Bong, Beyond Ancient Space: Skull-Caving Drone Worship
Posted in Reviews on April 28th, 2011 by JJ KoczanWith its slew of 20-plus splits, EPs, live albums and compilations, Bong’s discography over the last four years is almost as murky as the UK four-piece’s music itself. On their Ritual Productions (who released Ramesses’ album last year and will have more from them shortly) debut, Beyond Ancient Space, Bong don’t so much affect an atmosphere as inflict it. From within a haze so thick you can’t see out of it, Bong straddle a line between sludge and drone that’s unquestionably heavy despite its jammed-out, live feel. The repetition on Beyond Ancient Space’s three tracks – which cover an overwhelming 79:51 runtime – is encompassing. In succession, “Onward to Perdóndaris” (25:33), “Across the Timestream” (25:03) and “In the Shadow of the Towers” (29:16) mesmerize with riffs, or rather, with riff, because despite an evolution within each track, Bong’s tendency is to spend an awfully long time jamming out the same part.
If you’ve ever seen a solo drone performance or someone constructing soundscapes with guitar, you’ve probably watched as they set a bed of loops that gradually, as the piece progresses, is built upon. As a full band, Bong nonetheless feel like they’re doing the same thing on Beyond Ancient Space’s component material. Each song begins gradually. “Onward to Perdóndaris” opens with silence before someone – presumably bassist Dave Terry, who handles vocals when they pop up – says “Perdóndaris” and the bass kicks in, soon followed by the drums of Mike Smith and Mike Vest’s guitar. Ben Freeth contributes sitar and Shahi Baaja, which rests repetitive figures on top of the aforementioned bed of drones. Smith does the honor of keeping Bong’s Beyond Ancient Space moving forward, which is no easy task, and one gets the sense that without his (again) gradual slowdown on “Across the Timestream,” the song might just go on forever into perpetuity.