Album Review: Tau and the Drones of Praise, Tau Presents: Dream Awake Live at Roadburn Redux

tau presents dream awake live at roadburn redux

Admittedly, the title doesn’t exactly roll off the tongue, but the thing says what it is. Having been confirmed to play the prestigious Roadburn Festival in 2020, Tau and the Drones of Praise — who mostly record in Berlin but are very much from Ireland while drawing from various other folk traditions as well — took part in the 2021 Roadburn Redux first-ever virtual edition of the fest, which for obvious and much-recounted reasons couldn’t meet in-person (they ended up playing Roadburn 2022 too).

The name they gave to the set (posted here) was ‘Tau Presents: Dream Awake,” and the concept was a special set focused spiritually and musically on past and present as much as future, new songs, new explorations of older material, and a full interpretation of what Tau and the Drones of Praise, as a project spearheaded by Seán Mulrooney, are as they head toward their impending third studio LP. Thus, Tau Presents: Dream Awake Live at Roadburn Redux is what it says it is, and its release through Burning World/Roadburn Records continues a long tradition of recorded live outings from the Tilburg-based fest, even if the avenue taken to get there is a little different.

Led by Mulrooney on vocals and guitar, the band includes guitarist/synthesist Ruairi Mac Neill Aodha, bassist Iain Faulkner, percussionist/vocalist Bob Glynn, drummer Ken Mooney and the whistle and vocals of Pól Brennan, known for his work in Clannad, who brings a distinct and suitable flair of Irish folk to “Éist le Ceol an Chré” and “Seanóirí Naofa,” the former of which will be on the next Tau record, the latter the title-track of 2019’s EP of the same name (discussed here). Roadburn Redux was the second livestream for Tau and the Drones of Praise behind a live set captured in Dublin (posted here), and though that broadcast was somewhat less ambitious as regards setting and presentation — it was in black and white, where the Roadburn stream was full color, surrounded by a more lush studio set and so on — the real difference in ambition between the two is in the scope of the music itself.

Granted, three songs from the Dublin stream feature on side D of the 2LP here, with “Craw,” “Mongolia” and “Speak Your Truth” rounding out, but here they serve as part of a broad-scope, encompassing and engrossing vision of a psychedelic-bent world-folk. From the invocation of MesoAmerican spirit guides in the leadoff “Kauyumari” amid warm melodies and fuzz guitar, call and response, harmonized ’60s rock and more, Mulrooney serves as a guide through traditions from Mexico, the Mesopotamia, Asia and Ireland, moving deftly from “Huey Tonantzin & Mother” and the Aztec-minded “Tonatiuh” into “Bridge of Khaju” (look it up, it’s gorgeous) in Iran before the nine-minute “Erasitexnis: Four Horsemen Medley” draws it together with Mediterranean flair and a vital percussive jam.

The sense of movement, of travel, isn’t to be understated. It extends to the journey the music is undertaking, but also to the entire group’s ability to move the listener from place to place, idea to idea. And it’s worth emphasizing that Tau and the Drones of Praise are not just mashing influences into songs, or cynically putting a Middle Eastern part beside an Irish folk part and calling it something else. One side or another may come to prominence in a given track, but even in pieces like the hard-science-as-philosophy “It’s Already Written,” which opened the band’s 2019 self-titled LP, or “Espiral,” which closes this set in gloriously freaked-out fashion and comes from 2016’s Tau Tau Tau where it sat directly next to “Kauyumari,” there’s a drawing together of ideas, a genuine sense of mixture as everything comes filtered through the band’s own impulses.

tau and the drones of praise dream awake

And oh, it’s a good time. Tau Presents: Dream Awake Live at Roadburn Redux is not at all a minor undertaking. With the Dublin tracks, it comes to a whopping 13 songs and 81 Earth minutes, but terrestrial concerns and whatever else you were doing this afternoon need not apply. Be it the incantations of “Huey Tonantzin” or hearing the song of the land in “Éist le Ceol an Chré,” the memorable boogie of “It’s Already Written” and the mountainous trudge uphill in “Mongolia” — less slog than adventure, but still carrying a sense of, well, carrying perhaps a heavy backpack along for the trip — the feeling of motion is no less palpable than the sense of place at any given moment, even if that place is somewhere in a swirling cosmos of spirit and mind. It doesn’t seem like coincidence that “Speak Your Truth” features here as a closer, since ultimately that voyage from start to finish is the truth of the outing as a whole.

In Old Irish, “Imbás” — positioned ahead of the half-in-Spanish “Espiral” — translates roughly to “inspiration,” but carries with it a sense of that inspiration being born of a kind of clairvoyance given by the land. It would be hyperbole to say Tau and the Drones of Praise are tapped into these kinds of cosmic energies, but that is what the music is seeking to do, and admirably, there’s nothing tongue-in-cheek about it. There’s no irony here in adapting songcraft to the various wonders of craft from around the world, and more, in uniting them for the purposes of this material, this set. Rather, Mulrooney and his assembled cohort are all-in, all-go, and the energy they bring doesn’t need to be loud to immerse the listener in the space they’re creating.

To put it mildly, this was a special set. Its reach goes outside the common bounds of genre and so is suited to the festival that gave it a home, but in representing the past and what’s to come for Tau and the Drones of Praise, ‘Dream Awake’ feels comprehensive while existing on a wavelength largely its own, whether you tag that as neo-folk or acid-this-or-that or whatever it is. There is no cheapening the accomplishment of sound and performance here, and rarely are artists willing to be so naked in portraying where they’re coming from. Perhaps it helps that Tau are coming from everywhere. Whatever else one might say about it — and there’s plenty more one could — this was a beautiful moment. The effort to preserve it should be commended.

Tau and the Drones of Praise, Tau Presents: Dream Awake Live at Roadburn Redux (2022)

Tau and the Drones of Praise, ‘Dream Awake’

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