Review & Full Album Premiere: Cloud Catcher, Return From the Cauldron
Six years and a rhythm section later, Cloud Catcher are back with a third full-length, Return From the Cauldron released on their own Cauldron Audio Works imprint. The follow-up to 2017’s Trails of Kozmic Dust (review here) arrives three years after the Denver trio offered their split with alter-ego outfit Tricoma, Royal Flush Sessions Vol. I (review here), which makes it four since founding guitarist/vocalist Rory Rummings dismantled the band in 2019 after canceling a tour and an EP The Whip. Rummings ended up revamping Cloud Catcher, with Matt Ross on bass and Will Trafas on drums, and Return From the Cauldron is the first long-player from this version of the three-piece.
The consistency of songcraft, then, and of Cloud Catcher‘s stylistic niche between classic heavy rock, proto-metal boogie and NWOBHM — not to say the whole album is all three at the same time all the time, but “Wield the Blade” certainly is and it still nods at Black Heaven-era Earthless — one might credit to Rummings as a principal songwriter. Certainly to go back to “Visions” from Trails of Kozmic Dust and put it next to some of the boogie on Return From the Cauldron, the style is recognizable.
Though never quite as willfully dizzying as The Atomic Bitchwax, Cloud Catcher are no strangers to making heads spin, and they do so across the first half of Return From the Cauldron while also finding themselves dug into a sludgier-rocking vibe, the verses of “I Am the Storm” calling to mind Backwoods Payback or early Alabama Thunderpussy as “Burning Might” will again soon enough, which the hot-shit noodling and Sabbath-blues shoftshoe of “Boundless Journey” only echo, Rummings‘ solo casting space outward from the cyclical riffs. Also consistent with the last album is a studio sound, by which I mean they have one.
I won’t claim to know Cloud Catcher‘s ethic as regards attempting to capture live energy in a recording. For sure they don’t sound like they’re trying to make it boring, but whether or not they’re s
pecifically geared toward conveying stage-sound on record, I’ve no idea. But they use the studio space. You can hear the separation of the instruments in “Gemini’s Ascent,” the echoing layers of lead guitar taking off around the barebones psych expanse after two minutes in, room left for verse and flute alike. Fleet as “Wield the Blade” and “Wretched Moon” are, there’s nothing about them to muddy the clarity of their impression.
This is a mature Cloud Catcher. They are cognizant of what their songs are doing and how they relate to each other, the double-kick of “Wretched Moon” and motorshove of “Magician’s Chariot,” for example. And while there are parts that can and do sound raw, whether that’s the bassy fuzz of “Burning Might” or the chase in the guitar and bass after two and a half minutes into the closing title-track, that suits the band’s style, which is impressive enough in technique if not overly technical in what is being played.
But the amalgam of nod and thrust, within the earlier tracks (side A) leaning toward the lumber and in the back end delving deeper into the metallurgics of the thrashy “Wield the Blade” and “Wretched Moon,” which gallops later and crunches like ’90s doom in its first verses, drums building in intensity in the latter like they’re ending the album, even though that doesn’t actually happen for another eight minutes or so with “Return From the Cauldron,” with its creeper and obscure-samples intro and ensuing janga-janga chug, a slower-developing riff than many here that leads to plenty of gallop later. But if Cloud Catcher are going to take their time anywhere, the closer is the place to do it, and their patience is rewarding in the central groove and the twisting payoff alike.
I would love to go on about the band’s accomplishments a decade on from their start, but I’m sick. I can’t keep my eyes open and can’t keep food or water in me and I need to go to bed, now. But please don’t take that as a slight against Cloud Catcher or their achievements in this material, the efforts on Rummings‘ part to find and gel with a new bassist and drummer, and the resulting righteousness of the songs. That I managed to be upright at all to talk about them should be seen as a sign of respect for their work.
You can hear the entirety of Return From the Cauldron on the player below, followed by tour dates and whatnot off the PR wire.
Please enjoy:
CLOUD CATCHER has toured the US several times, including one run with Earthless and an appearance at Psycho Vegas 2017. The power trio has also had the pleasure of sharing the stage with the likes of such stoner/doom luminaries as Dead Meadow, The Obsessed, Danava, Acid King, Lecherous Gaze, and Pike Vs The Automaton. The band is set to embark on a West Coast tour in the Fall in support of Return From The Cauldron. See all confirmed dates below.
CLOUD CATCHER – Live From The Cauldron Tour 2023:
9/30/2023 Hi-Dive – Denver, CO * Return From The Cauldron Record Release Show
10/06/2023 TBA – Fort Collins, CO
10/07/2023 Ernie November Record Store – Cheyenne, WY
10/12/2023 Aces High Saloon – Salt Lake City, UT
10/13/2023 Artifice – Las Vegas, NV
10/14/2023 Poor House – Oceanside, CA
10/15/2023 Knucklehead – Hollywood, CA
10/16/2023 Cocktail Lounge – Ventura, CA
10/17/2023 Thee Stork Club – Oakland, CA
10/18/2023 Cafe Colonial – Sacramento, CA
10/20/2023 High Watermark – Portland, OR
10/21/2023 The Shredder – Boise, ID
CLOUD CATCHER:
Rory Rummings – guitars, vocals
Matt Ross – bass
Will Trafas – drums
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