in the title. If you know Stone Axe, you know what they’re about, and “Nightwolf” is right in line both in terms of style and quality with the bulk of their work. And excellently complemented on side B by Maine upstarts Sun Gods in Exile, whose “Over My Broken Bones” is set to appear (re-recorded) on their second Small Stone full-length later this year. Sun Gods in Exile’s Black Light White Lines was a solo-enthusiast’s wet dream, and “Over My Broken Bones” follows suit, but as was the case with that record, the guitar histrionics is backed by solid songwriting and isn’t showy just for showiness’ sake. Two strong modern classic rockers with a little over nine minutes between them, kicking out righteous jams that, even had Ripple chosen to release this as a one-disc affair, would still be worth investigating.