Roadburn 2019: Grails, Hexvessel, Uran, Lucy in Blue, Bismuth, Third Commissioned Project and More Added

Posted in Whathaveyou on December 14th, 2018 by JJ Koczan

roadburn 2019 banner

I mean. Look. Hey. You know. It’s, uh. Yeah.

Roadburn and I kind of hit this point every year — at least we have for the last decade. The lineup announcements come through, and after a while, I just don’t even know what to say about it anymore. “Hey, so, look’s like Roadburn‘s gonna be all things to all people again” doesn’t really cut it as far as editorial content goes.

Here’s a point I’ll make: I think if you look at the Roadburn 2019 lineup, with its three commissioned projects — the third of which is newly announced — two career-spanning headline slots from Sleep, bands from multiple corners of the globe, a couple label showcases thrown in for good measure, and more still to come, it’s pretty safe to say it’s the biggest, farthest-reaching Roadburn yet. And even that. Is something I say. Every friggin’ year.

Doesn’t mean it doesn’t apply. It’ll be nice to see Grails again, and I was hoping Hexvessel would get added when their new video showed up earlier this week. A little more Aaron Turner doesn’t hurt either.

The PR wire has the lot of it, and you’ll see below the gorgeous individual day posters by Maarten Donders.

Dig:

More names announced for Roadburn 2019 including third commissioned project

– Tomas Lindberg adds more names to The Burning Darkness including GRAILS and URAN
– HEXVESSEL to perform All Tree in full
– Dutch black metal to be showcased in commissioned project MAALSTROOM
– Aaron Turner, Will Brooks and Dennis Tyfus to unite as DOOLHOF

Roadburn’s artistic director, Walter Hoeijmakers comments:

“We’re thrilled that 4-day tickets have sold out this side of Christmas – with still some of the line up to announce! Don’t delay on day tickets as we hope that they too will go quickly. We are nearing the end of our announcements, but there is still a handful of bands to present in the new year.”

TOMAS LINDBERG’S THE BURNING DARKNESS

GRAILS

GRAILS are set to return to Roadburn Festival exactly ten years after they performed at Neurosis’ curated event, Beyond The Pale back in 2009. We’re thrilled to announce that they’ll be making a return to join us in Tilburg – once again as a result of an invitation from our curator.

FONTÄN

“The whole vibe of FONTÄN reeks of folky, trippy melancholia, in the most unsentimental way. This is something that could easily have been produced by Brian Eno in his prime.” says Lindberg of his choice.

THE EXORCIST GBG

One of three Gothenburg based bands in this latest announcement, Lindberg describes THE EXORCIST GBG as: “a mind and time bending electronic psych experience, with a serious funk dance groove, like the legendary Goblin on dangerous cult-ritual-inducing drugs.”

URAN

When Tomas Lindberg describes a band as Sweden’s best kept secret, it’s time to start paying attention. He comments of URAN: “Imagine the heaviest psych, in a street fight with the most hypnotizing Stooges riffs, with an electronic Kraut edge and a monstrous Hawkwind presence.”

HEXVESSEL

HEXVESSEL’s new album, All Tree, will be released in February and the sole track released at the time of writing gives a tantalising glimpse of what to expect. It’s considered, haunting and – quite honestly – downright beautiful.
Prepare yourselves for some pin-drop moments amongst some soul shaking sonic shifts: Hexvessel are back!

DOOLHOF

The component parts of DOOLHOF are Aaron Turner, Will Brooks and Dennis Tyfus. Musically and artistically these three men appear to be worlds apart but look a little deeper and it’s obvious there’s a streak of experimental vigour and curiosity that runs through them all – and in this case, unites them.

When the idea of a collaborative project was floated, Turner singled out Will Brooks early on. Brooks made his Roadburn debut with Dälek in 2017; one of the most talked about performances of that edition, Dälek were instrumental in expanding the scope of the festival. Tyfus is a Belgian audio/visual artist whose Ultra Eczema label has served as the nucleus for a vast and eclectic array of creative endeavours.

That its participants have named it DOOLHOF (Dutch for ‘maze’) leads our minds to bubble over with possibilities.

MAALSTROOM

The third and final commissioned piece for Roadburn 2019 is a collaboration between a seething mass of up and coming – not to mention, vitally important – Dutch black metal bands. The project is titled MAALSTROOM and will unite over a dozen musicians from Laster, Verwoed, Witte Wieven, Turia, Fluisteraars, Grey Aura, Terzij de Horde, Folteraar, Nefast – and more.

Roadburn has showcased slivers of this innovative and burgeoning scene in previous years, but never before has such a heavy and accomplished array of Dutch musicians gathered together under one banner.

Exclusively for Roadburn Festival, MAALSTROOM will compose and perform a piece that spans five movements, with an evolving line-up of performers embellishing an ambient backdrop. This is not merely a show, nor a ritual; it is a current to be dragged along by.

MAALSTROOM is possible thanks to the continued support of the City of Tilburg and Brabant C.

As well as participating in MAALSTROOM the following bands will perform their own sets at Roadburn Festival 2019:
LASTER
TERZIJ DE HORDE
WITTE WIEVEN
DODECAHEDRON
TURIA
NUSQUAMA

ALSO ANNOUNCED TODAY:
BISMUTH bring ethereal doom to Roadburn
COILGUNS are primed to deliver an ear pummelling
CROWHURST will bring a world of pain
CROWHURST & GNAW THEIR TONGUES unite in harsh noise
FAUNA evoke manifestations of nature and wilderness through the lens of black metal
FOTOCRIME will shed light on a darkened room
LUCY IN BLUE set off on a psychedelic prog quest to Roadburn
PHARMAKON will summon disconnecting ambience and caustic crescendos of industrial noise
THOR & FRIENDS to bring their warm, hypnotic songs to Roadburn
TWIN TEMPLE’s Satanic doo-wop will reign supreme
WRONG will deliver angular melody and abrasiveness

TICKETS:
Single day tickets will go on sale on tonight – Thursday, December 13 at 8pm CET/7pm GMT/ 2pm EST. 4-day tickets are SOLD OUT, 3-day tickets are still available in limited numbers.

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

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http://www.twitter.com/Roadburnfest
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http://www.roadburn.com

Hexvessel, “Old Tree” official video

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Roadburn 2019 Adds Commissioned Project Molasses with Members of The Devil’s Blood, Astrosoniq, Birth of Joy and More

Posted in Whathaveyou on November 27th, 2018 by JJ Koczan

roadburn 2019 banner

Roadburn 2019 has announced a second commissioned project for its lineup. Following word that Tom G. Warrior would complete Celtic Frost‘s ‘Requiem’ triptych at the festival to be held next April, as always, in Tilburg, the Netherlands, details of a new project entirely have emerged that seems to have come about at least in part at Roadburn‘s behest. Molasses hits close to home in the native Dutch underground, bringing together members of The Devil’s BloodDeath AlleyBirth of JoyAstrosoniq and Donnerwetter. On vocals is Farida Lemouchi, formerly of The Devil’s Blood and whose brother, Selim, was regarded as a figurehead in the scene around Eindhoven prior to his death in 2014 — one remembers the tribute in his honor at Roadburn 2014 and still feels like an intruder for having watched something so personal, even on such a large stage as it was — and on drums is no less than Marcel van de Vondervoort of Astrosoniq, who’s Roadburn fest-family in that it’s under his watch as engineer that so many sets are recorded, resulting in the glut of live albums that have surfaced over the years.

With Oeds Beydals of the newly-hiatused Death Alley and other The Devil’s Blood alumni Job van de Zande and Ron van Herpen, as well as Birth of Joy‘s Bob Hogenelst and Matthijs Stronks of Donnerwetter in the lineup, it’s bound to be a formidable showcase — their first live date — and it may not be a one-off by any means. You’ll note it says “a new beginning” below.

From the PR wire:

roadburn 2019 molasses

Second commissioned project for 2019 announced; MOLASSES will debut at Roadburn

Roadburn is ecstatic to announce the second commissioned piece of music to be performed at the 2019 edition of the festival. Following the recent announcement of Tom G. Warrior’s Celtic Frost/Triptykon Requiem which will be performed by Triptykon and the Dutch Metropole Orkest in April, and the success of the first commissioned pieces earlier this year – the series continues.

It’s time to redefine a bond that never ceased to ascend. Loosen the valve and let the blood flow!

A little over ten years since The Devil’s Blood made its live debut at Roadburn Festival, something is stirring once again in the souls of many of those involved in pulling that first performance together. The last track on Selim Lemouchi’s post-TDB album, Earth Air Spirit Water Fire, titled Molasses has lent its name to a burgeoning, specially commissioned project. An ensemble bound together by a unwavering thread, a shared bond and a definitive presence in their lives. The fragmented pieces of The Devil’s Blood are piecing themselves back together, bereft of a very specific physical form but enriched by his spiritual company.

Farida Lemouchi, Oeds Beydals, Job van de Zande, and Ron van Herpen – all former members of The Devil’s Blood – are joined by kindred spirits, Marcel Van De Vondervoort of Astrosoniq, Bob Hogenelst (Birth of Joy) and Matthijs Stronks (Donnerwetter) to form Molasses.

Those hoping to hear some tracks from The Devil’s Blood back catalogue will come away empty handed; if you’re keeping an ear out for some Astrosoniq, it won’t come. Molasses may be shot through with the DNA that made those bands tick, but this is very clearly – and definitively – a new beginning.

Artwork by Max Rovers.

Artistic director, Walter Hoeijmakers comments: “When we started to commission music for Roadburn, it was a given that I wanted to reconnect Farida, Ron, Oeds and Job, along with Marcel from Astrosoniq, as they are such a gifted musicians, who simply belong on stage together. Plus, I wanted to give them the opportunity to grow into a new space as artists, and really hope that Molasses will help them personally as well, giving them strength to embrace the future – whatever that holds.”

Molasses will be embracing the future on Thursday, April 11.

It reaches out to neverending times
Eats itself to be born again
There is just space but it holds the lines
For an ever growing love and deep affection
To rise and rise and rise and rise

TICKETS:
Single day tickets will go on sale on Thursday, December 13. Weekend tickets are on sale now

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
4 days ticket (Thu-Sun) €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

Click here for more ticketing information.

https://www.facebook.com/Molassesofficial
https://www.instagram.com/molassesofficial/

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Selim Lemouchi & His Enemies, “Molasses”

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Roadburn 2019: LOOP, Sumac, Crippled Black Phoenix, Sherpa and More Added

Posted in Whathaveyou on November 15th, 2018 by JJ Koczan

roadburn 2019 banner

A return appearance from Crippled Black Phoenix seemed like asking a lot. A return appearance from LOOP seemed unrealistic. A complete showcase from Exile on Mainstream? Well now that’s just silly. But silly’s how it goes for Roadburn, which in 2019 will apparently continue to exist on a plane all its own, much to the general betterment of humanity. I’ll happily take the chance to see Emma Ruth Rundle and Sherpa and to get exposed to Cave, who sound so much up my alley that I’m kind of embarrassed I’ve never heard them before. Plus underrated sludgesters Treedeon and you know, Sumac, because Aaron Turner hasn’t curated a Roadburn yet and we might as well build up to that seeming inevitability with an unofficial kind of residency, and Young Widows and enough others that I forgot what the point of this sentence was when I started out and it doesn’t even matter because the lineup is so staggeringly incredible.

Fuck it. Dive in:

loop roadburn 2019

More additions for Roadburn 2019, including curated acts; day tickets on sale in December

TOMAS LINDBERG chooses LOOP and SLÆGT for his curated event
SUMAC to perform
YOUNG WIDOWS to play Old Wounds in full
Return performances for CRIPPLED BLACK PHOENIX and EMMA RUTH RUNDLE

TOMAS LINDBERG’S THE BURNING DARKNESS

LOOP
LOOP are no strangers to Roadburn – they headlined the 2014 edition of the festival. The psych titans split in 1991, reforming in 2013 and cementing themselves as legends of the scene – and amongst other activities, brought their glorious technicolour to the Roadburn stage. We’re thrilled to welcome them back for a special, one off show as part of Tomas Lindberg’s curated event, The Burning Darkness.
Lindberg comments: “I expect to see you all in the front row for this one. I have goosebumps already.”

SLÆGT
As the frontman for At The Gates, we know Tomas is something of an extreme metal connoisseur. He’s flexing that muscle with his latest addition to the line up, which comes in the shape of SLÆGT. Tomas explains:
“When I think of heavy metal, there is a certain feeling I am after. A special haunting, emotional impact that I’m seeking. I will always be super excited when I get that same feeling that was there when I first got into underground metal. SLÆGT is one of those rare examples.”

SUMAC
Aaron Turner is not a man who likes to sit still. When he realised that he would technically have a day off at Roadburn, his brain started to click and whirr. And soon enough we had SUMAC on the bill.

When Love In Shadow landed in September, it was a swift reminder not to assume you know all there is to know about a band. Turner has promised us something special at Roadburn: a titillating promise. But we can’t help but feel that any SUMAC experience is going to be a special SUMAC experience – and surely better than a day off.

YOUNG WIDOWS
If it’s true that absence makes the heart grow fonder, it doesn’t discount the fact that the occasional tease of a live show can still be pure agony, especially when Europe has historically been somewhat starved of YOUNG WIDOWS. So it’s with something akin to relief mixed with pure joy that we announce YOUNG WIDOWS’ performance at Roadburn 2019. For fans of their 2008 release, Old Wounds, the treat is two-fold; the band will be playing the album in full for us!

CRIPPLED BLACK PHOENIX
Following their mind-warping set on Roadburn’s main stage in 2017, we welcome back the progressive darkness of CRIPPLED BLACK PHOENIX. In the band’s decade and a half career, they have released an incredible ten studio records, the latest of which Great Escape is a powerful, treacherous exploration into a the bleakest realms of Justin Greaves’ psyche. A CRIPPLED BLACK PHOENIX performance is the sound of a band following their own path, their own rules, for their own enjoyment. And ours.

CAVE
Channeling Krautrock staples like Can and Neu! with Miles Davis/Funkadelic style funk, CAVE offers an instrumental galaxy of hypnotic jams. It’s the band’s groove-heavy – yet loose – approach which gives way to an intricate backdrop for these spontaneous explorations; from fuzzy leads to free jazz fusion, from prog to psychedelic library music, from subtle funk to South American delights.

EMMA RUTH RUNDLE
Emma Ruth Rundle made such a mark on Roadburn 2017, we’re overjoyed to have her back for 2019 – and we expect the results to be just as powerful and mesmerising as the first time around.
Her first solo performance at the festival was a pivotal moment for us. Not only did it mark a definitive turning point for the artistic scope of the festival, it was also the moment that we adopted Emma as one of our own. A kindred spirit, a sonic explorer, a soul sister.

LINGUA IGNOTA
Boldly straddling the classical music world and the often hellish soundscapes of harsh noise, LINGUA IGNOTA plucks what she wants from both – and elsewhere – to form a towering inferno of raging fury, manifesting as sonic indignation. The challenge of a visceral and abrasive show is one that we relish. If you’re looking for an experience, something that that burrows into your consciousness and niggles at you for months to come, sign up now. LINGUA IGNOTA will deliver a masterclass.

EXILE ON MAINSTREAM X ROADBURN
EXILE ON MAINSTREAM Records is celebrating twenty years of existence with us at Roadburn 2019. The iconic label has released almost 90 records over the past two decades.The label’s history is somewhat entwined with our own; in fact they celebrated their 15th birthday with us too! We guess we make good cake!
The label will commandeer the Hall of Fame venue on Saturday, 13 April and the following bands will perform:
OSTINATO
NOISEPICKER
CONNY OCHS
TREEDEON
BELLROPE
CONFUSION MASTER

ALSO CONFIRMED:
FEAR FALLS BURNING will see Dirk Serries performing an exercise in minimalism
JAYE JAYLE will reprise their 2017 performance – in the more spacious Green Room
OVTRENOIR will deliver a dose of sludgy post-metal
SHERPA will perform Tigris & Euphrates in full
SOFT KILL will perform both Savior and Heresy in full
THROANE offer a cold and violent take on modern black metal
TREHA SEKTORI will bring an innovative and immersive take on dark ambient sound

TICKETS:
Single day tickets will go on sale on Thursday, December 13. Weekend tickets are on sale now

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
4 days ticket (Thu-Sun) €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

Click here for more ticketing information.

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Roadburn 2019 November announcement video

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Triptykon to Perform Commissioned Project at Roadburn 2019

Posted in Whathaveyou on November 2nd, 2018 by JJ Koczan

Triptykon (Photo by JJ Koczan)

Tom G. Warrior and Triptykon completing a triptych that Celtic Frost began 31 years ago on Into the Pandemonium with the never-heard second part and performing the whole thing in full with a complete orchestra accompanying? SuchRoadburn move. So Roadburn.

The first-unveiled of Roadburn 2019’s commissioned projects — it ain’t the last, folks — is precisely the kind of once-in-a-lifetime shenanigans the universe has come to expect from the festival. Year after year after year, Roadburn delivers incredible experiences, and since moving into commissioning bands and collaborations in 2017, the fest has basically not only become a proving ground for acts looking for a foothold in Europe, or, you know, the world, but a place where artists challenge themselves creatively as well as in performance and presentation. All kidding aside, it’s unreal.

If you’re scratching your head wondering just what the hell something like “Chapter One: Overture – Fourth Incarnation” means, I can’t imagine you’re alone. Just understand that it’s something that’s never happened before and could very well never happen again.

Typical Roadburn. Amazing.

PR wire:

roadburn 2019 tom g warrior

Tom G. Warrior returns to Roadburn to perform Celtic Frost/Triptykon Requiem in full

Triptykon will return to Roadburn Festival in 2019 to perform the complete Celtic Frost/ Triptykon three part Requiem, complete with orchestral accompaniment.

Having previously performed at the festival in 2010 and 2014 with Triptykon, and taken on curatorship duties for the former (selecting bands such as Sarke and Thorr’s Hammer to perform); it’s our pleasure to welcome Tom G. Warrior back to Roadburn on Friday, April 12.

The first part of the three-part Requiem appeared on Celtic Frost’s Into The Pandemonium, and was titled Rex Irae. The third part, titled Winter was brought to life on the Celtic Frost album Monotheist in 2006, and until now, the missing second part has remained incomplete.

Tom explains:
“The intention to finish the full Requiem remained with me. I was going to do it one distant day with Triptykon, the group I formed to continue to pursue the path I began in Hellhammer and Celtic Frost. It was 2018, yet again 16 years after I last worked on the Requiem, when Walter Hoeijmakers, founder of the legendary Roadburn Festival and one of my most beloved friends, contacted me to propose Roadburn as the venue to perform, at long last, the finished Requiem.

“Walter and his team very kindly provided for the resources necessary for such a substantial undertaking, and so, at 54 by now, I found myself commencing work on the second and thus final part of the Requiem this year.

“The three parts of the Requiem will therefore be performed by Triptykon at Roadburn 2019, with full classical orchestration, congregated specifically for this occasion by Florian Magnus Maier, who is our esteemed classical collaborator and arranger in this project, and whose patience with me appears to be limitless. We feel very proud and deeply honoured to be joined in this endeavour by the renowned Dutch Metropole Orkest.”

Click here to read more from Tom about the history of the Requiem.

Celtic Frost/ Triptykon Requiem, as performed exclusively by Triptkyon and the Dutch Metropole Orchestra at Roadburn 2019:

Rex Irae (Requiem, Chapter One: Overture – Fourth Incarnation)

Grave Eternal (Requiem, Chapter Two: Transition)

Winter (Requiem, Chapter Three: Finale – Ninth Incarnation)

The Requiem will be performed with the world renowned, Grammy-award winning, Dutch Metropole Orkest.

2018 marked the first occasion when Roadburn commissioned artists to create music especially for the festival, with Waste of Space Orchestra and Vánagandr: Sól án varma both delivering spellbinding performances to enraptured audiences. The commissioning of the Celtic Frost/Triptykon Requiem is possible due to the continued support of Brabant C and City of Tilburg

TICKETS:
Single day tickets will go on sale on Thursday, December 13. Weekend tickets are on sale now

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
4 days ticket (Thu-Sun) €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

Click here for more ticketing information.

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Celtic Frost, “Rex Irae (Requiem)”

Celtic Frost, “Winter (Requiem)”

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Roadburn 2019 Adds Three Fests’ Worth of Bands to Lineup

Posted in Whathaveyou on October 26th, 2018 by JJ Koczan

roadburn 2019 banner

Yeah, I put it at about three festival’s worth of bands added to Roadburn in this announcement. Maybe four. Consider Tomas Lindberg‘s curated event its own fest. Then you have the Holy Roar Records showcase with five bands playing. Then you have the announcements besides, and that’s enough for at least one fest on their own, if not two, so yes, at least three festivals happening here as Roadburn 2019 continues its let’s-be-all-things-to-all-people-and-actually-get-away-with-it push into new aesthetic territory, working to redefine and proliferate ideas of what “heavy” can and needs to encompass. If you don’t see this as an art project, you’re looking at it wrong.

I haven’t heard whether or not we’ll be doing the Weirdo Canyon Dispatch daily ‘zine as part of Roadburn 2019 next April, but of course I’m hopeful it happens. Hard to imagine a year without a Roadburn at this point. I’d prefer not to, actually.

Here’s the latest announcement in its yes-this-is-all-happening-at-one-fest totality:

roadburn 2019 mono

MONO, MYRKUR: FOLKESANGE, MARISSA NADLER, AND MORE ADDED TO ROADBURN 2019

– MONO to perform Hymn to the Immortal Wind as part of Tomas Lindberg’s curation
– Myrkur: Folkesange set to captivate the main stage
– Marissa Nadler will make her Roadburn debut
– Holy Roar x Roadburn showcase to take over Hall of Fame
– Day tickets on sale December 13

Of the new additions to the Roadburn line up, Artistic Director, Walter Hoeijmakers comments:

“We’re incredibly excited to announce this latest group of bands to the Roadburn line up. As well as representing well established artists, we have also included a huge array of boundary-pushing performances which will continue to expand the scope of the festival. These are artists that we believe will shape the future of heavy music.”

MONO & MORE FOR TOMAS LINDBERG’S CURATED EVENT

Tomas Lindberg has added a clutch of new bands to his curated event, The Burning Darkness, topped off by MONO who will be performing a special anniversary show.

The Japanese post-rock four piece will celebrate their 20th anniversary as a band, and the 10th anniversary of of their iconic album Hymn to the Immortal Wind with a full album set at Roadburn 2019. They will be joined on stage by the JO QUAIL QUARTET, adding another layer of lush instrumentation to their intricate tracks. Lindberg comments: “It is with great pride I present them as a part of my curation this year.”

In addition, Lindberg has chosen three further bands for his curated event. AGRIMONIA – who Lindberg loosely describes as “a more progressive Amebix” – plus Swedish dynamic prog outfit GÖSTA BERLINGS SAGA have also been confirmed. Rounding out the new additions is ORCHESTRA OF CONSTANT DISTRESS – a hybrid of Brainbombs and Skull Defekts.

MYRKUR: FOLKESANGE

MYRKUR: FOLKESANGE will bring some folk magic to the main stage as she is accompanied by musicians including Heilung’s Christopher Juul, and celebrated cellist Jo Quail. Folkesange brings together both traditional Nordic folk songs, as well as her own original compositions in a mesmerising swirl of ethereal darkness.

MYRKUR will be performing with her metal band at the 013 on December 16, with support from Jo Quail.

MARISSA NADLER

Darkness comes in many forms, and one of the most beautiful we’ve witnessed this year is on the tracks of MARISSA NADLER’s latest album, For My Crimes. We’re thrilled that she will bring these songs – and more – to life, on the Roadburn stage this coming April.

HOLY ROAR X ROADBURN

For 12 years now, HOLY ROAR have been quietly (and sometimes not so quietly) releasing a steady stream of incredible albums. The label has become home to some of the most exciting rising bands around and we’re thrilled to team up with the label to bring you five of their brightest stars for HOLY ROAR X ROADBURN.

On Friday, April 12, the Hall of Fame venue will play host to the unapologetic abrasiveness of SVALBARD, the sonic alchemy of PIJN, the nihilistic post-metal of CONJURER, the genre-bending delights of SECRET CUTTER, and the label’s newest recruit, the haunting A.A.WILLIAMS

ALSO CONFIRMED….
BLACK BOMBAIM & PETER BRÖTZMAN will see Portuguese psych masters team up with a free jazz legend
BLISS SIGNAL will be fusing the jagged edges of blast beats and black metal with the hypnotic tremors of dark electronics
BOSSK will perform Audio Noir in full
CRYPT TRIP are a righteous trip back to days when acid-tinged rock was both exciting and thriving on attitude and energy
DEAF KIDS combine D-beat, and psychedelia with their South American roots
DEAF KIDS X PETBRICK will team up to deliver audio chaos
MALOKARPATAN offer a mix of the best classic heavy metal with an oblique take on black metal
MORNE will deliver a crushing dose of sludge
MYTHIC SUNSHIP are poised to deliver a set as iconic as their Another Shape of Psychedelic Music album
PETBRICK mix together crushing electronics with grinding drum violence, featuring Iggor Cavalera
RAKTA bring post punk, death rock, psych and just good old noisy garage rock’n’roll
STUCK IN MOTION prove there’s vibrancy in classic forms
TERRITOIRE performing Alix in full
THE END is the new project of saxophonist Mats Gustafsson, bringing chaos and beauty to the Roadburn stage

TICKETS:
Single day tickets will go on sale on Thursday, December 13. Weekend tickets are on sale now

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
4 days ticket (Thu-Sun) €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Roadburn 2019 announcement video

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Sleep to Headline Roadburn 2019; Tomas Lindberg Curating & More Bands Added

Posted in Whathaveyou on August 16th, 2018 by JJ Koczan

roadburn 2019 banner

I mean, who’s gonna argue? Roadburn 2019’s first real lineup announcement — Heilung and Gore and Louise Lemón were announced at this year’s festival, so technically that’s the first announcement — already paints an unreal picture of what’s to come. Sleep playing two sets spanning their 27-year career. Tomas Lindberg of At the Gates curating in what would seem to be Roadburn specifically doing High School Me a personal favor — I bet that’s gonna be crusty as hell — as well as the likes of Seven That Spells, Midnight, Birds in Row and more. Seriously.

You know what the thing about this is, too? It’s just the beginning. Roadburn 2019 just started out with what would otherwise be a grand finale of an announcement. Get ready, because the next few months are only going to get more unbelievable. That’s pretty much what Roadburn specializes in at this point.

Till then, this from the PR wire:

Headliner, curator and more announced for Roadburn Festival 2019

– SLEEP will headline with two career-spanning sets
– TOMAS LINDBERG to create The Burning Darkness curated event
– HAVE A NICE LIFE to perform two rare sets
– Plus more…

TWENTY-SEVEN YEARS OF SLEEP

Roadburn is thrilled to welcome SLEEP back to the festival as our main headliners for 2019. In two career-spanning sets, SLEEP will shine the spotlight first on their iconic album, Holy Mountain, and then the following night focus on their latest – crushing – release, The Sciences. There will be enough time for some bonus tracks and surprises, adding to the once-in-a-lifetime feel of this pair of sets.

For almost 30 years, SLEEP have been penning anthems for stoners, dropouts and appreciators of thee riff. It’s something of an understatement to say that Sleep have been an influential band in the world of heavy music – and directly on us at Roadburn too.

Whilst our relationship with the individuals in Sleep pre-dates their 2012 Roadburn performance (Om, High on Fire and Neurosis being no stranger to the Roadburn stages), that show, six years ago cemented the bond between band and festival; our histories forever entwined. It feels appropriate to celebrate together – another chapter in this incredible band’s tale.

SLEEP will perform on Saturday, April 13 and Sunday, April 14. Read more here.

CURATOR: TOMAS LINDBERG
Roadburn has a diverse history of curators. Each year, one creative is selected to put their stamp on a corner of the festival, imprinting a little bit of themselves on the Roadburn map. Carrying the torch for the curator tradition in 2019 is Tomas Lindberg who will present bands under the banner The Burning Darkness.

Having performed at Roadburn in 2016 with Disfear, Lindberg will be a familiar face to Roadburners. Although best known for his work with At The Gates and Disfear, stints in Skitsystem and Lock Up plus his output with The Great Deceiver likely mean that he’s gotten a look in on many a Roadburner’s record collection.

Tomas says: “Roadburn for me has always been about eclecticism, and underground music of all styles that desperately demand your attention. Walter and I have already started talking about possibilities, and I am super excited about the direction of these talks. See you there!”

Tomas Lindberg’s The Burning Darkness curated event will take place across multiple stages on Friday, April 12 and Saturday, April 13.

HAVE A NICE LIFE
HAVE A NICE LIFE released Deathconsciousness ten years ago, and the slow, quiet ripples have been making an impact ever since. With only a select few shows under their belts, we’re thrilled that HAVE A NICE LIFE will be playing not one, but two shows at Roadburn 2019. With one show dedicated to Deathconsciouness and another “regular” show (as regular as such a rare treat can be!), HAVE A NICE LIFE will truly celebrate the big gloom at Roadburn.

HAVE A NICE LIFE will perform on Saturday, April 13 and Sunday, April 14.

BIRDS IN ROW
BIRDS IN ROW’s much-anticipated second album, We Already Lost The World, is a solid, varied and tremendously mature record that can be filed under the very inclusive banner of post-hardcore, but also a record which nevertheless maintains that anguished, raw intensity that has always been their trademark. We didn’t need much convincing, but it sealed the deal – we couldn’t resist having them at Roadburn 2019.

BIRDS IN ROW will play on Sunday, April 14.

VILE CREATURE
A heady mix of droning doom and sludgy bang-your-head-slowly moments, VILE CREATURE wear their collective hearts on their sleeve and don’t hold back. Whilst their latest album, Cast of Static and Smoke may have its roots in a sci-fi-influenced short story that the duo concocted together, a immovable streak of socio-political commentary and compassion run through the very core of the band. Self-described “weird queer kids with lofty ambitions”, we’re hopeful that at least one of their ambitions will be fulfilled come April.

VILE CREATURE will play on Thursday, April 11.

MIDNIGHT
Pack your leather jackets, bullet belts and face masks, because you’ll surely need them when Midnight ride to Roadburn…On The Wings Of Satan! We have a Melting Brain just thinking about it, but 2019 is finally the year when we will be Crushed By Demons, as MIDNIGHT will finally rip our stages apart and Take You To Hell with their unholy Black Rock ‘n’ Roll!

MIDNIGHT play Roadburn on Thursday, April 11.

SEVEN THAT SPELLS
Ten years have passed since the last visitation of SEVEN THAT SPELLS to Roadburn Festival. In that time, the Croatian progressives have embarked on and completed the wildly ambitious trilogy The Death and Resurrection of Krautrock, offering its three different parts – Aum, Io and Omega, in 2011, 2014 and 2018, respectively.

Here at Roadburn HQ, we pride ourselves on bringing you the very best and most forward-thinking acts from all around the world, and we can’t wait to welcome back SEVEN THAT SPELLS to the 013 venue with their cross-genre epic in tow. Krautrock will be reborn at Roadburn 2019!

SEVEN THAT SPELLS will play on Friday, April 12.

ALREADY ANNOUNCED
Before Roadburn 2018 was even complete, a trio of acts for 2019 were announced. Headed up by HEILUNG who are making monumental waves at the moment, the blueprint for Roadburn 2019 started to come into focus. Describing their ethos as “amplified history” from early Medieval Northern Europe, their daring and thought-provoking attitude will fit in perfectly at Roadburn.

Elsewhere, LOUISE LEMÓN’s “death gospel” will lend an ethereal, otherworldly vibe to proceedings, whilst Dutch hardcore legends GORE will signal their return with an intense reunion show.

The artists performing at Roadburn 2019 are:
Birds In Row
Curator: Tomas Lindberg
Gore
Have A Nice Life
Heilung
Louise Lemón
Midnight
Seven That Spells
Sleep
Vile Creature

Ticket information for Roadburn 2019 will follow in the coming weeks.

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Roadburn 2019 First Announcement Video

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Roadburn 2018 Trip Pt. 6: Departure, Amsterdam, NL

Posted in Features on April 23rd, 2018 by JJ Koczan

airport runway

04.23.18 – 11:31AM CET – Monday morning – Schiphol Airport Gate D47, Amsterdam

For the first time in the 10 that I’ve made this trip, I was up before my alarm this morning. It was set for 7:30AM and I was out of bed by 7:05. I’d gone to sleep around three after finishing the review and unplugging my brain for the evening, decided even though it’s a 13.00 flight, I’d get up early and do the packing in the morning and crash out as soon as possible. I shudder to think what I left behind at the hotel.

One year I left my comfy pillow. I even tried to call and ask them to send it to me, was how much I loved that pillow. They pretty much told me to fuck off.

And who could argue?

Also this morning, another first, I changed at den Bosch all by myself. No asking at the information counter. Reading signs helped. Nonetheless, I felt like a pro at this whole thing.

As I was coming to the gate, I got asked the standard round of “did you have your luggage the whole time,” “did you pack it all yourself” questions and I kind of realized at that moment that no, I didn’t pack it all myself. I’m carrying a box of records home that I was given that I haven’t even had the chance to open yet. They asked me if I was selling them and I laughed. Hell no. That shit, whatever it is, is mine.

They gave me a green sticker to put on my passport, which I assume means I’ll never see my baggage again. Too bad. My Ancestors shirt and favorite pair of sweatpants were in there.

Plus, you know, a whole box of records.

coffeeBecause life makes this much sense, I’m overshooting Boston to make a connecting flight in Detroit and then heading back east to Boston. Perfect, right? If you ever need a metaphor for navigating anything related to Beantown, there it is. Please use it freely.

But I’ve had a couple cups of coffee, ate an airport egg salad sandwich and and apple, and the bleeps and bloops and swirls of Dr. Space continue to ring in my head, so I must be on my way home from Roadburn, even though it will take me I can’t count how many hours to get there.

Before I get on this plane, I want to say a couple thank yous. First and foremost to The Patient Mrs., for letting me have this even though she knew it meant she’d be running point with The Pecan for five/six days solid. I do not expect to let her change a diaper for the next week.

Thanks to Walter — FOREVER — and to Esther, Becky, Lee, Gijs, Jamie, Rianne, Koos and the entire team at the 013. We did get the final issue of the ‘zine out yesterday. It was eve my photo of Zach Oakley from Joy/Volcano that got used. I was honored. That’s a first for me.

Thanks to my family, my mother and sister, for their love and support.

Thanks to Paul, Niels, Kim, Dan, Dom, José, Cheryl, Jamie, Ben and everyone on the staff of the Weirdo Canyon Dispatch. This year cut it a little close for comfort. If we’re fortunate enough to do it next year, Lee and I joked we’d start in November, and the more I think about it, that might be the way to go.

Thanks to everyone in the photo pit, Falk-Hagen, Dante, to Jon Freeman, Andreas Kohl, Jurgen, Kenny Sehgal, Dave and Robin Sweetapple, Jens Heide for that box of records, and Markus, Nicole, Dave MIBK, Dana Schecter and everyone else I saw and met along the way this year.

I’d like to send a special thanks to the coffee machine in the office of the 013, the coffee machine backstage at the 013, the coffee machine in the lobby of the Hotel Mercure and the little Nespresso in the room itself.

And as always, most of all, I’d like to thank you for reading and making this entire thing possible. Thank you, thank you, thank you. Thank you.

This one was a trip to be sure. But I miss my baby boy and I miss my wife and my dog and I hear we’re basically having spicy curry for dinner all week, so it’s time to go home.

Thank you for reading.

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Roadburn 2018 Day Four: They Have Dreams

Posted in Features, Reviews on April 22nd, 2018 by JJ Koczan

roadburn day 4 banner

04.22.18 – 11:31PM CET – Sunday night – Hotel Mercure Rm. 224

I saw a lot of cool shit today. This whole long weekend. There wasn’t one day that didn’t deliver some moment that seemed to me to be something special, whether it was Earthless‘ first set, or Volcano, or The Heads, or Joy tonight jamming out with Dr. Space. This afternoon, though, I stood in the back of the V39 across the alleyway from the 013 venue and watched a Q&A with Roadburn‘s creative director, Walter Hoeijmakers, aka Walter Roadburn, aka just Walter, run by Becky Laverty, who runs the fest’s PR.

He spoke about how the festival has grown organically over the time since he started it, how it changed as his tastes changed to encompass an expanding definition of what “heavy” becky and walter (Photo by JJ Koczan)is and means, and even about some of what the future holds in Roadburn 2019’s lineup. He wasn’t giving away who’s curating or anything, but as one might expect, there will be more commissioned projects like Waste of Space Orchestra on Thursday and the Icelandic black metal group work Vánagandr: Sól án varma, this afternoon. Talking about how young and creative the Icelanders specifically are, he said, “They have dreams,” and you could hear in his voice the deep level of respect that notion commanded from him.

That was a beautiful moment, and like so many I’ve seen in the 10 times I’ve been fortunate enough to make this trip to Tilburg, I felt lucky to be there when it happened.

There was still a lot to see today, though, and while I did stop by uninvited to catch some of Vánagandr, my final day of Roadburn 2018 began in the Green Room with Iron Chin. For much of the day, I sought out spacier fare, reminiscent somewhat of the spirit of the old Afterburner, which has kind of been subsumed into the festival proper even though there were “only” four stages running today: the Main Stage, Het Patronaat, the Green Room, and Cul de Sac. You’ll have to take my word for it when I say it was plenty.

So I had made my way to the Green Room with all the grace of a low-self-esteamboat for Iron Chin, and my reasoning was simple: Oeds Beydals. The Death Alley guitarist was leading the charge in the new group — fronting the band, on vocals as well as guitar — iron chin (Photo by JJ Koczan)and playing alongside for The Devil’s Blood bandmate Job van de Zande (now also in Dool), Ries Doms (Powervice) and Wout Kemkens (Shaking Godspeed), the idea behind the band seemed to be the Dutch heavy scene’s way of welcoming San Diego’s scene to town. The actual output was somewhere between space rock, heavy psych and jamming, with Beydals riding dynamic grooves as he sometimes does in Death Alley but bringing that side of things more into focus. Naturally, there was a song called “Iron Chin,” and just as naturally, its chorus made fitting and frequent use of the title.

I had caught a couple minutes of their soundcheck before doors opened, and knew it was going to be worth the time, but an even more pleasant surprise was when Beydals brought out guitarist Zack Oakley, drummer Thomas Dibenedetto and bassist Justin Hulson — in other words, the entire trio of Joy — to sit in on a few jams. Oakley‘s guitar fit right in the psychedelic wash, Hulson manned a Nord to bring some organ to the proceedings, and he and Dibenedetto both added percussion as well. It was a trip, and that was clearly the intention.

When I saw Beydals later, I asked him if they were going to record, and he confirmed it. That’ll be one to keep an eye out for. He’s developed a considerable stage presence since I first saw Death Alley at the Hardrock Hideout in 2014, and he wasn’t exactly lacking one to start with.

Keeping with the ethereal and/or cosmic, I clomped to Cul de Sac in order to see Belgian progressive rockers Hidden Trails. I knew the challenge in writing about them would be going a single sentence beforehidden trails (Photo by JJ Koczan) mentioning their connection via bassist Dave Houtmeyers and drummer Tom Vanlaer to the much-missed Hypnos 69, and now that I’ve thoroughly failed at that, I feel a little bit like I can move on. Houtmeyers, Vanlaer and guitarist/vocalist Jo Neyskens released their debut, Instant Momentary Bliss (review here) in 2016, and while it’s a thrill for me pretty much anytime I can watch a band play who’ve put something out on the label Elektrohasch Schallplatten, their blend of classic proggy exploration, organic tones and melodicism made it all the more special.

The concept of the Afterburner, with fewer stages running, etc., was that it was a smaller day to kind of transition from being neck-deep in the full force of Roadburn and returning to regular day-to-day existence. As I started to think about things like flight times home and changing trains at den Bosch on the way to Schiphol — always a challenge because I never know which track the train to the airport is coming in on and have to ask at the info counter, where they basically call me a moron every single time — the soothing vibe of Hidden Trails eased my anxious brain a bit and gave me another chance to bask in the breadth and warmth that Roadburn can sometimes offer, you know, when it’s not tearing your face off.

Speaking of, Wiegedood were next on the Main Stage. I have no problem admitting that, at 36 years of age, after three-plus days of festival-being-at, late-night-reviewing, ‘zine-editing and the rest, my ever-expanding ass was fairly well kicked. I went up top in the Main Hall and sat for a while of Wiegedood‘s set, flashing red strobes, skin-peeling sharpness and all, and then flumped back downstairs to have a quick dinner — the return of the fish in lemon cream sauce; I’d happily eat it every night until I died from mercury poisoning, if that’s even a thing here — before Zonal and Moor Mother took to the Main Stage at 19.00.

Zonal, with Justin K. Broadrick of Godflesh and Kevin Martin aka The Bug, who was here collaborating withmoor mother (Photo by JJ Koczan) Dylan Carlson last year (review here), claimed half the stage for a table flanked by bass stacks and left author and spoken word artist Camae Ayewa, aka Moor Mother, the other half to annihilate as she saw fit, silhouetted by lights behind and enough fog machine output that even the hallway outside the Main Stage area was enshrouded.

And annihilate she did, though her words were somewhat obscured by the wash of electronic noise surrounding. It was a performance geared for impact and it seemed to make one on parties either curious or who knew what they were getting, and as the bass beats vibrated in my chest, my mind flashed back to Walter earlier at V39 talking about pushing into new concepts of what “heavy” means. There it was, right in front of me. Impossible to see for all the smoke, but there just the same.

Word had spread of Harsh Toke playing a secret set on the skate ramp up by Hall of Fame, and I know I’ve said before that when Harsh Toke are jamming, that’s where you want to be, but I didn’t see Godspeed You! Black Emperor last night specifically knowing that I’d have the chance to catch them today, and in my mind the commitment was made. With video projection art behind them, they came out to the Main Stage gradually and arranged themselves in a semicircle under barely-there light and like the chamber music of the damned, they treated Roadburn 2018 to their massively influential and richly evocative instrumentalism, creating a space for themselves in the room much as they’ve essentially created a genre for themselves over their 20-plus-year history. I’d never seen them before and won’t claim any expertise on their back catalog, but though the audience in the back was sitting — as was a goodly portion of the band — it was clear they were also being taken somewhere else completely.

That one-two punch, of Zonal with Moor Mother and godspeed you black emperor (Photo by JJ Koczan)then Godspeed You! Black Emperor probably would’ve been enough to call it a day, a weekend, and a festival. That is, I couldn’t have reasonably at that point asked for more than I’d gotten out of Roadburn 2018. But the day started spaced-out, and I knew it would end the same way. Joy and Dr. Space jamming together at the Cul de Sac? Yeah, you can count me in for that.

In fact, since I looked at the final schedule and knew that I’d be in Tilburg again this year, I’ve known that Joy and Dr. Space was how I wanted to close out my Roadburn. Scott HellerDr. Space himself and bandleader of the Øresund Space Collective — started out the set on his own for a while, just oozing vibe on the crowd from his custom-built synth setup, arranged facing away from the audience like a secret box of magic tricks. Cosmic rabbits in lysergic hats and all that. Joy — the aforementioned OakleyHulson and Dibenedetto — arrived a short time later and with Oakley‘s guitar easing their way in, embarked on a longform jam that absolutely melted the room surrounding. Also helps that the Cul de Sac was wall-to-wall with bodies and about 100 degrees (or whatever that is in celsius; a million?), but yeah, one way or another, it was going to be molten.

Even without the unforeseen symmetry of opening and closing the day in the company of Joy, I was right in my pick for how to cap the night. The groove was easy, the vibe fluid and the mood in the room just about perfectly embodied the two parties themselves: “joy” and “space.” Beat as I was, I had a hard time dragging myself out of there. But I did, and after a few quick goodbyes back at the 013 itself, I doltishly florped back to the hotel past drunkards young and old, pissed and reckless, dazed andjoy dr space (Photo by JJ Koczan) dancing and riding bicycles. It was another Sunday night in Tilburg. Tomorrow morning they’ll powerwash Weirdo Canyon again and it’ll be like none of it ever happened.

Except it did. And everyone who was here will carry it with them wherever they might be headed next. Home, far and wide, another bar, whatever. I don’t think it’s possible to be here and not be touched in some way by the spirit of it. For me, after 10 times, I can hardly begin to conceive the ways it’s helped shape who I’ve become over the last decade, how I’ve thought about music and culture and art in general, and the lessons that each year reinforces about what truly matters in creativity, which is that it keeps moving forward. Always forward. That it keeps dreaming.

I’ll have a wrap-up post tomorrow at some point. Till then, thanks for reading and more pics after the jump.

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